Why Did Bodhidharma Go to the East? Buddhism's Struggle with The
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The Path to Bodhidharma
The Path to Bodhidharma The teachings of Shodo Harada Roshi 1 Table of Contents Preface................................................................................................ 3 Bodhidharma’s Outline of Practice ..................................................... 5 Zazen ................................................................................................ 52 Hakuin and His Song of Zazen ......................................................... 71 Sesshin ........................................................................................... 100 Enlightenment ................................................................................. 115 Work and Society ............................................................................ 125 Kobe, January 1995 ........................................................................ 139 Questions and Answers ................................................................... 148 Glossary .......................................................................................... 174 2 Preface Shodo Harada, the abbot of Sogenji, a three-hundred-year-old Rinzai Zen Temple in Okayama, Japan, is the Dharma heir of Yamada Mumon Roshi (1890-1988), one of the great Rinzai masters of the twentieth century. Harada Roshi offers his teachings to everyone, ordained monks and laypeople, men and women, young and old, from all parts of the world. His students have begun more than a dozen affiliated Zen groups, known as One Drop Zendos, in the United States, Europe, and Asia. The material -
A Departure for Returning to Sabha: a Study of Koan Practice of Silence Jea Sophia Oh West Chester University of Pennsylvania, [email protected]
West Chester University Digital Commons @ West Chester University Philosophy College of Arts & Humanities 12-2017 A departure for returning to sabha: a study of koan practice of silence Jea Sophia Oh West Chester University of Pennsylvania, [email protected] Follow this and additional works at: https://digitalcommons.wcupa.edu/phil_facpub Part of the Buddhist Studies Commons Recommended Citation Oh, J. S. (2017). A departure for returning to sabha: a study of koan practice of silence. International Journal of Dharma Studies, 5(12) http://dx.doi.org/10.1186/s40613-017-0059-7 This Article is brought to you for free and open access by the College of Arts & Humanities at Digital Commons @ West Chester University. It has been accepted for inclusion in Philosophy by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. Oh International Journal of Dharma Studies (2017) 5:12 International Journal of DOI 10.1186/s40613-017-0059-7 Dharma Studies RESEARCH Open Access A departure for returning to sabha: a study of koan practice of silence Jea Sophia Oh Correspondence: [email protected] West Chester University of Abstract Pennsylvania, 700 S High St. AND 108D, West Chester, PA 19383, USA This paper deals with koan practice of silence through analyzing the Korean Zen Buddhist film, Why Has Boddhidharma Left for the East? (Bae, Yong-Kyun, Why Has Bodhidharma Left for the East? 1989). This paper follows Kibong's path along with the Buddha's journey of 1) departure, 2) journey in the middle way, and 3) returning with a particular focus on koan practice of silence as the transformative element of enlightenment. -
Insight: the Path of Bodhidharma
INSIGHT: THE PATH OF BODHIDHARMA SEPTEMBER 19, 2014 – FEBRUARY 15, 2015 Credited with introducing Chan (Zen in Japanese) Buddhism to China in the sixth century, the Indian monk Bodhidharma (known as Daruma in Japan) has become a well-known subject in Buddhist art. As Chan Buddhism gained popularity, various legends associated with the Chan patriarch evolved, and artists began to depict those legends alongside his conventional portraits. Traditional depictions of Bodhidharma were executed in ink monochrome with free, expressive brush strokes, alluding to his teaching on the spontaneous nature of reaching enlightenment through meditation. During the Edo period (1603-1868) in Japan, the depiction of this pious monk’s stern expression went through a radical change as he was often paired with a courtesan of the pleasure quarters—a parody to expose the hypocrisy of society. Today, Bodhidharma is still widely represented both in fine art and as a pop culture icon of good luck. Through an array of objects from paintings and sculptures to decorative objects and toys, Insight: The Path of Bodhidharma illustrates the visual and conceptual shift in depictions of this religious figure from the 17th century through today. BODHIDHARMA AS CHAN PATRIARCH One of the most common portrayals of Bodhidharma is a bust portrait revealing only the upper half of his body. In a three- quarter profile, he was frequently depicted in ways that emphasize his non-East Asian heritage and iconoclastic persona with large glaring eyes, a prominent nose and beard—sometimes an earring and red hooded robe. The primary goal of Bodhidharma’s teaching is to reach personal enlightenment through meditation that clears one’s mind from distracting thoughts and worldly concerns. -
Hakuin on Kensho: the Four Ways of Knowing/Edited with Commentary by Albert Low.—1St Ed
ABOUT THE BOOK Kensho is the Zen experience of waking up to one’s own true nature—of understanding oneself to be not different from the Buddha-nature that pervades all existence. The Japanese Zen Master Hakuin (1689–1769) considered the experience to be essential. In his autobiography he says: “Anyone who would call himself a member of the Zen family must first achieve kensho- realization of the Buddha’s way. If a person who has not achieved kensho says he is a follower of Zen, he is an outrageous fraud. A swindler pure and simple.” Hakuin’s short text on kensho, “Four Ways of Knowing of an Awakened Person,” is a little-known Zen classic. The “four ways” he describes include the way of knowing of the Great Perfect Mirror, the way of knowing equality, the way of knowing by differentiation, and the way of the perfection of action. Rather than simply being methods for “checking” for enlightenment in oneself, these ways ultimately exemplify Zen practice. Albert Low has provided careful, line-by-line commentary for the text that illuminates its profound wisdom and makes it an inspiration for deeper spiritual practice. ALBERT LOW holds degrees in philosophy and psychology, and was for many years a management consultant, lecturing widely on organizational dynamics. He studied Zen under Roshi Philip Kapleau, author of The Three Pillars of Zen, receiving transmission as a teacher in 1986. He is currently director and guiding teacher of the Montreal Zen Centre. He is the author of several books, including Zen and Creative Management and The Iron Cow of Zen. -
Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
Soto Zen: an Introduction to Zazen
SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts. -
Karma and the Animal Realm Envisioned Through an Early Yogācāra Lens
Article Becoming Animal: Karma and the Animal Realm Envisioned through an Early Yogācāra Lens Daniel M. Stuart Department of Religious Studies, University of South Carolina, Rutledge College, Columbia, SC 29208, USA; [email protected] Received: 24 April 2019; Accepted: 28 May 2019; Published: 1 June 2019 Abstract: In an early discourse from the Saṃyuttanikāya, the Buddha states: “I do not see any other order of living beings so diversified as those in the animal realm. Even those beings in the animal realm have been diversified by the mind, yet the mind is even more diverse than those beings in the animal realm.” This paper explores how this key early Buddhist idea gets elaborated in various layers of Buddhist discourse during a millennium of historical development. I focus in particular on a middle period Buddhist sūtra, the Saddharmasmṛtyupasthānasūtra, which serves as a bridge between early Buddhist theories of mind and karma, and later more developed theories. This third- century South Asian Buddhist Sanskrit text on meditation practice, karma theory, and cosmology psychologizes animal behavior and places it on a spectrum with the behavior of humans and divine beings. It allows for an exploration of the conceptual interstices of Buddhist philosophy of mind and contemporary theories of embodied cognition. Exploring animal embodiments—and their karmic limitations—becomes a means to exploring all beings, an exploration that can’t be separated from the human mind among beings. Keywords: Buddhism; contemplative practice; mind; cognition; embodiment; the animal realm (tiryaggati); karma; yogācāra; Saddharmasmṛtyupasthānasūtra 1. Introduction In his 2011 book Becoming Animal, David Abram notes a key issue in the field of philosophy of mind, an implication of the emergent full-blown physicalism of the modern scientific materialist episteme. -
Prayer Beads in Japanese Soto Sect
4 Prayer Beads in Japanese Sōtō Zen Michaela Mross WHen a lay parishioner visits a Buddhist temple, he or she usually car- ries a Buddhist rosary.1 It marks a parishioner versus the occasional visi- tor and is considered a necessary item of proper attire. For most Japanese, not wearing a rosary when putting the hands in prayer or reverence seems to be improper.2 Likewise, the official webpage of the Sōtō Zen school instructs lay followers to not forget prayer beads when attending funerals or memorial services. Parishioners should further put a rosary on the lowest shelf of their home altar, ready to be used during prayers.3 Also, the members of the choirs singing Buddhist hymns at Sōtō tem- ples wear short rosaries while singing and playing a bell. Thus, prayer beads serve “as sources of identification,” to borrow John Kieschnick’s words.4 The rosary is an especially interesting object because— besides the robe or o- kesa— “prayer beads are kept closer to the practitioner than any other ritual object. They become physical evidence of faith, devotion, and practice.”5 In contrast to Tendai, Shingon, or Pure Land clerics, Sōtō clerics rarely use prayer beads in ritual settings. Moreover, images of Zen masters usu- ally do not depict monks or nuns holding prayer beads; instead, a fly-whisk or another kind of staff signifies their status as a Zen cleric. Therefore, Buddhist rosaries are typically not associated with Zen. Nevertheless, prayer beads have been used for various purposes in the Sōtō school as well. This chapter aims to illuminate some of the functions and interpre- tations of the rosary in Japanese Sōtō Zen. -
The Myth of Mind Transmission— As a Question for The
Working Paper (subject to change) The Myth of Mind Transmission—as a question for the Formulation of early Chan Buddhism (First Draft) Sing Song Liu 劉興松 Graduate Institute for Religious Studies at National Chèngchì University 國立政治大學宗教研究所 Abstract This paper examines and argues what the early Chan is possible to be formulated. As the study by the western scholar, it is not to be regarded as an independent school, formal social entity or even a tradition, to respond and to offer a better landscape, I suggest to adopt the evolution (or conception) of mind teaching, mind training or even mind theory to define the character of early Chan. In this study, as an attempt, Chan adage “Mind Transmission” is concerned, I’ll conduct the research in two ways, historical and scriptural basis in parallel. … ………….. …..(WORKING PAPER)…………………… I. The Question and the Study of the “Mind Transmission” Before the implications of this catchy or slippery representation, let me present my topic with rephrasing a question: As Dharma is the foremost and above everything in Indian Buddhism as taught by the Buddha, then in Chan evolution, how is Mind Transmission as it claims is related to the Dharma Transmission through dhyāna (meditation)?1 Recently, Robert Sharf in his conference paper “Mindfulness and Mindlessness in Early Chan” questioned that “the textual and doctrinal developments associated with early Chan relatively little has been written on the distinctive meditation practices.” He said that his paper is a preliminary foray into this issue. In the line of development, he also points out that Daoxuan 道宣 (596-667) and Guifeng Zongmi 圭峰宗密 (780-841) “speak a lot about the principles of Chan but say little of Chan practice.”2 This is not a surprise as that is the formal feature, at least in public remarks, Chan intentionally revolved the Indian tradition and is transformed into Chinese indigenous cultural soils to popularize its teachings and practices in 1 The “Dharma” is what we learn from the historical Buddha, especially the experience through his enlightenment. -
Bodhidharma and Peace of Mind Teisho by Rafe Martin, Endless Path Zendo, October 2020
Bodhidharma and Peace of Mind Teisho by Rafe Martin, Endless Path Zendo, October 2020 “Bodhidharma and Peace of Mind” is case no. 41 of the Zen training text, Wu-men kuan, (Mumonkan), Gateless Barrier. Created by the unusual Chinese Zen monk, Wu-men, in the early 12th century, the book, comprised of 48 koan cases along with Wu-men’s illuminating commentaries and verses, draws on the sayings and doings of earlier 8th & 9th century T’ang era Zen masters, all to help students explore and actualize genuine practice-realization. Case 41: Bodhidharma sat facing the wall. The Second Ancestor1, having cut off his arm, stood there in the snow. He said, “Your disciple’s mind has no peace as yet. I beg you, master, to please put it to rest.” Bodhidharma said, “Bring me your mind, and I will put it to rest.” The Second Ancestor said, “I have searched for my mind, but I cannot find it.” Bodhidharma said, “Then I have completely put it to rest for you.” Wu-men’s Commentary The broken-toothed old foreigner proudly came over a hundred thousand miles across the sea. This was like raising waves where there is no wind. Bodhidharma could enlighten only one disciple, and even he was a cripple. Well, well! Hsien-san-lang does not know four words. Wu-men’s Verse Coming from the West and directly pointing— This great affair was caused by the transmission. The troublemakers who created the stir in Zen circles Are, after all, these two! ___ 1. Hui-k’o (Chinese)(Japanese – Eka) The folkloric figure who was a superb fisherman who was illiterate. -
Richard Baker and the Myth of the Zen Roshi Stuart Lachs, October 2002
Richard Baker and the Myth of the Zen Roshi Stuart Lachs, October 2002 Introduction Most people think of Zen as being iconoclastic, anti-authoritarian, simple, direct, and unattached. Its raison d'etre is to produce people who possess a fundamental insight into life, people who are not fooled by appearances or ideas. The fact is that almost everything about Zen's presentation, practice, and rituals is aimed at producing people who give up their good sense with the promise of a greater gain in the future. While this is obviously a general statement that demands further qualification, it serves to introduce some of the basic problems to be dealt with here. Please keep it in mind. This is not a new idea nor is it unique to Chan/Zen. David Hume said in his Of the First principles of Government (1758) that "Nothing appears more surprising to those who consider human affairs with a philosophical eye than the easiness with which the many are governed by the few, and the implicit submission with which men resign their own sentiments and passions to those of their rulers." I believe that the reason for this surrender, in the case of Zen, is clear, structural, and self-perpetuating. What I mean by the "Zen" institution, for the simple purpose of this conversation, is the organized set of structures that support the standard model of Zen. According to this model, mind-to-mind transmission began with an encounter between the historical Buddha Sakyamuni and Mahakasyapa, and continued, in an unbroken lineage, through twenty-eight Indian Patriarchs. -
“Bodhidharma – the Greatest Zen Master” – Osho
Bodhidharma: The Greatest Zen Master Talks given from 05/07/87 am to 14/07/87 pm English Discourse series 20 Chapters Year published: 1987 Bodhidharma: The Greatest Zen Master Chapter #1 Chapter title: To seek nothing is bliss 5 July 1987 am in Chuang Tzu Auditorium BELOVED OSHO, BODHIDHARMA'S OUTLINE OF PRACTICE MANY ROADS LEAD TO THE PATH, BUT BASICALLY THERE ARE ONLY TWO: REASON AND PRACTICE. TO ENTER BY REASON MEANS TO REALIZE THE ESSENCE THROUGH INSTRUCTION AND TO BELIEVE THAT ALL LIVING THINGS SHARE THE SAME TRUE NATURE, WHICH ISN'T APPARENT BECAUSE IT'S SHROUDED BY SENSATION AND DELUSION. THOSE WHO TURN FROM DELUSION BACK TO REALITY, WHO MEDITATE ON WALLS, THE ABSENCE OF SELF AND OTHER, THE ONENESS OF MORTAL AND SAGE, AND WHO REMAIN UNMOVED, EVEN BY SCRIPTURES, ARE IN COMPLETE AND UNSPOKEN AGREEMENT WITH REASON. WITHOUT MOVING, WITHOUT EFFORT, THEY ENTER, WE SAY, BY REASON. TO ENTER BY PRACTICE REFERS TO FOUR ALL-INCLUSIVE PRACTICES: SUFFERING INJUSTICE, ADAPTING TO CONDITIONS, SEEKING NOTHING AND PRACTICING THE DHARMA. FIRST, SUFFERING INJUSTICE. WHEN THOSE WHO SEARCH FOR THE PATH ENCOUNTER ADVERSITY, THEY SHOULD THINK TO THEMSELVES, "IN COUNTLESS AGES GONE BY, I'VE TURNED FROM THE ESSENTIAL TO THE TRIVIAL AND WANDERED THROUGH ALL MANNER OF EXISTENCE, OFTEN ANGRY WITHOUT CAUSE AND GUILTY OF NUMBERLESS TRANSGRESSIONS. NOW, THOUGH I DO NO WRONG, I'M PUNISHED BY MY PAST. NEITHER GODS NOR MEN CAN FORESEE WHEN AN EVIL DEED WILL BEAR ITS FRUIT. I ACCEPT IT WITH AN OPEN HEART AND WITHOUT COMPLAINT OF INJUSTICE." THE SUTRAS SAY, "WHEN YOU MEET WITH ADVERSITY, DON'T BE UPSET.