Richard Baker and the Myth of the Zen Roshi Stuart Lachs, October 2002
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The Path to Bodhidharma
The Path to Bodhidharma The teachings of Shodo Harada Roshi 1 Table of Contents Preface................................................................................................ 3 Bodhidharma’s Outline of Practice ..................................................... 5 Zazen ................................................................................................ 52 Hakuin and His Song of Zazen ......................................................... 71 Sesshin ........................................................................................... 100 Enlightenment ................................................................................. 115 Work and Society ............................................................................ 125 Kobe, January 1995 ........................................................................ 139 Questions and Answers ................................................................... 148 Glossary .......................................................................................... 174 2 Preface Shodo Harada, the abbot of Sogenji, a three-hundred-year-old Rinzai Zen Temple in Okayama, Japan, is the Dharma heir of Yamada Mumon Roshi (1890-1988), one of the great Rinzai masters of the twentieth century. Harada Roshi offers his teachings to everyone, ordained monks and laypeople, men and women, young and old, from all parts of the world. His students have begun more than a dozen affiliated Zen groups, known as One Drop Zendos, in the United States, Europe, and Asia. The material -
After Kiyozawa: a Study of Shin Buddhist Modernization, 1890-1956
After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 ABSTRACT After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 Copyright by Jeff Schroeder 2015 Abstract This dissertation examines the modern transformation of orthodoxy within the Ōtani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the -
PUBLICATION of SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS
PUBLICATION OF SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS TALKS 3 The Gift of Zazen BY Shunryu Suzuki-roshi 16 Practice On and Off the Cushion BY Anna Thom 20 The World Is Vast and Wide BY Gretel Ehrlich 36 An Appropriate Response BY Abbess Linda Ruth Cutts POETRY AND ART 4 Kannon in Waves BY Dan Welch (See also front cover and pages 9 and 46) 5 Like Water BY Sojun Mel Weitsman 24 Study Hall BY Zenshin Philip Whalen NEWS AND FEATURES 8 orman Fischer Revisited AN INTERVIEW 11 An Interview with Annie Somerville, Executive Chef of Greens 25 Projections on an Empty Screen BY Michael Wenger 27 Sangha-e! 28 Through a Glass, Darkly BY Alan Senauke 42 'Treasurer's Report on Fiscal Year 2002 DY Kokai Roberts 2 covet WNO eru 111 -ASSl\ll\tll.,,. o..N WEICH The Gi~ of Zazen Shunryu Suzuki Roshi December 14, 1967-Los Altos, California JAM STILL STUDYING to find out what our way is. Recently I reached the conclusion that there is no Buddhism or Zen or anythjng. When I was preparing for the evening lecture in San Francisco yesterday, I tried to find something to talk about, but I couldn't; then I thought of the story 1 was told in Obun Festival when I was young. The story is about water and the people in Hell Although they have water, the people in hell cannot drink it because the water burns like fire or it looks like blood, so they cannot drink it. -
Moon by the Window
DaI Te oM B ontents BOaSK NGMK NrKeGIK H SnqqGry 8mcKx ne CGSSOMrGoNOKq ,4mMSOqNA 8mcKx ne CGSSOMrGoNOKq ,RnT GPOA Aansa E OqcnT Ns aSOIGaOnmq CnoyrOMNa NGMK Prxyatx Rxyxrxntxs to tyx moon appxar yrxquxntly zn qxn koans as a syortyanw yor tyx awakxnxw mznw. Altyouxy tyxsx tallzxrapyy pyrasxs arx not tyx moon ztsxly- tyxy offxr a mxans yor awakxnznx to tyx mznw’s wzswom sy sxrvznx as a rxmznwxr oy tyx txatyznxs wyxn a txatyxr zs not prxsxnt. Tyx tallzxrapyzxs tyxmsxlvxs provzwx an xxprxsszon oy tyx awakxnxw mznw- a vzsual Dyarma- tapturznx tyx lzvznx xnxrxy oy a momxnt zn znk on papxr. Tyus- worws anw zmaxxs work toxxtyxr to tonvxy tyx xssxntx oy qxn to tyx vzxwxr anw rxawxr. Known zntxrnatzonally as a tallzxrapyxr anw mastxr txatyxr- Syowo aarawa was sorn zn B94A zn Nara- capan. ax sxxan yzs qxn traznznx zn B9HC wyxn yx xntxrxw Syoyuku.jz monastxry zn Kosx- capan. Aytxr traznznx unwxr ramawa Mumon Rosyz ,B9AA–B988A yor twxnty yxars- yx rxtxzvxw Dyarma transmzsszon anw was appozntxw assot oy Soxxn.jz monastxry zn Okayama- capan- wyxrx yx yas tauxyt szntx B98C. aarawa Rosyz zs yxzr to tyx txatyznxs oy Rznzaz qxn Buwwyzsm as passxw wown zn capan tyrouxy Mastxr aakuzn anw yzs suttxssors. aarawa Rosyz’s txatyznx zntluwxs trawztzonal Rznzaz prattztxs znyormxw sy wxxp tompasszon anw pxrmxatxw sy tyx szmplx anw wzrxtt Mayayana wottrznx tyat all sxznxs arx xnwowxw wzty tyx tlxar- purx Orzxznal Buwwya Mznw. Protxxwznx yrom tyzs all.xmsratznx vzxw- aarawa Rosyz yas wxltomxw sxrzous stuwxnts ,womxn anw mxn- lay anw orwaznxwA yrom all ovxr tyx worlw to trazn at Soxxn.jz anw tyx txmplxs yx yas xstaslzsyxw nxar Sxattlx- oasyznxton- anw zn Gxrmany- as wxll as at morx tyan a wozxn szttznx xroups arounw tyx worlw. -
Sandokai – Annotated by Domyo Burk – 2017 Page 1 of 5 the Harmony of Difference and Sameness
Sandokai, by Shitou Xiqian (Sekito Kisen) – Text translation by Soto Zen Translation Project Explanations and free-association commentary by Domyo Burk, 2017 The Harmony of Difference and Sameness - You might call this teaching poem, “The San – many, difference, diversity, variety; used as a synonym for “ji” or the concrete, Apparently Paradoxical Fact that Absolute and phenomenal aspect of our life (Okumura) Relative are Intimately Related and Mutually Do – one, sameness, equality, commonality, unity; used as synonym for “ri” or the Dependent.” It tries to point out how each thing is absolute or ultimate reality of emptiness beyond discrimination (Okumura) simultaneously a thing (or being), differentiated Kai – promise, agreement, tally; in ancient times, merchants wrote a contract on a tally from all others, and part of an overall unity within (piece of wood), then broke it in half; could later confirm agreement by putting together which all things are ultimately equal, and have the the two halves. (Okumura) Absolute and relative, then, are like two halves of one thing. same fundamentally empty nature. The mind of the great sage of India is intimately transmitted from west to east. We have a chance to encounter the full truth of The insight/reality of awakening (mind) reached by Shakyamuni Buddha (great sage of Buddhism right here and now. Despite its India) is carefully and authentically passed from person to person, face-to-face transmission through space and time, it has not (intimately transmitted). There are many differences between countries and cultures dissipated or changed. It’s a living reality affirmed (west and east), but the essence of the Buddha’s teaching does not change. -
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California L
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California Last week I posted on my Monkey Mind blog an essay I titled Soto Zen Buddhism in North America: Some Random Notes From a Work in Progress. There I wrote, along with a couple of small digressions and additions I add for this talk: Probably the most important thing here (within our North American Zen and particularly our North American Soto Zen) has been the rise in the importance of lay practice. My sense is that the Japanese hierarchy pretty close to completely have missed this as something important. And, even within the convert Soto ordained community, a type of clericalism that is a sense that only clerical practice is important exists that has also blinded many to this reality. That reality is how Zen practice belongs to all of us, whatever our condition in life, whether ordained, or lay. Now, this clerical bias comes to us honestly enough. Zen within East Asia is project for the ordained only. But, while that is an historical fact, it is very much a problem here. Actually a profound problem here. Throughout Asia the disciplines of Zen have largely been the province of the ordained, whether traditional Vinaya monastics or Japanese and Korean non-celibate priests. This has been particularly so with Japanese Soto Zen, where the myth and history of Dharma transmission has been collapsed into the normative ordination model. Here I feel it needful to note this is not normative in any other Zen context. -
A Departure for Returning to Sabha: a Study of Koan Practice of Silence Jea Sophia Oh West Chester University of Pennsylvania, [email protected]
West Chester University Digital Commons @ West Chester University Philosophy College of Arts & Humanities 12-2017 A departure for returning to sabha: a study of koan practice of silence Jea Sophia Oh West Chester University of Pennsylvania, [email protected] Follow this and additional works at: https://digitalcommons.wcupa.edu/phil_facpub Part of the Buddhist Studies Commons Recommended Citation Oh, J. S. (2017). A departure for returning to sabha: a study of koan practice of silence. International Journal of Dharma Studies, 5(12) http://dx.doi.org/10.1186/s40613-017-0059-7 This Article is brought to you for free and open access by the College of Arts & Humanities at Digital Commons @ West Chester University. It has been accepted for inclusion in Philosophy by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. Oh International Journal of Dharma Studies (2017) 5:12 International Journal of DOI 10.1186/s40613-017-0059-7 Dharma Studies RESEARCH Open Access A departure for returning to sabha: a study of koan practice of silence Jea Sophia Oh Correspondence: [email protected] West Chester University of Abstract Pennsylvania, 700 S High St. AND 108D, West Chester, PA 19383, USA This paper deals with koan practice of silence through analyzing the Korean Zen Buddhist film, Why Has Boddhidharma Left for the East? (Bae, Yong-Kyun, Why Has Bodhidharma Left for the East? 1989). This paper follows Kibong's path along with the Buddha's journey of 1) departure, 2) journey in the middle way, and 3) returning with a particular focus on koan practice of silence as the transformative element of enlightenment. -
ZEN at WAR War and Peace Library SERIES EDITOR: MARK SELDEN
ZEN AT WAR War and Peace Library SERIES EDITOR: MARK SELDEN Drugs, Oil, and War: The United States in Afghanistan, Colombia, and Indochina BY PETER DALE SCOTT War and State Terrorism: The United States, Japan, and the Asia-Pacific in the Long Twentieth Century EDITED BY MARK SELDEN AND ALVIN Y. So Bitter Flowers, Sweet Flowers: East Timor, Indonesia, and the World Community EDITED BY RICHARD TANTER, MARK SELDEN, AND STEPHEN R. SHALOM Politics and the Past: On Repairing Historical Injustices EDITED BY JOHN TORPEY Biological Warfare and Disarmament: New Problems/New Perspectives EDITED BY SUSAN WRIGHT BRIAN DAIZEN VICTORIA ZEN AT WAR Second Edition ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Oxford ROWMAN & LITTLEFIELD PUBLISHERS, INC. Published in the United States of America by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowmanlittlefield.com P.O. Box 317, Oxford OX2 9RU, UK Copyright © 2006 by Rowman & Littlefield Publishers, Inc. Cover image: Zen monks at Eiheiji, one of the two head monasteries of the Sōtō Zen sect, undergoing mandatory military training shortly after the passage of the National Mobilization Law in March 1938. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Victoria, Brian Daizen, 1939– Zen at war / Brian Daizen Victoria.—2nd ed. -
Insight: the Path of Bodhidharma
INSIGHT: THE PATH OF BODHIDHARMA SEPTEMBER 19, 2014 – FEBRUARY 15, 2015 Credited with introducing Chan (Zen in Japanese) Buddhism to China in the sixth century, the Indian monk Bodhidharma (known as Daruma in Japan) has become a well-known subject in Buddhist art. As Chan Buddhism gained popularity, various legends associated with the Chan patriarch evolved, and artists began to depict those legends alongside his conventional portraits. Traditional depictions of Bodhidharma were executed in ink monochrome with free, expressive brush strokes, alluding to his teaching on the spontaneous nature of reaching enlightenment through meditation. During the Edo period (1603-1868) in Japan, the depiction of this pious monk’s stern expression went through a radical change as he was often paired with a courtesan of the pleasure quarters—a parody to expose the hypocrisy of society. Today, Bodhidharma is still widely represented both in fine art and as a pop culture icon of good luck. Through an array of objects from paintings and sculptures to decorative objects and toys, Insight: The Path of Bodhidharma illustrates the visual and conceptual shift in depictions of this religious figure from the 17th century through today. BODHIDHARMA AS CHAN PATRIARCH One of the most common portrayals of Bodhidharma is a bust portrait revealing only the upper half of his body. In a three- quarter profile, he was frequently depicted in ways that emphasize his non-East Asian heritage and iconoclastic persona with large glaring eyes, a prominent nose and beard—sometimes an earring and red hooded robe. The primary goal of Bodhidharma’s teaching is to reach personal enlightenment through meditation that clears one’s mind from distracting thoughts and worldly concerns. -
Hakuin on Kensho: the Four Ways of Knowing/Edited with Commentary by Albert Low.—1St Ed
ABOUT THE BOOK Kensho is the Zen experience of waking up to one’s own true nature—of understanding oneself to be not different from the Buddha-nature that pervades all existence. The Japanese Zen Master Hakuin (1689–1769) considered the experience to be essential. In his autobiography he says: “Anyone who would call himself a member of the Zen family must first achieve kensho- realization of the Buddha’s way. If a person who has not achieved kensho says he is a follower of Zen, he is an outrageous fraud. A swindler pure and simple.” Hakuin’s short text on kensho, “Four Ways of Knowing of an Awakened Person,” is a little-known Zen classic. The “four ways” he describes include the way of knowing of the Great Perfect Mirror, the way of knowing equality, the way of knowing by differentiation, and the way of the perfection of action. Rather than simply being methods for “checking” for enlightenment in oneself, these ways ultimately exemplify Zen practice. Albert Low has provided careful, line-by-line commentary for the text that illuminates its profound wisdom and makes it an inspiration for deeper spiritual practice. ALBERT LOW holds degrees in philosophy and psychology, and was for many years a management consultant, lecturing widely on organizational dynamics. He studied Zen under Roshi Philip Kapleau, author of The Three Pillars of Zen, receiving transmission as a teacher in 1986. He is currently director and guiding teacher of the Montreal Zen Centre. He is the author of several books, including Zen and Creative Management and The Iron Cow of Zen. -
New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice Courtney M
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 2011 New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice Courtney M. Just Florida International University, [email protected] DOI: 10.25148/etd.FI11120903 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Recommended Citation Just, Courtney M., "New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice" (2011). FIU Electronic Theses and Dissertations. 527. https://digitalcommons.fiu.edu/etd/527 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida NEW AMERICAN ZEN: EXAMINING AMERICAN WOMEN’S ADAPTATION OF TRADITIONAL JAPANESE SOTO ZEN PRACTICE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in LIBERAL STUDIES by Courtney Just 2011 To: Dean Kenneth Furton College of Arts and Sciences This thesis, written by Courtney Just, and entitled New American Zen: Examining American Women’s Adaptation of Traditional Japanese Soto Zen Practice, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. –––––––––––––––––––––––––––––––––––– Laurie Shrage ––––––––––––––––––––––––––––––––––––– Kiriake Xerohemona ––––––––––––––––––––––––––––––––––––– Lesley A. Northup, Major Professor Date of Defense: November 10, 2011 The thesis of Courtney Just is approved. –––––––––––––––––––––––––––––––––––––––– Dean Kenneth Furton College of Arts and Science ––––––––––––––––––––––––––––––––––––––––– Dean Lakshmi N. -
A Short Talk During Zazen
A Short Talk During Zazen Shunryu Suzuki Roshi (Presented during zazen on the moming of June 28, 1970, between the tenth and eleventh Sandokai lectures) YouSHOULD SIT WITH YOUR WHOLE BODY: your spine, mouth, toes, mudra. l Check on your posture during zazen. Each part of your body should practice zazen independently or separately: Your toes should prac tice zazen independently, your mudra should practice zazen independently, and your spine and your mouth should practice zazen independently. You should feel each part of your body doing zazen independently. Each part of your body should participate completely in zazen. Check to see that each part of your body is doing zazen independently- this is also known as shiknntaza. To think, "I am doing zazen" or "my body is doing zazen" is wrong understanding. It is a self-centered idea. The mudra is especially important. You should not feel as if you are resting your mudra on the heel of your foot for your own convenience. Your mudra should be placed in its own position. Don't move your legs for your own convenience. Your legs are practic ing their own zazen independently and are com pletely involved in their own pain. They are doing zazen through pain. You should all ow them to practice their own zazen. If you think you are practicing zazen, you are involved in some selfish, egotistical idea. If you think that you have a difficulty in some part of your body, then the rest of the body should help the part that is in difficulty. You are not having difficulty with some part of your body, but the part of the body is having difficulty: for example, your mudra is having difficulty.