Acute Toxicity Test Under Optimal Conditions of Two Commercial Reactive Dyes Using the Fenton-Like Process: Assessment of Process Factors by Box– Behnken Design
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Colour and Textile Chemistry—A Lucky Career Choice
COLOUR AND TEXTILE CHEMISTRY—A LUCKY CAREER CHOICE By David M. Lewis, The University of Leeds, AATCC 2008 Olney Award Winner Introduction In presenting this Olney lecture, I am conscious that it should cover not only scientific detail, but also illustrate, from a personal perspective, the excitement and opportunities offered through a scientific career in the fields of colour and textile chemistry. The author began this career in 1959 by enrolling at Leeds University, Department of Colour Chemistry and Dyeing; the BSc course was followed by research, leading to a PhD in 1966. The subject of the thesis was "the reaction of ω-chloroacetyl-amino dyes with wool"; this study was responsible for instilling a great enthusiasm for reactive dye chemistry, wool dyeing mechanisms, and wool protein chemistry. It was a natural progression to work as a wool research scientist at the International Wool Secretariat (IWS) and at the Australian Commonwealth Scientific Industrial Research Organisation (CSIRO) on such projects as wool coloration at room temperature, polymers for wool shrink-proofing, transfer printing of wool, dyeing wool with disperse dyes, and moth-proofing. Moving into academia in 1987 led to wider horizons bringing many new research challenges. Some examples include dyeing cellulosic fibres with specially synthesised reactive dyes or reactive systems with the objective of achieving much higher dye-fibre covalent bonding efficiencies than those produced using currently available systems; neutral dyeing of cellulosic fibres with reactive dyes; new formaldehyde-free crosslinking agents to produce easy-care cotton fabrics; application of leuco vat dyes to polyester and nylon substrates; cosmetic chemistry, especially in terms of hair dyeing and bleaching; security printing; 3-D printing from ink-jet systems; and durable flame proofing cotton with formaldehyde-free systems. -
Tub Dyeing Basics Step by Step Instructions on the Next Page G with Fiber Reactive Dyes
tub dyeing basics Step by step instructions on the next page g with Fiber Reactive Dyes Use this method to dye fabric or clothing, made of natural fibers one uniform or solid color. Also called Garment Dyeing or Vat Dyeing, this method can also be done in a washing machine. Fiber Reactive Dye is the dye of choice for all cellulose (plant) fibers, like cotton, Rayon, hemp, linen, Tencel®, Modal®, bamboo, etc. (For dyeing silk, wool and other protein fibers, see Dyeing Wool and Silk with Fiber Reactive Dyes on our website) The chemical bond of these dyes is permanent, so once all the excess dye is washed out an infant can chew on the fabric and it will not come off! Fiber Reactive Dyes work in lukewarm water so these directions can also be used to dye batik (waxed) fabrics in successive colors without fear of melting the wax. WHAT You’ll need: SALT & SODA ASH REQUIREMENTS • Fiber Reactive Dye • A bucket large enough The amount of Non-Iodized Salt and Soda Ash are for your item to move a function of the amount of water used. For each • Soda Ash around in, or a top pound of dry fabric you will need about 3 gallons of • Non-Iodized Salt loading washing machine warm water. The water must cover the fabric with • Urea (optional) • Pitcher & cup enough room for thorough, tangle-free stirring; oth- erwise you get uneven dyeing and streaks. For each • Calsolene Oil (optional) • Measuring cups 1½ gallons of water use 1½ cups of Non-Iodized • Synthrapol • Spoons Salt and 1/6 cup of Soda Ash. -
Using PRO MX Reactive Dye Please Read Directions Carefully Before Starting
BATIK using PRO MX Reactive Dye Please read directions carefully before starting. Batik is an ancient form of resist dyeing. Unwaxed areas of the fabric absorb dye while the waxed areas resist the dye, preserving the original color of the fabric. More wax is added to dyed areas preserving the new color and the fabric is dipped in another color of dye. Repeat this process until the design is completed then remove the wax. Designs may involve only one or many colors depending upon the number of times the hot wax is applied and the cloth is dipped into different colored dye baths. For additional information visit our web site at www.prochemicalanddye.com. Always use proper ventilation in your work area. Create a local exhaust system by putting a portable exhaust fan in a window, so it pulls air from the room to the outside. Heated wax releases irritating chemicals including acrolein and aldehydes. There is no approved MSHA/NIOSH filter for acrolein. A respirator is not a substitute for good ventilation. Heat wax to the lowest temperature at which it remains liquid. Do not leave hot wax unattended, as it is a fire hazard. Keep water away from the wax pot, as it will splatter. Always make sure you have a fire extinguisher or bucket of sand nearby in case of fire. Wax forms potentially hazardous vapors at high temperatures and may ignite. Do not use open flames, such as a gas or propane burner, instead use a crock pot or electric fry pan with temperature control. Make sure your hair is tied back and sleeves are rolled up when using heating equipment. -
Comparative Study of Fastness Properties and Color Absorbance Criteria of Conventional and Avitera Reactive Dyeing on Cotton Knit Fabric
European Scientific Journal May 2016 edition vol.12, No.15 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Comparative Study Of Fastness Properties And Color Absorbance Criteria Of Conventional And Avitera Reactive Dyeing On Cotton Knit Fabric Md. Abu Sufian B.Sc. in Textile Engineering,University of Chittagong, Bangladesh Md.Abdul Hannan M.Sc. in Textile Technology, University of Boras, Sweden Md. Masud Rana Muhmmad Zanibul Huq M.Sc. in Textile Engineering, Bangladesh University of Textiles, Bangladesh doi: 10.19044/esj.2016.v12n15p352 URL:http://dx.doi.org/10.19044/esj.2016.v12n15p352 Abstract 160 GSM Single Jersey cotton knitted fabric was dyed with conventional Remazol reactive dye and latest Avitera reactive dye (Huntsman). Detailed comparison of the process parameters and fastness properties of these dyed fabrics were studied. Investigation exposed that Avitera delivered better dyeing performance including fastness to washing, perspiration, rubbing than conventionally dyed fabrics. Concerning process parameters Avitera dye required less soda, salt and no addition of other auxiliaries. Also this new Avitera reactive dye is more eco-friendly, cost effective and energy saving than conventional Remazol reactive dye. CMC DE and Da* color deviation were significantly higher between the dyed samples. Again K/S value of Avitera dyed sample was superior to that of Remazol dyed samples as because of enhanced dye uptake. Sequentially reflectance and relative indicators of the latest reactive dyed samples were also experimented. Keywords: Avitera reactive dye, Remazol reactive dye, Color Fastness, Energy saving, K/S value, CMC DE, Reflectance. Introduction: The best dyes to apply on cotton fabric and other cellulose fibers are reactive dyes. -
Dylon Dye Questions and Information
Dylon Dye Questions and Information What fabrics can I dye? Cotton, linen and viscose will dye to the full shade shown on the pack. Mixtures of these with polyester will result in lighter shades. Polyester, nylon and other synthetics 1. cannot be dyed. Wool and silk can be dyed with Dylon Hand Fabric Dye. If you're not sure whether a fabric is suitable for dyeing please give the friendly Dylon experts a call on 01737 742 020. Will dye cover up bleach marks? As bleach can harm the fabric, dyeing will not usually cover up bleach marks. 2. Can I dye fabric white? It is not possible to dye a fabric white. 3. Can I dye denim? Yes, Machine Fabric Dye or Wash & Dye are best for dyeing denim however you will lose the light dark contrast typically associated with denim. 4. What do I do if I don't know what the fabric is? Cut a small section from an inconspicuous area such as the hem and send it to Dylon 5. and they will let you know. Can I dye faded items? Yes but you should use Dylon Pre-Dye first to remove the colour from the fabric and to ensure that you achieve an even colour. 6. Can I use dyes in the microwave? Yes you can use Dylon Hand Fabric Dye in the microwave. Microwave dyeing can achieve some good tie-dye effects however if you are looking for an even finish we 7. would not recommend using a microwave. Why do I need to use salt? You need to use salt with all Dylon dyes except Wash & Dye and Machine Dye with 8. -
Assessment of the Impact of Resist Techniques of Fabric Decoration on Students' Interest in Clothing and Textiles in Borno
ASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA BY Yarmi NGGUSHAM DECEMBER, 2017 i ASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA BY Yarmi NGGUSHAM, BSC.ED HOME ECONOMICS (2009, ABU ZARIA) P13EDVE8029 A THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF MASTER DEGREE IN HOME ECONOMICS (CLOTHING AND TEXTILES) DEPARTMENT OF HOME ECONOMICS, FACULTY OF EDUCATION, AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA DECEMBER, 2017 ii DECLARATION I declare that this dissertation work entitledASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA has been carried out by me in the Department of Home Economics. The information derived from the literature has been duly acknowledged in the text and a list of references provided. No part of this project was previously presented for another degree or diploma at this or any other Institution. _______________________ _________________________ Yarmi, NGGUSHAM Date P13EDVE8029 iii CERTIFICATION This dissertation report entitledASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIAby Yarmi NGGUSHAM meets the regulations governing the award of the Master degree of the Ahmadu Bello University, and is approved for its contribution to knowledge and literary presentation. _________________________ ___________________________ Dr. M. F. Ahuwan Date Chairperson, Supervisory Committee _______________________ ___________________________ Prof. S. L. Ajayi Date Member, Supervisory Committee ________________________ ___________________________ Prof. -
Reactive Dyes… General Structure Has a Reactive Group Which Are Adsorbed on to the Cellulose and Than Reacted with the Fiber to Form Covalent Bonds
Reactive Chemistry TECHNICAL INFORMATION Murat ŞAHİNLİ 12.11.2015 Cellulose… Cellulose structure Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Reactive group Functional groups Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Functional groups Shade Fastness Fastness Dischargeability Levelness Fixation Substantivity Application temperature Solubility Application temperature Reactive dyes… General reaction When put fabric and dye into the water; Cellulose: Cell-OH Cell-O¯ Electrostatic repulsion because of Dye: the negative charges HO3S-Dye-X X-Dye-SO3¯ With addition of salt: Cell-O¯ ⁺ Na Reduce the repulsion X-Dye-SO3¯ ⁺ Na Reactive dyes… General reaction After addition alkaline and linking with covalent bond; Thanks to covalent bond X-Dye-SO3¯ ⁺ Na + Na ⁺ ¯O-Cell Linking much more resistant to the usual conditions of use than the ( Soda ash, caustic …) physicochemical bond between direct dyes and cellulose. Na ⁺ ¯O3S – Dye –O-Cell + NaX Bond type App. Relative strength Covalent 30.0 Ionic 7.0 Hydrogene 3.0 Other 1.0 Intermolecular Reactive dyes… Description of dyeing mechanism Exhaustion of dye in presence of electrolyte by adsorption Fixation under the influence of alkali Wash off the unfixed dye from material surface T1: Addition of alkali and start of the fixation Reactive dyes… Exhaustion The reactive dyes is adsorbed onto the cellulose surface and than diffuses into the fiber. This phase is fully reversible. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
United States Patent [19] [11] Patent Number: 4,588,409 Sercus [45] Date of Patent: May 13, 1986
81-18? SF 55/151686 United States Patent [19] [11] Patent Number: 4,588,409 Sercus [45] Date of Patent: May 13, 1986 ‘[54] COLOR-CHANGING DYED PRODUCT AND 4,314,812 2/1982 E6655 61111. ........................... .. 8/457 PROCESS ‘ FOREIGN PATENT DOCUMENTS [76] Inventor: Owen H. Sercus, 125 W. 12th St., 55 30450 3/1980 Ja - pan .................................... .. 8/638 New York, N-Y- 10011 1060556 3/1967 United Kingdom .................. .. 8/642 [21] APPI- NO-1 564325 OTHER PUBLICATIONS [22] Flledl Dec- 2,2’ 1983 Mayston, R. S. Amer. Dyestuff Reporter 2/ 17/64, pp. [51] Int. c1.4 ........................ .. D06P 5/13; DO6P 5/02; 142-147 1306111 5/00 Trotman, E. R. Dyeing Chemical Technology of [52] US. Cl. ......................................... .. 8/403; 8/441; Textile Fibers» Chas- Griffen & Co- Ltd» London, 1975, 8/485; 8/543; 8/638; 8/102; 8/107; 8/918; pp: 514550. 8/642; 8/924; 8/922; 8/927; 8/928 Falrchild’s Dictionary of Textiles, p. 185. [58] Field Of Search ................. .. 8/403, 441, 457, 485, Primm Exam,-,,e,_Pau1 Lieberman 8/638' 642’ 102 Assistant Examiner-—-John F. McNally [56] References Cited [57] ABSTRACT US. PATENT DOCUMENTS Textile products comprising a cellulosic substrate are 638,819 12/1889 Stimpson . colored with two or more dyes which differ in their 1,615,205 I/ 1926 Muelberger . respective resistance to chlorine bleaches. The initial 1,810,662 6/1931 Kritschevsky . color of the textile is determined by the combined effect 2,022,413 ll/ 1935 Ellis et a1. .. 8/5 of the dyes. Thereafter, textile products whichv may be 3,030,227 4/1962 Clifford et al. -
Dye Process for Cotton Fabric
Dye Process for cotton fabric This is the process that seems to work best for me. M. Marlene Oaks You will need the following: 100% cotton fabric, say Kona cotton or good broadcloth. I like to dye in 1 to 2 yard pieces. You can also overdye on say a white on white—experiment. A plastic shoe box or other such plastic container per piece of fabric Dye—kind I like is listed below & is purchased online at Dharma Trading at http:// www.dharmatrading.com/html/eng/3796-AA.shtml?lnav=dyes.html Soda ash– also purchased at Dharma Trading, and a half gallon or larger jar with lid Non iodized salt Rubber or vinyl gloves Plastic spoons (disposable kind) Old rubber spatula A 4 cup plastic measuring cup per color dye (get at least a clear red, yellow & blue to start as they mix to make most color), jars with lids to save extra Dharma Fiber Reactive Procion DyesPro's: Best dye for cotton, rayons, linens, hemp and other plant based fibers. Best dye for Tie-Dye and Batik. Vibrant wash fast permanent colors. Easy to use. Does not need hot water. Economical! Dharma Fiber Reactive Dye must be 'fixed' (made permanent) with Soda Ash. About 1 lb. Soda Ash per 4 oz. of dye is needed when garment dyeing or per 3 lbs of fabric as a pre-soak when tie- dyeing. So here’s what I do to make interesting fabric for quilting or other sewing projects: 1) Wash your fabric in hot water to remove any chemicals or sizing. -
Basic Dyeing Or Information That Beginning Dyers Need by Carole Parker ([email protected]) Dyeing Can Be Fun As Well As Messy
Basic Dyeing Or Information That Beginning Dyers Need by Carole Parker ([email protected]) Dyeing can be fun as well as messy. Why dye fabric when you can get most anything in the fabric or department stores? Because most is not all. Sometimes, you can’t find what you need in the stores when you need it. Sometimes, the quality is not what you’re looking for, and sometimes, you want to have more creative control over the fabric that you use to achieve an effect. Background When I started dyeing, you had two choices: expensive liquid French dyes or dye pigments - the dry powder form. Since then, a new kind of product has come out: liquid color concentrates that you put a few drops in water to get your desired color. These products are great for the first timer who wants to see whether or not they are interested in exploring dyeing further, and those in living situations where they cannot work with pigments. My personal experience is that color concentrates are good for small projects, such as a scarf or something similar in size. Two known products are called Colorhue for instant-set silk dyeing and Tumble Dye for cotton, rayon, hemp, silk, nylon, polyester, synthetics, and blends, which can be put in the dryer to set the dye. The drawback? The colors are not as intense as with pigment dyes. How is dyeing different from fabric painting? This question can get you into a debate. The usual difference is that fabric paint sits on the surface of your fabric, whereas dyeing penetrates your fabric and creates a molecular bond. -
ABSTRACT YI, DING. a Comparison of Mordant and Natural Dyes In
ABSTRACT YI, DING. A Comparison of Mordant and Natural Dyes in Dyeing Cotton Fabrics. (Under the direction of Dr. Harold S. Freeman and Dr. Peter J. Hauser). Mordant dyes constitute a class of synthetic colorants that are applied to textile fibers mainly through the aid of transition metal ions such as Cr3+. The resultant dye-metal complexes are key to the fastness properties produced on wool. In the same way, most natural dyes require the use of a mordant to have coloring power on textiles such as cotton. Unlike mordant dyes on wool, the fastness properties of natural dyes on cotton are generally quite low. Consequently, they have largely been replaced by synthetic dyes that are more cost effective, brighter, and more durable under end-use applications. Interest in green technologies has led to renewed consideration of natural dyes for textile coloration because they are biodegradable and do not involve manufacturing processes requiring genotoxic aromatic amines. Interestingly, such a shift would bring dyeing technology full circle to a family of colorants lacking the vibrancy and technical properties of most synthetic dyes. However, similarities between the dyeing method for mordant and natural dyes brought to mind the potential for reducing the level of synthetic dyes used commercially by combining suitable dyes from these two classes for dyeing textiles. This thesis research was devoted to stage 1 of this idea, namely the evaluation of mordant dyes as colorants for cotton fabric. With this in mind, dyes such as Mordant Blue 13, Mordant Brown 40, Mordant Orange 6 and Mordant Yellow 8 were applied to cotton using various dyeing times, temperatures, dye bath concentrations and mordants.