Green Technology in Textile Processing: Part IV-Eco-Friendly Dyeing of Polyester/Cotton Fabric
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Chemical Groups and Botanical Distribution
International Journal of Pharmacy and Pharmaceutical Sciences ISSN- 0975-1491 Vol 8, Issue 10, 2016 Review Article REVIEW: FROM SCREENING TO APPLICATION OF MOROCCAN DYEING PLANTS: CHEMICAL GROUPS AND BOTANICAL DISTRIBUTION IMANE ALOUANI, MOHAMMED OULAD BOUYAHYA IDRISSI, MUSTAPHA DRAOUI, MUSTAPHA BOUATIA Laboratory of Analytical Chemestry, Faculty of Medicine and Pharmacy, Mohammed V University in Rabat Email: [email protected] Received: 19 May 2016 Revised and Accepted: 12 Aug 2016 ABSTRACT Many dyes are contained in plants and are used for coloring a medium. They are characterized by their content of dyes molecules. They stimulate interest because they are part of a sustainable development approach. There are several chemicals families of plant dye which are contained in more than 450 plants known around the world. In this article, a study based on literature allowed us to realize an inventory of the main dyes plants potentially present in Morocco. A list of 117 plants was established specifying their botanical families, chemical Composition, Colors and parts of the plant used. Keywords: Natural dye, Morocco, Chemical structures, Plant pigments, Extraction © 2016 The Authors. Published by Innovare Academic Sciences Pvt Ltd. This is an open access article under the CC BY license (http://creativecommons. org/licenses/by/4. 0/) DOI: http://dx.doi.org/10.22159/ijpps.2016v8i10.12960 INTRODUCTION [5]. They are also biodegradable and compatible with the environment [12]. Several hundred species of plants are used around the world, sometimes for thousands of years for their ability to stain a medium In this article, we process methods of extraction and analysis, or material[1]. -
Creative Designing of Fabric Patterns by Tie-Dyeing with Synthetic Dyes
www.ijird.com February, 2020 Vol 9 Issue 2 ISSN 2278 – 0211 (Online) Creative Designing of Fabric Patterns by Tie-Dyeing with Synthetic Dyes Nelima Barasa Lecturer, Department of Physical sciences, Rongo University, Kenya Francis Ongachi Olal Senior Lecturer, Department of Physical sciences, Rongo University, Kenya Abstract: Tie and dye are a resist method of fabric decoration where patterns are skillfully introduced on plain fabrics through tying and dyeing with synthetic dyes. Hot synthetic dyes were used in this study due to their advantage in terms of color variety, brightness and fastness. This study produced fabric pattern designs by tie and dyeing with hot water dyes which are good in terms of color fastness. Different types, forms, techniques, and processes of creating unique patterns by tie and dyeing was done. Basic tie-dyeing methods twisting, folding, pleating, wrapping, crumbling and sewing were then used to create new patterns when dyeing each color. Though tie and dye as a technique is familiar to many people, exploration in terms of the unique fabric patterns design has not been done especially in Kenya thus making us to get the tie-dyed fabrics from the international market. This paper therefore creatively introduced unique patterns on fabrics through folding, twisting, crumpling and tie and dye. The fabric patterns formed are very unique compared to what is available in the Kenyan market. The tie-dyed fabrics can be used in designing and developing fashion items like men’s shirts, ladies wear, ladies hand bags and scuffs. The methodology involved aims at create unique fabric patterns which was done through folding, twisting, crumpling and tying, followed by preparation of the dye bath and then dyeing the prepared fabrics. -
Colour and Textile Chemistry—A Lucky Career Choice
COLOUR AND TEXTILE CHEMISTRY—A LUCKY CAREER CHOICE By David M. Lewis, The University of Leeds, AATCC 2008 Olney Award Winner Introduction In presenting this Olney lecture, I am conscious that it should cover not only scientific detail, but also illustrate, from a personal perspective, the excitement and opportunities offered through a scientific career in the fields of colour and textile chemistry. The author began this career in 1959 by enrolling at Leeds University, Department of Colour Chemistry and Dyeing; the BSc course was followed by research, leading to a PhD in 1966. The subject of the thesis was "the reaction of ω-chloroacetyl-amino dyes with wool"; this study was responsible for instilling a great enthusiasm for reactive dye chemistry, wool dyeing mechanisms, and wool protein chemistry. It was a natural progression to work as a wool research scientist at the International Wool Secretariat (IWS) and at the Australian Commonwealth Scientific Industrial Research Organisation (CSIRO) on such projects as wool coloration at room temperature, polymers for wool shrink-proofing, transfer printing of wool, dyeing wool with disperse dyes, and moth-proofing. Moving into academia in 1987 led to wider horizons bringing many new research challenges. Some examples include dyeing cellulosic fibres with specially synthesised reactive dyes or reactive systems with the objective of achieving much higher dye-fibre covalent bonding efficiencies than those produced using currently available systems; neutral dyeing of cellulosic fibres with reactive dyes; new formaldehyde-free crosslinking agents to produce easy-care cotton fabrics; application of leuco vat dyes to polyester and nylon substrates; cosmetic chemistry, especially in terms of hair dyeing and bleaching; security printing; 3-D printing from ink-jet systems; and durable flame proofing cotton with formaldehyde-free systems. -
Tub Dyeing Basics Step by Step Instructions on the Next Page G with Fiber Reactive Dyes
tub dyeing basics Step by step instructions on the next page g with Fiber Reactive Dyes Use this method to dye fabric or clothing, made of natural fibers one uniform or solid color. Also called Garment Dyeing or Vat Dyeing, this method can also be done in a washing machine. Fiber Reactive Dye is the dye of choice for all cellulose (plant) fibers, like cotton, Rayon, hemp, linen, Tencel®, Modal®, bamboo, etc. (For dyeing silk, wool and other protein fibers, see Dyeing Wool and Silk with Fiber Reactive Dyes on our website) The chemical bond of these dyes is permanent, so once all the excess dye is washed out an infant can chew on the fabric and it will not come off! Fiber Reactive Dyes work in lukewarm water so these directions can also be used to dye batik (waxed) fabrics in successive colors without fear of melting the wax. WHAT You’ll need: SALT & SODA ASH REQUIREMENTS • Fiber Reactive Dye • A bucket large enough The amount of Non-Iodized Salt and Soda Ash are for your item to move a function of the amount of water used. For each • Soda Ash around in, or a top pound of dry fabric you will need about 3 gallons of • Non-Iodized Salt loading washing machine warm water. The water must cover the fabric with • Urea (optional) • Pitcher & cup enough room for thorough, tangle-free stirring; oth- erwise you get uneven dyeing and streaks. For each • Calsolene Oil (optional) • Measuring cups 1½ gallons of water use 1½ cups of Non-Iodized • Synthrapol • Spoons Salt and 1/6 cup of Soda Ash. -
Using PRO MX Reactive Dye Please Read Directions Carefully Before Starting
BATIK using PRO MX Reactive Dye Please read directions carefully before starting. Batik is an ancient form of resist dyeing. Unwaxed areas of the fabric absorb dye while the waxed areas resist the dye, preserving the original color of the fabric. More wax is added to dyed areas preserving the new color and the fabric is dipped in another color of dye. Repeat this process until the design is completed then remove the wax. Designs may involve only one or many colors depending upon the number of times the hot wax is applied and the cloth is dipped into different colored dye baths. For additional information visit our web site at www.prochemicalanddye.com. Always use proper ventilation in your work area. Create a local exhaust system by putting a portable exhaust fan in a window, so it pulls air from the room to the outside. Heated wax releases irritating chemicals including acrolein and aldehydes. There is no approved MSHA/NIOSH filter for acrolein. A respirator is not a substitute for good ventilation. Heat wax to the lowest temperature at which it remains liquid. Do not leave hot wax unattended, as it is a fire hazard. Keep water away from the wax pot, as it will splatter. Always make sure you have a fire extinguisher or bucket of sand nearby in case of fire. Wax forms potentially hazardous vapors at high temperatures and may ignite. Do not use open flames, such as a gas or propane burner, instead use a crock pot or electric fry pan with temperature control. Make sure your hair is tied back and sleeves are rolled up when using heating equipment. -
USE and ASSESSMENT of MARKER DYES USED with HERBICIDES
SERA TR 96-21-07-03b USE and ASSESSMENT OF MARKER DYES USED WITH HERBICIDES Submitted to: Leslie Rubin, COTR Animal and Plant Health Inspection Service (APHIS) Policy and Program Development Environmental Analysis and Documentation United States Department of Agriculture Suite 5A44, Unit 149 4700 River Road Riverdale, MD 20737 Task No. 10 USDA Order Nos. 43-3187-7-0408 USDA Contract No. 53-3187-5-12 Submitted by: Syracuse Environmental Research Associates, Inc. 5100 Highbridge St., 42C Fayetteville, New York 13066-0950 Telephone: (315) 637-9560 Fax: (315) 637-0445 Internet: [email protected] December 21, 1997 USE and ASSESSMENT OF MARKER DYES USED WITH HERBICIDES Prepared by: Michelle Pepling1, Phillip H. Howard1, Patrick R. Durkin2, 1Syracuse Research Corporation 6225 Running Ridge Road North Syracuse, New York 13212-2509 2Syracuse Environmental Research Associates, Inc. 5100 Highbridge St., Building 42C Fayetteville, New York 13066-0950 Submitted to: Leslie Rubin, COTR Animal and Plant Health Inspection Service (APHIS) Policy and Program Development Environmental Analysis and Documentation United States Department of Agriculture Suite 5A44, Unit 149 4700 River Road Riverdale, MD 20737 Task No. 10 USDA Order Nos. 43-3187-7-0408 USDA Contract No. 53-3187-5-12 Submitted by: Syracuse Environmental Research Associates, Inc. 5100 Highbridge St., 42C Fayetteville, New York 13066-0950 Telephone: (315) 637-9560 Fax: (315) 637-0445 Internet: [email protected] December 21, 1997 TABLE OF CONTENTS TABLE OF CONTENTS .....................................................ii ACRONYMS, ABBREVIATIONS, AND SYMBOLS .............................. iii 1. INTRODUCTION .....................................................1 2. CURRENT PRACTICE .................................................2 3. GENERAL CONSIDERATIONS .........................................3 3.1. DEFINITIONS .................................................3 3.2. CLASSES OF DYES .............................................4 3.3. -
Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta
Chapter Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta Abstract The meticulous environmental standards in textiles and garments imposed by countries cautious about nature and health protection are reviving interest in the application of natural dyes in dyeing of textile materials. The toxic and allergic reactions of synthetic dyes are compelling the people to think about natural dyes. Natural dyes are renewable source of colouring materials. Besides textiles it has application in colouration of foods, medicine and in handicraft items. Though natural dyes are ecofriendly, protective to skin and pleasing colour to eyes, they are having very poor bonding with textile fibre materials, which necessitate mordant- ing with metallic mordants, some of which are not eco friendly, for fixation of natural dyes on textile fibres. So the supremacy of natural dyes is somewhat sub- dued. This necessitates newer research on application of natural dyes on different natural fibres for completely eco friendly textiles. The fundamentals of natural dyes chemistry and some of the important research work are therefore discussed in this review article. Keywords: colour fastness, dyeing, extraction of natural dyes, natural dyes 1. Introduction After the advent of mauveine by Henry Perkin in 1856 and subsequent commer- cialization of synthetic dyes had replaced natural dyes, and since then consumption and application of natural dyes for textiles got reduced substantially. In present scenario environmental consciousness of people about natural products, renewable nature of materials, less environmental damage and sustainability of the natural products has further revived the use of natural dyes in dyeing of textile materials. -
Comparative Study of Fastness Properties and Color Absorbance Criteria of Conventional and Avitera Reactive Dyeing on Cotton Knit Fabric
European Scientific Journal May 2016 edition vol.12, No.15 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Comparative Study Of Fastness Properties And Color Absorbance Criteria Of Conventional And Avitera Reactive Dyeing On Cotton Knit Fabric Md. Abu Sufian B.Sc. in Textile Engineering,University of Chittagong, Bangladesh Md.Abdul Hannan M.Sc. in Textile Technology, University of Boras, Sweden Md. Masud Rana Muhmmad Zanibul Huq M.Sc. in Textile Engineering, Bangladesh University of Textiles, Bangladesh doi: 10.19044/esj.2016.v12n15p352 URL:http://dx.doi.org/10.19044/esj.2016.v12n15p352 Abstract 160 GSM Single Jersey cotton knitted fabric was dyed with conventional Remazol reactive dye and latest Avitera reactive dye (Huntsman). Detailed comparison of the process parameters and fastness properties of these dyed fabrics were studied. Investigation exposed that Avitera delivered better dyeing performance including fastness to washing, perspiration, rubbing than conventionally dyed fabrics. Concerning process parameters Avitera dye required less soda, salt and no addition of other auxiliaries. Also this new Avitera reactive dye is more eco-friendly, cost effective and energy saving than conventional Remazol reactive dye. CMC DE and Da* color deviation were significantly higher between the dyed samples. Again K/S value of Avitera dyed sample was superior to that of Remazol dyed samples as because of enhanced dye uptake. Sequentially reflectance and relative indicators of the latest reactive dyed samples were also experimented. Keywords: Avitera reactive dye, Remazol reactive dye, Color Fastness, Energy saving, K/S value, CMC DE, Reflectance. Introduction: The best dyes to apply on cotton fabric and other cellulose fibers are reactive dyes. -
Chemistry of Blue Jeans: Indigo Synthesis and Dyeing
E36 Chemistry of Blue Jeans: Indigo Synthesis and Dyeing William Henry Perkin (1838-1907) 1 The Task The goal of this experiment is to synthesise the vat dye, indigo and compare the properties of cloth that has been dyed with indigo and a mordant dye alizarin. Skills At the end of this laboratory session you should be able to: • vacuum filtrate. • accurately weigh out samples. Other outcomes At the end of the laboratory session you should be able to: • synthesise indigo. • dye cloth using a vat. • dye cloth using a mordant dye. • observe the colours of the mordant dyes formed with different divalent metal ions. • test and compare the dyed material for solubility and fading. 2 History Indigo The blue dye indigo has been used in India for about the last 4000 years. It was derived from the plant Indigofera tinctoria. Phoenican traders and migrating peoples gradually introduced this dye to the Mediterranian area and then spread to Europe. In Northern Europe from the Bronze Age (2500 – 850 BC) people used a blue dye, waod from the plant Isatis tinctoria. It has since been discovered that this plant contains the chemical indigo, but due to other compounds in the plant it is not a ‘pure’ blue like the Indigofera.1 Indigo is a vat dye. The plant was fermented and then treated with urine. The fibre was dipped into the colourless dye bath and then hung out in the sun to contain a blue insoluble dye on the fibre.1 In 1865, the German chemist Johann Friedrich Wilhelm Adolf von Baeyer began working with indigo. -
Assessment of the Impact of Resist Techniques of Fabric Decoration on Students' Interest in Clothing and Textiles in Borno
ASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA BY Yarmi NGGUSHAM DECEMBER, 2017 i ASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA BY Yarmi NGGUSHAM, BSC.ED HOME ECONOMICS (2009, ABU ZARIA) P13EDVE8029 A THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF MASTER DEGREE IN HOME ECONOMICS (CLOTHING AND TEXTILES) DEPARTMENT OF HOME ECONOMICS, FACULTY OF EDUCATION, AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA DECEMBER, 2017 ii DECLARATION I declare that this dissertation work entitledASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIA has been carried out by me in the Department of Home Economics. The information derived from the literature has been duly acknowledged in the text and a list of references provided. No part of this project was previously presented for another degree or diploma at this or any other Institution. _______________________ _________________________ Yarmi, NGGUSHAM Date P13EDVE8029 iii CERTIFICATION This dissertation report entitledASSESSMENT OF THE IMPACT OF RESIST TECHNIQUES OF FABRIC DECORATION ON STUDENTS’ INTEREST IN CLOTHING AND TEXTILES IN BORNO STATE, NIGERIAby Yarmi NGGUSHAM meets the regulations governing the award of the Master degree of the Ahmadu Bello University, and is approved for its contribution to knowledge and literary presentation. _________________________ ___________________________ Dr. M. F. Ahuwan Date Chairperson, Supervisory Committee _______________________ ___________________________ Prof. S. L. Ajayi Date Member, Supervisory Committee ________________________ ___________________________ Prof. -
Reactive Dyes… General Structure Has a Reactive Group Which Are Adsorbed on to the Cellulose and Than Reacted with the Fiber to Form Covalent Bonds
Reactive Chemistry TECHNICAL INFORMATION Murat ŞAHİNLİ 12.11.2015 Cellulose… Cellulose structure Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Reactive group Functional groups Reactive dyes… General structure has a reactive group which are adsorbed on to the cellulose and than reacted with the fiber to form covalent bonds. Chromophore Bridging RG Functional groups Shade Fastness Fastness Dischargeability Levelness Fixation Substantivity Application temperature Solubility Application temperature Reactive dyes… General reaction When put fabric and dye into the water; Cellulose: Cell-OH Cell-O¯ Electrostatic repulsion because of Dye: the negative charges HO3S-Dye-X X-Dye-SO3¯ With addition of salt: Cell-O¯ ⁺ Na Reduce the repulsion X-Dye-SO3¯ ⁺ Na Reactive dyes… General reaction After addition alkaline and linking with covalent bond; Thanks to covalent bond X-Dye-SO3¯ ⁺ Na + Na ⁺ ¯O-Cell Linking much more resistant to the usual conditions of use than the ( Soda ash, caustic …) physicochemical bond between direct dyes and cellulose. Na ⁺ ¯O3S – Dye –O-Cell + NaX Bond type App. Relative strength Covalent 30.0 Ionic 7.0 Hydrogene 3.0 Other 1.0 Intermolecular Reactive dyes… Description of dyeing mechanism Exhaustion of dye in presence of electrolyte by adsorption Fixation under the influence of alkali Wash off the unfixed dye from material surface T1: Addition of alkali and start of the fixation Reactive dyes… Exhaustion The reactive dyes is adsorbed onto the cellulose surface and than diffuses into the fiber. This phase is fully reversible. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................