Chemical Groups and Botanical Distribution
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Natural Colourants with Ancient Concept and Probable Uses
JOURNAL OF ADVANCED BOTANY AND ZOOLOGY Journal homepage: http://scienceq.org/Journals/JABZ.php Review Open Access Natural Colourants With Ancient Concept and Probable Uses Tabassum Khair1, Sujoy Bhusan2, Koushik Choudhury2, Ratna Choudhury3, Manabendra Debnath4 and Biplab De2* 1 Department of Pharmaceutical Sciences, Assam University, Silchar, Assam, India. 2 Regional Institute of Pharmaceutical Science And Technology, Abhoynagar, Agartala, Tripura, India. 3 Rajnagar H. S. School, Agartala, Tripura, India. 4 Department of Human Physiology, Swami Vivekananda Mahavidyalaya, Mohanpur, Tripura, India. *Corresponding author: Biplab De, E-mail: [email protected] Received: February 20, 2017, Accepted: April 15, 2017, Published: April 15, 2017. ABSTRACT: The majority of natural colourants are of vegetable origin from plant sources –roots, berries, barks, leaves, wood and other organic sources such as fungi and lichens. In the medicinal and food products apart from active constituents there are several other ingredients present which are used for either ethical or technical reasons. Colouring agent is one of them, known as excipients. The discovery of man-made synthetic dye in the mid-19th century triggered a long decline in the large-scale market for natural dyes as practiced by the villagers and tribes. The continuous use of synthetic colours in textile and food industry has been found to be detrimental to human health, also leading to environmental degradation. Biocolours are extracted by the villagers and certain tribes from natural herbs, plants as leaves, fruits (rind or seeds), flowers (petals, stamens), bark or roots, minerals such as prussian blue, red ochre & ultramarine blue and are also of insect origin such as lac, cochineal and kermes. -
The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels. -
Understanding and Conserving the Past and Recreating Natural Dyes
Understanding and Conserving the Past and Recreating Natural Dyes for Today Recep Karadag1 and Emine Torgan2 1Marmara University, Laboratory of Natural Dyes, Faculty of Fine Arts, 34718 Kadikoy- Istanbul-Turkey. 2Turkish Cultural Foundation, Cultural Heritage Preservation and Natural Dyes Laboratory, 34775 Umraniye-Istanbul-Turkey. Abstract We aim to use the natural dyeing of textiles from the past as a basis of modern dye natural dyeing of textiles. The natural dyes and methods used in the historical textiles were determined. We adapt these to the recent natural dyes in modern textiles by using different analysis techniques. In this study, the metal thread, dyestuff and technical analysis of historical textiles by micro and nondestructive analysis methods were determined. Historical samples were provided from many museum collection. Optical microscopy for the technical analysis, CIEL*a*b* spectrophotometer/colorimeter for the color measurements, HPLC-PAD for the dyestuff analysis and SEM-EDX for the metal thread analysis were performed. According to the results of this analysis, the fabrics that are made in modern times have the same characteristics as the fabrics analyzed due to the use of the same natural dyes. Keywords: Historical textiles, reproduction, natural dyes, dyestuff analysis, elemental analysis, color measurement, technical analysis. 1. INTRODUCTION Identification of an art object material of cultural heritage had received significant attention, because of its importance for the development of appropriate restoration and conservation strategies. Natural dyes have advantages since their production implies renewable resources causing minimum environmental pollution and has a low risk factor in relation to human health. Some of natural dyes are used by pharmaceutical industry as a basis for drug products and by the food industry [1]. -
328 United States Tariff Commission July 1970 UNITED STATES TARIFF COMMISSION
UNITED STATES TARIFF COMMISSION Washington IMPORTS OF BENZENOID CHEMICALS AND PRODUCTS 1969 United States General Imports of Intermediates, Dyes, Medicinals, Flavor and Perfume Materials, and Other Finished Benzenoid Products Entered on 1969 Under Schedule 4, Part 1, of The Tariff Schedules of the United States TC Publication 328 United States Tariff Commission July 1970 UNITED STATES TARIFF COMMISSION Glenn W. Sutton Bruce E. Clubb Will E. Leonard, Jr. George M. Moore Kenneth R. Mason, Seoretary Address all communications to United States Tariff Commission Washington, D. C. 20436 CONTENTS (Imports under TSUS, Schedule 4, Parts 1B and 1C) Table No. pue_ 1. Benzenoid intermediates: Summary of U.S. general imports entered under Part 1B, TSUS, by competitive status, 1969 4 2. Benzenoid intermediates: U.S. general imports entered under Part 1B, TSUS, by country of origin, 1969 and 1968 3. Benzenoid intermediates: U.S. general iml - orts entered under Part 1B, TSUS, showing competitive status, 1969 4. Finished benzenoid products: Summary of U.S.general . im- ports entered under Part 1C, TSUS, by competitive status, 1969 24 5. Finished benzenoid products: U.S. general imports entered under Part 1C, TSUS, by country of origin, 1969 and 1968 25 6. Finished benzenoid products: Summary of U.S. general imports entered under Part 1C, TSUS, by major groups and competitive status, 1969 27 7. Benzenoid dyes: U.S. general imports entered under Part 1C, TSUS, by class of application, and competitive status, 1969-- 30 8. Benzenoid dyes: U.S. general imports entered under Part 1C, TSUS, by country of origin, 1969 compared with 1968 31 9. -
Creative Designing of Fabric Patterns by Tie-Dyeing with Synthetic Dyes
www.ijird.com February, 2020 Vol 9 Issue 2 ISSN 2278 – 0211 (Online) Creative Designing of Fabric Patterns by Tie-Dyeing with Synthetic Dyes Nelima Barasa Lecturer, Department of Physical sciences, Rongo University, Kenya Francis Ongachi Olal Senior Lecturer, Department of Physical sciences, Rongo University, Kenya Abstract: Tie and dye are a resist method of fabric decoration where patterns are skillfully introduced on plain fabrics through tying and dyeing with synthetic dyes. Hot synthetic dyes were used in this study due to their advantage in terms of color variety, brightness and fastness. This study produced fabric pattern designs by tie and dyeing with hot water dyes which are good in terms of color fastness. Different types, forms, techniques, and processes of creating unique patterns by tie and dyeing was done. Basic tie-dyeing methods twisting, folding, pleating, wrapping, crumbling and sewing were then used to create new patterns when dyeing each color. Though tie and dye as a technique is familiar to many people, exploration in terms of the unique fabric patterns design has not been done especially in Kenya thus making us to get the tie-dyed fabrics from the international market. This paper therefore creatively introduced unique patterns on fabrics through folding, twisting, crumpling and tie and dye. The fabric patterns formed are very unique compared to what is available in the Kenyan market. The tie-dyed fabrics can be used in designing and developing fashion items like men’s shirts, ladies wear, ladies hand bags and scuffs. The methodology involved aims at create unique fabric patterns which was done through folding, twisting, crumpling and tying, followed by preparation of the dye bath and then dyeing the prepared fabrics. -
Antibacterial and UV Protective Effects of Cotton Fabrics Dyed with Brasi-Color Extract ICAMS 2018 – 7Th International Conference on Advanced Materials and Systems
Produced with a Trial Version of PDF Annotator - www.PDFAnnotator.com Produced with a Trial Version of PDF Annotator - www.PDFAnnotator.com Antibacterial and UV Protective Effects of Cotton Fabrics Dyed with Brasi-color Extract ICAMS 2018 – 7th International Conference on Advanced Materials and Systems CONCLUSIONS ANTIBACTERIAL AND UV PROTECTIVE EFFECTS OF COTTON FABRICS DYED WITH RESEDA LUTEOLA EXTRACT The highest dye exhaustion is attained for the cotton pre-mordanted with 2% mimosa 4% alum. All the mordanted and dyed materials have a high UV protection on IULIANA DUMITRESCU1, RODICA CONSTANTINESCU1, ELENA-CORNELIA MITRAN1, both UVA and UVB regions. The material dyed with Brasi-Color presents a good 1 1 1 antibacterial efficiency against S. aureus. ELENA PERDUM , LAURA CHIRILĂ , OVIDIU GEORGE IORDACHE , DANA ŞTEFĂNESCU2, MARIANA PÎSLARU2, IULIAN MANCAŞI3 1 Acknowledgments The National Research Development Institute for Textiles and Leather, Bucharest, Romania, Str. Lucretiu Patrascanu nr. 16, sector 3, 30508, Bucharest, Romania, E-Mail: This study was supported by UEFISCDI through the project No. 55/2017 – UV- [email protected] SHIELD in the frame of PN III Program, EUREKA Traditional projects. 2SC Tanex SRL, Sos. Bucuresti - Magurele, nr. 47B, 051432, Bucharest, Romania, E-Mail: [email protected] 3 REFERENCES SC Majutex SRL, Bîrnova, Jud. Iaşi, 707035, Romania, e-mail: [email protected] Ferlay, J. et al. (2013), “Cancer incidence and mortality patterns in Europe: estimates for 40 countries in 2012”, Eur J Cancer, 49(6), 1374-403, https://doi.org/10.1016/j.ejca.2012.12.027. Reseda luteola (Weld) extracts were used to dye textiles and decorate medieval manuscripts. -
Imports of Benzenoid Chemicals and Products
co p Z UNITED STATES TARIFF COMMISSION Washington IMPORTS OF BENZENOID CHEMICALS AND PRODUCTS 1 9 7 3 United States General Imports of Intermediates, Dyes, Medicinals, Flavor and Perfume Materials, and Other Finished Benzenoid Products Entered in 1973 Under Schedule 4, Part 1, of The Tariff Schedules of the United States TC Publication 688 United States Tariff Commission September 1 9 7 4 UNITED STATES TARIFF COMMISSION Catherine Bedell Chairman Joseph 0. Parker Vice Chairman Will E. Leonard, Jr. George M. Moore Italo H. Ablondi Kenneth R. Mason Secretary to the Commission Please address all communications to UNITED STATES TARIFF COMMISSION Washington, D.C. 20436 ERRATA SHEET Imports of Benzenoid Chemicals And'Produets, 1973 P. 94-- The 1973 data ascribed to Acrylonitrile-butadiene- styrene (ABS) resins actually included 8,216,040 pounds of Methyl- methacrylate-butadiene-styrene (MBS) resins. The revised figure for ABS resins alone is 23,823,791 pounds. CONTENTS (Imports under TSUS, Schedule 4, Parts 1B and 1C) Table No. Page 1. Benzenoid intermediates: Summary of U.S. general imports entered under Part 1B, TSUS, by competitive status, 1973___ 6 2. Benzenoid intermediates: U.S. general imports entered under Part 1B, TSUS, by country of origin, 1973 and 1972___ 6 3. Benzenoid intermediates: U.S. general imports entered under Part 1B, TSUS, showing competitive status,. 1973, 8 4. Finished benzenoid products: Summary of U.S. general im- ports entered under Part 1C, TSUS, by competitive status, 1973- 28 S. Finished benzenoid products: U.S. general imports entered under Part 1C, TSUS, by country of origin, 1973 and 1972--- 29 6. -
Red, Blue and Purple Dyes
Purple, Blue and Red Dyes We have discussed the vibrant colors of flowers, the somber colors of ants, the happy colors of leaves throughout their lifespan, the iridescent colors of butterflies, beetles and birds, the attractive and functional colors of human eyes, skin and hair, the warm colors of candlelight, the inherited colors of Mendel’s peas, the informative colors of stained chromosomes and stained germs, the luminescent colors of fireflies and dragonfish, and the abiotic colors of rainbows, the galaxies, the sun and the sky. The natural world is a wonderful world of color! The infinite number of colors in the solar spectrum was divided into seven colors by Isaac Newton—perhaps for theological reasons. While there is no scientific reason to divide the spectral colors into seven colors, there is a natural reason to divide the spectral colors into three primary colors. Thomas Young (1802), who was belittled as an “Anti-Newtonian” for speaking out about the wave nature of light, predicted that if the human eye had three photoreceptor pigments, we could perceive all the colors of the rainbow. He was right. 751 Thomas Young (1802) wrote “Since, for the reason assigned by NEWTON, it is probable that the motion of the retina is rather of a vibratory [longitudinal] than of an undulatory [transverse] nature, the frequency of the vibrations must be dependent on the constitution of this substance. Now, as it is almost impossible to conceive each sensitive point of the retina to contain an infinite number of particles, each capable of vibrating -
Natural Dyeing Plants As a Source of Compounds Protecting Against UV Radiation
Natural dyeing plants as a source of compounds protecting against UV radiation Katarzyna SCHMIDT-PRZEWOŹNA*, Małgorzata Zimniewska Institute of Natural Fibres and Medicinal Plants Wojska Polskiego 71b 60-630 Poznań *corresponding author: [email protected] Summary The Institute of Natural Fibres and Medicinal Plants has been carrying out a complex re- search related to application of natural dyes on fabrics. Colors of nature, obtained from various plants, have contributed to creating a collection of clothes produced from linen fabrics. The UV radiation can cause earlier skin ageing, burns and even skin cancer. The increasing hazard posed by UV radiation due to thinning of the ozone layer forces the tex- tile producers to pay attention to providing textile products with barrier properties that would guarantee the protection against harmful UV radiation. The results of the studies proved that many fabrics dyed with dyeing plants using the original method developed at INF&MP are characterized with good or very good protection factors. Fengurek Trigo- nella foenum-graecum, coreopsis Coreopsis tinctoria L., knotgrass Polygonum aviculare L., India madder Rubia cordifolia L. the are represent group of plants with excellent UV properties. Key words: natural dyestuffs, dyeing plants, Uv radiation, ecology, colors INTRODuCTION During last eleven years the research program on natural dyestuffs has been carried out in the Institute of Natural Fibres and Medicinal Plants in Poznań. The research has been based on historical sources and laboratory trials. Approximate- ly 50 dyestuffs of plant origin have been tested in this period for possible applica- tion in natural raw materials. The project is carried out by Laboratory of Natural Dyeing INF&MP with cooperation with herbal companies and botanical gardens. -
Economically Important Plants Arranged Systematically James P
Humboldt State University Digital Commons @ Humboldt State University Botanical Studies Open Educational Resources and Data 1-2017 Economically Important Plants Arranged Systematically James P. Smith Jr Humboldt State University, [email protected] Follow this and additional works at: http://digitalcommons.humboldt.edu/botany_jps Part of the Botany Commons Recommended Citation Smith, James P. Jr, "Economically Important Plants Arranged Systematically" (2017). Botanical Studies. 48. http://digitalcommons.humboldt.edu/botany_jps/48 This Economic Botany - Ethnobotany is brought to you for free and open access by the Open Educational Resources and Data at Digital Commons @ Humboldt State University. It has been accepted for inclusion in Botanical Studies by an authorized administrator of Digital Commons @ Humboldt State University. For more information, please contact [email protected]. ECONOMICALLY IMPORTANT PLANTS ARRANGED SYSTEMATICALLY Compiled by James P. Smith, Jr. Professor Emeritus of Botany Department of Biological Sciences Humboldt State University Arcata, California 30 January 2017 This list began in 1970 as a handout in the Plants and Civilization course that I taught at HSU. It was an updating and expansion of one prepared by Albert F. Hill in his 1952 textbook Economic Botany... and it simply got out of hand. I also thought it would be useful to add a brief description of how the plant is used and what part yields the product. There are a number of more or less encyclopedic references on this subject. The number of plants and the details of their uses is simply overwhelming. In the list below, I have attempted to focus on those plants that are of direct economic importance to us. -
Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta
Chapter Fundamentals of Natural Dyes and Its Application on Textile Substrates Virendra Kumar Gupta Abstract The meticulous environmental standards in textiles and garments imposed by countries cautious about nature and health protection are reviving interest in the application of natural dyes in dyeing of textile materials. The toxic and allergic reactions of synthetic dyes are compelling the people to think about natural dyes. Natural dyes are renewable source of colouring materials. Besides textiles it has application in colouration of foods, medicine and in handicraft items. Though natural dyes are ecofriendly, protective to skin and pleasing colour to eyes, they are having very poor bonding with textile fibre materials, which necessitate mordant- ing with metallic mordants, some of which are not eco friendly, for fixation of natural dyes on textile fibres. So the supremacy of natural dyes is somewhat sub- dued. This necessitates newer research on application of natural dyes on different natural fibres for completely eco friendly textiles. The fundamentals of natural dyes chemistry and some of the important research work are therefore discussed in this review article. Keywords: colour fastness, dyeing, extraction of natural dyes, natural dyes 1. Introduction After the advent of mauveine by Henry Perkin in 1856 and subsequent commer- cialization of synthetic dyes had replaced natural dyes, and since then consumption and application of natural dyes for textiles got reduced substantially. In present scenario environmental consciousness of people about natural products, renewable nature of materials, less environmental damage and sustainability of the natural products has further revived the use of natural dyes in dyeing of textile materials. -
Chemistry of Blue Jeans: Indigo Synthesis and Dyeing
E36 Chemistry of Blue Jeans: Indigo Synthesis and Dyeing William Henry Perkin (1838-1907) 1 The Task The goal of this experiment is to synthesise the vat dye, indigo and compare the properties of cloth that has been dyed with indigo and a mordant dye alizarin. Skills At the end of this laboratory session you should be able to: • vacuum filtrate. • accurately weigh out samples. Other outcomes At the end of the laboratory session you should be able to: • synthesise indigo. • dye cloth using a vat. • dye cloth using a mordant dye. • observe the colours of the mordant dyes formed with different divalent metal ions. • test and compare the dyed material for solubility and fading. 2 History Indigo The blue dye indigo has been used in India for about the last 4000 years. It was derived from the plant Indigofera tinctoria. Phoenican traders and migrating peoples gradually introduced this dye to the Mediterranian area and then spread to Europe. In Northern Europe from the Bronze Age (2500 – 850 BC) people used a blue dye, waod from the plant Isatis tinctoria. It has since been discovered that this plant contains the chemical indigo, but due to other compounds in the plant it is not a ‘pure’ blue like the Indigofera.1 Indigo is a vat dye. The plant was fermented and then treated with urine. The fibre was dipped into the colourless dye bath and then hung out in the sun to contain a blue insoluble dye on the fibre.1 In 1865, the German chemist Johann Friedrich Wilhelm Adolf von Baeyer began working with indigo.