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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
A Historical Aspect of the Restoration Measure, Distinctions of Original and New Architectural Materials : a Case Study and Spreads in Italy and in the World
View metadata, citation and similar papers at core.ac.uk brought to you by CORE A Historical Aspect of the Restoration Measure, Distinctions of Original and New Architectural Materials : A Case Study and Spreads in Italy and in the World 著者 大場 豪 号 59 学位授与機関 Tohoku University 学位授与番号 工博第5122号 URL http://hdl.handle.net/10097/62696 おお ば ごう 氏名 EA 大 場 豪 授与学位 A EA 博士(工学) 学位授与年月日 A EA 平成27年3月25日 学位授与の根拠法規 学位規則第 4 条第 1 項 研究科,専攻の名称 東北大学大学院工学研究科(博士課程)都市・建築学専攻 学位論文題目 A EA A Historical Aspect of the Restoration Measure, Distinctions of Original and New Architectural Materials: A Case Study and Spreads in Italy and in the World 指導教員 東北大学准教授 飛ヶ谷潤一郎 論文審査委員 A EA 主査 東北大学教授 飛ヶ谷潤一郎 東北大学教授 石田壽一 東北大学教授 五十嵐太郎 論文内容要旨 A E The distinction of original and new architectural materials is the restoration method especially applied for reassembling archaeological monuments. These members are distinguishable, for examples, by means of using different types of architectural members or of sculpturing the newly inserted parts plane unlike the original ones with detailed ornaments. According to the Venice Charter―the international guidelines on the restorations of monuments and sites―, it regards the former material as a respectable 1 element to achieve the intervention goalP0F .P The genuine also has an important role; it is one of information sources to evaluate the authenticity of UNESCO World Cultural Heritage sites. These roles testify values of original materials in Europe where many historical buildings contain durable materials such as stone and bricks. In order to comprehend their importance historically, this dissertation deals with following steps until the restoration measure became the global method. -
Reading for Monday 4/23/12 History of Rome You Will Find in This Packet
Reading for Monday 4/23/12 A e History of Rome A You will find in this packet three different readings. 1) Augustus’ autobiography. which he had posted for all to read at the end of his life: the Res Gestae (“Deeds Accomplished”). 2) A few passages from Vergil’s Aeneid (the epic telling the story of Aeneas’ escape from Troy and journey West to found Rome. The passages from the Aeneid are A) prophecy of the glory of Rome told by Jupiter to Venus (Aeneas’ mother). B) A depiction of the prophetic scenes engraved on Aeneas’ shield by the god Vulcan. The most important part of this passage to read is the depiction of the Battle of Actium as portrayed on Aeneas’ shield. (I’ve marked the beginning of this bit on your handout). Of course Aeneas has no idea what is pictured because it is a scene from the future... Take a moment to consider how the Battle of Actium is portrayed by Vergil in this scene! C) In this scene, Aeneas goes down to the Underworld to see his father, Anchises, who has died. While there, Aeneas sees the pool of Romans waiting to be born. Anchises speaks and tells Aeneas about all of his descendants, pointing each of them out as they wait in line for their birth. 3) A passage from Horace’s “Song of the New Age”: Carmen Saeculare Important questions to ask yourself: Is this poetry propaganda? What do you take away about how Augustus wanted to be viewed, and what were some of the key themes that the poets keep repeating about Augustus or this new Golden Age? Le’,s The Au,qustan Age 195. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
Life in the Roman Empire a Roman City Typically Had a Forum
CK_3_TH_HG_P091_145.QXD 4/11/05 10:56 AM Page 133 himself. Commodus spent much of his time not governing but racing chariots and fighting as a gladiator in the amphitheater. He fought hundreds of times and Teaching Idea killed lions, panthers, and elephants—and men—by the scores. In his famous his- Roman homes were lit with terra- tory, Decline and Fall of the Roman Empire, the historian Edward Gibbon memo- cotta or bronze lamps. Have students rably described the character of Commodus as a man more intent on pursuing his make their own lamps using the own pleasure than leading his people. directions on Instructional Master 22, Commodus was strangled to death in his bath in 192 CE. After his death, the Making a Terra-Cotta Lamp. After Senate ordered that all mention of him and his reign be expunged from the doing this activity, have students records. write a description of why it would be important to have these lamps in a Another famously wicked emperor was Nero, who ruled Rome well before Roman house. Compare and contrast Commodus, from 54–68 CE. Nero was given a good education—his tutor was the the use of these lamps to the lights philosopher Seneca—but he used his powers as emperor to suit his own purposes. that students use in their own homes. In the second year of his reign, he grew resentful of his mother’s attempts to con- What are the similarities and differ- trol him and began scheming to get rid of her. After having his mother murdered, ences? What are the advantages and he later murdered his wife and then married his mistress. -
Facts & Stories | I-ITALY
SIGN IN | LOG IN Search HOME ABOUT US MAGAZINE MULTIMEDIA EVENTS TASTEBOOK BLOGGERS COMMUNITY MAGAZINE FRONT PAGE FACTS & STORIES ARTS & CULTURE LIFE & PEOPLE OP-EDS SPECIALS Home » Magazine EVENTS NEWS Madrigals and Metamorphoses Amy Bedik A Safe-Haven for Italian Risorgimento's Founding Fathers In collaboration with the Switzerland Consulate General of Italy FACTS & STORIES The Vandals are Back in Rome, but Who are IN THIS SECTION They? Rome, from Peaceful March to JUDITH HARRIS (September 6, 2011) Mayhem—but “nobody got killed” JUDITH HARRIS Gian Antonio Stella: Madly in Love with Italy and Italy Screws Me Over LETIZIA AIROS Technology Transfer in the US and Italy MARIO GATES Saying No to Kebabs PATRIZIA ORIOLI Naples. Danger for Via San Gregorio Armeno N. L. View all >> Yes, they are back. Visited annually by some 23 million visitors, Piazza Navona is perhaps Rome’s most beloved square after St. Peter’s. At 8:30 Saturday morning, while its cafes were serving cappuccini and corneti, a man of perhaps 45 years of age jumped into the Baroque-era Fountain of the Moor, one of the two side fountains in Piazza Navona. Cameras show that he first tried to strike at the central figure, but slipped and instead smashed at one of the marble masks that decorate the fountain border. Like Send 0 Email Print Permalink MULTIMEDIA The Vandals sacked Rome back in 455. Today their equivalent have returned, Parading on 5th Ave striking this weekend to add a few cracks to the city’s art heritage, and to its legendary promise to remain the beloved Eternal City. -
Ritual Cleaning-Up of the City: from the Lupercalia to the Argei*
RITUAL CLEANING-UP OF THE CITY: FROM THE LUPERCALIA TO THE ARGEI* This paper is not an analysis of the fine aspects of ritual, myth and ety- mology. I do not intend to guess the exact meaning of Luperci and Argei, or why the former sacrificed a dog and the latter were bound hand and foot. What I want to examine is the role of the festivals of the Lupercalia and the Argei in the functioning of the Roman community. The best-informed among ancient writers were convinced that these were purification cere- monies. I assume that the ancients knew what they were talking about and propose, first, to establish the nature of the ritual cleanliness of the city, and second, see by what techniques the two festivals achieved that goal. What, in the perception of the Romans themselves, normally made their city unclean? What were the ordinary, repetitive sources of pollution in pre-Imperial Rome, before the concept of the cura Urbis was refined? The answer to this is provided by taboos and restrictions on certain sub- stances, and also certain activities, in the City. First, there is a rule from the Twelve Tables with Cicero’s curiously anachronistic comment: «hominem mortuum», inquit lex in duodecim, «in urbe ne sepelito neve urito», credo vel propter ignis periculum (De leg. II 58). Secondly, we have the edict of the praetor L. Sentius C.f., known from three inscrip- tions dating from the beginning of the first century BC1: L. Sentius C. f. pr(aetor) de sen(atus) sent(entia) loca terminanda coer(avit). -
Pagan-City-And-Christian-Capital-Rome-In-The-Fourth-Century-2000.Pdf
OXFORDCLASSICALMONOGRAPHS Published under the supervision of a Committee of the Faculty of Literae Humaniores in the University of Oxford The aim of the Oxford Classical Monographs series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Literae Humaniores. Pagan City and Christian Capital Rome in the Fourth Century JOHNR.CURRAN CLARENDON PRESS ´ OXFORD 2000 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's aim of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York # John Curran 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same conditions on any acquirer British Library Cataloguing in Publication Data Data applied for Library of Congress Cataloging in Publication Data Curran, John R. -
Top Attractions
TOP ROME ATTRACTIONS The Pantheon Constructed to honor all pagan gods, this best preserved temple of ancient Rome was rebuilt in the 2nd century AD by Emperor Hadrian, and to him much of the credit is due for the perfect dimensions: 141 feet high by 141 feet wide, with a vast dome that was the largest ever designed until the 20th century. The Vatican Though its population numbers only in the few hundreds, the Vatican—home base for the Catholic Church and the pope—makes up for them with the millions who visit each year. Embraced by the arms of the colonnades of St. Peter’s Square, they attend Papal Mass, marvel at St. Peter’s Basilica, and savor Michelangelo’s Sistine Ceiling. The Colosseum Legend has it that as long as the Colosseum stands, Rome will stand; and when Rome falls, so will the world. One of the seven wonders of the world, the mammoth amphitheater was begun by Emperor Vespasian and inaugurated by Titus in the year 80. For “the grandeur that was Rome,” this obstinate oval can’t be topped. Piazza Navona You couldn’t concoct a more Roman street scene: caffè and crowded tables at street level, coral- and rust-color houses above, most lined with wrought-iron balconies, street performers and artists and, at the center of this urban “living room,” Bernini’s spectacular Fountain of the Four Rivers and Borromini’s super-theatrical Sant’Agnese. Roman Forum This fabled labyrinth of ruins variously served as a political playground, a commerce mart, and a place where justice was dispensed during the days of the emperors (500 BC to 400 AD). -
Ancient Rome’S Most Exclu- Fare of the Roman Forum Gladiatorial Amphitheatre Sive Neighbourhood
56 ©Lonely Planet Publications Pty Ltd A n c i e n t R o m e COLOSSEUM | FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | BOCCA DELLA VERITÀ & FORUM BOARIUM Five Top Experiences 1 Getting your first 2 Exploring the haunting 4 Walking up Via Sacra, glimpse of the Colosseum ruins of the Palatino (p 60 ), the once grand thorough- (p 58 ). Rome’s towering ancient Rome’s most exclu- fare of the Roman Forum gladiatorial amphitheatre sive neighbourhood. (p 63 ). is both an architectural 3 Coming face to face 5 Surveying the city masterpiece, the blueprint with centuries of awe- spread out beneath you for much modern stadium inspiring art at the historic from atop Il Vittoriano design, and a stark, spine- Capitoline Museums (p67 ). (p 69 ) tingling reminder of the brutality of ancient times. 000000000000000000 000000000000000000 000000000000000000o 000000000000000000Piazza Traian e 0200m 000000000000000000Venezia oro # 00.1miles 000000000000000000ia F 000000000000000000V 000000000000000000arco 000000000000000000M V ri 000000000000000000i San nga d Imperial i V Zi V000000000000000000ia #æ a egli # ia 0000000000000000005 Forums T Via d V00000000000000000000000000 V or 000000000 000000000000000000ia 00000000 ä# d 000000000000a i e n 000000000000000000d 00000000 Via a d 000000000oni 000 i e 000000000000000000'A 00000000 A e 000000Via L 000000 00000000000000000000000000 dei F ' S 000000000000 r le C ccina 000000000000000000a 00000000 a Ba e 000000000000 000000000000000000c 00000000 s o Vi i P s nt r 000000000000000000o 00000000 ori n o p e iet a e'M 00000000000000000000000000 -
Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p. -
A Study of the Pantheon Through Time Caitlin Williams
Union College Union | Digital Works Honors Theses Student Work 6-2018 A Study of the Pantheon Through Time Caitlin Williams Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Classical Archaeology and Art History Commons Recommended Citation Williams, Caitlin, "A Study of the Pantheon Through Time" (2018). Honors Theses. 1689. https://digitalworks.union.edu/theses/1689 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Study of the Pantheon Through Time By Caitlin Williams * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE June, 2018 ABSTRACT WILLIAMS, CAITLIN A Study of the Pantheon Through Time. Department of Classics, June, 2018. ADVISOR: Hans-Friedrich Mueller. I analyze the Pantheon, one of the most well-preserVed buildings from antiquity, through time. I start with Agrippa's Pantheon, the original Pantheon that is no longer standing, which was built in 27 or 25 BC. What did it look like originally under Augustus? Why was it built? We then shift to the Pantheon that stands today, Hadrian-Trajan's Pantheon, which was completed around AD 125-128, and represents an example of an architectural reVolution. Was it eVen a temple? We also look at the Pantheon's conversion to a church, which helps explain why it is so well preserVed.