DOCSLIB.ORG

Tod Browning Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tod Browning Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨) Tod Browning 电影 串行 (大全) Revenge https://zh.listvote.com/lists/film/movies/revenge-3933914/actors Man Under Cover https://zh.listvote.com/lists/film/movies/man-under-cover-3844215/actors Jim Bludso https://zh.listvote.com/lists/film/movies/jim-bludso-3808308/actors The Legion of Death https://zh.listvote.com/lists/film/movies/the-legion-of-death-3987976/actors The Jury of Fate https://zh.listvote.com/lists/film/movies/the-jury-of-fate-3987781/actors Peggy, the Will O' the https://zh.listvote.com/lists/film/movies/peggy%2C-the-will-o%27-the-wisp-3898778/actors Wisp Mark of the Vampire https://zh.listvote.com/lists/film/movies/mark-of-the-vampire-1170898/actors The Unknown https://zh.listvote.com/lists/film/movies/the-unknown-1197672/actors The Show https://zh.listvote.com/lists/film/movies/the-show-1524084/actors Iron Man https://zh.listvote.com/lists/film/movies/iron-man-1758603/actors Miracles for Sale https://zh.listvote.com/lists/film/movies/miracles-for-sale-1986168/actors West of Zanzibar https://zh.listvote.com/lists/film/movies/west-of-zanzibar-1988100/actors The Blackbird https://zh.listvote.com/lists/film/movies/the-blackbird-1989302/actors The Unholy Three https://zh.listvote.com/lists/film/movies/the-unholy-three-1989317/actors The Road to Mandalay https://zh.listvote.com/lists/film/movies/the-road-to-mandalay-1989689/actors The Mystic https://zh.listvote.com/lists/film/movies/the-mystic-1989695/actors By the Sun's Rays https://zh.listvote.com/lists/film/movies/by-the-sun%27s-rays-2608675/actors Bonnie Bonnie Lassie https://zh.listvote.com/lists/film/movies/bonnie-bonnie-lassie-2910292/actors The Deciding Kiss https://zh.listvote.com/lists/film/movies/the-deciding-kiss-3017245/actors The Virgin of Stamboul https://zh.listvote.com/lists/film/movies/the-virgin-of-stamboul-3023214/actors Where East Is East https://zh.listvote.com/lists/film/movies/where-east-is-east-3258661/actors The Thirteenth Chair https://zh.listvote.com/lists/film/movies/the-thirteenth-chair-3522999/actors A Love Sublime https://zh.listvote.com/lists/film/movies/a-love-sublime-3602564/actors An Image of the Past https://zh.listvote.com/lists/film/movies/an-image-of-the-past-3614826/actors Dollar Down https://zh.listvote.com/lists/film/movies/dollar-down-3712653/actors Drifting https://zh.listvote.com/lists/film/movies/drifting-3715354/actors Everybody's Doing It https://zh.listvote.com/lists/film/movies/everybody%27s-doing-it-3735494/actors Fast Workers https://zh.listvote.com/lists/film/movies/fast-workers-3739991/actors Hands Up! https://zh.listvote.com/lists/film/movies/hands-up%21-3783018/actors The Wicked Darling https://zh.listvote.com/lists/film/movies/the-wicked-darling-3821450/actors The Big City https://zh.listvote.com/lists/film/movies/the-big-city-3822606/actors Little Marie https://zh.listvote.com/lists/film/movies/little-marie-3835037/actors Silk Stocking Sal https://zh.listvote.com/lists/film/movies/silk-stocking-sal-384089/actors No Woman Knows https://zh.listvote.com/lists/film/movies/no-woman-knows-3877557/actors Outside the Law https://zh.listvote.com/lists/film/movies/outside-the-law-3887584/actors Puppets https://zh.listvote.com/lists/film/movies/puppets-3925886/actors Set Free https://zh.listvote.com/lists/film/movies/set-free-3958248/actors The Brazen Beauty https://zh.listvote.com/lists/film/movies/the-brazen-beauty-3986099/actors The Burned Hand https://zh.listvote.com/lists/film/movies/the-burned-hand-3986148/actors The Dangerous Flirt https://zh.listvote.com/lists/film/movies/the-dangerous-flirt-3986509/actors The Day of Faith https://zh.listvote.com/lists/film/movies/the-day-of-faith-3986536/actors The Electric Alarm https://zh.listvote.com/lists/film/movies/the-electric-alarm-3986757/actors The Exquisite Thief https://zh.listvote.com/lists/film/movies/the-exquisite-thief-3986863/actors The Eyes of Mystery https://zh.listvote.com/lists/film/movies/the-eyes-of-mystery-3986868/actors The Fatal Glass of Beer https://zh.listvote.com/lists/film/movies/the-fatal-glass-of-beer-3987003/actors The Living Death https://zh.listvote.com/lists/film/movies/the-living-death-3988055/actors The Lucky Transfer https://zh.listvote.com/lists/film/movies/the-lucky-transfer-3988140/actors The Petal on the Current https://zh.listvote.com/lists/film/movies/the-petal-on-the-current-3988700/actors The Slave Girl https://zh.listvote.com/lists/film/movies/the-slave-girl-3989336/actors The Spell of the Poppy https://zh.listvote.com/lists/film/movies/the-spell-of-the-poppy-3989418/actors The Story of a Story https://zh.listvote.com/lists/film/movies/the-story-of-a-story-3989501/actors The Wise Kid https://zh.listvote.com/lists/film/movies/the-wise-kid-3990051/actors The Woman from https://zh.listvote.com/lists/film/movies/the-woman-from-warren%27s-3990078/actors Warren's Under Two Flags https://zh.listvote.com/lists/film/movies/under-two-flags-4004566/actors Which Woman? https://zh.listvote.com/lists/film/movies/which-woman%3F-4019478/actors White Tiger https://zh.listvote.com/lists/film/movies/white-tiger-4019550/actors The Highbinders https://zh.listvote.com/lists/film/movies/the-highbinders-652527/actors The Unpainted Woman https://zh.listvote.com/lists/film/movies/the-unpainted-woman-956608/actors 怪胎 https://zh.listvote.com/lists/film/movies/%E6%80%AA%E8%83%8E-1133723/actors é”​ 鬼玩å¶​ https://zh.listvote.com/lists/film/movies/%E9%AD%94%E9%AC%BC%E7%8E%A9%E5%81%B6-1141261/actors https://zh.listvote.com/lists/film/movies/%E5%8D%88%E5%A4%9C%E9%81%8E%E5%BE%8C%E7%9A%84%E5%80%AB%E6%95%A6- åˆ​ 夜éŽ​ 後的倫敦 253397/actors å¾·å¤​ 拉 https://zh.listvote.com/lists/film/movies/%E5%BE%B7%E5%8F%A4%E6%8B%89-279378/actors .
Load more

Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A
    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
    [Show full text]
  • Missions and Film Jamie S
    Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre.
    [Show full text]
  • The Horror Film Series
    Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors.
    [Show full text]
  • Movie Mirror Book
    WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al­ ways been at high pitch, so, in offering these concise his­ tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made.
    [Show full text]
  • Rosemary Ellen Guiley
    vamps_fm[fof]_final pass 2/2/09 10:06 AM Page i The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS vamps_fm[fof]_final pass 2/2/09 10:06 AM Page ii The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS Rosemary Ellen Guiley FOREWORD BY Jeanne Keyes Youngson, President and Founder of the Vampire Empire The Encyclopedia of Vampires, Werewolves, and Other Monsters Copyright © 2005 by Visionary Living, Inc. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Guiley, Rosemary. The encyclopedia of vampires, werewolves, and other monsters / Rosemary Ellen Guiley. p. cm. Includes bibliographical references and index. ISBN 0-8160-4684-0 (hardcover : alk. paper) ISBN 978-1-4381-3001-9 (e-book) 1. Vampires—Encyclopedias. 2. Werewolves—Encyclopedias. 3. Monsters—Encyclopedias. I. Title. BF1556.G86 2004 133.4’23—dc22 2003026592 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper.
    [Show full text]
  • A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film
    A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film Barbara Elisabeth Wyllie School of Slavonic and East European Studies, University College London For the degree of PhD 2 0 0 0 ProQuest Number: 10015007 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015007 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Twentieth-century American culture has been dominated by a preoccupation with image. The supremacy of image has been promoted and refined by cinema which has sustained its place as America’s foremost cultural and artistic medium. Vision as a perceptual mode is also a compelling and dynamic aspect central to Nabokov’s creative imagination. Film was a fascination from childhood, but Nabokov’s interest in the medium extended beyond his experiences as an extra and his attempts to write for screen in Berlin in the 1920s and ’30s, or the declared cinematic novel of 1938, Laughter in the Dark and his screenplay for Stanley Kubrick’s 1962 film version of Lolita.
    [Show full text]
  • The World's Best Poetry, Volume IX: of Tragedy: of Humour
    Title: The World's Best Poetry, Volume IX: Of Tragedy: of Humour Author: Various Contributor: Francis Barton Gummere Editor: Bliss Carman Release Date: July 15, 2013 [EBook #43223] Language: English _THE WORLD'S_ _BEST POETRY_ _I Home: Friendship_ _VI Fancy: Sentiment_ _II Love_ _VII Descriptive: Narrative_ _III Sorrow and Consolation_ _VIII National Spirit_ _IV The Higher Life_ _IX Tragedy: Humor_ _V Nature_ _X Poetical Quotations_ _THE WORLD'S BEST POETRY_ _IN TEN VOLUMES, ILLUSTRATED_ _Editor-in-Chief BLISS CARMAN_ _Associate Editors_ _John Vance Cheney Charles G. D. Roberts_ _Charles F. Richardson Francis H. Stoddard_ _Managing Editor: John R. Howard_ [Illustration] _JOHN D. MORRIS AND COMPANY PHILADELPHIA_ COPYRIGHT, 1904, BY JOHN D. MORRIS & COMPANY [Illustration: JOHANN WOLFGANG VON GOETHE. _Photogravure after portrait by Stieler._] _The World's Best Poetry_ _Vol. IX_ _Of TRAGEDY:_ _of HUMOR_ _THE OLD CASE OF_ _POETRY_ _IN A NEW COURT_ _By_ _FRANCIS A. GUMMERE_ [Illustration] _JOHN D. MORRIS AND COMPANY_ _PHILADELPHIA_ COPYRIGHT, 1904, BY John D. Morris & Company NOTICE OF COPYRIGHTS. I. American poems in this volume within the legal protection of copyright are used by the courteous permission of the owners,--either the publishers named in the following list or the authors or their representatives in the subsequent one,--who reserve all their rights. So far as practicable, permission has been secured, also for poems out of copyright. PUBLISHERS OF THE WORLD'S BEST POETRY. 1904. The BOBBS-MERRILL COMPANY, Indianapolis.--F. L. STANTON: "Plantation Ditty." The CENTURY CO., New York.--_I. Russell_: "De Fust Banjo," "Nebuchadnezzar." Messrs. HARPER & BROTHERS, New York.--_W. A.
    [Show full text]
  • The Mormon As Vampire: a Comparative Study of Winifred Graham's the Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula
    BYU Studies Quarterly Volume 46 Issue 2 Article 8 4-1-2007 The Mormon as Vampire: A Comparative Study of Winifred Graham's The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula James V. D'Arc Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation D'Arc, James V. (2007) "The Mormon as Vampire: A Comparative Study of Winifred Graham's The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula," BYU Studies Quarterly: Vol. 46 : Iss. 2 , Article 8. Available at: https://scholarsarchive.byu.edu/byusq/vol46/iss2/8 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. D'Arc: The Mormon as Vampire: A Comparative Study of Winifred Graham's < Mormon missionary Isoldi Keene (Louis Willoughby) demonstrates his hypnotic power to the audience in the opening frames of Trapped by the Mormons (1922). The intertitle reads, “Isoldi Keene . Latter-day Saint . and by means of his mesmeric powers, one of the clever- est recruiters in the Mormon ranks.” Frame enlargement. Collection of James D’Arc. Published by BYU ScholarsArchive, 2007 1 BYU Studies Quarterly, Vol. 46, Iss. 2 [2007], Art. 8 The Mormon as Vampire A Comparative Study of Winifred Graham’s The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker’s Dracula James V.
    [Show full text]
  • Di Tod Browning. Freaks: Da Cut Movie a Cult Movie
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Storia delle arti e conservazione dei beni artistici. Tesi di Laurea La pellicola “maudit” di Tod Browning. Freaks: da cut movie a cult movie. Relatore Prof. Fabrizio Borin Correlatore Prof. Carmelo Alberti Laureando Giulia Brondin Matricola 815604 Anno Accademico 2012 / 2013 Ringrazio il Prof. Fabrizio Borin Thomas mamma, papà, Martina Indice Introduzione........................................................................................................ pag. 3 1. Mostri 1.Mostri e Portenti........................................................................................... » 8 2. Freak Show.................................................................................................. » 30 2. La pellicola “maudit” 1. Il cinema dei mostri.................................................................................... » 42 2. Freaks: Tod Browning................................................................................ » 52 2.1. Brevi considerazioni................................................................................ » 117 3. Un rifiuto durato trent’anni......................................................................... » 123 4. Il piccolo contro il grande............................................................................ » 134 5. La pellicola ambulante: morte e rinascita................................................... » 135 3. Da cut movie a cult movie 1. Freak out!.....................................................................................................
    [Show full text]
  • The Post-Traumatic Theatre of Grotowski and Kantor Advance Reviews
    The Post-traumatic Theatre of Grotowski and Kantor Advance Reviews “A brilliant cross-disciplinary comparative analysis that joins a new path in theatre studies, revitalizing the artistic heritage of two great twentieth-century masters: Tadeusz Kantor and Jerzy Grotowski.” —Professor Antonio Attisani, Department of Humanities, University of Turin “Among the landmarks of postwar avant-garde theatre, two Polish works stand out: Grotowski’s Akropolis and Kantor’s Dead Class. Magda Romanska scrupulously corrects misconceptions about these crucial works, bringing to light linguistic elements ignored by Anglophone critics and an intense engagement with the Holocaust very often overlooked by their Polish counterparts. This is vital and magnificently researched theatre scholarship, at once alert to history and to formal experiment. Romanska makes two pieces readers may think they know newly and urgently legible.” —Martin Harries, author of “Forgetting Lot’s Wife: On Destructive Spectatorship,” University of California, Irvine “As someone who teaches and researches in the areas of Polish film and theatre – and European theatre/theatre practice/translation more broadly – I was riveted by the book. I couldn’t put it down. There is no such extensive comparative study of the work of the two practitioners that offers a sustained and convincing argument for this. The book is ‘leading edge.’ Romanska has the linguistic and critical skills to develop the arguments in question and the political contexts are in general traced at an extremely sophisticated level. This is what lends the writing its dynamism.” —Dr Teresa Murjas, Director of Postgraduate Research, Department of Film, Theatre and Television, University of Reading “This is a lucidly and even beautifully written book that convincingly argues for a historically and culturally contextualized understanding of Grotowski’s and Kantor’s performances.
    [Show full text]
  • Renegotiating History: Representations of the Family in Post-1989 German Literature
    RENEGOTIATING HISTORY: REPRESENTATIONS OF THE FAMILY IN POST-1989 GERMAN LITERATURE BY REGINE CRISER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee Associate Professor Anke Pinkert, Chair Professor Peter A. Fritzsche Associate Professor Laurie R. Johnson Professor Carl Niekerk Associate Professor Yasemin Yildiz Abstract Scholars emphasize concepts of trauma and loss to describe literary responses to the collapse of socialism in 1989. In contrast, focusing on literary representations of family, this project reveals productive coping mechanisms developed in German literature after 1989. In artistic representation, family marks the site where the GDR’s dissolution and new post-1989 beginnings are negotiated. I draw on the concepts of agency, memory, and space to show how the historical transformation in 1989 affected existing family structures and how narrative family representations negotiate the historical meaning of 1989. Situated at the intersection of literature, cultural studies, and history, this project shows how family representations constitute a privileged site of post-socialist renewals. ii Für meine Eltern, Ingrid und Peter Kroh, deren Leitspruch “Die Familie ist immer das Wichtigste.” sich sowohl während als auch in dieser Arbeit bewahrheitet hat. iii Acknowledgements I am fortunate to have been supported by many people and institutions working on this study. I want to thank the Department of Germanic Languages and Literatures as well as the School of Literatures, Cultures & Linguistics at the University of Illinois and the Max Kade Foundation for providing generous founding over the past years, which has allowed me to focus exclusively on my research and writing for an extended period of time.
    [Show full text]
  • Canonical Monstrosity, the Romero Zombie, and the Political Subject
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Civilization of the Living Dead: Canonical Monstrosity, the Romero Zombie, and the Political Subject Nicholas Walter Robbins Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/468 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CIVILIZATION OF THE LIVING DEAD: CANONICAL MONSTROSITY, THE ROMERO ZOMBIE, AND THE POLITICAL SUBJECT by NICHOLAS W. ROBBINS A dissertation submitted to the Graduate Faculty in Political Science in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii © 2014 NICHOLAS W. ROBBINS All Right Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Political Science in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Corey Robin _______________ ________________________________________ Date Chair of Examining Committee Alyson Cole _______________ ________________________________________ Date Excecutive Officer Corey Robin Alyson Cole Joe Rollins Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract CIVILIZATION OF THE LIVING DEAD: CANONICAL MONSTROSITY, THE ROMERO ZOMBIE, AND THE POLITICAL SUBJECT by Nicholas W. Robbins Advisor: Professor Corey Robin This dissertation analyzes the canonical monsters of Western political theory, including Plato’s wolf-man, Hobbes’s Leviathan and Tocqueville’s mechanical mass. It argues that monster theorists – including horror film director George A.
    [Show full text]