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Masyarakat Kesenian Di Indonesia
MASYARAKAT KESENIAN DI INDONESIA Muhammad Takari Frida Deliana Harahap Fadlin Torang Naiborhu Arifni Netriroza Heristina Dewi Penerbit: Studia Kultura, Fakultas Sastra, Universitas Sumatera Utara 2008 1 Cetakan pertama, Juni 2008 MASYARAKAT KESENIAN DI INDONESIA Oleh: Muhammad Takari, Frida Deliana, Fadlin, Torang Naiborhu, Arifni Netriroza, dan Heristina Dewi Hak cipta dilindungi undang-undang All right reserved Dilarang memperbanyak buku ini Sebahagian atau seluruhnya Dalam bentuk apapun juga Tanpa izin tertulis dari penerbit Penerbit: Studia Kultura, Fakultas Sastra, Universitas Sumatera Utara ISSN1412-8586 Dicetak di Medan, Indonesia 2 KATA PENGANTAR Terlebih dahulu kami tim penulis buku Masyarakat Kesenian di Indonesia, mengucapkan puji syukur ke hadirat Tuhan Yang Maha Kuasa, karena atas berkah dan karunia-Nya, kami dapat menyelesaikan penulisan buku ini pada tahun 2008. Adapun cita-cita menulis buku ini, telah lama kami canangkan, sekitar tahun 2005 yang lalu. Namun karena sulitnya mengumpulkan materi-materi yang akan diajangkau, yakni begitu ekstensif dan luasnya bahan yang mesti dicapai, juga materi yang dikaji di bidang kesenian meliputi seni-seni: musik, tari, teater baik yang tradisional. Sementara latar belakang keilmuan kami pun, baik di strata satu dan dua, umumnya adalah terkonsentasi di bidang etnomusikologi dan kajian seni pertunjukan yang juga dengan minat utama musik etnik. Hanya seorang saja yang berlatar belakang akademik antropologi tari. Selain itu, tim kami ini ada dua orang yang berlatar belakang pendidikan strata dua antropologi dan sosiologi. Oleh karenanya latar belakang keilmuan ini, sangat mewarnai apa yang kami tulis dalam buku ini. Adapun materi dalam buku ini memuat tentang konsep apa itu masyarakat, kesenian, dan Indonesia—serta terminologi-terminologi yang berkaitan dengannya seperti: kebudayaan, pranata sosial, dan kelompok sosial. -
Coffee, Food, and the Crisis of Indonesian Family Relationship in the Poem of Khong Guan Banquette by Joko Pinurbo
Advances in Social Science, Education and Humanities Research, volume 477 Proceedings of the International Conference on Community Development (ICCD 2020) Coffee, Food, and the Crisis of Indonesian Family Relationship in the Poem of Khong Guan Banquette by Joko Pinurbo Ari Ambarwati* Sri Wahyuni University of Islam Malang University of Islam Malang [email protected] [email protected] Susi Darihastining STKIP PGRI Jombang [email protected] Abstract. The abundance of Indonesian is a classic Javanese literary work, containing gastronomic wealth, expressed in literary works, strands of stories and forms of song and a variety of is challenging to discuss and study. The focus of knowledge about various names of foods and this research is the use of gastronomical drinks, which were eaten by ancestors in the metaphors to describe the family relationship's Nusantara era. Serat Centhini, written by Sunan critique in the collection of Joko Pinurbo's Pakubuwono V, Kiai Ngabehi Ranggasusastra, Kiai Khong Guan Banquette. Through the method of Ngabehi Yosodipuro II, and Kiai Ngabehi close reading and gastro-critical reading, it can Sastradipura, in 1814-1823, numbered 12 volumes, be stated that coffee, tea, and food that correlate with a number of pages 3112 [11]. The manuscript with Khong Guan cans (biscuits, wafers, and tells about the adventures of Jayengresmi, traditional snacks typical of Lebaran) are used Jayengsari, and Niken Rancangkapti, exploring the as a metaphor for human life, which crosses Java region, as well as enjoying staple foods, life's problems and reflects on relationship crisis. snacks, and drinks that are different in each place family. -
November 2012
in a nutshell November 2012 Peanut trends insight from the Peanut Institute There’s no doubt that peanuts and peanut butter are adored by many Canadians. In fact, research indicates that peanut products are so popular that nine in 10 Canadians reported having peanuts and/or peanut butter in their homes. With many health benefits, lots of flavour and endless cooking possibilities, what’s not to love? Not only are peanut products a Canadian favourite, they’re also a global favourite. Recently, the Peanut Institute held an event at the Culinary Institute of America where details of the common uses of peanuts around the world were highlighted. Below are some unique culinary highlights: • In West Africa, a peanut sauce made with onions, garlic, peanut butter or paste, along with vegetables like carrots, cabbage and cauliflower, is served by itself or with chicken; people (particularly in Mali) also use peanut butter or paste in a meat stew called maafe; in Ghana, spicy peanut butter soup (nkatenkwan) is a favourite, along with peanut candies/ snacks called kuli-kuli; peanut powder is used as a coating for kebabs in Nigeria and Ghana. • In Malawi and eastern Zambia, peanuts go into relishes to accompany nshima – rolled balls of the nshima cornmeal cakes are dipped into the relishes; thick peanut butter sauces in Uganda accent rice and other starchy foods. • Latin America also provides some examples of ethnic peanut applications: in South America, peanuts go into sauces that accent meat dishes, especially rabbit; in Peru peanuts are roasted with chilies and blended with roasted onions, garlic and oil for a sauce to go with boiled potatoes (papas con ocopa, famous in Arequipa). -
Pergub DIY No. 25 Tahun 2017 Ttg Standardisasi Makanan
SALINAN GUBERNUR DAERAH ISTIMEWA YOGYAKARTA PERATURAN GUBERNUR DAERAH ISTIMEWA YOGYAKARTA NOMOR 25 TAHUN 2017 TENTANG STANDARDISASI MAKANAN JAJANAN ANAK SEKOLAH DENGAN RAHMAT TUHAN YANG MAHA ESA GUBERNUR DAERAH ISTIMEWA YOGYAKARTA, Menimbang : a. bahwa anak sebagai penerus cita-cita perjuangan bangsa, perlu mendapat kesempatan yang seluas-luasnya untuk tumbuh dan berkembang secara optimal, baik fisik, mental maupun sosial; b. bahwa untuk mendukung tumbuh kembang anak secara optimal perlu asupan makanan yang aman, sehat, bergizi dan layak dikonsumsi di lingkungan tumbuh kembangnya; c. bahwa masih ditemukan makanan jajanan anak sekolah yang tercemar bahan berbahaya baik fisik, kimia maupun kandungan mikrobiologi melebihi batas serta bakteri patogen; d. bahwa berdasarkan pertimbangan sebagaimana dimaksud dalam huruf a, huruf b, huruf c, dan huruf e perlu menetapkan Peraturan Gubernur tentang Standardisasi Jajanan Makanan Anak Sekolah; Mengingat : 1. Pasal 18 ayat (6) Undang-Undang Dasar Negara Republik Indonesia Tahun 1945; 2. Undang-Undang Nomor 3 Tahun 1950 tentang Pembentukan Daerah Istimewa Jogjakarta (Berita Negara Republik Indonesia Tahun 1950 Nomor 3) sebagaimana telah diubah terakhir dengan Undang-Undang Nomor 9 Tahun 1955 tentang Perubahan Undang-undang Nomor 3 Jo. Nomor 19 Tahun 1950 tentang Pembentukan Daerah Istimewa Jogjakarta (Lembaran Negara Republik Indonesia Tahun 1955 Nomor 43, Tambahan Lembaran Negara Republik Indonesia Nomor 827); 3. Undang-Undang Nomor 8 Tahun 1999 tentang Perlindungan Konsumen (Lembaran Negara Republik Indonesia Tahun 1999 Nomor 42, Tambahan Lembaran Negara Republik Indonesia Nomor 3821); 4. Undang-Undang Nomor 36 Tahun 2009 tentang Kesehatan (Lembaran Negara Republik Indonesia Tahun 2009 Nomor 144, Tambahan Lembaran Negara Republik Indonesia Nomor 5063); 5. Undang-Undang Nomor 13 Tahun 2012 tentang Keistimewaan Daerah Istimewa Yogyakarta (Lembaran Negara Republik Indonesia Tahun 2012 Nomor 170, Tambahan Lembaran Negara Republik Indonesia Nomor 5339); 6. -
Kiprah Mpok Nori Dalam Mengembangkan Kesenian Betawi (1968-1995)
Kiprah Mpok Nori dalam Mengembangkan Kesenian Betawi (1968-1995) Imas Yosita, Siswantari Program Studi Ilmu Sejarah, Fakultas Ilmu Pengetahuan Budaya, Universtas Indonesia Kampus UI Depok Jawa Barat 16424 Indonesia E-mail: [email protected] Abstrak Skripsi ini membahas kiprah Mpok Nori dalam mengembangkan kesenian Betawi tahun 1968—1995. Penelitian yang dilakukan merupakan kajian sejarah dengan mengambil peran sentral pada aktivitas Mpok Nori terhadap usahanya untuk mengembangkan kesenian Betawi yang dilakukannya melalui tari topeng Betawi, teater lenong, sanggar, layar kaca dan layar perak. Ia berhasil membawa kesenian Betawi bertahan di tengah modernisasi Jakarta yang berkembang cepat dengan seni budaya lain yang berasal dari berbagai daerah. Sanggar yang didirikannya telah menghasilkan anak didik yang berprestasi dalam mengembangkan kesenian Betawi. Penelitian ini membuktikan bahwa Mpok Nori berhasil membawa kesenian Betawi bertahan di tengah modernisasi Jakarta yang berkembang cepat. Kata kunci: Betawi, kesenian, Mpok Nori Abstract This thesis discusses about Mpok Nori’s role in developing Betawinese art in 1968—1995. The research done is a historical study which takes a central role on Mpok Nori’s activities in trying to develop Betawinese art through Betawi mask dance, lenong theater, atelier, television and cinema. She has succeeded in bringing Betawineses art to survive in the middle modernization which grows fast together with the other cultural arts from various districts in Indonesia. The atelier which was built has produced successful students in evolving Betawinese art. This research proved that Mpok Nori has succeeded to bring Betawinese art keep in the fast-developed Jakarta modernization. Keywords: art, Betawi, Mpok Nori Pendahuluan tempat berinteraksinya dari berbagai aspek budaya masyarakat. -
Welcome to the Heaven of Specialty Coffee
Coffee Quotes INDONESIA “ I have measured out my life with coffee spoons. ” (T. S. Eliot) “ If I asked for a cup of coffee, EDITION someone would search for the double meaning. ” (Mae West) “ To me, the smell of fresh-made coffee is one Trade•Tourism•Investment FIRST of the greatest inventions. ” (Hugh Jackman) “ The ability to deal with people is as purchasable a commodity as sugar or coffee and I will pay more for that ability than for any other under the sun. ” Welcome to The Heaven (John D. Rockefeller) “ Coffee is a language in itself. ” of Specialty Coffee (Jackie Chan) “ I like cappuccino, actually. But even a bad cup of coffee is better than no coffee at all. ” (David Lynch) “ If it wasn't for the coffee, I'd have no identifiable personality whatsover. “ (David Letterman) :” Good communication is as stimulating as black coffee, and just as hard. ” (Anne Spencer) “ I would rather suffer with coffee than be senseless. “ (Napoleon Bonaparte) “ Coffee, the favourite drink of civilize world. ” (Thomas Jefferson) “ What on earth could be more luxurious than a sofa, a book and a cup of coffee? “ (Anthony Troloppe) “Coffee is far more than a beverage. It is an invitation to life, (Foto: web/edit) disguised as a cup of warm liquid. It’s a trumpet wakeup call or a gentle rousing hand on your shoulder… Coffee is an experience, an offer, a rite of passage, a good excuse to get together. ” (Nichole Johnson) “ A guy’s gotta live, you know, gotta make his way and find his Exotic & Unique Indonesian Coffee meaning in life and love, and to do that he needs coffee, he needs coffee and coffee and coffee. -
M. Cohen on the Origin of the Komedie Stamboelpopular Culture, Colonial Society, and the Parsi Theatre Movement
M. Cohen On the origin of the Komedie StamboelPopular culture, colonial society, and the Parsi theatre movement In: Bijdragen tot de Taal-, Land- en Volkenkunde 157 (2001), no: 2, Leiden, 313-357 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/10/2021 12:19:15AM via free access MATTHEW ISAAC COHEN On the Origin of the Komedie Stamboel Popular Culture, Colonial Society, and the Parsi Theatre Movement Introduction . The Komedie Stamboel, also known as the Malay Opera, occupies a prom- inent place in Indonesia's cultural history.1 lts emergence in 1891 has been characterized as a 'landmark' in the development of modern popular theatre (Teeuw 1979:207). The theatre later contributed greatly to the birth of Indo- nesian contemporary theatre and film2 and played a formative role in mod- ern political discourse and representation (see Anderson 1996:36-7). The Komedie Stamboel has been celebrated as one of the most significant 'artistic achievements' of the Eurasian population of colonial Java (see Van der Veur 1968a), but also damned for its deleterious influence on Java's classical and 1 This article was written while a postdoctoral research fellow at the International Institute for Asian Studies (DAS). It was presented in part as lectures at KAS and the Fifth International Humanities Symposium, Gadjah Mada University, in 1998.1 would like to thank all the particip- ants in the research seminar, 'Popular theatres of Indonesia', Department of Southeast Asian and Oceanic Languages and Cultures, Leiden University, where I developed some of the ideas pre- sented here, as well as Kathryn Hansen, Rakesh Solomon, Catherine Diamond, Surapone Virulrak, Hanne de Bruin, and two anonymous BKI reviewers for their comments. -
Perancangan Komik Digital Untuk Mempromosikan 30 Ikon Kuliner Nusantara
Tugas Akhir RD 141 558 PERANCANGAN KOMIK DIGITAL UNTUK MEMPROMOSIKAN 30 IKON KULINER NUSANTARA Surya Bagus Sasongko Jati NRP: 08311340000010 Dosen Pembimbing: [Halaman ini sengaja dikosongkan] Rabendra Yudistira Alamin, S.T.,M.Ds 198303282014041002 DEPARTEMEN DESAIN PRODUK FAKULTAS ARSITEKTUR DESAIN DAN PERENCANAAN INSTITUT TEKNOLOGI SEPULUH NOPEMBER SURABAYA 2018 i TUGAS AKHIR – RD 141558 PERANCANGAN KOMIK DIGITAL UNTUK MEMPROMOSIKAN 30 IKON KULINER NUSANTARA Mahasiswa: Surya Bagus Sasongoko Jati NRP: 08311340000010 Dosen Pembimbing: Rabendra Yudistira Alamin, S.T.,M.Ds NIP: 198303282014041002 Bidang Studi Desain Komunikasi Visual Program Studi S-1 Departemen Desain Produk Fakultas Arstitektur, Desain dan Perencanaan Institut Teknologi Sepuluh Nopember Surabaya 2018 ii TUGAS AKHIR – RD 141558 DESIGN OF DIGITAL COMIC TO PROMOTE 30 CULINARY ICON OF “NUSANTARA” Student: Surya Bagus Sasongoko Jati NRP: 08311340000010 Supervisor: Rabendra Yudistira Alamin, S.T.,M.Ds NIP: 198303282014041002 Visual Communication Design Field of Study Undergraduate Programme, Department of Product Design Faculty of Architecture, Design and Planning Institut Teknologi Sepuluh Nopember Surabaya 2018 iii iv v KATA PENGANTAR Segala puji dan syukur penulis ucapkan kehadirat ALLAH SWT, yang telah memberikan kekuatan dan rahmat-Nya sehingga penulis mampu menyelesaikan Tugas Akhir dengan judul “Perancangan Komik Digital Untuk Mempromosikan 30 Ikon Kuliner Nusantara”. Keberhasilan penulis tak lepas dari bantuan banyak pihak. Pada kesempatan ini penulis mengucapkan terima kasih sebesar-besarnya kepada: 1. Kedua orang tua saya Ayah Andri Mulia, Ibu Siti Endah Nugrohini, Adik Arya Bima dan Arga Lazuardi Mahesa atas dukungan moral, finansial dan doa doanya. 2. Seluruh keluarga besar Soewandi terutama tante saya, Bupoh Nunik atas bantuannya mendukung proses penyelesaian laporan dan perkuliahan 3. -
DALAM MELESTARIKAN KESENIAN LENONG BETAWI Asriyani Sa
PAGELARAN SEBAGAI SALAH SATU BAURAN HUMAS LKB (LEMBAGA KEBUDAYAAN BETAWI) DALAM MELESTARIKAN KESENIAN LENONG BETAWI Asriyani Sagiyanto Staf Pengajar Akademi Komunikasi Bina Sarana Informatika Jl. Kayu Jati 5, No.2, Pemuda Rawamangun, Jakarta Timur Email: [email protected] Abstract Along with the times and the modernization of the capital Jakarta, influence on the existence of Betawi art and culture. The influence evident from the many people who are less supportive Betawi culture itself, among others, they prefer to watch the show and art of modern culture such as films or bands compared with the traditional arts such as lenong, gambang kromong , masks and others. Lenong a Betawi arts, theater or one of the Betawi people taking the stories of heroism and criminal as its theme. With Thus LKB which is an institution engaged in the preservation and Betawi arts development, should pay more attention to the art of Betawi culture lenong particular art, by holding performances. It aims to introduce and promote the cultural arts Betawi people in Jakarta and at the same time to develop and preserve Betawi arts, especially the arts lenong high value, which is now in the midst of modern art and culture. The purpose of this study was to find out that the show is a mix of public relations or media LKB, LKB to preserve the arts lenong Betawi . In addition , this study also aims to determine the mix of other Public relations conducted by the LKB preserve Betawi arts culture, particularly lenong Betawi arts. The method used in this study is a research method descriptive qualitative approach. -
1. Kuliner Ikonik Dari Provinsi Aceh
Dalam pengembangan pariwisata suatu daerah atau Provinsi dari seluruh Indonesia biasanya terdapat juga Kuliner yang menjadi ikon dan khas dari daerah tersebut. Kuliner ikonik ini contohnya Mie Aceh dari Provinsi Aceh, Rendang dari Sumbar ada juga Ayam Taliwang dari Lombok NTB nah artikel ini akan mengupas lebih dalam terkait ragam kuliner Ikonik yang menyebar di seluruh Nusantara. 1. Kuliner Ikonik dari Provinsi Aceh Terkenal dengan Syariat Islam kota Banda aceh menyimpan ragam kuliner yang siap menyambut para wisatawan yang datang ke kota ini. Salah satu yang paling ikonik ialah Mie Aceh, versi lain dari mi aceh ini ada mie racing namun miimin sendiri belum pernah mencicipi mi racing ini, so kita akan membahas mi aceh biasa aja yang mudah di temui di Banda Aceh. 1.a Mie Aceh dan Timun Serut kelezatan mi aceh kering dan basah (img custom via google img) Varian dari mie aceh terdiri dari mi aceh basah dan kering, sementara varian campuran terdiri dari, kepiting, daging sapi, udang dan telur ayam. Biasanya konsumen akan memesan sesuai selera, untuk anda yang kolestrol tinggi mungkin jangan varian kepiting yang standar biasa aja. Tidak lupa pelengkap minuman yang khas dari pasangan miaceh yaitu timun serut. Jika anda mengininkan makanan berat ada ayam sampah atau ayam tangkap, yang dicampur dengan dedaunan khas Banda Aceh. 1.b Kopi Sanger (Bean Gayo) Kenikmatan kopi sanger espresso banda aceh (img via kampretnews) Jenis kopi sanger ini terdiri dari Hot dan Ice, dengan campuran susu kenikmatan kopi sanger aceh ini sangat pas. Bean yang digunakan dalam racikan kopi ialah Gayo yang di mix antara robusta dan arabika dengan roasting standar barista aceh. -
A Portrait of Diversity in Indonesian Traditional Cuisine
Munich Personal RePEc Archive A Portrait of Diversity In Indonesian Traditional Cuisine Situngkir, Hokky and Maulana, Ardian and M. Dahlan, Rolan Dept. Computational Sociology, Bandung Fe Institute 10 November 2015 Online at https://mpra.ub.uni-muenchen.de/68385/ MPRA Paper No. 68385, posted 16 Dec 2015 15:55 UTC A Portrait of Diversity In Indonesian Traditional Cuisine Hokky Situngkir Ardian Maulana Rolan M. Dahlan ([email protected]) ([email protected]) ([email protected]) Dept. Computational Sociology Dept. Computational Sociology Dept. Evolutionary Economics Bandung Fe Institute Bandung Fe Institute Bandung Fe Institute Abstract The archipelagic geography and demography of Indonesian people due to the way people serve food and drinks on the table is analyzed. Statistically some properties about the food recipes are observed, while the analysis is followed by the methodology to see the clustering of the food and beverage due to their ingredients. The global mapping of all the food yields four classes of the food that is related to the way people conventionally prepare the cuisines, whether the recipes are on vegetables, fish and seafood, chicken and poultry, and meats. It is obvious that ingredient wise, the diversity of the food is emerged from traditional ways adding spices and herbs. For more insights, the analysis for food dressings and traditional drinks are also delivered. While the mappings exhibit the classes of food and beverages based on the purposes and styles of the service in the cuisines, some signatures of regional localities are also detected. Keywords: food, culinary, diversities, clustered map, memetics, phylomemetic tree, hierarchical clustered tree. -
Plcb Buffet Menu Function with Price 2019
WESTERN BUFFET / BBQ PACKAGE CANAPES NON VEGETARIANS Chicken vol au vint Chicken tartlet Asparagus beef roll hollandaise sauce Spicy meat ball Mini beef burger Peppered char grilled tuna with garlic aioli sauce Smoked salmon mousse rolled with tortilla bread Avocado prawn chili mayo sauce Fish cake with sweet tomato garlic deep Chicken bruschetta with caramelize onion CANAPES VEGETARIANS Tomato bruschetta Smashed avocado on toast Vegetarian tortilla Grilled eggplant and tomato mozzarella basil pesto sauce Mushroom ragout tartlet APPETIZERS Mixed Garden Salad – with thousand island and balsamic dressing Hawaiian Salad – with apple, pineapple, celery tossed with mayonnaise Fresh Jicama Salad – with green apple, beet root, carrot, orange, mint and sweet sour dressing Germany Potato Salad – with bacon, spring onion tossed in mayonnaise Grilled Chicken Salad – shredded grilled chicken, grilled Mediterranean vegetables and tomato salsa Waldorf Salad – tossed with light mayonnaise, apple, celery, walnut and raisin Nicoise Salad – with tuna, olive ,egg, potatoes and French dressing Caesar Salad – classic Caesar salad, anchovy mayonnaise Chicken Bean Salad – grilled chicken breast tossed with red bean, onion and light mayonnaise Greek Salad – mix lettuce, tomato, olive, feta cheese, cucumber, capsicum, balsamic vinegraitte WESTERN BUFFET / BBQ PACKAGE SOUPS Pumpkin Soup – roasted pumpkin soup served with croutons and pumpkin seed Potato vichyssoise – crème potato with leek and fresh cut chives White Bean Soup – crème white bean soup topped with