Toy Story: How Pixar Reinvented the Animated Feature
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A COMMON CORE CURRICULUM GUIDE to the Marvelous Thing That Came from a Spring: the Accidental Invention of the Toy That Swept the Nation
A COMMON CORE CURRICULUM GUIDE TO The Marvelous Thing That Came from a Spring: The Accidental Invention of the Toy That Swept the Nation By Gilbert Ford Hardcover: 9781481450652 Enhanced Ebook: 9781481450669 BACKGROUND AND SUMMARY When a spring fell from a shelf on engineer Richard James’s desk and took a walk around all by itself, it sparked the creation of a marvelous thing—the toy we now know as the Slinky®. This picture book follows the growing popularity of the Slinky® from James’s original idea that he shared with his wife and son, to the toy’s first introduction to Christmas shoppers at Gimbels department store, and finally, to its factory production—where enough were made that every boy and girl in America could have one. This remarkable success was due to the teamwork of “dreamer” Richard James and “planner” Betty James, his wife. Together they turned a metal spring into an absolutely marvelous thing. Detailed, colorful illustrations created from cutouts, painted backgrounds, and vintage toys such as plastic sedans, dollhouse sofas, and games create a sense of the 1940s Philadelphia setting. But they do more—they show the sense of excitement that resulted from seeing an ordinary object presented in a fresh, new way. DISCUSSION QUESTIONS/ACTIVITIES Key Ideas and Details The discussion questions and activities below draw on Common Core State Standards (CCSS) for reading informational text (RI) that ask children to ask and answer questions about key details in a text (RI.K–3.1), identify the main topic and key details that support it (RI.K–3.2), and describe the relationship between a series of events, concepts, or ideas (RI.K–3.3). -
The Retriever, Issue 1, Volume 39
18 Features August 31, 2004 THE RETRIEVER Alien vs. Predator: as usual, humans screwed it up Courtesy of 20th Century Fox DOUGLAS MILLER After some groundbreaking discoveries on Retriever Weekly Editorial Staff the part of the humans, three Predators show up and it is revealed that the temple functions as prov- Many of the staple genre franchises that chil- ing ground for young Predator warriors. As the dren of the 1980’s grew up with like Nightmare on first alien warriors are born, chaos ensues – with Elm street or Halloween are now over twenty years Weyland’s team stuck right in the middle. Of old and are beginning to loose appeal, both with course, lots of people and monsters die. their original audience and the next generation of Observant fans will notice that Anderson’s filmgoers. One technique Hollywood has been story is very similar his own Resident Evil, but it exploiting recently to breath life into dying fran- works much better here. His premise is actually chises is to combine the keystone character from sort of interesting – especially ideas like Predator one’s with another’s – usually ending up with a involvement in our own development. Anderson “versus” film. Freddy vs. Jason was the first, and tries to allow his story to unfold and build in the now we have Alien vs. Predator, which certainly style of Alien, withholding the monsters almost will not be the last. Already, the studios have toyed altogether until the second half of the film. This around with making Superman vs. Batman, does not exactly work. -
When the Pot Plays Potter: •Œisaiah╊, Toy Story And
Journal of Religion & Film Volume 14 Issue 2 October 2010 Article 10 October 2010 When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization Paul Tremblay Long Island University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Tremblay, Paul (2010) "When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization," Journal of Religion & Film: Vol. 14 : Iss. 2 , Article 10. Available at: https://digitalcommons.unomaha.edu/jrf/vol14/iss2/10 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization Abstract Biblical verses mentioning the “pot and the potter” entail a God/creation relationship in which the creation is warned not to turn against, or even criticize, the Creator; humankind is advised humility for fear of Yahweh’s punishment. This is a comparative study of three films with a strong emphasis on a children’s film, Toy Story (1995); the movies to be examined are treated as allegories of the concept of potter/pot lesson with a twist as the humans are playing God/potter. The movies geared more to an adult or mature audience (The Matrix [1999] and Terminator [1986]) feature the creation (robots) turned against the creator (humankind) with deadly consequences for humans. In Toy Story, an animated film, the creators (humans) are not threatened and the “pots” even agree to their condition.The film, I suggest, is an excellent example of the process of religious socialization as played out in a modern fairy tale. -
List Or Manifest of Alien Passengers for the United States, 1917
Port: ________________________________ Microfilm Publication Number: __________ February 1917 to March 1924 Roll Number: ________________________ Page or Group: _______________________ Line or List: __________________________ List or Manifest of Alien Passengers For the United States ALL ALIENS arriving at a port of continental United States from a foreign port or a port of the insular possessions of the United States, and all aliens arriving at a port of said insular possession from a foreign port, a port of continental United States, S.S._________________ passengers sailing from ___________________, ________________, 19__ 1 2 3 4 5 6 7 8 9 10 11 12 13 Last Permanent Name in Full Age Able to - The name and Final Destination HEAD- Residence TAX complete No. Nationality address of STATUS Calling or Read What on (Country of which Race or People nearest relative Sex (This column Occupation Language City List citizen or subject) City or or friend in for use of Family Name Given Name (or if Country State or Yrs. Mos. Government Read exemption Write Town country whence Town officials only) Married or Single claimed on the alien came what ground) National Archives and Records Administration NARA’s website is www.archives.gov NA Form 14132d (3/05) Immigration Officer at Port of Arrival or a port of another insular possession, in whatsoever class they travel, MUST be fully listed and the master or commanding officer of each vessel carrying such passengers must upon arrival deliver lists thereof to the immigration officer. Arriving at Port of _________________________, _____________________, 19__ 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 nt (See Whether ever before By Whom was in the United States; Purpose of Coming to United Color the Passage Height Place of birth and if so, when and Whether going States of - Paid? ? to join a relative by supported Deformed where? (Whether alien or paid his own or friend; and if Condition or No. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Alien Vs. Predator Table Guide by Shoryukentothechin
Page 1 of 36 Alien vs. Predator Table Guide By ShoryukenToTheChin 6 7 5 8 9 3 4 2 10 11 1 Page 2 of 36 Key to Table Overhead Image – 1. Egg Sink Holes 2. Left Orbit 3. Left Ramp 4. Glyph Targets 5. Alien Target 6. Sink Hole 7. Plasma Mini – Orbit 8. Wrist Blade Target 9. Pyramid Mini – Orbit 10. Right Ramp 11. Right Orbit In this guide when I mention a Ramp, Lane, Hole etc. I will put a number in brackets which will correspond to the above Key, so that you know where on the Table that particular feature is located. Page 3 of 36 TABLE SPECIFICS Notice: This Guide is based off of the Zen Pinball 2 (PS4/PS3/Vita) version of the Table on default controls. Some of the controls will be different on the other versions (Pinball FX 2, etc...), but everything else in the Guide remains the same. INTRODUCTION Zen Studios has teamed up with Fox to give us an Alien vs. Predator Pinball Table. The Table was released within a pack titled “Aliens vs. Pinball” which featured 3 Pinball Tables based on Aliens Cinematic Universe. Alien vs. Predator Pinball sees you play through various Modes which see you play out key scenes in the blockbuster movie. The Table incorporates the art style of the movie, and various audio works from the movie itself. I hope my Guide will help you understand the Table better. Page 4 of 36 Skill Shot - *1 Million Points, can be raised* Depending on the launch strength you used on the Ball. -
Women in Film Time: Forty Years of the Alien Series (1979–2019)
IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Women in Film Time: Forty Years of the Alien Series (1979–2019) Susan George, University of Delhi, India. Abstract Cultural theorists have had much to read into the Alien science fiction film series, with assessments that commonly focus on a central female ‘heroine,’ cast in narratives that hinge on themes of motherhood, female monstrosity, birth/death metaphors, empire, colony, capitalism, and so on. The films’ overarching concerns with the paradoxes of nature, culture, body and external materiality, lead us to concur with Stephen Mulhall’s conclusion that these concerns revolve around the issue of “the relation of human identity to embodiment”. This paper uses these cultural readings as an entry point for a tangential study of the Alien films centring on the subject of time. Spanning the entire series of four original films and two recent prequels, this essay questions whether the Alien series makes that cerebral effort to investigate the operations of “the feminine” through the space of horror/adventure/science fiction, and whether the films also produce any deliberate comment on either the lived experience of women’s time in these genres, or of film time in these genres as perceived by the female viewer. Keywords: Alien, SF, time, feminine, film 59 IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Alien Films that Philosophise Ridley Scott’s 1979 S/F-horror film Alien spawned not only a remarkable forty-year cinema obsession that has resulted in six specific franchise sequels and prequels till date, but also a considerable amount of scholarly interest around the series. -
Dp Guide Lite Us
Dreamcast USA Digital Press GB I GB I GB I 102 Dalmatians: Puppies to the Re R1 Dinosaur (Disney's)/Ubi Soft R4 Kao The Kangaroo/Titus R4 18 Wheeler: American Pro Trucker R1 Donald Duck Goin' Quackers (Disn R2 King of Fighters Dream Match, The R3 4 Wheel Thunder/Midway R2 Draconus: Cult of the Wyrm/Crave R2 King of Fighters Evolution, The/Ag R3 4x4 Evolution/GOD R2 Dragon Riders: Chronicles of Pern/ R4 KISS Psycho Circus: The Nightmar R1 AeroWings/Crave R4 Dreamcast Generator Vol. 01/Sega R0 Last Blade 2, The: Heart of the Sa R3 AeroWings 2: Airstrike/Crave R4 Dreamcast Generator Vol. 02/Sega R0 Looney Toons Space Race/Infogra R2 Air Force Delta/Konami R2 Ducati World Racing Challenge/Acc R4 MagForce Racing/Crave R2 Alien Front Online/Sega R2 Dynamite Cop/Sega R1 Magical Racing Tour (Walt Disney R2 Alone In The Dark: The New Night R2 Ecco the Dolphin: Defender of the R2 Maken X/Sega R1 Armada/Metro3D R2 ECW Anarchy Rulez!/Acclaim R2 Mars Matrix/Capcom R3 Army Men: Sarge's Heroes/Midway R2 ECW Hardcore Revolution/Acclaim R1 Marvel vs. Capcom/Capcom R2 Atari Anniversary Edition/Infogram R2 Elemental Gimmick Gear/Vatical R1 Marvel vs. Capcom 2: New Age Of R2 Bang! Gunship Elite/RedStorm R3 ESPN International Track and Field R3 Mat Hoffman's Pro BMX/Activision R4 Bangai-o/Crave R4 ESPN NBA 2 Night/Konami R2 Max Steel/Mattel Interact R2 bleemcast! Gran Turismo 2/bleem R3 Evil Dead: Hail to the King/T*HQ R3 Maximum Pool (Sierra Sports)/Sier R2 bleemcast! Metal Gear Solid/bleem R2 Evolution 2: Far -
An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Scholar Commons Citation Kramer, Heidi Tilney, "Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4525 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films by Heidi Tilney Kramer A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Women’s and Gender Studies College of Arts and Sciences University of South Florida Major Professor: Elizabeth Bell, Ph.D. David Payne, Ph. D. Kim Golombisky, Ph.D. Date of Approval: March 26, 2013 Keywords: children, animation, violence, nationalism, militarism Copyright © 2013, Heidi Tilney Kramer TABLE OF CONTENTS Abstract ................................................................................................................................ii Chapter One: Monsters Under -
Children's Reception of Dubbed Animated Films in Spain
The Journal of Specialised Translation Issue 33 – January 2020 Straight from the horse’s mouth: children’s reception of dubbed animated films in Spain Julio de los Reyes Lozano, Universitat Jaume I, Castellón ABSTRACT Reception studies in the field of audiovisual translation (AVT) have increased considerably in the last two decades, including the target viewer in the picture. This paper presents the results of a study exploring young children’s reactions to some of the translation strategies regularly adopted in dubbed animated films. A total of 163 participants were shown nine animated film clips dubbed from English into Spanish, which included cultural references, colloquial language, educational content and songs. Data were then collected through a questionnaire adapted to the participants’ level of cognitive development and the analysis was based on two independent variables: the participants’ year in school and the number of previous viewings of the films. The results show that children do not seem to have much trouble understanding cultural, educational and musical content that is specific to the source culture and is kept in the target text. Interestingly, having previously watched the films does not appear to be a determining factor in children’s ability to identify these elements. KEYWORDS Reception, dubbing, audiovisual translation, children’s films, dual audience, experimental study. 1. Introduction After a hesitant start at the turn of the last century, scholars’ interest in the reception of translated audiovisual texts is now at its peak. The application of experimental methods specific to social sciences, such as questionnaires, surveys and interviews, accompanied by technological tools like eye trackers, has given researchers new tools to explore the way in which audiences receive translated audiovisual texts. -
War Through the Eyes of the Toy Soldier: a Material Study of the Legacy and Impact of Conflict 1880 - 1945
Loarridge, E. (2019) War through the eyes of the toy soldier: a material study of the legacy and impact of conflict 1880 - 1945. Critical Military Studies, (doi: 10.1080/23337486.2019.1659626). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/193774/ Deposited on: 30 August 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Manuscript - with author details War Through the Eyes of the Toy Soldier: 1 A Material Study of the Legacy and Impact of Conflict 1880 – 1945 2 3 4 Euan Loarridge 5 University of Glasgow 6 Email: [email protected] 7 8 Abstract: 9 10 Cast-lead toy soldiers enjoyed widespread popularity in Western society 11 during the late 19th and early 20th centuries. As such they present an 12 excellent case study for an analysis of war through non-military 13 narratives. This article examines a sample of sets and figures produced 14 during the ‘golden age’ of toy soldiers, so as to ascertain how these 15 16 artefacts related to military developments and what light they can shed 17 on societal responses to conflict in this period. The figures and sets under 18 discussion are drawn from the catalogues of the major British and 19 German manufacturers of the period and are contextualised by the 20 21 activities of the companies that produced them. This focus enables the 22 article to compare and contrast various approaches to these artefacts 23 and to conclude on how toy soldier production in this period became 24 embroiled in the wider political and military conflict between the British 25 and German empires. -
Pennsylvania Facts 2011
P o P u l a t i o n April 1, 2010 Census .............................. 12,702,379 P o l i t i c a l o f f i c e s (2011) April 1, 2000 Census .............................. 12,281,054 Governor ................................................... Tom Corbett Population Rank Among States (2010) ................... 6th Lieutenant Governor .............................James F. Cawley Estimated Persons per Square Mile (2010) ............. 284 U.S. Senators ....................Robert Casey Jr., Pat Toomey P e n n S t a t e H a r r i s b u r g U.S. Representatives (post-2010) ............................... 18 • July 1st, 2009 estimated population data from the PA General Assembly .... 50 Senators, 203 Representatives U.S. Census Bureau Population Estimate Division App. Persons Per State Representative (2010) ....... 62,537 Number Percent Persons Per State Senator (2010) ...................... 254,048 Males ........................................ 6,138,709 ..... 48.7 Electoral Votes (post-2010) ....................................... 20 Females ..................................... 6,466,058 ..... 51.3 White (alone) ............................ 10,741,619 ..... 85.2 B a s i c f a c t s Black or African American (alone) .. 1,370,987 ..... 10.9 Nickname .............................................Keystone State Motto ........................Virtue, Liberty, and Independence Pennsylvania Amer. Indian/Alaska Native (alone) ..... 28,593 ....... 0.2 Asian (alone) ................................. 317,580 ....... 2.5 Flag .......................A