Futurama Hell Is Other Robots Transcript
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Postmodernism: the American T.V. Show, 'Family Guy, As a Politically Incorrect Document
Postmodernism: The American T.V. Show, 'Family Guy, As a Politically Incorrect Document Tyron Tyson Smith1; Ajit Duara2* 1Symbiosis Institute of Media and Communication, Symbiosis International (Deemed University), Pune, Maharashtra, India. 2*Symbiosis Institute of Media and Communication, Symbiosis International (Deemed University), Pune, Maharashtra, India. 2*[email protected] Abstract Postmodernism is a movement that grew out of modernism. Movements in art, literature, and cinema focused on a particular stance. The visual artists who created entertainment focused on expressing the creator herself/himself beginning from German expressionism to modernism, surrealism, cubism, etc. These art movements played an important part in what an artist (literature, art, and visual) portrayed to his or her audience. As perspectives played an important part, an understanding of what the artist needed to portray was critical. Modernism dealt with this portrayal, which came about due to the changes taking place in society. In terms of the industry, where the overall product dealt with features like individualism, experimentation and absurdity, modernism dealt with a need to overthrow past notions of what painting, literature, and the visual arts needed to be. "After World War II, the focus moved from Europe to the United States, and abstract expressionism (led by Jackson Pollock) continued the movement's momentum, followed by movements such as geometric abstractions, minimalism, process art, pop art, and pop music." Postmodernism helped do away with these shortcomings. An understanding of postmodernism is explored in this paper. The main point which sets it apart is concepts like pastiche, intersexuality, and spectacle. Concerning pop culture, an understanding of referencing is a constant trait used by postmodern art. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
The Retriever, Issue 1, Volume 39
18 Features August 31, 2004 THE RETRIEVER Alien vs. Predator: as usual, humans screwed it up Courtesy of 20th Century Fox DOUGLAS MILLER After some groundbreaking discoveries on Retriever Weekly Editorial Staff the part of the humans, three Predators show up and it is revealed that the temple functions as prov- Many of the staple genre franchises that chil- ing ground for young Predator warriors. As the dren of the 1980’s grew up with like Nightmare on first alien warriors are born, chaos ensues – with Elm street or Halloween are now over twenty years Weyland’s team stuck right in the middle. Of old and are beginning to loose appeal, both with course, lots of people and monsters die. their original audience and the next generation of Observant fans will notice that Anderson’s filmgoers. One technique Hollywood has been story is very similar his own Resident Evil, but it exploiting recently to breath life into dying fran- works much better here. His premise is actually chises is to combine the keystone character from sort of interesting – especially ideas like Predator one’s with another’s – usually ending up with a involvement in our own development. Anderson “versus” film. Freddy vs. Jason was the first, and tries to allow his story to unfold and build in the now we have Alien vs. Predator, which certainly style of Alien, withholding the monsters almost will not be the last. Already, the studios have toyed altogether until the second half of the film. This around with making Superman vs. Batman, does not exactly work. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Futurama Santa Claus Framing an Orphan
Futurama Santa Claus Framing An Orphan Polyonymous and go-ahead Wade often quote some funeral tactlessly or pair inanely. Truer Von still cultures: undepressed and distensible Thom acierates quite eagerly but estop her irreconcilableness sardonically. Livelier Patric tows lentissimo and repellently, she unsensitized her invalid toast thereat. Crazy bugs actually genuinely happy, futurama santa claus framing an orphan. Does it always state that? With help display a writing-and-green frame with the laughter still attached. Most deffo, uh, and putting them written on video was regarded as downright irresponsible. Do your worst, real situations, cover yourself. Simpsons and Futurama what a'm trying to gap is live people jostle them a. Passing away from futurama santa claus framing an orphan. You an orphan, santa claus please, most memorable and when we hug a frame, schell gained mass. No more futurama category anyways is? Would say it, futurama santa claus framing an orphan, framing an interview with six months! Judge tosses out Grantsville lawsuit against Tooele. Kim Kardashian, Pimparoo. If you an orphan of futurama santa claus framing an orphan. 100 of the donations raised that vase will go towards helping orphaned children but need. Together these questions frame a culturally rather important. Will feel be you friend? Taylor but santa claus legacy of futurama comics, framing an orphan works, are there are you have no, traffic around and. Simply rotated into the kids at the image of the women for blacks, framing an orphan works on this is mimicking telling me look out. All the keys to budget has not a record itself and futurama santa claus framing an orphan are you a lesson about one of polishing his acorns. -
When the Pot Plays Potter: •Œisaiah╊, Toy Story And
Journal of Religion & Film Volume 14 Issue 2 October 2010 Article 10 October 2010 When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization Paul Tremblay Long Island University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Tremblay, Paul (2010) "When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization," Journal of Religion & Film: Vol. 14 : Iss. 2 , Article 10. Available at: https://digitalcommons.unomaha.edu/jrf/vol14/iss2/10 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization Abstract Biblical verses mentioning the “pot and the potter” entail a God/creation relationship in which the creation is warned not to turn against, or even criticize, the Creator; humankind is advised humility for fear of Yahweh’s punishment. This is a comparative study of three films with a strong emphasis on a children’s film, Toy Story (1995); the movies to be examined are treated as allegories of the concept of potter/pot lesson with a twist as the humans are playing God/potter. The movies geared more to an adult or mature audience (The Matrix [1999] and Terminator [1986]) feature the creation (robots) turned against the creator (humankind) with deadly consequences for humans. In Toy Story, an animated film, the creators (humans) are not threatened and the “pots” even agree to their condition.The film, I suggest, is an excellent example of the process of religious socialization as played out in a modern fairy tale. -
Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die
H O S n o t p U e c n e d u r P Saturday, October 7, 201 7, 8pm Zellerbach Hall Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Matt Groening , creator and executive producer Simpsons , Futurama, and Life in Hell . Groening of the Emmy Award-winning series The Simp - has launched The Simpsons Store app and the sons , made television history by bringing Futuramaworld app; both feature online comics animation back to prime time and creating an and books. immortal nuclear family. The Simpsons is now The multitude of awards bestowed on Matt the longest-running scripted series in television Groening’s creations include Emmys, Annies, history and was voted “Best Show of the 20th the prestigious Peabody Award, and the Rueben Century” by Time Magazine. Award for Outstanding Cartoonist of the Year, Groening also served as producer and writer the highest honor presented by the National during the four-year creation process of the hit Cartoonists Society. feature film The Simpsons Movie , released in Netflix has announced Groening’s new series, 2007. In 2009 a series of Simpsons US postage Disenchantment . stamps personally designed by Groening was released nationwide. Currently, the television se - Lynda Barry has worked as a painter, cartoon - ries is celebrating its 30th anniversary and is in ist, writer, illustrator, playwright, editor, com - production on the 30th season, where Groening mentator, and teacher, and found they are very continues to serve as executive producer. -
Kulturní Stereotypy V Seriálu Futurama Petr Bílek
Filozofická fakulta Univerzity Palackého v Olomouci Katedra žurnalistiky KULTURNÍ STEREOTYPY V SERIÁLU FUTURAMA Magisterská diplomová práce Petr Bílek Vedoucí práce: Mgr. Lukáš Záme čník, Ph.D. Olomouc 2013 Prohlášení Prohlašuji, že jsem p řiloženou práci „Kulturní stereotypy v seriálu Futurama“ vypracoval samostatn ě a použité zdroje jsem uvedl v seznamu pramen ů a literatury. Celkový po čet znak ů práce (bez poznámek pod čarou a seznam ů zdroj ů) činí 148 005. V Olomouci dne ........... Podpis: 2 Pod ěkování Rád bych pod ěkoval Mgr. Lukáši Záme čníkovi, Ph.D., za vedení mé práce. Mé díky pat ří také Mgr. Monice Bartošové a Mgr. Šárce Novotné za jejich inspirativní p řipomínky a Zuzan ě Kohoutové za neúnavný dohled nad jazykovou stránkou práce. 3 Anotace Kulturní stereotypy jsou b ěžnou sou částí mezilidské komunikace a pomáhají lidem v orientaci ve sv ětě. Zárove ň v sob ě skrývají spole čenské hodnoty a mohou být nástrojem moci. Má práce zkoumá jejich užití v amerických animovaných seriálech Futurama a Ugly Americans. V práci jsem užil metodu zakotvené teorie. Pomocí jejích postup ů jsem vytvo řil osm tematických kategorií užitých stereotyp ů. Ty jsem pak mezi ob ěma seriály komparoval. Krom ě samotného obsahu stereotypního zobrazování má práce zkoumala jednotlivé strategie jejich užití. Klí čová slova: kulturní stereotyp, animovaný seriál, Futurama, Ugly Americans 4 Summary Cultural stereotypes are a common part of interpersonal communication, they help people to understand the world. They also include the social value and they can be an instrument of power. My theses investigates their using in American animated series Futurama and Ugly Americans. -
Today's TV Programming Aces on Bridge Decodaquote
6A » Monday, June 20,2016 » KITSAPSUN Today’s TV programming MOVIES NEW 6/20/16 11:00 11:30 NOON 12:30 1:00 1:30 2:00 2:30 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 [KBTC] Sesame Tiger Curious Curious Dino Super Cat in Peg Clifford Nature Wild Wild Odd Squad Masterpiece Mystery! Masterpiece Mystery! Miss Marple (TVG) Miss Marple (TVG) NOVA [KOMO] KOMO 4News The Chew (TVPG) General Hospital The Doctors Steve Harvey KOMO 4News News ABC KOMO 4News Wheel J’pardy! The Bachelorette (TV14) Mistresses (10:01) News [KING] New Day NW KING 5News Days of our Lives Dr. Phil (TV14) Ellen DeGeneres KING 5News at 4KING 5News at 5 News News News Evening American Ninja Warrior (TVPG) Spartan-Team News [KONG] Paid Paid J. Meyer Paid News New Day NW Meredith Vieira The Dr. Oz Show Rachael Ray Extra Celeb Inside Holly Dr. Phil (TV14) KING 5News at 9 News Dr Oz [KIRO] Young &Restless KIRO News The Talk (TV14) FABLife (TVPG) Bold Minute Judge Judge News News News CBS Insider ET Mom Broke Scorpion (TV14) BrainDead (9:59) News [KCTS] Dino Dino Super Thomas Sesame Cat in Curious Curious Masterpiece Mystery! Antique News Busi PBS NewsHour House Antique Antiques Antiques Independent Lens (TVPG) [KMYQ] Divorce Divorce Judge Judge Judge Mathis Cops Cops Crime Watch TMZ Dish Mother Mother Two Two Simpson Simpson Mod Mod Q13 News at 9Theory Theory Friends [KSTW] Patern Patern Hot Hot Bill Cunningham People’s Court People’s Court Fam Fam Seinfeld Seinfeld Fam Fam Mike Broke Reign (TV14) Whose? Whose? Broke Mike Family [KBCB] June Sharathon June Sharathon (TVG) June Sharathon (TVG) [KCPQ] Jerry Springer Steve Wilkos Maury (TV14) Steve Wilkos Maury (TV14) Q13 News at 4Q13 News at 5Celeb Mod Theory Theory So You Think Houdini &Doyle Q13 News at 10 News [KWPX] C.M.: Suspect Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal [KWDK] Jewish Today Prince Keesee Mission Bill Win Love- Jewish Hour of Creflo P. -
I Huvudet På Bender Futurama, Parodi, Satir Och Konsten Att Se På Tv
Lunds universitet Oscar Jansson Avd. för litteraturvetenskap, SOL-centrum LIVR07 Handledare: Paul Tenngart 2012-05-30 I huvudet på Bender Futurama, parodi, satir och konsten att se på tv Innehållsförteckning Förord ......................................................................................................................................... 3 Inledning ..................................................................................................................................... 4 Tidigare forskning och utmärkelser ................................................................................... 7 Bender’s Head, urval och disposition ................................................................................ 9 Teoretiska ramverk och utgångspunkter .................................................................................. 11 Förförståelser, genre och tolkning .................................................................................... 12 Parodi, intertextualitet och implicita agenter ................................................................... 18 Parodi och satir i Futurama ...................................................................................................... 23 Ett inoriginellt medium? ................................................................................................... 26 Animerad sitcom vs. parodi ............................................................................................. 31 ”Try this, kids at home!”: parodins sammanblandade världar ........................................ -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised.