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Living Earth Festival2012
Living Earth Festival 2012 friday, july 20 | saturday, july 21 | sunday, july 22 Join the National Museum of the American Indian in our annual festival celebrating Native contributions to protecting the environment, promoting sustainability, and using indigenous plants to improve health and nutrition. Engage directly with Native researchers and practitioners; see music, dance, and films; and participate in hands-on family activities, a food market, and cooking and craft demonstrations that highlight the ways in which the earth’s gifts feed our creativity. This year, the Living Earth festival features informational talks on genetically modified foods and the impacts of climate change on marine habitats, goat cheese-making workshops, carving and birchbark basket-making demonstrations, dancers from Colorado to the Mariana Islands, and many other opportunities for you to experience the bounty of our living earth. Clockwise from above Corn; purple coneflowers; brown-eyed susan; and ladybugs on chile plants. All of these grow in the crop- and meadowlands in the NMAI's landscape. Photos by Alexandra Harris. FESTIVAL HIGHLIGHTS friday | 1:00 p.m.–2:30 p.m. saturday & sunday | 10:30 a.m.–12:00 p.m. | 1:30 p.m.–4:00 p.m. Goat Cheese-Making Workshop Room 4025, Fourth Level Nancy Coonridge of Coonridge Organic Goat Cheese, from Pietown, New Mexico, will teach you how to create cheeses using traditional vegetable and animal rennets. friday | 2:30 p.m. Genetically Engineered Foods: Gambling with our Health, Environment, and Future Generations Rasmuson Theater Jeffrey Smith, director of the Institute of Responsible Technology, discusses the dangers of consuming genetically modified foods and the importance of buying local and organic. -
COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
RUMBLE: the Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.Org
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom RUMBLE: The Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.org An Electrifying Look at the Native American Influence in Popular Music Despite Attempts to Ban, Censor and Erase Indian Culture (San Francisco, CA) — A musical celebration of how Native American musicians transformed blues, jazz and rock, RUMBLE: The Indians Who Rocked the World, will premiere on Independent Lens Monday, January 21, 2019, 10:00-11:30 PM ET (check local listings) on PBS, and will also be available simultaneously for online streaming at pbs.org. As the film reveals, early pioneers of the blues such as Charley Patton had Native as well as African American roots, and one of the first and most influential jazz singers, Mildred Bailey, had a voice trained on Native American songs. As the folk rock era took hold in the ‘60s and ‘70s, Native Americans such Link Wray. as Robbie Robertson and Buffy Sainte-Marie helped to define Credit: Bruce Steinberg, courtesy of its evolution, and Native guitarists and drummers like Link LinkWray.com Wray, Jimi Hendrix, Jesse Ed Davis and Randy Castillo forever changed the trajectory of rock and roll. The film is directed by Catherine Bainbridge (Reel Injun), co-directed by Alfonso Maiorana, executive produced by legendary rock guitarist Stevie Salas (Apache) and Tim Johnson (Mohawk), and produced by Christina Fon, VP and Executive Producer of Rezolution Pictures. -
Stevie's Salas the Bio
Stevie's Salas The Bio A guitar player, writer, producer, and composer, Stevie Salas has recorded on over 70 different albums with artists as diverse as George Clinton, Justin Timberlake, Buddy Miles, T.I., Mick Jagger, and Rod Stewart. Having sold over two million solo albums around the world, Stevie has been cited as one of the top 50 guitarists of all time. Dreaming of a career in music, Stevie left the small town of Oceanside, California in 1985. Eight months later he was discovered by funk music legend George Clinton as the lead guitarist for Clinton’s albums. Stevie received his first major label producer credit with “Was (Not Was)” when he co-produced the UK hit “Out Come the Freaks” from the Album “What up Dog?” Rolling Stone Magazine listed “What up Dog?” as one of the top 100 records of the decade. In 1988, Stevie was asked to join Rod Stewart on a world tour as lead guitarist. Skipping cities in a private jet to sold-out stadiums led to Stevie signing the largest record deal Island Records had ever paid for a new artist. Stevie’s first record, “Colorcode,” is still a cult classic in the UK and Europe, and his second solo album, “Back from the Living,” ousted the Rolling Stones and Aerosmith for “Best Album” in Japan. An accomplished composer, Stevie is credited with providing the score for several films including Bill and Ted’s Excellent Adventure and the 2009 film Darfur. Over 50 of Stevie’s compositions have been released on major labels. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
ANTI LLESE South American Artists
711 . ird I I 11VkJ 1 1V1.111111 1_ 11V V guage descended from the drum, their politi- cally charged songs give us all a deeper under- BRINGING FRESH AND FORWARD standing of black and African culture. It can't be called rap. It can't be called R &B. It's a new MUSIC TO THE '90s state of being, incorporating funk and religion. They can't be called rappers. They can't be By MIKE BONE, President, ISLAND RECORDS called a group. They're messengers of a move- ment, united in culture and spirit. Dino: He will have a new album this year to follow his near platinum debut that closed the decade. He's truly a man with a mission. He writes, arranges, produces and performs all his own material. Robert Owens: This artist has carved a niche for himself in the underground dance club scenes of two continents. He's ready to break ISLAND wide open, and whatever he does is an indica- tor of what's going to happen on the club scene. Ar LaQuan: This young artist will be known real Stevie Salas Colorcode soon. It's groundbreaking rap music with pow- e. erful lyrics that reflect the thoughts of a seri- ous, socially conscious 16- year -old. This year Island Records celebrates 28 years For more than 15 years now, people have as one of the world's pioneering record la- looked to Mango records for the most exten- bels. Few record companies can boast the his- sive and cultural roster of reggae, African, and tory and reputation of Island. -
Dossier De Presse
DOSSIER DE PRESSE – Mise à jour Octobre 2018 RUMBLE : The Indians Who Rocked the World Un long-métrage documentaire sur les contributions amérindiennes à l'histoire de la musique populaire. Produit par Rezolution Pictures Réalisé par Catherine Bainbridge (Reel Injun), co-réalisé par Alfonso Maiorana Producteurs exécutifs : Stevie Salas, Tim Johnson, Catherine Bainbridge, Christina Fon, Diana Holtzberg, Linda Ludwick, Jan Rofekamp et Ernest Webb Canada • 2017 • 102 Minutes ****Sortie nationale le 7 novembre 2018 visa d'exploitation n°149.316**** Bande-annonce : https://vimeo.com/288631913 Site officiel : https://www.rumblethemovie.com/ fr Chaîne Youtube RUMBLE en France : https://tinyurl.com/y8tljmvp Site de la distribution en France : DPAE distribution Page Facebook RUMBLE en France : @RUMBLEinFRANCE Facebook officiel : https://www.facebook.com/RumbleTheFilm Twitter: https://twitter.com/RumbleFilm CONTACT RUMBLE en FRANCE Sophie Gergaud (De la Plume à l'Ecran) [email protected] +33 6 61 31 45 83 CONTACT PRODUCTION Christina Fon, Rezolution Pictures Inc. [email protected] 514-984-8241 www.rezolutionpictures.com CONTACT PRESSE À L'INTERNATIONAL RESPONSABLE DES VENTES Leisa Lee de The Leisa Lee Group (CAN) À L'INTERNATIONAL [email protected] Jan Rofekamp. Films Transit International 514-946-2010 [email protected] 514-844-3358 Adam J. Segal of The 2050 Group (US) [email protected] 202-422-4673 DOSSIER DE PRESSE – TABLE DES MATIÈRES PRIX ET RÉCOMPENSES..........................................................................................................4 -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
Catalogue of Canadian Women Empowered by Music 1
Catalogue of Canadian Women Empowered by Music Who is in this catalogue? ...women empowered by music, women who empowered others through music, and women who were trailblazers in music. You will find composers, singers, educators, songwriters and activists, from every era and every style of music...but the catalogue is not complete! Here’s where YOU come in! See an entry for your favourite artist which needs a longer entry? Send us an expanded version! (limit: 200 words). Know a musician who is not even in the catalogue yet? Write an entry send it to: [email protected] Name Dates Category Career Highlights Listening Links Active Norma Abernethy 1930’s Performer Norma Abernathy was a pianist from Vancouver, British http://www.thecanadianencycl (1914-1973) - Columbia. She is best known as an accompanist and opedia.ca/en/article/norma- 1940’s soloist on radio stations such as CNRV and CBR, and as abernethy-emc/ a pianist with the Vancouver Chamber Orchestra and the Victoria Symphony Orchestra. Lydia Adams 1980s- Conductor Lydia Adams was born in Glace Bay, Nova Scotia and “Sing all ye https://www.thecanadianencycl (1953- ) Accompan completed her training at Mount Allison University in New joyful: the opedia.ca/en/article/lydia- ist Brunswick and the Royal College of Music in London, works of Ruth adams-emc/ Arranger England. She worked as an accompanist for the Elmer Watson Iseler Singers in the 1980s and early 1990s, and in 1997 Henderson” http://www.elmeriselersingers. she became the choir’s conductor and music director. Dr. com/lydia_adams.htm Adams was also the conductor and artistic director of the Amadeus Choir, and commissioned and premiered many works by Canadian composers. -
DISCUSSION GUIDE Table of Contents Using This Guide 3
DISCUSSION GUIDE Table of Contents Using This Guide 3 Indie Lens Pop-Up We Are All Neighbors Theme 4 About the Film 5 From the Filmmakers 6 Artist Profiles 8 Background Information 13 What is Indigenous Music? 13 Exclusion and Expulsion 14 Music and Cultural Resilience 15 The Ghost Dance and Wounded Knee 16 Native and African American Alliances 17 Discussion 18 Conversation Starter 18 Post-Screening Discussion Questions 19 Engagement Ideas 20 Potential Partners and Speakers 20 Activities Beyond a Panel 21 Additional Resources 22 Credits 23 DISCUSSION GUIDE RUMBLE: THE INDIANS WHO ROCKED THE WORLD 2 USING THIS GUIDE This discussion guide is a resource to support organizations hosting Indie Lens Pop-Up events for the film RUMBLE: The Indians Who Rocked the World. Developed primarily for facilitators, this guide offers background information and engagement strategies designed to raise awareness and foster dialogue about the integral part Native Americans have played in the evolution of popular music. Viewers of the film can use this guide to think more deeply about the discussion started in RUMBLE and find ways to participate in the national conversation. RUMBLE: The Indians Who Rocked the World is an invitation to come together with neighbors and pay tribute to Native influences on America’s most celebrated music. The film makes its PBS broadcast premiere on the Independent Lens series on January 21, 2019. Indie Lens Pop-Up is a neighborhood series that brings people together for film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships. -
Native People Magazine
THE TRUE STORY OF THANKSGIVING . MYSTERIOUS MOUNDS OF THE MIDWEST ARTS+ LIFEWAYS SPECIAL HOLIDAY GIFTGUIDE BUFFY SAINTE-MARIE THE VOICE OF A GENERATION NATIVE DOLLS A RICH HISTORY + 5 NOTABLE ARTISTS BUFFY SAINTE-MARIE VOICE OF A GENERATION BY J POET uffy Sainte-Marie amazed and delighted long time fans in Massachusetts with a degree in Oriental Philosophy and a minor in 1982 when she won an Oscar, Grammy and Golden Globe education, and thought I’d be going to India to continue studying.” for “Up Where We Belong,” a song she wrote for the movie One night, she tried her luck singing at an open mike in Greenwich An Officer and a Gentleman. To some, it appeared to be the Village and the enthusiastic response changed the course of her life. triumphant return of an artist who was one of the most Looking back, she notes, “I’d never have had the courage to step outspoken and genre breaking singer-songwriters of the onto a stage, except that there was nobody else to sing those songs. I ‘60s folk boom, but Sainte-Marie never really went away. “I overcame my shyness by concentrating on what the song was saying, stopped recording in 1976 to be a mother, study experimen- instead of myself.” Btal music and make digital paintings, but I never stopped performing Her unique singing style, marked by a natural vibrato that will or writing songs,” Sainte-Marie says from her home in Hawaii. sound familiar to those who have heard Northern style pow wow sing- “Ever since I was a little girl I heard music playing in my head,” ing, made her vocals sound otherworldly to some listeners. -
Catalogo ARTISTA TITULO for ANO OBS STOCK PVP
Catalogo ARTISTA TITULO FOR ANO OBS STOCK PVP 1927 ISH +2 CD 1989 20 th Anniversary Edition X 27,00 1927 THE OTHER SIDE CD 1990 AOR X 22,95 21 GUNS KNEE DEEP CDS 1992 Melodic Rock X 5,00 220 VOLT 220 VOLT CD Japanese Edition X 25,00 220 VOLT EYE TO EYE -Japan Edt.- CD 1988 Japan reissue remastered +2 tracks X 20,99 24 K PURE CD 2000 X 7,50 30 SECONDS TO MARS 30 SECONDS TO MARS CD X 17,95 38 SPECIAL FLASHBACK CD 1987 Best of 16,95 38 SPECIAL ICON CD 2011 Best of X 10,95 38 SPECIAL ROCK & ROLL STRATEGY CD 20,95 38 SPECIAL STRENGTH IN NUMBERS CD 1986 X 11,99 38 SPECIAL TOUR DE FORCE CD 1983 X 10,95 38 SPECIAL WILD-EYED SOUTHERN BOYS CD 1978 10,95 38 SPECIAL WILD-EYED SOUTHERN../SPECIAL FORCES CD 1978 1980 & 1982 2013 reissue 2 Albums 1 CD X 12,99 AB/CD CUT THE CRAO CD 12,95 AB/CD THE ROCK 'N''ROLL DEVIL CD 12,95 ABC THE CLASSIC MASTERS COLLECTION CD Best of X 12,95 AC/DC BACK IN BLACK CD 1980 2003 remastered X 14,95 AC/DC BACK IN BLACK -LTD 180G- CD 1980 2009 LTD 180G X 22,95 AC/DC BALLBREAKER CD 12,95 AC/DC BLACK ICE CD 2008 Remasters digipack X 17,95 AC/DC BONFIRE 5CD X 27,95 AC/DC DIRTY DEEDS DONE DIRT CHEAP 4DVD X 25,00 AC/DC DIRTY DEEDS DONE DIRT CHEAP CD 1976 Remasters digipack 9,95 AC/DC FLICK OF THE SWITCH CD 12,95 AC/DC FLY ON THE WALL CD 12,95 AC/DC HELL AIN'T A BAD PLACE TO BE BOOK X 8,95 AC/DC HIGHWAY TO HELL CD 12,95 ARTISTA TITULO FOR ANO OBS STOCK PVP AC/DC HIGHWAY TO HELL -180G- LP 1979 2009 ltd 180G X 22,95 AC/DC IF YOU WANT BLOOD YOU'VE GOT IT CD 12,95 AC/DC IN CONCERT BLRY 2012 98 min X 12,95 AC/DC IT''S A LONG WAY TO THE TOP DVD X 7,50 AC/DC LET THERE BE ROCK DVD X 10,95 AC/DC LIVE 92 2LP 1992 Live X 25,95 AC/DC LIVE 92 2CD 1992 Live X 24,95 AC/DC NO BULL DVD X 12,95 AC/DC POWERAGE CD 10,95 AC/DC RAZOR'S EDGE CD 1990 Remasters digipack X 14,95 AC/DC STIFF UPPER LIP CD Remasters digipack 10,95 AC/DC T.N.T.