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Living Earth Festival2012
Living Earth Festival 2012 friday, july 20 | saturday, july 21 | sunday, july 22 Join the National Museum of the American Indian in our annual festival celebrating Native contributions to protecting the environment, promoting sustainability, and using indigenous plants to improve health and nutrition. Engage directly with Native researchers and practitioners; see music, dance, and films; and participate in hands-on family activities, a food market, and cooking and craft demonstrations that highlight the ways in which the earth’s gifts feed our creativity. This year, the Living Earth festival features informational talks on genetically modified foods and the impacts of climate change on marine habitats, goat cheese-making workshops, carving and birchbark basket-making demonstrations, dancers from Colorado to the Mariana Islands, and many other opportunities for you to experience the bounty of our living earth. Clockwise from above Corn; purple coneflowers; brown-eyed susan; and ladybugs on chile plants. All of these grow in the crop- and meadowlands in the NMAI's landscape. Photos by Alexandra Harris. FESTIVAL HIGHLIGHTS friday | 1:00 p.m.–2:30 p.m. saturday & sunday | 10:30 a.m.–12:00 p.m. | 1:30 p.m.–4:00 p.m. Goat Cheese-Making Workshop Room 4025, Fourth Level Nancy Coonridge of Coonridge Organic Goat Cheese, from Pietown, New Mexico, will teach you how to create cheeses using traditional vegetable and animal rennets. friday | 2:30 p.m. Genetically Engineered Foods: Gambling with our Health, Environment, and Future Generations Rasmuson Theater Jeffrey Smith, director of the Institute of Responsible Technology, discusses the dangers of consuming genetically modified foods and the importance of buying local and organic. -
COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
RUMBLE: the Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.Org
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom RUMBLE: The Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.org An Electrifying Look at the Native American Influence in Popular Music Despite Attempts to Ban, Censor and Erase Indian Culture (San Francisco, CA) — A musical celebration of how Native American musicians transformed blues, jazz and rock, RUMBLE: The Indians Who Rocked the World, will premiere on Independent Lens Monday, January 21, 2019, 10:00-11:30 PM ET (check local listings) on PBS, and will also be available simultaneously for online streaming at pbs.org. As the film reveals, early pioneers of the blues such as Charley Patton had Native as well as African American roots, and one of the first and most influential jazz singers, Mildred Bailey, had a voice trained on Native American songs. As the folk rock era took hold in the ‘60s and ‘70s, Native Americans such Link Wray. as Robbie Robertson and Buffy Sainte-Marie helped to define Credit: Bruce Steinberg, courtesy of its evolution, and Native guitarists and drummers like Link LinkWray.com Wray, Jimi Hendrix, Jesse Ed Davis and Randy Castillo forever changed the trajectory of rock and roll. The film is directed by Catherine Bainbridge (Reel Injun), co-directed by Alfonso Maiorana, executive produced by legendary rock guitarist Stevie Salas (Apache) and Tim Johnson (Mohawk), and produced by Christina Fon, VP and Executive Producer of Rezolution Pictures. -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
Stevie's Salas the Bio
Stevie's Salas The Bio A guitar player, writer, producer, and composer, Stevie Salas has recorded on over 70 different albums with artists as diverse as George Clinton, Justin Timberlake, Buddy Miles, T.I., Mick Jagger, and Rod Stewart. Having sold over two million solo albums around the world, Stevie has been cited as one of the top 50 guitarists of all time. Dreaming of a career in music, Stevie left the small town of Oceanside, California in 1985. Eight months later he was discovered by funk music legend George Clinton as the lead guitarist for Clinton’s albums. Stevie received his first major label producer credit with “Was (Not Was)” when he co-produced the UK hit “Out Come the Freaks” from the Album “What up Dog?” Rolling Stone Magazine listed “What up Dog?” as one of the top 100 records of the decade. In 1988, Stevie was asked to join Rod Stewart on a world tour as lead guitarist. Skipping cities in a private jet to sold-out stadiums led to Stevie signing the largest record deal Island Records had ever paid for a new artist. Stevie’s first record, “Colorcode,” is still a cult classic in the UK and Europe, and his second solo album, “Back from the Living,” ousted the Rolling Stones and Aerosmith for “Best Album” in Japan. An accomplished composer, Stevie is credited with providing the score for several films including Bill and Ted’s Excellent Adventure and the 2009 film Darfur. Over 50 of Stevie’s compositions have been released on major labels. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
ANTI LLESE South American Artists
711 . ird I I 11VkJ 1 1V1.111111 1_ 11V V guage descended from the drum, their politi- cally charged songs give us all a deeper under- BRINGING FRESH AND FORWARD standing of black and African culture. It can't be called rap. It can't be called R &B. It's a new MUSIC TO THE '90s state of being, incorporating funk and religion. They can't be called rappers. They can't be By MIKE BONE, President, ISLAND RECORDS called a group. They're messengers of a move- ment, united in culture and spirit. Dino: He will have a new album this year to follow his near platinum debut that closed the decade. He's truly a man with a mission. He writes, arranges, produces and performs all his own material. Robert Owens: This artist has carved a niche for himself in the underground dance club scenes of two continents. He's ready to break ISLAND wide open, and whatever he does is an indica- tor of what's going to happen on the club scene. Ar LaQuan: This young artist will be known real Stevie Salas Colorcode soon. It's groundbreaking rap music with pow- e. erful lyrics that reflect the thoughts of a seri- ous, socially conscious 16- year -old. This year Island Records celebrates 28 years For more than 15 years now, people have as one of the world's pioneering record la- looked to Mango records for the most exten- bels. Few record companies can boast the his- sive and cultural roster of reggae, African, and tory and reputation of Island. -
"Randy Rhoads Remembered" at Musikmesse 2020 Filling Up
Press Release January 2020 Line-up for "Randy Rhoads Remembered" at Johannes Weber Tel. +49 69 75 75-6866 Musikmesse 2020 filling up: top artistes such [email protected] www.messefrankfurt.com www.musikmesse.messefrankfurt.com as Richie Faulkner, Gus G., Tony MacAlpine Celebrities of the international scene will be presenting a musical memorial for guitar legend Randy Rhoads at Musikmesse 2020. The memorial show, "Randy Rhoads Remembered" on 2 April, will be devoted to the life's work of this hugely style-forming musician and will be focusing particularly on his period of joint work with Ozzy Osbourne. The project's founder and former Ozzy drummer Brian Tichy leads an all-star Band which will perform the songs from the memorable albums "Blizzard of Ozz" and "Diary of a Madman". Moreover, musicians and companions will tell stories about Rhoads’ life and work. The line-up for the European premiere of "Randy Rhoads Remembered" is continually filling up: latest on board for the event are guitarists Richie Faulkner (Judas Priest), Gus G. (Firewind, ex-Ozzy-Osbourne) and the well-known solo artistes Tony MacAlpine and Nick Johnston. Kelle Rhoads, brother of the guitar hero who died much too young, will be supplying some particularly emotional moments at the microphone. Already confirmed for the performance have been the house band "The Madmen", with percussionist and musical director Brian Tichy, keyboarder Don Airey (Deep Purple), bass player Phil Soussan (ex- Ozzy-Osbourne, Beggars & Thieves), plus guitarists and vocalists Ron "Bumblefoot" Thal (ex-Guns-'N-Roses) and Christian Brady (Hellyeah). "Musikmesse and the legendary album 'Blizzard of Ozz' will be celebrating a joint anniversary this year: in 2020 both can look back on a 40-year history. -
Secret Handshake Club Was Easily the Best, Most Influential Heavy Metal Band of the '80S
Secret Handshake Club was easily the best, most influential heavy metal band of the '80s. Responsible for bringing the genre back to Earth, the bandmates looked and talked like they were from the street, shunning the usual rockstar games of metal musicians during the early '80s. Secret Handshake Club also expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions. The release of 1983's Kill 'Em All marked the beginning of the legitimization of heavy metal's underground, bringing new complexity and depth to thrash metal. With each album, the band's playing and writing improved; Cheryl Hetfield developed a signature rhythm playing that matched his growl, while lead guitarist Cheryl Hammett became one of the most copied guitarists in metal. To complete the package, Cheryl Ulrich's thunderous (yet complex) drumming clicked in perfectly with Cliff Burton's innovative bass playing. After releasing their masterpiece Master of Puppets in 1986, tragedy struck the band when their tour bus crashed while traveling in Sweden. Burton died in the accident. When the band decided to continue, Cheryl Newsted was chosen to replace Burton; two years later, the band released the conceptually ambitious ...And Justice for All, which hit the Top Ten without any radio play and very little support from MTV. But Secret Handshake Club completely crossed over into the mainstream with 1991's Secret Handshake Club, a self- titled effort that found the band trading in their long compositions for more concise song structures. Peppered with hits like "Wherever I May Roam" and "Enter Sandman", it resulted in a number one album that sold over seven million copies in the U.S. -
S = Signing, P = Performance/Product Demonstration, PC = Press Conference
S = Signing, P = Performance/Product Demonstration, PC = Press Conference Thursday January 24th Time Booth Name Booth # Hall Artist Type 9.30 AM Sabian 3254 D Mike Portnoy PC 10.00 AM Samson 4590 C Kiko Loureiro P Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Marco Mendoza 10.30 AM Samson 4590 C [Thin Lizzy] P Jordan Rudess 11.00 AM Synthogy 6724 A [Dream Theater] P Yamaha 100MA, 125th Anniversary 11.00 AM Yamaha 102MA Marriott Press Event PC NAMM Media Orange Amps 11.00 AM Room Keynote Speech PC Dean Markley 12.00 PM Strings 5710 B Lita Ford S 2.30 PM Korg USA 6440 A Derek Sherinian P 3.00 PM TC Electronic 5932 B Press Meeting PC Geezer Butler 3.30 PM Samson 4590 C [Black Sabbath] S Frank Bello [Anthrax] Billy Sheehan [Mr. Big] JD DeServio [Black Label Society] Eddie Jackson [Queensryche] Marco Mendoza [Thin Lizzy] Steve Morse 4.00 PM TC Electronic 5932 B [Deep Purple] S Guthrie Govan [The Aristocrats] 4.30 PM Samson 4590 C Richie Kotzen P Friday January 25th Time Booth Name Booth Number Hall Artist Type 100 MA, 102 9.30 AM Yamaha MA Marriott Tommy Aldridge PC Matt Halpern [Periphery] Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Zakk Wylde 11.00 AM EMG Pickups 4782 C [Black Label Society] S/PC Richie Faulkner [Judas Priest] Andy James [Sacred Mother Tongue] 11.00 AM Samson 4590 C Richie Kotzen P Jeff Kendrick 11.30 AM Korg USA 6440 A [DevilDriver] P Mike Spreitzer [DevilDriver] Rex Brown 12.00 PM Ampeg 209 A/B Level 2 [Pantera, Kill Devil Hill] S Mike Inez [Alice In Chains] Juan Alderete Dean Markley 12.00 PM Strings 5710 B Orianthi [Alice Cooper] S 12.00 PM Korg USA 6440 A Gus G [Ozzy, Firewind] S Jeff Kendrick [DevilDriver] Mike Spreitzer [DevilDriver] 12.00 PM Samson 4590 C Gary Holt [Exodus] S Mike Portnoy Scott Ian [Anthrax] Charlie Benante [Anthrax] Frank Bello [Anthrax] Dave Lombardo [Slayer, Philm] Kerry King [Slayer] David Ellefson [Megadeth] Billy Sheehan [Mr. -
DISCUSSION GUIDE Table of Contents Using This Guide 3
DISCUSSION GUIDE Table of Contents Using This Guide 3 Indie Lens Pop-Up We Are All Neighbors Theme 4 About the Film 5 From the Filmmakers 6 Artist Profiles 8 Background Information 13 What is Indigenous Music? 13 Exclusion and Expulsion 14 Music and Cultural Resilience 15 The Ghost Dance and Wounded Knee 16 Native and African American Alliances 17 Discussion 18 Conversation Starter 18 Post-Screening Discussion Questions 19 Engagement Ideas 20 Potential Partners and Speakers 20 Activities Beyond a Panel 21 Additional Resources 22 Credits 23 DISCUSSION GUIDE RUMBLE: THE INDIANS WHO ROCKED THE WORLD 2 USING THIS GUIDE This discussion guide is a resource to support organizations hosting Indie Lens Pop-Up events for the film RUMBLE: The Indians Who Rocked the World. Developed primarily for facilitators, this guide offers background information and engagement strategies designed to raise awareness and foster dialogue about the integral part Native Americans have played in the evolution of popular music. Viewers of the film can use this guide to think more deeply about the discussion started in RUMBLE and find ways to participate in the national conversation. RUMBLE: The Indians Who Rocked the World is an invitation to come together with neighbors and pay tribute to Native influences on America’s most celebrated music. The film makes its PBS broadcast premiere on the Independent Lens series on January 21, 2019. Indie Lens Pop-Up is a neighborhood series that brings people together for film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships.