a Feature Documentary Film About the Native American Contribution to Popular Music History
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Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
TN Bluesletter Week 10 080310.Cdr
(About the Blues continued) offered rich, more complex guitar parts, the beginnings of a blues trend towards separating lead guitar from rhythm playing. Shows begin at 6:30 unless noted Texas acoustic blues relied more on the use of slide, In case of inclement weather, shows will be held just down the and artists like Lightnin' Hopkins and Blind Willie street at the Grand Theater, 102 West Grand Avenue. Johnson are considered masters of slide guitar. Other June 1 Left Wing Bourbon local and regional blues scenes - from New Orleans MySpace.com/LeftWingBourbon June 8 The Pumps to Atlanta, from St. Louis to Detroit - also left their mark ThePumpsBand.com on the acoustic blues sound. MySpace.com/ThePumpsBand When African-American musical tastes began to June 15 The Blues Dogs change in the early-1960s, moving towards soul and August 3, 2010 at Owen Park MySpace.com/SteveMeyerAndTheBluesDogs rhythm & blues music, country blues found renewed June 22 Pete Neuman and the Real Deal popularity as the "folk blues" and was sold to a PeteNeuman.com June 29 Code Blue with Catya & Sue primarily white, college-age audience. Traditional YYoouunngg BBlluueess NNiigghhtt Catya.net artists like Big Bill Broonzy and Sonny Boy Williamson July 6 Mojo Lemon reinvented themselves as folk blues artists, while MojoLemon.com Piedmont bluesmen like Sonny Terry and Brownie MySpace.com/MojoLemonBluesBand McGhee found great success on the folk festival July 13 Dave Lambert DaveLambertBand.com circuit. The influence of original acoustic country July 20 Deep Water Reunion blues can be heard today in the work of MySpace.com/DWReunion contemporary blues artists like Taj Mahal, Cephas & July 27 The Nitecaps Wiggins, Keb' Mo', and Alvin Youngblood Hart. -
Still on the Road 2000 Us Summer Tour
STILL ON THE ROAD 2000 US SUMMER TOUR JUNE 15 Portland, Oregon Roseland Theater 16 Portland, Oregon Portland Meadows 17 George, Washington The Gorge 18 George, Washington The Gorge 20 Medford, Oregon Jackson County Expo Hall 21 Marysville, California Sacramento Valley Amphitheater 23 Concord, California Chronicle Pavilion 24 Mountain View, California Shoreline Amphitheatre 25 Reno, Nevada Reno Hilton Amphitheatre 27 Las Vegas, Nevada House Of Blues, Mandalay Bay Resort & Casino 29 Irvine, California Verizon Wireless Amphitheater 30 Ventura, California Arena, Ventura County Fairgrounds JULY 1 Del Mar, California Grandstand, Del Mar Fairgrounds 3 Albuquerque, New Mexico Mesa Del Sol Amphitheater 6 Oklahoma City, Oklahoma The Zoo Amphitheater 7 Bonner Springs, Kansas Sandstone Amphitheatre 8 Maryland Heights, Missouri Riverport Amphitheater 9 Noblesville, Indiana Deer Creek Music Center 11 Cincinnati, Ohio Riverbend Music Center 12 Moline, Illinois The Mark of the Quad Cities 14 Minneapolis, Minnesota Target Center 15 East Troy, Wisconsin Alpine Valley Music Theater 16 Clarkston, Michigan Pine Knob Music Theater 18 Toronto, Ontario, Canada Molson Amphitheatre 19 Canandaigua, New York Finger Lakes Performing Arts Center 21 Hartford, Connecticut Meadows Music Theatre 22 Mansfield, Massachusetts Tweeter Center for the Performing Arts 23 Saratoga Springs, Saratoga Performing Arts Center 25 Scranton, Pennsylvania Coors Light Amphitheatre 26 Wantagh, New York Jones Beach Amphitheatre 28 Camden, New Jersey E-Centre, Blockbuster-Sony Music Entertainment Centre 29 Columbia, Maryland Marjorie Merriweather Post Pavilion 30 Stanhope, New Jersey Waterloo Village Bob Dylan: Still On The Road – The 2000 US Summer Tour 21820 Roseland Theater Portland, Oregon 15 June 2000 1. Duncan And Brady (trad.) 2. -
29 WP30 Craig Proofed JR
#30 2018 ISSN 1715-0094 Craig, C. (2018). John Trudell and the Spirit of Life. Workplace, 30, 394-404. CHRISTOPHER CRAIG JOHN TRUDELL AND THE SPIRIT OF LIFE “My ride showed up.” —Posted to John Trudell’s Facebook page just after he passed. The Santee Sioux activist, political philosopher, and poet/musician John Trudell died of cancer on December 8th, 2015. I was sitting in my office when I read the news. His death had been reported erroneously four days before, so it didn’t come as a complete surprise. Nevertheless, I experienced the same kind of sadness I felt when John Lennon died, as though, somehow, I had lost someone close to me even though we had never met. Trudell’s work had inspired me. He fought fearlessly for tribal rights. He also reached across class, gender, and racial lines in order to draw public attention to the oppressive treatment of indigenous people as a symptom of a larger ruling class imperative to colonize the western world. In numerous poems, speeches, and songs, he argues that western society has lost touch with what he calls the “spirit of life.” Industrial capitalism has led to the fall of western society’s natural relationship to the earth. The value of human life no longer resides in the reality that we are made of the earth. Instead it depends on advancing the interests of the very historical forces that had perpetrated our “spiritual genocide.” This learned disrespect for the earth cuts us off from the ancestral knowledge of what it means to be a human being. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Editor's Notes
R&R Editor’s Notes editoR and PubliSheR: Jann S. Wenner Managing editoR: Will Dana executive editors: Eric Bates, Jason Fine dePuty Managing editors: Nathan Brackett John Dioso AssiStant Managing editoR: Jonathan Ringen The Future Is Unwritten SenioR wRiters: David Fricke, Peter Travers SenioR editors: Michael Endelman, Thomas Walsh Sean Woods esides barack obama himself, Associate editors: Brian Hiatt, Coco McPherson there probably aren’t many peo- AssiStant editors: Nicole Frehsée, Andy Greene Julia Holmes, Sarene Leeds, Eric Magnuson ple who have done more to put Kevin O’Donnell, Jamie Reynolds, Phoebe St. John B AssiStant to the editoR and PubliSheR: Ally Lewis our current president in the White House editoRial Staff: Alison Weinflash than artist-activist-provocateur Shepard ROLLINGSTONE.COM: Robert Mancini (Executive Ed.) Caryn Ganz (Deputy Ed.), Erica Futterman, John Gara Fairey. Fairey’s samizdat “Hope” poster, contRibuting editors: Mark Binelli, David Browne Rich Cohen, John Colapinto, Jonathan Cott plastered all over America on walls, Anthony DeCurtis, Tim Dickinson, Raoul Duke (Sports) T-shirts and computer screens, helped the Gavin Edwards, Jenny Eliscu, Mikal Gilmore, Jeff Goodell Vanessa Grigoriadis, Erik Hedegaard, Christian Hoard country connect to this man who prom- Claire Hoffman, Robert F. Kennedy Jr., Steve Knopper David Kushner, Guy Lawson, David Lipsky, Kurt Loder ised voters such an extraordinary change Greil Marcus, P.J. O’Rourke, Charles Perry, Janet Reitman from politics as usual. Austin Scaggs, Jeff Sharlet, Rob Sheffield, Paul Solotaroff Ralph Steadman (Gardening), Neil Strauss, Randall Sullivan Seven months into his presidency, in Matt Taibbi, Touré, David Wild, Peter Wilkinson, Evan Wright the midst of the debate over health care, Art diRectoR: Joseph Hutchinson Obama is facing the tests that will likely Art dePaRtMent: Steven Charny (Sr. -
Neville Brothers -- the first Family of New Orleans Music -- Has Vowed Not to Return to New Orleans
Dec. 15, 2005-- Cyril Neville boarded Amtrak's City of New Orleans train with a full head of steam. He joined singer-songwriter Arlo Guthrie earlier this month for the first leg of a 12-day journey from Chicago to New Orleans, playing concerts along the way to raise funds for victims of Hurricane Katrina. Neville, however, won't be on the train when it rolls into his old hometown. He won't be going home at all. Neville, 56, percussionist-vocalist and youngest member of the Neville Brothers -- the first family of New Orleans music -- has vowed not to return to New Orleans. During a heartfelt conversation before embarking on the train journey, Neville explained he and his wife, Gaynielle, have bought a home in Austin, Texas. Cyril Neville joins his nephew Ivan Neville, as well as the Radiators and the Iguanas as popular New Orleans acts who have settled in Austin. Some even perform in an ad hoc band known as the Texiles. They sing a different song about the promised recovery of New Orleans. "Would I go back to live?" Neville asked. "There's nothing there. And the situation for musicians was a joke. People thought there was a New Orleans music scene -- there wasn't. You worked two times a year: Mardi Gras and Jazz Fest. The only musicians I knew who made a living playing music in New Orleans were Kermit Ruffins and Pete Fountain. Everyone else had to have a day job or go on tour. I have worked more in two months in Austin than I worked in two years in New Orleans. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
The Seminole Tribune Interviews John Trudell
www.seminoletribe.com Volume XXVII • Number 13 September 21, 2006 What’s New Photo Exhibit ‘A Native View’ Opens Newly Crowned Inside Seminole Tribal Citizens’ Work on Display at Okalee Royalty Debut By Felix DoBosz HOLLYWOOD— On Sept. at Schemitzun 11, the new “A Native View” photo- graphic exhibit opened to the public at By Iretta Tiger the Ah-Tah-Thi-Ki Museum at Okalee NORTH STONINGTON, CT — Village. The photographic exhibit fea- For the Seminole Tribe, the Schemitzun tured approximately 60 pieces of Pow wow, the Pequot Tribe’s annual pow assorted black and white and colored wow, has become an important first step Hurricane Preparedness photo images. for the newly crowned Miss Seminole and “We have a brand new exhibit Junior Miss Seminole. Each year this is Meeting opening here today, photographs put where the two ladies make their debut at Page 3 together by myself, Mr. Oliver this nationally known pow wow. Wareham and Ms. Corinne Zepeda, so you’ll see various photographs of peo- ple, places, things, events, we have a little bit of everything,” Brian Zepeda, curator, community outreach coordina- tor and citizen of the Seminole Tribe of Florida, for the Ah-Tha-Thi-Ki Museum, said. “We even have some of the Kissimmee Slough from Big Cypress, we have pictures from Taos, New Mexico, and we also have tribal members that are in the photographs, so we have a little bit for everybody. Friend of Tribe, John “These photos were taken over the process of present day and going Abney, Honored back about five or six years. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Johnny Burnette TITLE Johnny Burnette And The Rock ’n’ Roll Trio LABEL Bear Family Productions CATALOG # BAF 18012 PRICE-CODE BAF EAN-CODE ÇxDTRBAMy180125z FORMAT VINYL album 180g Vinyl • Pressed by Pallas Direct Metal Mastering: H.J. Maucksch at PaulerAcoustics GENRE Rock ‘n’ Roll G One of the first and maybe the greatest rockabilly albums ever! G Includes The Train Kept A'Rollin' – later recorded by the Yardbirds, Aerosmith and many others! G Includes many of the greatest guitar solos from the early days of rock 'n' roll! INFORMATION Johnny Burnette died in 1964 after scoring several pop hits in the early Sixties, including Dreamin', You're Sixteen, and Little Boy Sad. If, in the days or weeks before his death, he had been asked how he would be remembered, he would probably have said for those hits or for the songs he'd written for Ricky Nelson. And he would have been wrong. Today, Johnny Burnette is chiefly remembered for some sessions he cut in 1956 that resulted in no hits, but just about defined rockabilly as an art-form – in fact as a new musical life-form. This album, one of the first-ever rockabilly LPs, is still the best-ever rockabilly LP. From the early 1960s, collectors were paying big money for it. When musicologists and musicians deconstruct rockabilly and when revivalists reconstruct it, they're trying to unravel the magic of Johnny Burnette and the Rock 'n' Roll Trio. -
Complaint Against Home Depot, Et
Case 2:12-cv-05386-RSWL-RZ Document 1 Filed 06/21/12 Page 1 of 16 Page ID #:4 1 RUSSELL J. FRACKMAN (SBN 49087) msk.com 2 STINE LEPERA (pro hac vice motion forthcoming) msk.com 3 STINA E. DJORDJEVICH (SBN 262721) n-3 msk.com 4 HELL SILBERBERG & KNUPP LLP 11377 West Olympic Boulevard 5 Los Angeles, California 90064-1683 Telephone: (310) 312-2000 6 Facsimile: (310) 312-3100 7 Attorneys for Plaintiffs • • c_n Cr) 8 9 UNITED STATES DISTRICT COURT 10 CENTRAL DISTRICT OF CALIFORNIA 11 i 12 DANIEL AUERBACH and PATRICK CASE p 12-5386 CARNEY (collectively and 13 professionally known as "THE BLACK COMPLAINT FOR YS"); TFM BLACK KEYS 14 PARTNERSHIP d/b/a MCMOORE COPYRIGHT INFRINGEMENT MCLESST PUBLISHING; and BRIAN 15 BURTON p/k/a DANGER MOUSE individually and d/b/a SWEET DEMAND FOR JURY TRIAL 16 SCIENCE, 17 Plaintiffs, 18 V. 19 THE HOME DEPOT, INC., a Delaware corporation; and DOES 1 — 10, 20 inclusive, 21 Defendants. 22 23 24 Plaintiffs Daniel Auerbach ("Auerbach") and Patrick Carney ("Carney") 25 (collectively and professionally known as "The Black Keys"), Plaintiff The Black 26 Keys Partnership d/b/a McMoore McLesst Publishing and Plaintiff Brian Burton 27 p/k/a Danger Mouse d/b/a Sweet Science ("Burton") (collectively, "Plaintiffs") 28 aver as follows: Mitchell Silberberg & Knupp LLP COMPLAINT FOR COPYRIGHT INFRINGEMENT 82400.1 / 42943-00000 Case 2:12-cv-05386-RSWL-RZ Document 1 Filed 06/21/12 Page 2 of 16 Page ID #:5 1 PRELIMINARY STATEMENT 2 I. Plaintiffs bring this action seeking to put an immediate stop to, and to 3 obtain redress for, Defendants' blatant and purposeful infringement of the 4 copyright in Plaintiffs' musical composition entitled "Lonely Boy." 5 2.