SGBS Alumni-Jahrbuch Simone Zuberbühler • Kim-Eva Wempe • Samy Liechti • Dr

Total Page:16

File Type:pdf, Size:1020Kb

SGBS Alumni-Jahrbuch Simone Zuberbühler • Kim-Eva Wempe • Samy Liechti • Dr St. Galler Business School 2017 2017 SGBS SGBS Alumni-Jahrbuch 2017 Alumni-Jahrbuch Dr. Christian Abegglen • Prof. Knut Bleicher • Jobst Siemer • Peter E. Zehnder • Ernst Wyrsch • Dr. Klaus Dohnanyi Prof. Dr. Hans A. Wüthrich • General Stephan Kretschmer Bettina Würth • Dr. Konrad Hummler • Prof. Dr. Dres. Manuel R. Theisen • Prof. Dr. Wunderer • Karl-Heinz Grosse Peclum • Prof. Dr. Wilfried Krüger • Otto Ineichen • Prof. Dr. Hans Jobst Pleitner • Dr. Eckart von Hirschhausen • Joachim Hunold • Ole N. Nielsen • Felix Richterich • Andreas Schell Peter Edelmann • Peter Zürn • Helmut Bührle • Prof. Dr. Manfred Spitzer • Prof. Dr. Mathias Binswanger Christo Quiske • Dr. Gunter Frank • Dr. Maximilian Herzog Prof. Dr. Hans Eberspächer • Sören M. Slowak Prof. Dr. Janus Teczke • Mark McGregor • Philipp Schwander • Dr. Robert Neumann • Dr. Hermann Jung Peter Rösler • Prof. Dr. Markus Schwaninger • Torsten Oltmanns • Heinrich Villiger • Prof. Dr. Theo Wehner Dr. Wolf Schumacher • Dr. Thilo Sarrazin • Wolfram Hatz jun. • Felix Ahlers • Dr. Christian Lawrence • Christian Sagehorn Arthur E. Darboven • Prof. Dr. Dietrich Dörner • Master Han Shan • Anja Förster • Dr. Konrad Hummler ST. GALLER Gastreferenten Managementkongresse SGBS Gastreferenten Managementkongresse BUSINESS BOOKS & TOOLS Lars Windhorst • Roger Köppel • Dr. Joerg Dederichs • Prof. Dr. Thomas Straubhaar • Tomas Prenosil Dr. Manfred Wittenstein • Prof. Dr. Franz-Rudolph Esch • Robert Heinzer • Hendrik Hartje • Dr. Stephan Feige ALUMNI-CLUB SERIES SGBS Alumni-Jahrbuch Simone Zuberbühler • Kim-Eva Wempe • Samy Liechti • Dr. Bernhard Kaumanns • Carolina Müller-Möhl Heiko Fischer • Dr. Andreas Kaufmann • Christian Malik • Markus Portner • Dr. Dirk Haft • Dr. Volkmar Weckesser Dr. Lea Sonderegger • Dr. Marc Holitscher ISBN 978-3-905379-49-5 € Schutzgebühr SFr. 15.–/ 12.– ST. GALLER BUSINESS BOOKS & TOOLS St. Galler Business School St. Galler Business School Master Diplome St. Gallen Master Diplome St. Gallen Rosenbergstrasse 36 Rosenbergstrasse 36 CH-9000 St. Gallen CH-9000 St. Gallen Telefon 0041 (0)71 225 40 80 Telefon 0041 (0)71 225 40 80 Fax 0041 (0)71 225 40 89 Fax 0041 (0)71 225 40 89 E-Mail [email protected] E-Mail [email protected] Internet www.sgbs.ch/diplome Internet www.sgbs.ch/diplome www.sgbs.ch/diplome www.sgbs.ch/diplome St. Galler Business School Alumni-Jahrbuch 2017 ST. GALLER BUSINESS BOOKS & TOOLS .GENERAL MANAGEMENT SERIES. Alumni-Jahrbuch 2017 Die Deutsche Bibliothek – CIP-Einheitsaufnahme Alumni-Jahrbuch 2017 Herausgegeben von Christian Abegglen Business Books & Tools St. Gallen; St. Gallen 2017 (Edition Alumni-Club Series) 978-3-905379-49-5 Alle Rechte vorbehalten © Verein Business Books & Tools St. Gallen, St. Galler Business School © SGBS Alumni-Club Das Werk einschliesslich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung ausserhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlags unzulässig und strafbar. Das gilt insbesondere für Ver- vielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Kontaktadresse St. Galler Business Books & Tools http://www.sgbbt.ch E-Mail: [email protected] Kontaktadresse SGBS Alumni-Club http://www.sgbs.ch/alumni E-Mail: [email protected] Höchste inhaltliche und technische Qualität unserer Produkte ist unser Ziel. Bei der Produktion und Verbreitung unserer Werke wollen wir die Umwelt schonen. Dieses Buch ist deshalb auf säurefrei- em und chlorfrei gebleichtem Papier gedruckt. Die Einschweissfolie besteht aus Polyäthylen und da- mit aus organischen Grundstoffen, die weder bei der Herstellung noch bei Verbrennung Schadstof- fe freisetzen. Druck und Buchbinder: Rosch-Buch, D-Schesslitz Printed in Germany ISBN 978-3-905379-49-5 2 Alumni-Jahrbuch 2017 Editorial Die Digitalisierung der Wirtschaft und ihrer Ge- schäftsmodelle schreitet mit grossen Schritten vor- an. Zweifelsfrei steckt in der im Kern informations- technologisch getriebenen Entwicklung gerade für hochentwickelte Volkswirtschaften mit tendenziell wissensintensiver Wertschöpfung enormes Potenzi- al. Die Möglichkeiten der Vernetzung – mitunter in Echtzeit und bei Weitem nicht nur in der Fertigung – sowie die zunehmende Verschmelzung von rea- ler und virtueller Welt über cyber-physische Syste- me sorgen für völlig neue Individualisierungs- und Wertschöpfungspotenziale, insbesondere auf dem Gebiet der Spitzen- und Hochtechnologien. Überall – Christian Abegglen auf staatlicher, verbandspolitischer und betriebli- Dr.oec.HSG Präsident des cher Ebene – wird aktuell fleissig diskutiert (und Verwaltungsrates der durchaus auch daran gearbeitet!) über Fragen der St. Galler Business School Geschäftsmodellinnovation, der Fertigungstech- nologien und -prozesse, der rechtlich-institutionel- len Gegebenheiten, der Datensicherheit, der Aus- und Weiterbildung der Mitar- beiterInnen (Stichworte: «Internet of things», «Big Data», «neue Arbeitswelten», «Mensch-Maschine-Schnittstellen», «Digitalkompetenz») und so weiter. Insofern stand der 14. St. Galler Management-Kongress im Oktober 2016 unter dem Motto «Digitalisierung - Handlungsbedarf und Konsequenzen beste- hender Geschäftsmodelle » Hochkarätige PraktikerInnen aus einem hervorragenden Branchen-Mix wie Dr. Andreas Kaufmann, Dr. Lea Sonderegger, Dr. Marc Holitscher, Christian Malik, Michael Beckmann, Dr. Volkmar Weckesser, Markus Portner und Dr. Dirk Haft lieferten unter der Leitung von Herrn Dr. Christian Abegglen, Präsident des Ver- waltungsrates der SGBS, und der Moderation von Herrn Ernst Wyrsch, Dipl. Ho- telier SHV/VDH, SGBS-Dozent, dem Auditorium nicht nur wertvolle Einblicke in die sich wandelnden Herausforderungen, sondern – ganz im Sinne der The- matik- wurde all das auch in einen Video-Livestream transformiert – ein analo- ges und digitales Kontrastprogramm also. 3 Alumni-Jahrbuch 2017 Die BestPractice Beispiele zeigten, wie Marken ihre analogen Wurzeln mit di- gitalem Fortschritt verknüpfen können, warum Stores auch in der digitalen Zu- kunft unentbehrlich sein werden, wie man mit autonomen, vernetzten Denk- und Werkplätzen in die Zukunft weisende Gegenpole setzen und sich als Spezialist für ‚Digital Transformation‘ weiterentwickeln kann, warum es in manchen Un- ternehmen bei der digitalen Transformation klemmt, wie Big Data nicht mehr «vor der Tür steht», sondern in welchem Ausmass es seinen Fuss bereits in un- seren privaten Lebensraum gesetzt hat, wie die digitalisierte Produktionsstätte für elektromechanische Antriebssysteme aussehen kann und wie es bei all dem Change um die wichtigste Ressource der umsetzungsstarken Führungspersön- lichkeit steht, nämlich der Lebensqualität An dieser Stelle wird unser St.Galler kommender Kongress an- Business School knüpfen: Wir würden uns sehr freuen, Sie zum diesjährigen Management- und Alumni- kongress vom 22. – 23. Sep- 15.S t.Galle r tember 2017 in St. Gallen zum Management-Kongress Thema «Persönliche Arbeits- techniken in digitalen Zeiten: 22.-23. Septemb er 2017 Dos & Don‘ts» begrüssen zu St.Gallen dürfen! Denn wie Führungskräfte mit den digitalen Herausforderun- gen wie ständige Verfügbarkeit, Vermischung von Arbeits- und Berufsleben, Umgang mit glo- baler Verfügbarkeit von Infor- mationen etc. umgehen können und welche Chancen aus die- Peter Edelmann • Dr. Eckartsen von Veränderungen Hirschhausen • für die ein- Dr. Andreas Truck Prof. Knut Bleicher • Dr zelne Persönlichkeit entstehen «Persönliche Arbeitstechniken in Dr. Eckart von Hirschhausendas • Ole werden N. Nielsen • dieW spannenden, für digitalen Zeiten: Dos & Don‘ts» jede Führungskraft essentiellen Fragestellungen dieser mehr- 4. Management-Kongresswertstiftenden Veranstaltung mit vielfältigen Netzwerkmög- St. Galler Business School 29.–30. September 2006 www.sgbs.ch lichkeitenDavos sein. Nutzen Sie die- ses Angebot! 4 Alumni-Jahrbuch 2017 Die St. Galler Business School konnte durch die professionelle langjährige Befas- sung mit Führungsfragen den ganzheitlichen, dynamischen St. Galler Manage- mentansatz entwickeln und ist damit gerne ein zuverlässiger und kompetenter Partner, der Unternehmen und deren MitarbeiterInnen auf Ihrem Weg begleitet. Dabei reicht das Angebot unseres Hauses weit über Führungsfragen im engeren Sinne hinaus. Die auf dem «Konzept Integriertes Management» fussenden Se- minare, Diplom- und MBA-Studiengänge der St. Galler Business School decken die Herausforderungen moderner Führung in ihrer ganzen Breite ab und haben sich insbesondere durch ihre Umsetzungs- bzw. Praxisorientierung in besonde- rem Masse bewährt. Weitere Eindrücke zu Kongressen und Anlässen der St. Galler Business School finden Sie unter anderem auf unseren Onlinepräsenzen wie beispielsweise www. sgbs.ch, www.sgbs-alumni.ch, www.xing.com (Alumni-Gruppe),www.youtube. com (sgbs), www.slideshare.net (sgbs), www.twitter.com (diplome_sgbs, semi- nare_sgbs), www.facebook.com (St. Galler Business School). Wir hoffen, Ihnen mit dem vorliegenden Jahrbuch 2017 abermals eine interes- sante Lektüre zu bieten, die Horizonte öffnet und Sie einlädt, gerne Gast in un- serem Hause zu sein! Christian Abegglen Präsident des Verwaltungsrates Dr.oec.HSG 5 Alumni-Jahrbuch 2017 6 Alumni-Jahrbuch 2017 Inhalt 1. Die St. Galler Business School 9 – Die St. Galler Business School im Überblick 9 – Seminarübersicht 2017–2018 23 – MBA-, Master- und Diplomausbildungen 33 – Absolventen/Innen von Diplomstudiengängen 45 – Ein- und Ausblicke 49 ➢ Digitalisierung und Führung 4.0 51 ➢ Knut Bleicher – In Memoriam 69 – Diplomarbeiten, Interviews und Referenzen 93 – SGBS Inhouse-Seminare
Recommended publications
  • The Image Processing Handbook, Third Edition by John C
    The Image Processing Handbook, Third Edition by John C. Russ CRC Press, CRC Press LLC ISBN: 0849325323 Pub Date: 07/01/98 Search Tips Search this book: Advanced Search Introduction Acknowledgments Chapter 1—Acquiring Images Human reliance on images for information Using video cameras to acquire images Electronics and bandwidth limitations High resolution imaging Color imaging Digital cameras Color spaces Color displays Image types Range imaging Multiple images Stereoscopy Imaging requirements Chapter 2—Printing and Storage Printing Dots on paper Color printing Printing hardware Film recorders File storage Optical storage media Magnetic recording Databases for images Browsing and thumbnails Lossless coding Color palettes Lossy compression Other compression methods Digital movies Chapter 3—Correcting Imaging Defects Noisy images Neighborhood averaging Neighborhood ranking Other neighborhood noise reduction methods Maximum entropy Contrast expansion Nonuniform illumination Fitting a background function Rank leveling Color shading Nonplanar views Computer graphics Geometrical distortion Alignment Morphing Chapter 4—Image Enhancement Contrast manipulation Histogram equalization Laplacian Derivatives The Sobel and Kirsch operators Rank operations Texture Fractal analysis Implementation notes Image math Subtracting images Multiplication and division Chapter 5—Processing Images in Frequency Space Some necessary mathematical preliminaries What frequency space is all about The Fourier transform Fourier transforms of real functions Frequencies and
    [Show full text]
  • CODE by R.Mutt
    CODE by R.Mutt dcraw.c 1. /* 2. dcraw.c -- Dave Coffin's raw photo decoder 3. Copyright 1997-2018 by Dave Coffin, dcoffin a cybercom o net 4. 5. This is a command-line ANSI C program to convert raw photos from 6. any digital camera on any computer running any operating system. 7. 8. No license is required to download and use dcraw.c. However, 9. to lawfully redistribute dcraw, you must either (a) offer, at 10. no extra charge, full source code* for all executable files 11. containing RESTRICTED functions, (b) distribute this code under 12. the GPL Version 2 or later, (c) remove all RESTRICTED functions, 13. re-implement them, or copy them from an earlier, unrestricted 14. Revision of dcraw.c, or (d) purchase a license from the author. 15. 16. The functions that process Foveon images have been RESTRICTED 17. since Revision 1.237. All other code remains free for all uses. 18. 19. *If you have not modified dcraw.c in any way, a link to my 20. homepage qualifies as "full source code". 21. 22. $Revision: 1.478 $ 23. $Date: 2018/06/01 20:36:25 $ 24. */ 25. 26. #define DCRAW_VERSION "9.28" 27. 28. #ifndef _GNU_SOURCE 29. #define _GNU_SOURCE 30. #endif 31. #define _USE_MATH_DEFINES 32. #include <ctype.h> 33. #include <errno.h> 34. #include <fcntl.h> 35. #include <float.h> 36. #include <limits.h> 37. #include <math.h> 38. #include <setjmp.h> 39. #include <stdio.h> 40. #include <stdlib.h> 41. #include <string.h> 42. #include <time.h> 43. #include <sys/types.h> 44.
    [Show full text]
  • Megaplus Conversion Lenses for Digital Cameras
    Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses.
    [Show full text]
  • Farewell to the Kodak DCS Dslrs
    John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film.
    [Show full text]
  • Photography 4X6” [40]
    Photography Printing Paper Epson SHEET PAPER Scrapbook Semigloss Photo Quality Adhesive BORDERLESS PAPER All-Purpose Glossy 8.5x11” [20].....................14.95 8.3x11.7” [10]..................10.95 Photo Paper Glossy 8.5x11” [20].......................6.95 Scrapbook Premier Matte Photo Quality Glossy 4x6” [50]............................6.95 Inkjet Transparency 8.5x11” [20].....................14.95 8.5x11” [20].......................9.95 Photo Paper 8.5x11” [30].....................41.50 8.3x11.7” [20]..................10.95 Heavy Weight Matte 11.7x16.5” [20]................59.95 12x12” [10]......................14.95 Durabrite Glossy High Quality 13x19” [20]......................32.50 8x10” [50]..........................9.95 4x6” [50]............................8.49 8.5x11” [100].....................8.95 Dupont Proofing Glossy 11x14” [50]......................22.95 8.3x11.7” [20]....................9.95 8.3x11.7” [100]..................9.50 13x19” [100]..................249.95 Premium Glossy Premium Semigloss Photo Paper Glossy 4x6” [40]............................8.95 Premium Luster 8.3x11.7” [20]..................12.95 8.5x11” [20].......................8.50 4x6” [100]........................13.95 8.5x11” [50].....................29.95 11.7x16.5” [20]................41.95 8.5x11” [50].....................18.95 5x7” [20]............................6.95 Enhanced Matte 11.7x16.5” [50]................77.95 8.5x11” [100]...................25.95 8x10” [20]........................11.95 8.5x11” [50].....................13.95 13x19” [50]......................96.50
    [Show full text]
  • KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
    KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.
    [Show full text]
  • The DCS Story 17 Years of Kodak Professional Digital Camera Systems 1987-2004
    The DCS Story 17 years of Kodak Professional digital camera systems 1987-2004 Jim McGarvey June 2004 Electro-Optic Camera (1988) By 1987, Kodak had developed the world's first megapixel CCD imager, the M1. A US Government customer contracted with the Federal Systems Division (FSD) to incorporate the M1 into a standard 35 mm camera body to create the first megapixel portable digital camera, truly the prototype of the digital camera system (DCS) product line. It was designed for covert use, with the black box in a camera bag and the ribbon cable to the camera body concealed inside the neck strap. Images were downloaded from the internal hard drive by docking the black box on an Exabyte tape archive unit. (The first digital camera dock!) The Canon F1 film camera body had no electronic interface, so the shutter release was detected by monitoring the battery current. The imager package was mounted to a TE cooler to reduce noise, but cooling was limited to prevent fogging the cover glass and was not very effective. Only one unit was built. The black box electronics were wire wrapped. • Stock Canon F1 body with motor drive • Monochrome KAF-1400 (M1) imager (1320 x 1035, 6.8 µm) with thermoelectric cooler • 10bit A/D Logarithmic amplifier • 10-Mbyte buffer for 6-image burst; buffer image count display • Internal 100-Mbyte SCSI hard drive holds 60 images; disk image count display • Docking archive unit with 2000-MByte Exabyte 8 mm SCSI tape drive and battery charger • Raw image files in Unix TAR format; Time/Date stamp • Intervalometer; log histogram.
    [Show full text]
  • Digitális Fotokamerák
    DIGITÁLIS FOTOKAMERÁK 2020 augusztus blzs ver. 1.1 TARTALOMJEGYZÉK 1. A digitális kameragyártás általános helyzete…………………………...3 2. Középformátum………………………………………………………...6 2.1 Hátfalak……………………………………………………………..9 2.2 Kamerák…………………………………………………………...18 3. Kisfilmes teljes képkockás formátum………………………………….21 3.1 Tükörreflexesek……………………………………………………22 3.2 Távmérősek………………………………………………………...31 3.3 Kompaktok…………………………………………………………33 3.4 Tükörnélküli cserélhető objektívesek………………………………35 4. APS-C formátum……………………………………………………….42 4.1 Tükörreflexesek…………………………………………………….43 4.2 Kompaktok………………………………………………………….50 4.3 Tükörnélküli cserélhető objektívesek……………………………….53 5. Mikro 4/3-os formátum…………………………………………………60 5.1 Olympus…………………………………………………………….61 5.2 Panasonic…………………………………………………………...64 6. „1 col”-os formátum……………………………………………………69 6.1 Cserélhető objektívesek…………………………………………….69 6.2 Beépített objektívesek………………………………………………71 7. „Nagyszenzoros” zoom-objektíves kompaktok………………………..75 8. „Kisszenzoros” zoom-objektíves kompaktok………………………….77 8.1 Bridge kamerák…………………………………………………….78 8.2 Utazó zoomos ( szuperzoomos ) kompaktok……………………….81 8.3 Strapabíró ( kaland- víz- ütés- porálló ) kompaktok………………..83 9. A kurrens kamerák összefoglalása……………………………………...87 9.1 Technológia szerint…………………………………………………87 9.2 Gyártók szerint……………………………………………………..89 10. Gyártók és rendszereik………………………………………………....90 10.1 Canon……………………………………………………………...91 10.2 Sony……………………………………………………………….94 10.3 Nikon……………………………………………………………...98 10.4 Olympus………………………………………………………….101 10.5 Panasonic………………………………………………………...104
    [Show full text]
  • JJC WR-100 WIRELESS CONTROLLER Thank You for Purchasing JJC WR-100 Series Wireless Controller
    JJC WR-100 WIRELESS CONTROLLER Thank you for purchasing JJC WR-100 series wireless controller. For the best performance, please read this instruction carefully before use. Remove the remote control socket cap of the camera. Take out the JJC WR-100 wireless controller receiver and plug it into the remote control socket of the camera. Slide the function button in the W Mode. The receiver is active. Under this condition, the receiver can receive the signal from the transmitter; the receiver consumes the power of the battery. User can uses the Shutter button of the transmitter and Focus button to control the Camera’s shutter and Focus. Press the transmitter’s shutter button to take a photo. Press the transmitter’s focus button to focus. Slide the function button in the O Mode. The receiver is turnoff. Under this condition, the transmitter can not active the receiver to control the camera. The receiver will not consume any power of the battery. User can use the shutter button of the receiver to take photos. Press the shutter button halfway to focus. Press it fully to take a photo. Slide the function button in the L Mode and turn on the camera to BULB mode. Under this condition, the transmitter opens the lens; Slid the function button in the O Mode, the transmitter closes the lens. 1 When the camera is under no-Bulb mode and taking the photo, the transmitter will lock the shutter button, and the camera will implement continues shooting. Under L mode, the transmitter can not control the receiver.
    [Show full text]
  • Jj[Odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~Ales
    - ----.,. ~ \~ ... jJ[odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~-- - - ----- --------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~ales Kodak gifts say just about anything ' Happy Father's Day Okay, now let's see thos(' l:lig fish you always talk :>bout. Happy Mother's Day How about some pictures of "the girls" in your bridge dub? Get some colorful shots of the burnt toast. + I - EXTRA PHOTO SALES FOR YOU! Kodak gifts app~al to The big Spring gift Added together, all men-&~women, young season - including this means a lot of ex­ and not-so-young­ Mothers' Day, Fa­ tra photo business anybody who likes thers' Day, Gradua­ coming your way. pictures. Now that tions, Weddings, and Drugstore photo picture-taking has many Birthdays-is sales are growing fast been made simple, second only to Christ­ -and you can keep the gift of a KODAK mas as a major gift­ in creasi n g them -by INSTAMATIC Still or + giving season. And stocking and promot­ Movie Camera is ap­ furthermore, Spring is ing KODAK INSTA­ propriate fo r any the beginning of the MATIC Still and Movie member of the family. biggest picture-tak­ Cameras. ing season of the year. HAPPY GIFT SELLING! I. New Products A. KODAK INSTAMATIC 714 AND S14 CAMERAS A714 CAMERA AS14 CAMERA Sugg Sell .. $ 89.68 Sugg Sell . .. $1 04.68 list .... .... $119.50 list ... ... $139.50 The "714" and "814" are respectively the same as the "704" and "804" except for: an extra-sharp EKT AR lens; a built-in battery checker; and PX-825 batteries which substantially reduce flash failure.
    [Show full text]
  • Modeling 3D Scenes
    Modeling 3D Scenes Paradigm Shifts in Photogrammetry, Remote Sensing and Computer Vision Reinhard Klette CITR, The University of Auckland, Auckland, New Zealand Ralf Reulke Humboldt University and DLR, Berlin, Germany Paradigm 1962: ”...a constellation of concepts, values, perceptions and practices shared by a community which forms a particular vision of reality that is the basis of the way a community organises itself.” RK_RR T.S.Kuhn. The Structure of Scientific Revolutions. BGSU, 1962 Contents of Talk Progress in digital frame cameras - the basic tool Computer vision - success stories in 3D object modeling A few words on laser range finders - new opportunities for 3D scene modeling Photogrammetry and remote sensing - from digital frame cameras to line cameras Panoramic imaging - by applying line cameras Unified applications of new technologies - example: LRF and line camera for 3D modeling Conclusions RK_RR Properties of Interest 3D scene properties Distances between camera and objects in the scene Color textures of object surfaces Changes in 3D scenes Varying lighting conditions, weather, etc. Coping with dynamic scenes Calibration Positions of cameras or used sensors (tools) Viewing directions of cameras or sensors Inner camera parameters RK_RR n ≥ 1 pinhole cameras (Still) the Common Default nth camera 1st camera projection ray world coordinates RK_RR it started with n = 1 1900: The railroad camera of George R. Lawrence RK_RR Division of Photographic History, National Museum of American History, Smithsonian Institution Digital Camera
    [Show full text]
  • 2020 Issues 131 -166
    The Photographic Collectors’ Club of Great Britain Photographica world Contents and Index 2010 - 2020 Issues 131 -166 Indexed byBernie Curtis and John Marriage There are two previous indexes - by Michael Pritchard, covering from 1977 up to the end of 1997, and including a history of the magazine; and 1998-2009 by Bernie Curtis. © 2010-2021 Photographic Collectors Club of Great Britain. ISSN 0953-4067 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the written permission of the publishers. The Photographic Collectors’ Club International Ltd. Registered in England No: 4861532. Registered Office: 5 Buntingford Road, Puckeridge, Ware SG11 1RT www.pccgb.com Photographica World Index 2010-2020 Contents Keywords 12 Index of Authors 27 Book Reviews 30 Up to No. 142 four issues were published per year From 143 onwards three larger issues were published Contents List No. 131 05 Newman & Guardia Hand Cameras.Antony D. Manthos continues the series 14 Alexander Birnie. Eric Evans and Marcel Safier look at the life and times of a 19th Century craftsman 20 Early Print Processes. Michael W. Gent considers the use of Victorian and Edwardian plate cameras 27 Clockwork Cameras John Wade looks into clockwork motor drives from 1898 to 1955 36 Paul Pretsch and Photogalvanography. Part 2 of Paul Morgan’s series No. 132 05 The N & G Hand Cameras.Antony D. Manthos looks at the Special B in the third part of his series 13 In the Black. Peter Duncan reviews some black beauties from the 1960s and 1970s 18 Beauty and the Brick.
    [Show full text]