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Page 16 of 128 Exhibit No. Description Deposition
Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 1 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-168 7/16/2003, Technical Reference Napoli Ex. Manual [DM270] (EKCCCI007053- 132 836) PTX-169 2003, Data Sheet for TMS320DM270 Processor (AX200153-55) PTX-170 10/30/2002, DM270 Preliminary Napoli Ex. Register Manual Rev. b0.6 131 (EKCCCI001305-495) PTX-171 TI DM270 Imx Hardware Akiyama Programming Interface, Version 0.0 Ex. 312 (EKCNYII005007249-260) PTX-172 3/3/2003, DM270 Preliminary Data Ohtake Ex. Sheet Rev. b0.7C (EKCCCI008094- 123 131) PTX-173 Fact Sheet for TMS320DM270 Lacks Processor (AX200150-52) authenticity; Hearsay; Lacks foundation; Lacks relevance PTX-174 6/04, Data Sheet rev 0.5 for Hynix Ligler Ex. Lacks HY57V561620C[L]T[P] (AX200163- 13 (ITC) authenticity; 74) Hearsay; Lacks foundation; Lacks relevance PTX-175 Sharp RJ21T3AA0PT Data Sheet Hearsay; (EKCCCI017389-413) Lacks foundation; Lacks relevance PTX-176 DX7630 Thumbnail Test Lacks (AXD022568-81) authenticity; Hearsay; Lacks foundation; Lacks relevance; Inaccurate/ incomplete description PTX-177 1/11/2005, DM270 IP Chain ver. 0.7 Yoshikawa with translation (EKC001021025-31, Ex. 348 AX211033-42) PTX-178 1/26/2004, Bud Camera F/W Task Lacks foundation; Interface Capture Main <-> Image ISR Lacks relevance (DX7630) ver. 0.07 / Takeshi Domen with translation (EKCCCI002404-19, AX211607-26) Page 16 of 128 Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 2 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-179 2/17/2003, Budweiser Camera EXIF Akiyama Lacks foundation; File Access Library Spec (DX7630) Ex. -
The Image Processing Handbook, Third Edition by John C
The Image Processing Handbook, Third Edition by John C. Russ CRC Press, CRC Press LLC ISBN: 0849325323 Pub Date: 07/01/98 Search Tips Search this book: Advanced Search Introduction Acknowledgments Chapter 1—Acquiring Images Human reliance on images for information Using video cameras to acquire images Electronics and bandwidth limitations High resolution imaging Color imaging Digital cameras Color spaces Color displays Image types Range imaging Multiple images Stereoscopy Imaging requirements Chapter 2—Printing and Storage Printing Dots on paper Color printing Printing hardware Film recorders File storage Optical storage media Magnetic recording Databases for images Browsing and thumbnails Lossless coding Color palettes Lossy compression Other compression methods Digital movies Chapter 3—Correcting Imaging Defects Noisy images Neighborhood averaging Neighborhood ranking Other neighborhood noise reduction methods Maximum entropy Contrast expansion Nonuniform illumination Fitting a background function Rank leveling Color shading Nonplanar views Computer graphics Geometrical distortion Alignment Morphing Chapter 4—Image Enhancement Contrast manipulation Histogram equalization Laplacian Derivatives The Sobel and Kirsch operators Rank operations Texture Fractal analysis Implementation notes Image math Subtracting images Multiplication and division Chapter 5—Processing Images in Frequency Space Some necessary mathematical preliminaries What frequency space is all about The Fourier transform Fourier transforms of real functions Frequencies and -
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner Digital cameras flashed onto the technology scene a few years ago, threatening the future of conventional photography. Employing the same elements as traditional cameras, digital cameras convert images into a series of pixels that computers can understand and display directly on-screen. These digital images transmit easily through e-mail attachments and are instantly ready to use. The quality of digital images improved drastically over the last five years. In addition, digital cameras offer the benefits of speed, flexibility, and cost savings. Digital photographs are easy to retouch and manipulate through programs such as Photoshop. Furthermore, digital images do not need to be scanned. Therefore, defects introduced by the scanning process are eliminated. Types of Digital Cameras The digital photography market offers consumers three types of cameras: low-, mid-, and high-range. Buyers of digital cameras should choose a camera depending on their specific needs and the type of job to be done. Low-end digital cameras cost around $1,000 and are equivalent to conventional point-and- shoot cameras. Their low resolution, usually about 640 ´ 480 pixels, makes them a cost-effective tool for jobs that do not require high quality, sharpness, or color accuracy. This range of cameras can produce quality prints up to 2.4 ´ 1.8 inches at 133 lpi (266 ppi), which is sufficient for small brochures, advertisements, and catalog images. The next group of digital cameras, called mid-range, cost between $5,000 and $15,000. These cameras are essentially traditional Single Lens Reflex (SLR) camera bodies. -
Graphicconverter 6.6
User’s Manual GraphicConverter 6.6 Programmed by Thorsten Lemke Manual by Hagen Henke Sales: Lemke Software GmbH PF 6034 D-31215 Peine Tel: +49-5171-72200 Fax:+49-5171-72201 E-mail: [email protected] In the PDF version of this manual, you can click the page numbers in the contents and index to jump to that particular page. © 2001-2009 Elbsand Publishers, Hagen Henke. All rights reserved. www.elbsand.de Sales: Lemke Software GmbH, PF 6034, D-31215 Peine www.lemkesoft.com This book including all parts is protected by copyright. It may not be reproduced in any form outside of copyright laws without permission from the author. This applies in parti- cular to photocopying, translation, copying onto microfilm and storage and processing on electronic systems. All due care was taken during the compilation of this book. However, errors cannot be completely ruled out. The author and distributors therefore accept no responsibility for any program or documentation errors or their consequences. This manual was written on a Mac using Adobe FrameMaker 6. Almost all software, hardware and other products or company names mentioned in this manual are registered trademarks and should be respected as such. The following list is not necessarily complete. Apple, the Apple logo, and Macintosh are trademarks of Apple Computer, Inc., registered in the United States and other countries. Mac and the Mac OS logo are trademarks of Apple Computer, Inc. Photo CD mark licensed from Kodak. Mercutio MDEF copyright Ramon M. Felciano 1992- 1998 Copyright for all pictures in manual and on cover: Hagen Henke except for page 95 exa- mple picture Tayfun Bayram and others from www.photocase.de; page 404 PCD example picture © AMUG Arizona Mac Users Group Inc. -
Cognition: the Limit to Organization Change; a Case Study of Eastman Kodak
COGNITION: THE LIMIT TO ORGANIZATION CHANGE; A CASE STUDY OF EASTMAN KODAK A THESIS Presented to The Faculty of the Department of Economics and Business The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Noah Simon April 2011 COGNITION: THE LIMIT TO ORGANIZATION CHANGE; A CASE STUDY OF EASTMAN KODAK Noah Simon April 2011 LAS: Leadership Abstract The following thesis examines an incumbent firm affected by change. It seeks to deepen the understanding of the dynamic capabilities model by proposing cognition and not previous resource deployment is the limit of change. Two similar companies, Eastman Kodak and Polaroid will be compared during the shift from film to digital photography to determine what separated the two companies. KEYWORDS: (Organizational cognition, dynamic capabilities, path dependency, cognition, perception) TABLE OF CONTENTS ABSTRACT ACKNOWLEDGEMENTS 1 INTRODUCTION 1 2 LITERATURE REVIEW 6 2.1 Dynamic Capabilities...................................................................................... 7 2.1.1 How does a company survive?.............................................................. 7 2.1.2 What are the effects of core competencies?.......................................... 8 2.1.3 How are established companies affected by change?........................... 9 2.2 The Cognitive Perspective.............................................................................. 10 2.2.1 What does a path dependency mean for the individual?....................... 10 2.2.2 What -
CODE by R.Mutt
CODE by R.Mutt dcraw.c 1. /* 2. dcraw.c -- Dave Coffin's raw photo decoder 3. Copyright 1997-2018 by Dave Coffin, dcoffin a cybercom o net 4. 5. This is a command-line ANSI C program to convert raw photos from 6. any digital camera on any computer running any operating system. 7. 8. No license is required to download and use dcraw.c. However, 9. to lawfully redistribute dcraw, you must either (a) offer, at 10. no extra charge, full source code* for all executable files 11. containing RESTRICTED functions, (b) distribute this code under 12. the GPL Version 2 or later, (c) remove all RESTRICTED functions, 13. re-implement them, or copy them from an earlier, unrestricted 14. Revision of dcraw.c, or (d) purchase a license from the author. 15. 16. The functions that process Foveon images have been RESTRICTED 17. since Revision 1.237. All other code remains free for all uses. 18. 19. *If you have not modified dcraw.c in any way, a link to my 20. homepage qualifies as "full source code". 21. 22. $Revision: 1.478 $ 23. $Date: 2018/06/01 20:36:25 $ 24. */ 25. 26. #define DCRAW_VERSION "9.28" 27. 28. #ifndef _GNU_SOURCE 29. #define _GNU_SOURCE 30. #endif 31. #define _USE_MATH_DEFINES 32. #include <ctype.h> 33. #include <errno.h> 34. #include <fcntl.h> 35. #include <float.h> 36. #include <limits.h> 37. #include <math.h> 38. #include <setjmp.h> 39. #include <stdio.h> 40. #include <stdlib.h> 41. #include <string.h> 42. #include <time.h> 43. #include <sys/types.h> 44. -
Megaplus Conversion Lenses for Digital Cameras
Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses. -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
KODACOLOR RDTG Series Inks Datasheet
KODACOLOR RDTG Series Inks High performance with mid/high viscosity inks KODACOLOR RDTG Series System Qualiied Piezo-electric Print Heads The KODACOLOR RDTG Series inks from Kodak FUJI STARFIRE, RICOH GEN 4, RICOH GEN 5 & were speciically developed for direct-to-fabric RICOH GH2220. Formulated with best in class printing on cotton, cotton blends, and polyester components selected to provide market leading, fabrics. They are equally at home when used industrial performance. for printing directly to inished garments or to roll fabrics. This water-based digital ink system is designed to work in printers that employ 14 piezo-electric print heads. Although designed RDTG Viscosity Proile for use in production printing, it is suitable for 12 high quality sampling and strike offs. 10 KODAK RDTG Series performs to the highest level of nozzle performance among Print Heads 8 requiring mid-high viscosity inks. 6 Fabric Pre-Treats The KODACOLOR Pre-Treats are formulated (mPas) Viscosity 4 exclusively for the KODACOLOR EDTG & RDTG Ink Sets to produce the highest quality image 2 and excellent durability in wash-fastness. The 0 three types of Pre-Treat cover the gamut of 22 24 26 28 30 32 34 36 38 40 garments available, from 100% Cotton Dark to Temperature (deg C) White Polyesters. RCDGT RMDGT RYDGT RKDGT RWDGT Powered by KODACOLOR Technology KODACOLOR RDTG Series Inks Micrographs of dot formation KODAK RDTG Series mid-high viscosity Ink set printed through a RICOH GEN 5 Print Head Cyan Black RDTG Viscosity Viscosity Viscosity Viscosity Viscosity Viscosity -
Photography Lab Cookbook
Photography Lab Cookbook Table of Contents. 1. Photo lab SOP 2. Photo lab Manuals 3. Film Processes E-6 Processing Procedure E-6 Chemical Mixing instruction Black and White Chemistry Development 4. Paper Processing Black and White Paper Development Porta-Mixer Black and White Core & Close-up Photo Distribution 5. Close-up Photography Introduction Talk with Scientist Close up photography Close up spreadsheet master Close-up request sheet 6. Silk Screening Procedure 7. Silk Screen Flyers (see separate files) Logos due T-shirts due Name on shirt Light Ink Dark Ink Iron Shirts 8. Photographic Examples (see separate files) Group Photo Tech Photo Mug Shots Cookbook– Photo Lab 1 PHOTO LAB STANDARD OPERATING PROCEDURE (SOP) PORTCALL (on coming) Onboard ship: • Find off going Marine Lab Specialist’s, Photo Lab and begin X-over. X-over • Read lab reports from previous leg. • Discuss with off going marine specialist any changes in equipment status, software or procedures. • Check supply levels in photo lab and hold refer. You are responsible for this inventory. Estimate amount of film, paper and chemistry needed for each particular type of leg. If you do not feel you have enough supplies necessary (after checking oncoming shipments), notify LO to purchase film/paper/chemistry in port. • You are responsible for knowing the status of ALL equipment in your lab by the end of the x- over. If you need additional days to complete your x-over, notify the LO ASAP so that arrangements can be made. Other: • Assist with loading/unloading freight and other tasks as directed by LO/ALO. -
Photography 4X6” [40]
Photography Printing Paper Epson SHEET PAPER Scrapbook Semigloss Photo Quality Adhesive BORDERLESS PAPER All-Purpose Glossy 8.5x11” [20].....................14.95 8.3x11.7” [10]..................10.95 Photo Paper Glossy 8.5x11” [20].......................6.95 Scrapbook Premier Matte Photo Quality Glossy 4x6” [50]............................6.95 Inkjet Transparency 8.5x11” [20].....................14.95 8.5x11” [20].......................9.95 Photo Paper 8.5x11” [30].....................41.50 8.3x11.7” [20]..................10.95 Heavy Weight Matte 11.7x16.5” [20]................59.95 12x12” [10]......................14.95 Durabrite Glossy High Quality 13x19” [20]......................32.50 8x10” [50]..........................9.95 4x6” [50]............................8.49 8.5x11” [100].....................8.95 Dupont Proofing Glossy 11x14” [50]......................22.95 8.3x11.7” [20]....................9.95 8.3x11.7” [100]..................9.50 13x19” [100]..................249.95 Premium Glossy Premium Semigloss Photo Paper Glossy 4x6” [40]............................8.95 Premium Luster 8.3x11.7” [20]..................12.95 8.5x11” [20].......................8.50 4x6” [100]........................13.95 8.5x11” [50].....................29.95 11.7x16.5” [20]................41.95 8.5x11” [50].....................18.95 5x7” [20]............................6.95 Enhanced Matte 11.7x16.5” [50]................77.95 8.5x11” [100]...................25.95 8x10” [20]........................11.95 8.5x11” [50].....................13.95 13x19” [50]......................96.50 -
The Retina Reflex Guide
by mischa koning kodak.3106.net > index manuals information The Retina Reflex Guide These web-pages have been scanned and converted from a photocopy of the "Focal Press" publication "Retina Reflex Guide", 1970 edition. There may be reference to "current" and "discontinued" models. Obviously all Retina cameras are now long discontinued, but For ease of editing if nothing else, all the original text has been retained. The original book was divided into two sections, effectively an overview and a "green pages" section covering specific models in more detail. I've not bothered with a green background to these pages, but hopefully I will have included links where appropriate to the relevant text. Similarly, page-number references; as I've included each sub- section of the book on one web-page, original page number references have been linked to the new layout. Table of Contents The Retina Reflex The Winding and Release Sequence Retina Reflex Evolution Handling the Retina Reflex Handling, Winding and Trimming the Film Films and Filters Exposure Using an Exposure Meter Flash with the Retina Reflex Using Alternative Lenses The Retina Reflex IV The Retina Reflex III The Retina Reflex and Retina Reflex S The Retina Reflex Retina Reflex Lenses Accessories Facts, Figures and Tables The Retina Reflex The Retina Reflex is an eye-level 35 mm. reflex camera with interchangeable lenses for all general photography as well as technical work, copying, photomicrography, stereo photography, etc. In many of these fields the ground-glass screen is a distinct advantage. The camera takes normal 35 mm. perforated film and produces a negative size 24x36 mm.(1 x 1½ in.).