Twelfth Night Or What You Will 2Nd Edition Ebook, Epub
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Historical Context Elizabethantheatres
Historical Context The first Elizabethan playhouse was an open air theatre built in 1567 by James Burbage called “The Theatre”. After it’s success other playhouses were built : in 1577 “The Courtain”, in 1587 “The Rose”, and in 1595 “The Swan”. In 1599 the Lord Chamberlain’s Man rebuilt “The Globe” which became the most important centre of performances. Elizabethan Theatres Performances took place during the afternoon and were acted only by man and boys. The audiences were made by all sorts of people, reach and poor who had stand on the ground, theatres were designed as large wooden structures, circular or octagonal in shape, with three tiers of galleries surrounding a yard open to the sky. The stage was roofed and was very high, and there were railings between the yard and the lower gallery. There was no scenery and the audience had to image the scene by listening to the language of the actors. There was no courtain and no intervals, so they were very quick. The platform stage was pushed out into the audience who stood around in three sides. This create assends of close intimacy between actors and audiences. Context Romeo and Juliet is one of the most famous plays written by William Shakespeare (1564-1616). When it first appeared on the stage probably in 1595 it was a very popular tale in Elizabethan times, and many versions were available. The sources of the play are Arthur Brooke’s poem “The Tragical Historye of Romeus and Juliet” (1562) which was a translation from the French Matteo Bandello’s novella “Romeo e Giulietta” (1554). -
Creating Shakespeare's Twelfth Night Onstage, a Director's Journey
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2011 “What Country Friends Is This?”: Creating Shakespeare’s Twelfth iN ght Onstage, A Director's Journey Dawn Monique Williams University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Performance Studies Commons, and the Theatre History Commons Williams, Dawn Monique, "“What Country Friends Is This?”: Creating Shakespeare’s Twelfth iN ght Onstage, A Director's Journey" (2011). Masters Theses 1911 - February 2014. 737. Retrieved from https://scholarworks.umass.edu/theses/737 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. “WHAT COUNTRY FRIENDS IS THIS?”: CREATING SHAKESPEARE’S TWELFTH NIGHT ONSTAGE A DIRECTOR’S JOURNEY A Thesis Presented by DAWN MONIQUE WILLIAMS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS September 2011 Department of Theater © Copyright by Dawn Monique Williams 2011 All Rights Reserved “WHAT COUNTRY FRIENDS IS THIS?”: CREATING SHAKESPEARE’S TWELFTH NIGHT ONSTAGE A DIRECTOR’S JOURNEY A Thesis Presented by DAWN MONIQUE WILLIAMS Approved as to style and content by: _______________________________________ Gilbert McCauley, Chair _______________________________________ Marcus Gardley, Member _______________________________________ Gina Kaufmann, Member ____________________________________ Penny Remsen, Department Head Department of Theater DEDICATION Just like the river, Jordyn, the girl of my dreams, Manifests my God. -
Proposed Core Literature Titles Twelfth Night, Or, What You Will
Proposed Core Literature Titles The following summary is provided by the California Department of Education’s “Recommended Literature List”, and the top three Google searches of the book title and author name that produced a description of the title. Twelfth Night, or, What You Will Proposed Grade Level: 8 Title: Twelfth Night, or, What You Will Author: William Shakespeare First Published: 2002 Lexile Level: 1140 Proposed Grade Level: 8 California Department of Education, Recommended Literature List: https://www.cde.ca.gov/ci/cr/rl/ This title is on the CDE Recommended Literature List. Annotation: On the island of Illyria, Duke Orsino pines away for the love of the beautiful, but unapproachable Olivia. A tempest occurs that brings Viola and Sebastian to the shores, and a renewed pursuing of affection begins among the island's inhabitants. (Circa 1600.) Copyright: 1992: Original Copyright: 1600 Grade Level Span: 9-12 Genre: Drama Classification: Classic Topic: English-Language Arts/General Discipline: English Language Arts/Vocabulary; Visual and Performing Arts Descriptions From Top 3 Google Searches: Search: "Twelfth Night or What You Will" by William Shakespeare https://en.wikipedia.org/wiki/Twelfth_Night Viola is shipwrecked on the coast of Illyria and she comes ashore with the help of a Captain. She has lost contact with her twin brother, Sebastian, whom she believes to be drowned, and with the aid of the Captain, she disguises herself as a young man under the name Cesario and enters the service of Duke Orsino. Duke Orsino has convinced himself that he is in love with Olivia, who is mourning the recent deaths of her father and brother. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Matteo Bandello : Twelve Stories
ZZI DATE DUE /' ck^Jpon i DueBs (TOCCHI I Thtariì livereitv / 1 1 ! PRINTED IN USA Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://archive.org/details/cu31924102029083 In compliance with current Copyright law, Cornell University Library produced this replacement volume on paper that meets the ANSI Standard Z39.48-1992 to replace the irreparably deteriorated original. 2006 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE 'SAGE ENDOWMENT FUND GIVEN IN 1 89 1 BY HENRY WILLIAMS SAGE (NJDFSLLI8RI ITALIANI MATTEO BANDELLO Novellieri Italiani MATTEO BANDELLO TWELVE STORIES SELECTED AND DONE INTO ENGLISH WITH A MEMOIR OF THE AUTHOR BY PERCY PINKERTON LONDON JOHN C. NIMMO 14, KING WILLIAM STREET, STRAND MDCCCXCV L o CONTENTS How Don Diego, being scorned by his mistress, takes up his abode in a grotto, and how he comes out again I An avaricious priest is nicely cheated by certain good fellows, who rob him of afat sheep . -55 Gerardo secretly weds his mistress and sets out for Baruti. The girtsfather wouldgive her in mar- riage; she swoons with grief, and is buriedfor dead. That selfsame day her true husband returns, and, taking herforth from the tomb, discovers that she is not deadj whereupon he tends her, and formally celebrates his nuptials with her .... 67 How Signor Didaco Centiglia, having wedded a damsel, grows weary of her, and how at her hands he meets his death 117 Of the divers mischances and grievous perils which befell Cornelio for the love of his lady . -
Four Seasons Michael Emery, Soloist
The Greater Utica Choral Society presents The Clinton Symphony Orchestra of the Mohawk Valley Charles Schneider, Music Director Saturday, June 18, 2016 Clinton Central Schools Performing Arts Complex 8:00 p.m. Vivaldi’s The Four Seasons Michael Emery, soloist Also Simple Symphony, Op. 4……………Benjamin Britten Chacony………………… Henry Purcell Brandenburg Concerto No. 3…Johann Sebastian Bach Sponsored by The John Winter Family Fund Fiber Instrument Sales Student tickets for this evening’s concert have been provided by THE JOHN WINTER FAMILY FUND “I would teach children music, physics, and philosophy; but most importantly music, for the patterns in music and all the arts are the keys to learning.” -Plato CHARLES SCHNEIDER, Music Director An award-winning and versatile musician, Maestro Schneider's experience spans the musical spectrum - Broadway musical theatre, opera, pops and symphonic music. He conducted the 1967 CBS Television Special of the Year with Jimmy Durante, The Supremes and Jimmy Dean. He was the Music Director of the off-Broadway hit “Your Own Thing” that won the 1968 New York Critics Award (first time ever for an off-Broadway show). He was the Music Director for Juliet Prowse, Dorothy Sarnoff and Broadway legend John Raitt. A number of upstate New York performance organizations have benefited from Charles Schneider's guidance and expertise: he has conducted the Catskill Symphony since 1973, was the Music Director of the Utica Symphony from 1980-2011, and of the Schenectady Symphony Orchestra since 1982. In addition, Mr. Schneider has served as Music Director of the Portland (Oregon) Chamber Orchestra. He was the founding music director of Glimmerglass Opera, a position he held for 12 years. -
All Costume Designers Cynthia Winstead Brad Ferguson Lighting & Sound Designer Mark Putman Scene Shop Supervisor John M
,v.e ~y~Qdy has,a r~ isoo; XQtoroe to . Andy " ~". Coming Soon • 2919 N. 61enstone Tent Theatre 1999 Company Manager Michael Casey Production Manager Mark Putman Production Directors Marcia Joy Douglas Michael Mauldin Jack Parkhurst Choreographers Rhythm McCarthy Mark Santi llano Musical Directors Michael Casey Heather Chittenden-Luellen Technical Director Don Hovis Scenic Designer J. Amburn Darnall Costume Designers Cynthia Winstead Brad Ferguson Lighting & Sound Designer Mark Putman Scene Shop Supervisor John M. Johnson Scenic and Properties Artisan Ellen Schaeffer Public Relations & Marketing Director Mark Templeton Production Stage Managers Celeste Pawol Gretchen Casey Assistant Directors Rusty Sneary, Travis Eli Dance Captains Tracey Petrillo, Kelley Lace Assistant Box Office Manager Lauryl Wagoner Assistant Scenic Designer Andrea B. Toombs Master Electrician Lisa Davis Master Carpenter Robert Yoshioka Construction & Properties Eric Koziatek, Patrick Wilson Bobbi Shackleford, Joshua Bruce, Jason White Costume & Wardrobe Tonya Wesley, Gretchen Balsman Lighting and Sound Chris Claybough, Brad Reed PR/Box Office Staff Sarah Fouse, Dixie Phillips Amber Smith, Naree Thanjindawong Theatre and Dance Office Staff Gloria Reed Magdalena Berry 7(~~ z;>~~ ~. ~ f ::... /~,~ ~ Dazzling fine jewelry brought to you by ~ w~ C C OR.NER.STONE FINE JEWELRY 881-0667 2 21 S. Glenstone, Battlefield Mall-Glenstone entrance, in the Firestone Building. To Serve You Better.. tight'$hingS "more than just dancewear" 2674 S. Glenstone Brentwood Center Across From the Mall 417 -882-7205 We Invite You To Visit Us At Our Store. 2 Tent Theatre Scholarships and Internships For 37 years, Tent Theatre has offered students a great opportunity to participate in live theatre while earning college credit. -
Ell 1E5 570 ' CS 20 5 4,96;
. MC0111117 VESUI17 Ell 1E5 570 ' CS 20 5 4,96; AUTHOR McLean, Ardrew M. TITLE . ,A,Shakespeare: Annotated BibliographiesendAeaiaGuide 1 47 for Teachers. .. INSTIT.UTION. NIttional Council of T.eachers of English, Urbana, ..Ill. .PUB DATE- 80 , NOTE. 282p. AVAILABLe FROM Nationkl Coun dil of Teachers,of Englishc 1111 anyon pa., Urbana, II 61.801 (Stock No. 43776, $8.50 member, . , $9.50 nor-memberl' , EDRS PRICE i MF011PC12 Plus Postage. DESCRIPTORS Annotated Biblioal7aphies: *Audiovisual Aids;'*Dramt; +English Irstruction: Higher Education; 4 *InstrUctioiral Materials: Literary Criticism; Literature: SecondaryPd uc a t i on . IDENTIFIERS *Shakespeare (Williaml 1 ABSTRACT The purpose of this annotated b'iblibigraphy,is to identify. resou'rces fjor the variety of approaches tliat teachers of courses in Shakespeare might use. Entries in the first part of the book lear with teaching Shakespeare. in secondary schools and in college, teaching Shakespeare as- ..nerf crmance,- and teaching , Shakespeare with other authora. Entries in the second part deal with criticism of Shakespearear films. Discussions of the filming of Shakespeare and of teachi1g Shakespeare on, film are followed by discu'ssions 'of 26 fgature films and the,n by entries dealing with Shakespearean perforrances on televiqion: The third 'pax't of the book constituAsa glade to avAilable media resources for tlip classroom. Ittries are arranged in three categories: Shakespeare's life'and' iimes, Shakespeare's theater, and Shakespeare 's plam. Each category, lists film strips, films, audi o-ca ssette tapes, and transparencies. The.geteral format of these entries gives the title, .number of parts, .grade level, number of frames .nr running time; whether color or bie ack and white, producer, year' of .prOduction, distributor, ut,itles of parts',4brief description of cOntent, and reviews.A direCtory of producers, distributors, ard rental sources is .alst provided in the 10 book.(FL)- 4 to P . -
Guide to the Theatre Department Records Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Finding Aids College Archives & Special Collections 2018 Guide to the Theatre Department Records Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/casc_fa Part of the Acting Commons, History Commons, Music Commons, and the Performance Studies Commons Recommended Citation Columbia College Chicago, "Guide to the Theatre Department Records" (2018). Finding Aids. 28. https://digitalcommons.colum.edu/casc_fa/28 This Article is brought to you for free and open access by the College Archives & Special Collections at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Finding Aids by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. Guide to the Theatre Department Records, Columbia College Chicago SUMMARY INFORMATION: Repository: College Archives & Special Collections at Columbia College Chicago Source: Theatre Department Title: Theatre Department Records, Columbia College Chicago ID: 08.01.07 Date [inclusive]: 1953 - 2018 Physical Description: 13.82 Cubic Feet. Ten (10) record boxes, two (2) flat boxes Language of the Material: English Abstract: Known as ‘dramatic action’ in the 1890s, then ‘dramatic arts’ in the 1910s, Columbia College Chicago has been teaching theater since its founding. An institution established to teach oratory and expression, Columbia College Chicago has always placed emphasis on performance and stage work. The college purchased the 72 E. 11th Street building in 1980, where it has held most productions found within this collection. In 2017, the Getz Theatre and other performance spaces in the building were renovated, reopening in 2018, The theatre complex is now known as the Columbia College Chicago Getz Theatre Center, housing four performance spaces. -
Kjim870 O F Greater Fort Worth 9 2 3 - 4144 of FORT WORTH -
• JOHN GIORDANO , B. R. HENSON CONDUCTOR YouTH f or i nfor mation Leonards THE SCHOLA CANTORUM orchestra c all kjim870 O f greater fort worth 9 2 3 - 4144 OF FORT WORTH - .. T SPOT ON FM DIAL Buddies STILL the sweet spot on your FM dial VISIT THE WBAP/FM SUPER MARKETS kfwt-fm 102.1 FORT WORTH ZOO 96.3 STEREO VISIT THE CARTER MUSEUM Sprint OF WESTERN ART BETTY BUCKLEY ozzie farley' In ears to you XOL ABC office supply 3236 WES T SEVEN TH 332 2 155 fortworth 76107 YOUR OWN THING the cost PresentedThrough Specialarrangement With is the same .. .. TAMS-WITMARK MUSIC LIBRARY, INC. 757 3rd Avenue New York N.Y. CllNl Manana with playhouse DAVID BRITTON EVA AULTMAN NEXT ATTRACTION Texas Electric Service THE WIZARD OF OZ october 3, 10, 17, 24 and 31 RICHARD BARRETT ED DIXON Company ANDROCLES AND THE LION November 7, 14, 21, 28 The 'TWAS THE NIGHT CHUCK CISSEL BOBBY HEATH BEFORE CHRISTMAS December 5 12, 19 DANCE SHOP TOWN PUMP 10 30 a.m. matinee performances, RAYFORD SHELTON TANYA DUNCAN December and 12 PH 737-5264 SUPPER CLUB ADVENTURES OF Music & Lyrics by 3605 DEXTER, FORT WORTH 1015 UNIVERSITY DRIVE HUCKLEBERRY FINN February 6, 13, 20, 21 HAL HESTER and DANNY APOLINAR AESOP'S FALABLES March 6 13. 20. 27 EXECUTIVE CINDERELLA Book by April J . 10, 17, 24 • COFFEE DONALD DRIVER SERVICE Suggested by Shakespeare's Tommy Tawater "TWELFTH NIGHT" Carl & Coka Dance Studio TEXAS CHRISTIAN .• Frame Shop PRODUCTION STAFF . 702 CARROLL ST . FORT WO RTH , T £XAS Stage Direction by: ROBERT ENNIS TUROFF UNNERSITY 737 -7081 2 . -
Shakespeare Trivia Anthology Canadian Adaptations of Shakespeare Project (CASP) Shakespeare Learning Commons
1 Shakespeare Trivia Anthology Canadian Adaptations of Shakespeare Project (CASP) Shakespeare Learning Commons FACT 1. Shakespeare is thought to have been born on April 23, 1564 and to have died the same day 52 years later. 2. During his lifetime, John Shakespeare (William’s father) did all of these jobs: glove maker, wool-dealer, moneylender, constable, chamberlain, alderman, bailiff, and justice of the peace. 3. Many of Shakespeare’s early sonnets are likely to have been written to another man: Henry Wriothesley, the 3rd Earl of Southampton. 4. In his will, Shakespeare left his wife Anne Hathaway his “second best bed with the furniture.” Second-best bed was not as bad as it sounds because the best bed was reserved for guests. 5. The open-air theatres that Shakespeare’s plays were first performed in were designed in the same style as the bear-baiting gardens (circular buildings with an open roof and a pit in the centre for the bear or the theatre audience). 6. A Google search for “Shakespeare” returns over 119 million hits. That’s more than Michael Jackson (42 million), Avril Lavigne (29 million) and Tiger Woods (21 million) combined. 7. Shakespeare invented over 1700 commonly used words in English (like “madcap,” “obscene,” “puking,” “outbreak,” “watchdog,” “addiction,” “cold-blooded,” “secure,” and “torture”). 8. Shakespeare’s plays have a vocabulary of some 17,000 words, four times what a well-educated English speaker would have. Shakespeare used 29,066 different words out of 884,647 words in all. 9. Shakespeare was so skilled with words that he used 7000 words only once––more than occur in the whole of the King James Bible. -
Malcontented Agents : from the Novellas to Much Ado About Nothing and the Duchess of Malfi Nigri, L 10.80/0895769X.2018.1462689
Malcontented agents : from the novellas to Much Ado about Nothing and The Duchess of Malfi Nigri, L 10.80/0895769X.2018.1462689 Title Malcontented agents : from the novellas to Much Ado about Nothing and The Duchess of Malfi Authors Nigri, L Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/46784/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. 1 Malcontented Agents: from the novellas to Much Ado about Nothing and The Duchess of Malfi. Shakespeare’s Much Ado about Nothing (c.1598) and Webster’s The Duchess of Malfi (c. 1613) are two plays in which Matteo Bandello’s portrayal of evil agents in his novellas exert a constant, even if not immediately obvious, influence. Remote from each other chronologically and generically, Shakespeare’s comedy and Webster’s tragedy make common use of a distinctive character-type, which has an equivalent in the Bandello source: the melancholy, embittered, and vindictive outsider known at the time, as well as by modern critics, as the malcontent (Nigri, The Origin of Malcontent). Comparing how and to what purpose each dramatist duplicated, altered or expanded the figures he found in the source story provides an insight into his way of working and informs our understanding of the plays.