Four Seasons Michael Emery, Soloist
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National Symphony Orchestra of Ukraine Theodore Kuchar, Conductor Alexei Grynyuk, Piano
Sunday, March 26, 2017, 3pm Zellerbach Hall National Symphony Orchestra of Ukraine Theodore Kuchar, conductor Alexei Grynyuk, piano PROGRAM Giuseppe VERDI (1813 –1901) Overture to La forza del destino Sergei PROKOFIEV (1891 –1953) Piano Concerto No. 3 in C Major, Op. 26 Andante – Allegro Tema con variazioni Allegro, ma non troppo INTERMISSION Dmitri SHOSTAKOVICH (1906 –1975) Symphony No. 5 in D minor, Op. 47 Moderato – Allegro non troppo Allegretto Largo Allegro non troppo THE ORcHESTRA National Symphony Orchestra of Ukraine Volodymyr Sirenko, artistic director & chief conductor Theodore Kuchar, conductor laureate First Violins cellos Bassoons Markiyan Hudziy, leader Olena Ikaieva, principal Taras Osadchyi, principal Gennadiy Pavlov, sub-leader Liliia Demberg Oleksiy Yemelyanov Olena Pushkarska Sergii Vakulenko Roman Chornogor Svyatoslava Semchuk Tetiana Miastkovska Mykhaylo Zanko Bogdan Krysa Tamara Semeshko Anastasiya Filippochkina Mykola Dorosh Horns Roman Poltavets Ihor Yarmus Valentyn Marukhno, principal Oksana Kot Ievgen Skrypka Andriy Shkil Olena Poltavets Tetyana Dondakova Kostiantyn Sokol Valery Kuzik Kostiantyn Povod Anton Tkachenko Tetyana Pavlova Boris Rudniev Viktoriia Trach Basses Iuliia Shevchenko Svetlana Markiv Volodymyr Grechukh, principal Iurii Stopin Oleksandr Neshchadym Trumpets Viktor Andriiichenko Oleksandra Chaikina Viktor Davydenko, principal Oleksii Sechen Yuri і Kornilov Harps Grygorii Кozdoba Second Violins Nataliia Izmailova, principal Dmytro Kovalchuk Galyna Gornostai, principal Diana Korchynska Valentyna -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
Download Booklet
572153 bk Markevitch 5/10/09 10:30 Page 16 Igor Also available in this series: MARKEVITCH Complete Orchestral Works • 3 Cantique d’Amour • L’Envol d’Icare • Concerto Grosso Arnhem Philharmonic Orchestra • Lyndon-Gee 8.570773 8.572172 8.572153 16 572153 bk Markevitch 5/10/09 10:30 Page 2 Igor Markevitch (1912-1983) Christopher Lyndon-Gee Complete Orchestral Works • 3 Christopher Lyndon-Gee was recently honoured as one of only three hundred conductors included in Naxos’s 600- This third volume of the complete orchestral works of himself “dead between two lives”. But this alone cannot page book and CD compilation A to Z of Conductors, covering the entire history of the art-form from Hans von Igor Markevitch includes the first recordings of fully explain the reasons for his abandoning Bülow and Arthur Nikisch to the present day. Christopher Lyndon-Gee was nominated for Grammys in 1998 for Cantique d’Amour and Concerto Grosso; L’Envol composition; and his autobiography Être et avoir été, ‘Best Orchestral Performance’ for the first volume of his groundbreaking series of the complete works of Igor d’Icare was previously recorded by the composer in published in 1980, obfuscates and misleads even as it Markevitch (originally released on Marco Polo); in 2003 for the world première recording of George Rochberg’s 1938 on poorly-preserved 78 rpm shellac discs. Other makes a show of revealing the writer’s inner life. Symphony No. 5 on Naxos American Classics; and again in 2007 for Hans Werner Henze’s Violin Concertos Nos. 1 than that single recording and a handful of radio Markevitch is dissimilar to the “conductor- and 3, with Peter Sheppard Skærved and the Saarbrücken Radio Symphony Orchestra (now the Deutsche Radio- broadcasts, the present series is the first ever made of composer” model exemplified by Furtwängler, Philharmonie). -
Sergei Prokofiev Chostakovitch Symphonie No. 1, Prokofiev Suite Scythe Mp3, Flac, Wma
Sergei Prokofiev Chostakovitch Symphonie No. 1, Prokofiev Suite Scythe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Chostakovitch Symphonie No. 1, Prokofiev Suite Scythe Country: France MP3 version RAR size: 1873 mb FLAC version RAR size: 1781 mb WMA version RAR size: 1509 mb Rating: 4.3 Votes: 759 Other Formats: WMA APE MP3 AU DXD MP2 VQF Tracklist 1A –Sergei Prokofiev Suite Scythe, Op. 20 "Ala Et Lolly" 1A.a –Sergei Prokofiev L'adoration de Vélèse et de Ala 1A.b –Sergei Prokofiev Le Dieu ennemi et la danse des esprits noirs 1A.c –Sergei Prokofiev La nuit 1A.d –Sergei Prokofiev Le départ glorieux de Lolly et le cortège du Soleil 1B –Dmitri Shostakovich Symphonie No. 1 1B.e –Dmitri Shostakovich 1er Mouvement: Allegretto - Allegro ma non troppo 2.a –Dmitri Shostakovich 2. Mouvement: Allegro 3. Mouvement: Lento-Largo, 4. Mouvement: Allegro molto - Adagio- 2.b –Dmitri Shostakovich Largo-Presto Credits Booklet Editor – Marcel Marnat Composed By – Dmitri Shostakovich (tracks: 1B.e, 2.a-b), Sergei Prokofiev (tracks: 1A.a-d) Conductor – Igor Markevitch Orchestra – Orchestre National de la Radiodiffusion France Notes XLX 464, XLX 465 Inner sleeve with wooden stick Original booklet (16 pages) in french with catalog number on back Related Music albums to Chostakovitch Symphonie No. 1, Prokofiev Suite Scythe by Sergei Prokofiev Sergei Prokofiev - Je Suis LE Seigneur Du Chateau David Oistrach, Béla Bartók, Johannes Brahms, Ludwig van Beethoven, Antonín Dvořák, Alexander Glazunov, Edvard Grieg, Aram Khatchaturian, Dmitri Shostakovich, -
To Rock Or Not Torock?
v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay. -
Tuscia Operafestival™ Brings Italian Style to California IAOF Is Delighted
Tuscia Operafestival™ brings Italian Style to California IAOF is delighted to announce an exciting partnership with Italian luxury brand Bulgari, proud sponsors of the first edition of the “Italian Opera Festival”. Every night before the show will 'offer the public a free taste of the best wines and oils of the tuscia and Italy The Tuscia Operafestival™, now in its sixth season in the historic papal city of Viterbo, will see its Californian debut with the opening of the Italian Opera Festival™ in Orange County, the pearl of Southern California, at the Soka Performing Arts Center of Soka University in Aliso Viejo. The series of events will begin on Saturday, May 26th at 5:00 PM with a press conference hosted by the Italian Cultural Institute (1023 Hilgard Avenue, Los Angeles) and its director, Alberto Di Mauro, and will end on June 2nd, the “Festa della Repubblica”, national Italian holiday commemorating the independence of the Republic of Italy, to be celebrated at the Pico House (430 North Main Street, Los Angeles) in the presence of the Italian Consul General . This new version of our festival strives to promote the excellence of world renowned Italian products such as opera, art, wine, olive oil, water and fashion. The first cultural event, on Wednesday, May 30th at 7:00 PM, at the Soka Performing Arts Center (1 University Drive, Aliso Viejo) will be the recital of international opera star Bruno Praticò: "Buffo si nasce!" (We are Born Funny!), presenting operatic arias and duets by Italian composers Donizetti and Rossini. Recently featured at the LA Opera in the role of "Don Bartolo” in Rossini's Barbiere di Siviglia, Praticò is considered to be one of the greatest comic bass-baritone artists of our time. -
Integrated Balance Sheet 2019
Integrated balance sheet 2019 2019 was a unique year for the Accademia. 2019 marked the 15th year anniversary of M Antonio Pappano’s appointment as musical director to the Accademia. It was important to celebrate this anniversary since it is thanks to Mr. Pappano’s patient and passionate work with the orchestra, Mr. Visco and his choir, as well as his great collaboration with all of the Academia’s different ensembles ‐ in particular with the artistic direction‐ and his constant and productive dialogue with the administration/presidency, that the artistic ensembles were able to achieve a growth of international level. Visiting the world capitals from the several tours that were organized, using new technology that allowed the Accademia to reach new audiences( for instance thanks to the PappanoinWeb), and carrying out an in depth repertoire analysis, ranging from classical to contemporary music, were all strategies that created new opportunities for the Accademia to develop culturally, grow the admiration of members, partners and journalists, and mature artistically. The Accademia will always have immense gratitude and admiration towards Mr. Pappano, since without him all of this would not have been possible. On this note, the new symphonic season has the mark of the musical director, launching it with his signature phrase “Caro Pubblico!” In fact, it is this very greeting that Mr. Pappano usually uses to welcome audiences, ready to witness a new performance, within a new stylistic framework that seeks to touch their heart/feelings; just a few words used to accompany the audience into a new musical journey. In the new symphonic season, this kind of greeting will be used at start of every performance, either by Mr. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Chigiana - Unico Sett
CHIGIANA - UNICO SETT. 2009 23-06-2009 16:47 Pagina 34 34 altri, da Mahler, Debussy, Strauss, Stravinskij, Hindemith, Toscani- ni, Furtwängler, De Sabata e Karajan. I suoi direttori stabili sono stati Bernardino Molinari, Franco Ferrara, Fernando Previtali, Igor Markevitch, Thomas Schippers, Giuseppe Sinopoli, Daniele Gatti, Myung-Whun Chung. Dal 1983 al 1990 Leonard Bernstein ne è stato il Presidente Onorario. Dal 2005, Antonio Pappano è il Diret- tore Musicale. Fra i più prestigiosi impegni dell’Orchestra è da segnalare la pre- senza nel 1995 alle manifestazioni per i 100 anni dei Proms di Londra (prima orchestra italiana ospite del prestigioso festival lon- dinese) dove è tornata nel 2007 con Antonio Pappano. Con Myung- Whun Chung (Direttore Principale dal 1997 al 2005) l’Orchestra ha tenuto concerti in Spagna, Portogallo, Belgio e ha svolto numerose tournées in Estremo Oriente. Oltre agli appuntamenti annuali con i più importanti festival musicali italiani, nel 2001 è stata la prima orchestra italiana ospite della Philharmonie di Berlino, la storica sede dei Berliner Philharmoniker. Nel 2003 l’Orchestra ha partecipato alle celebrazioni per la riaper- tura del Teatro La Fenice di Venezia, nel 2004 ha trionfato alla Triennale di Colonia, e nel 2005 è tornata al Festival delle Notti Bianche di San Pietroburgo. Durante la stagione 2005/2006 ha suonato a Madrid con Rostropovič, a Budapest, al Palau de la Musica di Barcellona e alla Semperoper di Dresda (Stabat Mater di Rossini diretto da Pappa- no). La stagione 2006/2007 si è aperta con il grande successo rac- colto dall’Orchestra e da Pappano al Teatro La Fenice di Venezia e alla Scala, dopo cinquant’anni di assenza dal grande teatro milane- se. -
California State University, Northridge Jean Cocteau
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE JEAN COCTEAU AND THE MUSIC OF POST-WORLD WAR I FRANCE A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Marlisa Jeanine Monroe January 1987 The Thesis of Marlisa Jeanine Monroe is approved: B~y~ri~jl{l Pfj}D. Nancy an Deusen, Ph.D. (Committee Chair) California State University, Northridge l.l. TABLE OF CONTENTS Chapter Page ABSTRACT iv INTRODUCTION • 1 I. EARLY INFLUENCES 4 II. DIAGHILEV 8 III. STRAVINSKY I 15 IV • PARADE 20 v. LE COQ ET L'ARLEQUIN 37 VI. LES SIX 47 Background • 47 The Formation of the Group 54 Les Maries de la tour Eiffel 65 The Split 79 Milhaud 83 Poulenc 90 Auric 97 Honegger 100 VII. STRAVINSKY II 109 VIII. CONCLUSION 116 BIBLIOGRAPHY 120 APPENDIX: MUSICAL CHRONOLOGY 123 iii ABSTRACT JEAN COCTEAU AND THE MUSIC OF POST-WORLD WAR I FRANCE by Marlisa Jeanine Monroe Master of Arts in Music Jean Cocteau (1889-1963) was a highly creative and artistically diverse individual. His talents were expressed in every field of art, and in each field he was successful. The diversity of his talent defies traditional categorization and makes it difficult to assess the singularity of his aesthetic. In the field of music, this aesthetic had a profound impact on the music of Post-World War I France. Cocteau was not a trained musician. His talent lay in his revolutionary ideas and in his position as a catalyst for these ideas. This position derived from his ability to seize the opportunities of the time: the need iv to fill the void that was emerging with the waning of German Romanticism and impressionism; the great showcase of Diaghilev • s Ballets Russes; the talents of young musicians eager to experiment and in search of direction; and a congenial artistic atmosphere. -
Molly Grant FSE Resume (Theater)
MOLLY GRANT Alto-Soprano/Belt (E3-A6) Height: 6’2” Hair: Blonde Eyes: Blue THEATRE: Sally Sells Seashells (Original Recording) Tam Beat by Beat Press / Denver Casado Bronco Billy (Original Reading) Female Ensemble AEA 29-Hr. Reading / Kristin Hanggi Disney Entertainment Character Performer Goofy/Captain Hook Disneyland Anaheim Steel Pier Vocal Ensemble UCLA / Jeremy Mann Working Edie UCLA / Nick Gunn Bonnie and Clyde Emma Parker ACT III / Emily Mikolitch Three Sisters German Vocal Ensemble UCLA / J. ED Ariza Carousel Starkeeper/Dr. Seldon UCLA / Jeremy Mann Dogfight Rose Fenny ACT III / Emily Zetterberg Les Misérables Lovely Lady/Ensemble ACT III / Julia Nelson Bye Bye Birdie Deborah Sue H.B. Playhouse / Terri M. Schmidt Robber Bridegroom* Salome OCSA / Jeff Paul Changing Minds (West Coast Premiere) Ensemble OCSA / Karen Rymar Oklahoma! Ensemble, U/S Aunt Eller OCSA / Casey Garritano Blue (Original Reading) Ruffle Bridge to Bway / Tim Kashani FILM: Come to MovieLand Lead Dir. Mark Chambers Partying With Communists Supporting Dir. Vincent Blake The Curious Story Of Spurious Falls Supporting Dir. Andrew John Gutierrez Finding Heroes Lead Dir. Kellie Krueger Super Crushed Lead Dir. Kaylee Dawn TELEVISION: The Price Is Right Contestant CBS COMMERCIAL: List available upon request. TRAINING: UCLA Ray Bolger Musical Theatre Program Orange County School of the Arts Musical Theatre Conservatory Acting April Shawhan, Marilyn Fox, Tom O’Connor, Joe Olivieri, Erin McNally, Richard Soto (South Coast Rep) Audition Technique Michael Donovan Voice and Speech Amy Chaffee, Paul Wagar Singing Jeremy Mann, Dan Belzer, Linda Kerns, Lindsay Mendez Dance (Ballet, Tap, Jazz) Cheryl Baxter-Ratliff, Peggy Hickey, Lee Martino, Natsuo Tomita, Nicholas Gunn Fox Television Casting Intern Brittainy Roberts, Tess Sanchez, Daniel Cabeza, Grace Kim SPECIAL SKILLS: Plug Nose w/ Lips, Cabaret Singer Dialects: British Standard RP, Rhotic Southern, HS Club Soccer Goalie, Western Horseback Riding *John Raitt Award: Comedienne of the Year **Childress MACY Award: Bright Spot Award . -
Orchestra Del Teatro La Fenice 2021
ORCHESTRA DEL TEATRO LA FENICE La storia dell’Orchestra del Teatro La Fenice è legata a quella del teatro stesso, centro produttivo di primaria importanza che nel corso dell’Ottocento ha presentato prime assolute di opere fondamentali nella storia del melodramma (Semiramide, I Capuleti e i Montecchi, Rigoletto, La traviata). Nella seconda parte del secolo scorso l’impegno dei complessi orchestrali si concentrò nell’internazionalizzazione del repertorio, ampliato anche sul fronte sinfonico-concertistico (con solisti quali Enrico Mainardi, Mstislav Rostropovič, Edwin Fischer, Aldo Ferraresi, Arthur Rubinstein). Nel corso dell’Otto e Novecento, sul podio dell’Orchestra si susseguirono celebri direttori e compositori: Lorenzo Perosi, Giuseppe Martucci, Arturo Toscanini, Antonio Guarnieri, Richard Strauss, Pietro Mascagni, Giorgio Ghedini, Ildebrando Pizzetti, Goffredo Petrassi, Alfredo Casella, Gian Francesco Malipiero, Willy Ferrero, Leopold Stokowski, Fritz Reiner, Vittorio Gui, Tullio Serafin, Giuseppe Del Campo, Nino Sanzogno, Ermanno Wolf-Ferrari, Carlo Zecchi, John Barbirolli, Herbert Albert, Franco Ferrara, Guido Cantelli, Thomas Schippers, Dimitri Mitropoulos. Nel 1938 il Teatro La Fenice divenne Ente Autonomo: anche l’Orchestra vide un riassetto e un rilancio, grazie pure all’attiva partecipazione al Festival di musica contemporanea della Biennale d’Arte. Negli anni Quaranta e Cinquanta sotto la guida di Scherchen, Bernstein, Celibidache (impegnato nell’integrale delle sinfonie beethoveniane), Konwitschny (nell’integrale del Ring