Flinders Ranges – Pursuing the World Heritage Potential
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Arts & Culture Plan South Australia 2019
Arts & Culture Plan South Australia 2019 - 2024 1 To Dream To Explore To Create Acknowledgment of Country Aboriginal and Torres Strait Islander people have made and continue to make a unique and irreplaceable contribution to Australia. The South Australian Government acknowledges and respects Aboriginal people as the state’s first people and nations, and recognises Aboriginal people as traditional owners and occupants of South Australian land and waters. The South Australian Government acknowledges that the spiritual, social, cultural and economic practices of Aboriginal people come from their traditional lands and waters, and that Aboriginal people maintain cultural and heritage beliefs, languages and laws which are of ongoing importance today. Front cover Production: mi:wi Organisation: Vitalstatistix Photographer: Gregory Lorenzutti Table of Contents Page Vision, Mission, 4 Values 4 6 Goals 5 Message and commitment from the Government 7 Introduction 9 An Arts Plan for the future 10 Why now is the time for the Plan 10 Four reasons to pivot 11 South Australia. A history of creative and cultural innovation 12 1 The Structure of this Plan 16 South Australia, A gateway to the first and original story 17 Songlines: Tracking the Seven Sisters 18 Goal 1 20 Goal 2 24 Goal 3 28 Goal 4 32 Goal 5 36 Goal 6 40 Capturing value and impact 42 Footnotes 44 Adelaide College of the Arts Organisation: TAFE SA Photographer: Sam Roberts The Arts and Culture Plan for This Arts Plan is about igniting a This narrative is about how we TELL South Australia 2019 – 2024 new level of connectivity – between THESE STORIES, and relates strongly artists, organisations, institutions and to South Australia’s ‘market and brand’. -
Ediacaran) of Earth – Nature’S Experiments
The Early Animals (Ediacaran) of Earth – Nature’s Experiments Donald Baumgartner Medical Entomologist, Biologist, and Fossil Enthusiast Presentation before Chicago Rocks and Mineral Society May 10, 2014 Illinois Famous for Pennsylvanian Fossils 3 In the Beginning: The Big Bang . Earth formed 4.6 billion years ago Fossil Record Order 95% of higher taxa: Random plant divisions domains & kingdoms Cambrian Atdabanian Fauna Vendian Tommotian Fauna Ediacaran Fauna protists Proterozoic algae McConnell (Baptist)College Pre C - Fossil Order Archaean bacteria Source: Truett Kurt Wise The First Cells . 3.8 billion years ago, oxygen levels in atmosphere and seas were low • Early prokaryotic cells probably were anaerobic • Stromatolites . Divergence separated bacteria from ancestors of archaeans and eukaryotes Stromatolites Dominated the Earth Stromatolites of cyanobacteria ruled the Earth from 3.8 b.y. to 600 m. [2.5 b.y.]. Believed that Earth glaciations are correlated with great demise of stromatolites world-wide. 8 The Oxygen Atmosphere . Cyanobacteria evolved an oxygen-releasing, noncyclic pathway of photosynthesis • Changed Earth’s atmosphere . Increased oxygen favored aerobic respiration Early Multi-Cellular Life Was Born Eosphaera & Kakabekia at 2 b.y in Canada Gunflint Chert 11 Earliest Multi-Cellular Metazoan Life (1) Alga Eukaryote Grypania of MI at 1.85 b.y. MI fossil outcrop 12 Earliest Multi-Cellular Metazoan Life (2) Beads Horodyskia of MT and Aust. at 1.5 b.y. thought to be algae 13 Source: Fedonkin et al. 2007 Rise of Animals Tappania Fungus at 1.5 b.y Described now from China, Russia, Canada, India, & Australia 14 Earliest Multi-Cellular Metazoan Animals (3) Worm-like Parmia of N.E. -
Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
Arkaroola Protection Area: a Field Guide to Selected Geological Features
Arkaroola Protection Area: A field guide to selected geological features Graeme L. Worboys and Stephen B. Hore arkaroola.com.au environment.sa.gov.au Citation: Worboys, G. L. and Hore, S.B. (2013) Arkaroola Protection Area: A field guide to selected geological features. Arkaroola Wilderness Sanctuary and Department of Environment, Water and Natural Resources, Adelaide. Copyright: © This work is copyright. Apart from any use permitted under the Australian Copyright Act 1968, no part may be reproduced by any process, nor may any other exclusive right be exercised without the express permission of the authors. Acknowledgements: Many individuals and organisations contributed to the development of this Field Guide. The text has been sourced predominantly from the Arkaroola National Heritage Listing nomination jointly submitted to the Australian Government by the South Australian Department of Environment, Water and Natural Resources and Margaret and Douglas Sprigg of the Arkaroola Wilderness Sanctuary. Appreciation is expressed for the use of this material. The Field Guide also sourced technical geological quotes from a 2004 field guide developed by John Drexel and Stephen Hore and appreciation is extended for the use of this material. Thanks are particularly extended to Margaret and Douglas Sprigg, Lorraine Edmunds and Dennis Walter of Arkaroola Wilderness Sanctuary; Jason Irving of the South Australian Department of Environment, Water and Natural Resources; Tim Baker of the Geological Survey of South Australia; the Geological Society of Australia (South Australia Division); Jim Gehling and Joël Brugger of the South Australian Museum; the University of Adelaide; Malcolm William Wallace of the University of Melbourne; Malcolm Walter of the University of New South Wales; Narelle Neumann of Geoscience Australia; and Paul O’Brien of Helivista Helicopters (South Australia) for their assistance in the development of this material. -
Gehling-Ediacaran Publications 2015 Palaeo Down Under2
Gehling-Ediacaran Publications 2015 1. Droser, M.L. and Gehling, J.G. 2015. The advent of animals: the view from the Ediacaran: Proceedings of the National Academy of Sciences 112, 4865-4870. 2. Evans, S.D., Droser, M.L. and Gehling, J.G. 2015. Dickinsonia lift off: Evidence of current derived morphologies. Palaeogeography Palaeoclimatology Palaeoecology ; DOI: 10.1016/j.palaeo.2015.02.006. 3. Hall, C.M.S., Droser, M.L., Gehling, J.G., Dzaugis. M.E. 2015. Paleoecology of the enigmatic Tribrachidium: New data from the Ediacaran of South Australia. Precambrian Research 269:183-194. 4. Gold, D. A., Runnegar, B., Gehling, J.G., and Jacobs, D.K. 2015. Ancestral state reconstruction of ontogeny supports a bilaterian affinity for Dickinsonia. Evolution and Development 17 (6), 315–397. 5. Tarhan, L.G., Droser, M.L. and Gehling, J.G. 2015. Taphonomy and morphology of the Ediacara form genus Aspidella. Precambrian Research 257:124-136. 6. Tarhan, L.G., Droser, M.L. and Gehling, J.G. 2015. Depositional and preservational environments of the Ediacara Member, Rawnsley Quartzite (South Australia): Assessment of paleoenvironmental proxies and the timing of ‘ferruginization’. Palaeogeography, Palaeclimatology, Paleoecology in press. Palaeo Down Under2 — July 2016 Association of Australasian Palaeontologists (AAP) is organizing a Palaeo Down Under 2 conference at the University of Adelaide in South Australia from July 10-15. The conference is preceded by a Field Excursion to key Cambrian localities of Kangaroo Island, the Fleurieu Peninsula and the Cambrian and Ediacaran of the Flinders Ranges from July 3-9. Ediacara Research — South Australia 2015 Ediacara research in South Australia has continued with further excavations at the National Heritage Listed Ediacara Fossil Site at Nilpena, a new site in the northern Flinders Ranges of South Australia, and for the first time, at the historic discovery site in the Ediacara Conservation Park. -
Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions. -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
Precambrian Perambulations by Alan V
Precambrian Perambulations By Alan V. Morgan In the last issue of WAT ON EARTH I started to describe a visit to South Australia to track down and photograph some of the young Precambrian fossils in the region about 500km north of Adelaide. The fauna is famous as the Ediacaran assemblage and is found in an area on the western edge of the northern Flinders Ranges. Since the type section itself is rather inaccessible we traveled to a more public access along the Brachina Gorge geological trail, a wonderful 20 km long gravel road that transects the gently westward-dipping sediments of the region. These were deposited an area known as the Adelaide Geosyncline. (A geosyncline is a linear basin that accumulated sediments over a very long period of time). The basal portion of the geosyncline subsided as new sediments were brought into the area, and most of the 9 kilometer thickness of rocks were laid down close to sea level. Geologists have resolved that partially because of a glaciation, and for other reasons, sea-level was fl uctuating throughout the 150 million years represented by the rocks in the region. The sediments were transported by streams, although glacial deposits are also present, and most were laid down under marine conditions. Apparently some 500 million years ago, during the Cambrian Period, the rocks of the area were uplifted in a folding event which left them contorted into a number of gentle folds. Modern erosion has provided a number of east-west trending valleys through the area and these allow a transect through the latest Precambrian and early Cambrian rocks. -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
– Media Release – Collaborative Exhibition Opens at the South Australian Museum As Part of Tarnanthi
– Media Release – Collaborative exhibition opens at the South Australian Museum as part of Tarnanthi Still in my mind: Gurindji location, experience and visuality presented by Artback NT opens this Friday, 18 October at the South Australian Museum, as part of Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art. The exhibition reflects on the enduring impacts of dispossession and displacement, including those of a pivotal land rights event, the 1966–75 Gurindji ‘walk-off’. Gurindji/Malngin Leader Vincent Lingiari led over 200 countrymen, women and children off Wave Hill Station to protest slave labour conditions and human rights abuse. “Although other protest and strike actions had taken place preceding the 1966 Gurindji Walk-Off, it was arguably the birth of the national land rights movement in Australia. The events of this time and place have significance for me as a Gurindji/Malngin/Mudburra woman, through my direct family connection to the area, and through my family’s experience as members of the Stolen Generations,” said Brenda L. Croft, curator and participating artist. Croft developed the exhibition through practice-led research with her father’s community, Karungkarni Art and Culture Aboriginal Corporation, UNSW Galleries and UNSW Art & Design. As a part of this, Croft retraced the Gurindji ‘walk-off’ steps in homage to those before her, who made the 22-kilometre journey half a century ago. “I was motivated to develop this exhibition in partnership with Karungkarni artists and Gurindji community members in tribute to those whose profound communal act of courage, resilience and determination changed the course of history.” Croft said. -
A Solution to Darwin's Dilemma: Differential Taphonomy of Ediacaran and Palaeozoic Non-Mineralised Discoidal Fossils
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title A Solution to Darwin's Dilemma: Differential Taphonomy of Ediacaran and Palaeozoic Non-Mineralised Discoidal Fossils Author(s) MacGabhann, Breandán Anraoi Publication Date 2012-08-29 Item record http://hdl.handle.net/10379/3406 Downloaded 2021-09-26T20:57:04Z Some rights reserved. For more information, please see the item record link above. A Solution to Darwin’s Dilemma: Differential taphonomy of Palaeozoic and Ediacaran non- mineralised discoidal fossils Volume 1 of 2 Breandán Anraoi MacGabhann Supervisor: Dr. John Murray Earth and Ocean Sciences, School of Natural Sciences, NUI Galway August 2012 Differential taphonomy of Palaeozoic and Ediacaran non-mineralised fossils Table of Contents List of Figures ........................................................................................................... ix List of Tables ........................................................................................................... xxi Taxonomic Statement ........................................................................................... xxiii Acknowledgements ................................................................................................ xxv Abstract ................................................................................................................. xxix 1. Darwin’s Dilemma ............................................................................................... -
Nyarapayi Giles
ABN 37 096 876 083 NYARAPAYI GILES Born c1940 Community Tjukurla, WA EXHIBITION HISTORY SOLO EXHIBITIONS 2008 Randell Lane Fine Art, Perth WA 2007 Randell Lane Fine Art, Perth WA GROUP EXHIBITIONS 2018 The Women’s Show, Vivien Anderson Gallery, 25 March 2017- 18 NGURRA: Home in the Ngaanyatjarra Lands, South Australian Museum, Adelaide SA 2017 Minyma Mayatja - Boss Women: Nyarapayi Giles & Katjarra Butler, Vivien Anderson Gallery, Melbourne VIC NG Salon, Praxis Artspace, Adelaide SA Desert Mob 2017, Araluen Art Centre, Alice Springs NT 34th Telstra National Aboriginal & Torres Strait Islander Art Award, Museum and Art Galleries of the Northern Territory, Darwin NT Tjukurla Tjukurrpa, Aboriginal and Pacific Art, Sydney NSW The Women’s Show, Vivien Anderson Gallery, Melbourne VIC Wala Wingki – Tjarlirli Artists, Raft South, Hobart TAS 2016 – 17 Who’s Afraid of Colour? National Gallery of Victoria, Melbourne VIC 2016 Painting. More Painting, Australian Centre for Contemporary Art (ACCA), Melbourne VIC Desert Mob, Araluen Arts Centre, Alice Springs NT Salon Des Refuses, Charles Darwin University, Darwin NT Wyndham Art Prize, Wyndham Art Gallery, Melbourne VIC Port Hedland Award, Courthouse Gallery, Port Hedland WA Power. Colour. Story, Harvey Art Projects, USA Touring exhibition, Art Kelch, Germany 2015 Palya – Martumili Artists, Tjarlirli Art and Warakurna Artists, Vivien Anderson Gallery at Brightspace, Melbourne VIC Tarnanthi – Festival of Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide SA Desert Mob, Araluen Arts Centre, Alice Springs NT Tjukurla 2015, Raft Artspace, Alice Springs NT Masterstrokes II, Vivien Anderson Gallery at Merricks House Gallery, Merricks VIC 2014 Warakurna Artists and Tjarlirli Art- Paintings from the Ngaanyatjarra Lands, Vivien Anderson Gallery, Melbourne VIC Our Home in Colour, Outstation Gallery, Darwin NT Living Spirit, Marshall Arts, Adelaide SA GROUND FLOOR, 284 – 290 ST KILDA ROAD, ST KILDA VICTORIA 3182 AUSTRALIA T.