No.[Number] 67 1919. July 1. to 1920. Sep[Tember] 30 [1]
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Arts & Culture Plan South Australia 2019
Arts & Culture Plan South Australia 2019 - 2024 1 To Dream To Explore To Create Acknowledgment of Country Aboriginal and Torres Strait Islander people have made and continue to make a unique and irreplaceable contribution to Australia. The South Australian Government acknowledges and respects Aboriginal people as the state’s first people and nations, and recognises Aboriginal people as traditional owners and occupants of South Australian land and waters. The South Australian Government acknowledges that the spiritual, social, cultural and economic practices of Aboriginal people come from their traditional lands and waters, and that Aboriginal people maintain cultural and heritage beliefs, languages and laws which are of ongoing importance today. Front cover Production: mi:wi Organisation: Vitalstatistix Photographer: Gregory Lorenzutti Table of Contents Page Vision, Mission, 4 Values 4 6 Goals 5 Message and commitment from the Government 7 Introduction 9 An Arts Plan for the future 10 Why now is the time for the Plan 10 Four reasons to pivot 11 South Australia. A history of creative and cultural innovation 12 1 The Structure of this Plan 16 South Australia, A gateway to the first and original story 17 Songlines: Tracking the Seven Sisters 18 Goal 1 20 Goal 2 24 Goal 3 28 Goal 4 32 Goal 5 36 Goal 6 40 Capturing value and impact 42 Footnotes 44 Adelaide College of the Arts Organisation: TAFE SA Photographer: Sam Roberts The Arts and Culture Plan for This Arts Plan is about igniting a This narrative is about how we TELL South Australia 2019 – 2024 new level of connectivity – between THESE STORIES, and relates strongly artists, organisations, institutions and to South Australia’s ‘market and brand’. -
Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions. -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
– Media Release – Collaborative Exhibition Opens at the South Australian Museum As Part of Tarnanthi
– Media Release – Collaborative exhibition opens at the South Australian Museum as part of Tarnanthi Still in my mind: Gurindji location, experience and visuality presented by Artback NT opens this Friday, 18 October at the South Australian Museum, as part of Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art. The exhibition reflects on the enduring impacts of dispossession and displacement, including those of a pivotal land rights event, the 1966–75 Gurindji ‘walk-off’. Gurindji/Malngin Leader Vincent Lingiari led over 200 countrymen, women and children off Wave Hill Station to protest slave labour conditions and human rights abuse. “Although other protest and strike actions had taken place preceding the 1966 Gurindji Walk-Off, it was arguably the birth of the national land rights movement in Australia. The events of this time and place have significance for me as a Gurindji/Malngin/Mudburra woman, through my direct family connection to the area, and through my family’s experience as members of the Stolen Generations,” said Brenda L. Croft, curator and participating artist. Croft developed the exhibition through practice-led research with her father’s community, Karungkarni Art and Culture Aboriginal Corporation, UNSW Galleries and UNSW Art & Design. As a part of this, Croft retraced the Gurindji ‘walk-off’ steps in homage to those before her, who made the 22-kilometre journey half a century ago. “I was motivated to develop this exhibition in partnership with Karungkarni artists and Gurindji community members in tribute to those whose profound communal act of courage, resilience and determination changed the course of history.” Croft said. -
Nyarapayi Giles
ABN 37 096 876 083 NYARAPAYI GILES Born c1940 Community Tjukurla, WA EXHIBITION HISTORY SOLO EXHIBITIONS 2008 Randell Lane Fine Art, Perth WA 2007 Randell Lane Fine Art, Perth WA GROUP EXHIBITIONS 2018 The Women’s Show, Vivien Anderson Gallery, 25 March 2017- 18 NGURRA: Home in the Ngaanyatjarra Lands, South Australian Museum, Adelaide SA 2017 Minyma Mayatja - Boss Women: Nyarapayi Giles & Katjarra Butler, Vivien Anderson Gallery, Melbourne VIC NG Salon, Praxis Artspace, Adelaide SA Desert Mob 2017, Araluen Art Centre, Alice Springs NT 34th Telstra National Aboriginal & Torres Strait Islander Art Award, Museum and Art Galleries of the Northern Territory, Darwin NT Tjukurla Tjukurrpa, Aboriginal and Pacific Art, Sydney NSW The Women’s Show, Vivien Anderson Gallery, Melbourne VIC Wala Wingki – Tjarlirli Artists, Raft South, Hobart TAS 2016 – 17 Who’s Afraid of Colour? National Gallery of Victoria, Melbourne VIC 2016 Painting. More Painting, Australian Centre for Contemporary Art (ACCA), Melbourne VIC Desert Mob, Araluen Arts Centre, Alice Springs NT Salon Des Refuses, Charles Darwin University, Darwin NT Wyndham Art Prize, Wyndham Art Gallery, Melbourne VIC Port Hedland Award, Courthouse Gallery, Port Hedland WA Power. Colour. Story, Harvey Art Projects, USA Touring exhibition, Art Kelch, Germany 2015 Palya – Martumili Artists, Tjarlirli Art and Warakurna Artists, Vivien Anderson Gallery at Brightspace, Melbourne VIC Tarnanthi – Festival of Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide SA Desert Mob, Araluen Arts Centre, Alice Springs NT Tjukurla 2015, Raft Artspace, Alice Springs NT Masterstrokes II, Vivien Anderson Gallery at Merricks House Gallery, Merricks VIC 2014 Warakurna Artists and Tjarlirli Art- Paintings from the Ngaanyatjarra Lands, Vivien Anderson Gallery, Melbourne VIC Our Home in Colour, Outstation Gallery, Darwin NT Living Spirit, Marshall Arts, Adelaide SA GROUND FLOOR, 284 – 290 ST KILDA ROAD, ST KILDA VICTORIA 3182 AUSTRALIA T. -
A Biological Survey of the Murray Mallee South Australia
A BIOLOGICAL SURVEY OF THE MURRAY MALLEE SOUTH AUSTRALIA Editors J. N. Foulkes J. S. Gillen Biological Survey and Research Section Heritage and Biodiversity Division Department for Environment and Heritage, South Australia 2000 The Biological Survey of the Murray Mallee, South Australia was carried out with the assistance of funds made available by the Commonwealth of Australia under the National Estate Grants Programs and the State Government of South Australia. The views and opinions expressed in this report are those of the authors and do not necessarily represent the views or policies of the Australian Heritage Commission or the State Government of South Australia. This report may be cited as: Foulkes, J. N. and Gillen, J. S. (Eds.) (2000). A Biological Survey of the Murray Mallee, South Australia (Biological Survey and Research, Department for Environment and Heritage and Geographic Analysis and Research Unit, Department for Transport, Urban Planning and the Arts). Copies of the report may be accessed in the library: Environment Australia Department for Human Services, Housing, GPO Box 636 or Environment and Planning Library CANBERRA ACT 2601 1st Floor, Roma Mitchell House 136 North Terrace, ADELAIDE SA 5000 EDITORS J. N. Foulkes and J. S. Gillen Biological Survey and Research Section, Heritage and Biodiversity Branch, Department for Environment and Heritage, GPO Box 1047 ADELAIDE SA 5001 AUTHORS D. M. Armstrong, J. N. Foulkes, Biological Survey and Research Section, Heritage and Biodiversity Branch, Department for Environment and Heritage, GPO Box 1047 ADELAIDE SA 5001. S. Carruthers, F. Smith, S. Kinnear, Geographic Analysis and Research Unit, Planning SA, Department for Transport, Urban Planning and the Arts, GPO Box 1815, ADELAIDE SA 5001. -
Sa Arts- Strategic Directions and Fresh Ideas
SA ARTS- STRATEGIC DIRECTIONS AND FRESH IDEAS STEVEN MARSHALL, STATE LIBERAL LEADER “The arts sector in South Australia is internationally renowned as innovative, vibrant and varied. The State Liberals are committed to seeing all our creative industries thrive and grow.” Steven Marshall State Liberal Leader SOUTH AUSTRALIAN ARTS INDUSTRY Strategic directions and fresh ideas South Australia was once regarded as our nation’s most creative state. 1Adelaide and our regional centres continue to be home to numerous festivals, arts companies, cultural institutions, artists, administrators and creatives who make up our vital arts and creative sector, and whose creative endeavours enlarge and enrich our life, and help us all to celebrate our sense of identity, heritage and cultural diversity. However, after 12 years of Labor our arts and creative community is only just holding its head above water. The Weatherill Labor Government has taken an ad-hoc approach to arts policy. Its lack of a strategic plan for the industry has led to intermittent funding. The drip-feed of State Government funding and excessive red tape has kept arts organisations tied up in paper work and unsure about their economic viability from year to year. A Marshall Liberal Government is committed to seeing our arts and creative industries thrive and grow. We want South Australia to be a place where arts organisations and creative businesses are able to grow and network, be sustainable and plan for the future with confidence. A strong arts and creative sector is able to employ new artists and practitioners, produce new works, collaborate creatively and contribute as critical, creative participants to the culture, tourism and economic drivers of South Australia. -
South Australian Museum Digitisation Project Final Report
"#$%&!'%(%)%*#)%+,!-.+/01)2! 3%,#4!"0$+.)! 5+6)7!86*).#4%#,!96*06:! ;<==! ! ! ! ! ! ! digitisation ! © South Australian Museum 2011 This document is licensed under Creative Commons 3.0 Australia: Attribution. Attribution: Courtesy of South Australian Museum ! "#$%&!'%(%)%*#)%+,!-.+/01)2!5+6)7!86*).#4%#,!96*06:!;<==! !"#$%#$&! 1! Introduction ..................................................................................................................................................... 1! 2! Equipment ....................................................................................................................................................... 2! 2.1! Microphotography workstation ......................................................................................................... 2! 2.2! Macrophotography workstation ........................................................................................................ 5! 2.3! Additional workstations: Post-processing, scanning, databasing and other activities .............. 7! 2.4! In-kind support from SAMA .............................................................................................................. 7! 3! Process/workflow .......................................................................................................................................... 9! 3.1! Core process: From drawer to digital ................................................................................................ 9! 3.2! Core process (described) .................................................................................................................. -
The Process and Importance of Writing Aboriginal Fiction for Young Adult Readers Exegesis Accompanying the Novel “Calypso Summers”
The process and importance of writing Aboriginal fiction for young adult readers Exegesis accompanying the novel “Calypso Summers” Jared Thomas Thesis submitted for the degree of Doctor of Philosophy School of Humanities Discipline of English University of Adelaide September 2010 Dedication For the Nukunu and all Indigenous people in our quest to live, reclaim, document and maintain culture. 2 TABLE OF CONTENTS DEDICATION................................................................................................... 2 TABLE OF CONTENTS ................................................................................... 3 ABSTRACT...................................................................................................... 4 STATEMENT OF ORIGINALITY ..................................................................... 5 ACKNOWLEDGEMENTS ................................................................................ 6 INTRODUCTION ............................................................................................. 7 PART A: ABORIGINAL REPRESENTATION AND NEGOTIATING PROTOCOL ......................................................................................................................... 9 Representation of Aboriginal people and culture in film and fiction................ 10 Who can represent Aboriginal Australia and how? ........................................ 13 Identity and its impact on engagement with protocols ................................... 21 Writing in accord with Aboriginal cultural protocols ....................................... -
R. A. Stirton: Pioneer of Australian Mammalian Palaeontology
Transactions of the Royal Society of South Australia ISSN: 0372-1426 (Print) 2204-0293 (Online) Journal homepage: https://www.tandfonline.com/loi/trss20 R. A. Stirton: pioneer of Australian mammalian palaeontology Thomas H. Rich, Paul F. Lawson, Patricia Vickers-Rich & Richard H. Tedford To cite this article: Thomas H. Rich, Paul F. Lawson, Patricia Vickers-Rich & Richard H. Tedford (2019): R. A. Stirton: pioneer of Australian mammalian palaeontology, Transactions of the Royal Society of South Australia, DOI: 10.1080/03721426.2019.1602244 To link to this article: https://doi.org/10.1080/03721426.2019.1602244 Published online: 13 Apr 2019. Submit your article to this journal View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=trss20 TRANSACTIONS OF THE ROYAL SOCIETY OF SOUTH AUSTRALIA https://doi.org/10.1080/03721426.2019.1602244 R. A. Stirton: pioneer of Australian mammalian palaeontology Thomas H. Richa, Paul F. Lawsonb, Patricia Vickers-Richc,d and Richard H. Tedford† aSciences Department, Museums Victoria, Melbourne, Australia; bHillcrest, Australia; cFaculty of Science, Swinburne University of Technology, Hawthorne, Australia; dSchool of Earth, Atmosphere and Environment, Monash University, Melbourne, Australia ABSTRACT ARTICLE HISTORY Beginning in 1953, under the inspired leadership of R.A. Stirton, in just Received 23 November 2018 over one decade, a systematic program to discover new fossil sites and Accepted 26 March 2019 specimens of Australian terrestrial mammals, dramatically increased KEYWORDS the knowledge of their Neogene history on this continent. At the Etadunna; Palankarinna; beginning of this program, only a singleincompleteskeletonand Kanunka; Ngapakaldi; a handful of isolated teeth of terrestrial mammals were known from Pitikanta; Awe three sites.