Nyarapayi Giles

Total Page:16

File Type:pdf, Size:1020Kb

Nyarapayi Giles ABN 37 096 876 083 NYARAPAYI GILES Born c1940 Community Tjukurla, WA EXHIBITION HISTORY SOLO EXHIBITIONS 2008 Randell Lane Fine Art, Perth WA 2007 Randell Lane Fine Art, Perth WA GROUP EXHIBITIONS 2018 The Women’s Show, Vivien Anderson Gallery, 25 March 2017- 18 NGURRA: Home in the Ngaanyatjarra Lands, South Australian Museum, Adelaide SA 2017 Minyma Mayatja - Boss Women: Nyarapayi Giles & Katjarra Butler, Vivien Anderson Gallery, Melbourne VIC NG Salon, Praxis Artspace, Adelaide SA Desert Mob 2017, Araluen Art Centre, Alice Springs NT 34th Telstra National Aboriginal & Torres Strait Islander Art Award, Museum and Art Galleries of the Northern Territory, Darwin NT Tjukurla Tjukurrpa, Aboriginal and Pacific Art, Sydney NSW The Women’s Show, Vivien Anderson Gallery, Melbourne VIC Wala Wingki – Tjarlirli Artists, Raft South, Hobart TAS 2016 – 17 Who’s Afraid of Colour? National Gallery of Victoria, Melbourne VIC 2016 Painting. More Painting, Australian Centre for Contemporary Art (ACCA), Melbourne VIC Desert Mob, Araluen Arts Centre, Alice Springs NT Salon Des Refuses, Charles Darwin University, Darwin NT Wyndham Art Prize, Wyndham Art Gallery, Melbourne VIC Port Hedland Award, Courthouse Gallery, Port Hedland WA Power. Colour. Story, Harvey Art Projects, USA Touring exhibition, Art Kelch, Germany 2015 Palya – Martumili Artists, Tjarlirli Art and Warakurna Artists, Vivien Anderson Gallery at Brightspace, Melbourne VIC Tarnanthi – Festival of Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide SA Desert Mob, Araluen Arts Centre, Alice Springs NT Tjukurla 2015, Raft Artspace, Alice Springs NT Masterstrokes II, Vivien Anderson Gallery at Merricks House Gallery, Merricks VIC 2014 Warakurna Artists and Tjarlirli Art- Paintings from the Ngaanyatjarra Lands, Vivien Anderson Gallery, Melbourne VIC Our Home in Colour, Outstation Gallery, Darwin NT Living Spirit, Marshall Arts, Adelaide SA GROUND FLOOR, 284 – 290 ST KILDA ROAD, ST KILDA VICTORIA 3182 AUSTRALIA T. +61 3 8598 9657 E. [email protected] www.vivienandersongallery.com ABN 37 096 876 083 2013 The Wild Ones, RAFT Artspace, Alice Springs NT Desert Mob, Araluen Arts Centre, Alice Springs NT Ngaanpurinytjulatju Tirtu Palyalpayi - ‘We Always Do It Like This’, Harvey Art Projects, Ketchum Idaho USA Salon des Refuses, presented by Outstation Gallery at the Old Bank Building, Darwin NT Tjarlirli Art: In Profile, Marshall Arts, Adelaide SA 2012 Way Out West, RAFT Artspace, Alice Springs NT 2011 Watch Me and Learn, Aboriginal and Pacific Art, Sydney NSW Desert Mob, Araluen Arts Centre, Alice Springs NT 2010 Merenda Fine Art, Fremantle WA Mora Galleries, Melbourne VIC 2009 Chapman Gallery, Canberra Seniors and Emerging, Tunbridge Gallery, Margaret River WA Tjukurpa Pulkatjarra, South Australian Museum, Adelaide SA DesertMob, Araluen Arts Centre, Alice Springs NT Short St Gallery, Broome Western Desert Mob Print Show, Nomad, Darwin NT 2008 Randell Lane Fine Art, Perth WA 2007 William Mora Gallery, Melbourne VIC Sir Charles Gairdner Art Prize, Turner Galleries, Perth WA Big Country, Gondwana Gallery, Alice Springs NT Randell Lane Fine Art, Perth WA COLLECTIONS British Museum, London UK National Gallery of Victoria, Melbourne VIC Araluen Cultural Centre, Alice Springs NT Deakin University, Melbourne VIC City of Joondalup Collection, Perth WA The Corrigan Collection, Sydney NSW Sir Charles Gardiner Collection, Perth WA BIBLIOGRAPHY ACCA 2016, Painting. More Painting, Australian Centre for Contemporary Art, Melbourne VIC Carty, J 2012, 'Tjarlirli Art', in John Carty & Tim Acker (ed.), Ngaanyatjarra: Art of the Lands, University of Western Australia Publishing, Crawley, pp. 241-248 McGrath, P. F. 2012, 'Nyarapayi Giles', in John Carty & Tim Acker (ed.), Ngaanyatjarra: Art of the Lands, University of Western Australia Publishing, Crawley, pp. 249 McCulloch, S. & McCulloch-Childs, E. 2010, Contemporary Aboriginal Art, McCulloch and McCulloch, Fitzroy VIC GROUND FLOOR, 284 – 290 ST KILDA ROAD, ST KILDA VICTORIA 3182 AUSTRALIA T. +61 3 8598 9657 E. [email protected] www.vivienandersongallery.com ABN 37 096 876 083 Rothwell, N. 2014, ‘Nyarapayi Giles – Painter, Presenter, Preserver’ in The Australian, 24 July 2014 GROUND FLOOR, 284 – 290 ST KILDA ROAD, ST KILDA VICTORIA 3182 AUSTRALIA T. +61 3 8598 9657 E. [email protected] www.vivienandersongallery.com .
Recommended publications
  • Arts & Culture Plan South Australia 2019
    Arts & Culture Plan South Australia 2019 - 2024 1 To Dream To Explore To Create Acknowledgment of Country Aboriginal and Torres Strait Islander people have made and continue to make a unique and irreplaceable contribution to Australia. The South Australian Government acknowledges and respects Aboriginal people as the state’s first people and nations, and recognises Aboriginal people as traditional owners and occupants of South Australian land and waters. The South Australian Government acknowledges that the spiritual, social, cultural and economic practices of Aboriginal people come from their traditional lands and waters, and that Aboriginal people maintain cultural and heritage beliefs, languages and laws which are of ongoing importance today. Front cover Production: mi:wi Organisation: Vitalstatistix Photographer: Gregory Lorenzutti Table of Contents Page Vision, Mission, 4 Values 4 6 Goals 5 Message and commitment from the Government 7 Introduction 9 An Arts Plan for the future 10 Why now is the time for the Plan 10 Four reasons to pivot 11 South Australia. A history of creative and cultural innovation 12 1 The Structure of this Plan 16 South Australia, A gateway to the first and original story 17 Songlines: Tracking the Seven Sisters 18 Goal 1 20 Goal 2 24 Goal 3 28 Goal 4 32 Goal 5 36 Goal 6 40 Capturing value and impact 42 Footnotes 44 Adelaide College of the Arts Organisation: TAFE SA Photographer: Sam Roberts The Arts and Culture Plan for This Arts Plan is about igniting a This narrative is about how we TELL South Australia 2019 – 2024 new level of connectivity – between THESE STORIES, and relates strongly artists, organisations, institutions and to South Australia’s ‘market and brand’.
    [Show full text]
  • Aboriginal Agency, Institutionalisation and Survival
    2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners.
    [Show full text]
  • Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
    Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions.
    [Show full text]
  • Adelaide Festival Centre Annual Report 2005-06
    ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15
    [Show full text]
  • ACCESS GUIDE Contents
    26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check
    [Show full text]
  • – Media Release – Collaborative Exhibition Opens at the South Australian Museum As Part of Tarnanthi
    – Media Release – Collaborative exhibition opens at the South Australian Museum as part of Tarnanthi Still in my mind: Gurindji location, experience and visuality presented by Artback NT opens this Friday, 18 October at the South Australian Museum, as part of Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art. The exhibition reflects on the enduring impacts of dispossession and displacement, including those of a pivotal land rights event, the 1966–75 Gurindji ‘walk-off’. Gurindji/Malngin Leader Vincent Lingiari led over 200 countrymen, women and children off Wave Hill Station to protest slave labour conditions and human rights abuse. “Although other protest and strike actions had taken place preceding the 1966 Gurindji Walk-Off, it was arguably the birth of the national land rights movement in Australia. The events of this time and place have significance for me as a Gurindji/Malngin/Mudburra woman, through my direct family connection to the area, and through my family’s experience as members of the Stolen Generations,” said Brenda L. Croft, curator and participating artist. Croft developed the exhibition through practice-led research with her father’s community, Karungkarni Art and Culture Aboriginal Corporation, UNSW Galleries and UNSW Art & Design. As a part of this, Croft retraced the Gurindji ‘walk-off’ steps in homage to those before her, who made the 22-kilometre journey half a century ago. “I was motivated to develop this exhibition in partnership with Karungkarni artists and Gurindji community members in tribute to those whose profound communal act of courage, resilience and determination changed the course of history.” Croft said.
    [Show full text]
  • No.[Number] 67 1919. July 1. to 1920. Sep[Tember] 30 [1]
    AMS587_64 – Edgar Waite Diary 67 – July 1919 to Sept 1920 This is a formatted version of the transcript file from the Atlas of Living Australia http://volunteer.ala.org.au/project/index/2204841 Page numbers at the bottom of this document do not correspond to the notebook page numbers. Parentheses are used when they are part of the original document and square brackets are used for insertions by the transcriber Text in square brackets may indicate the following: - Misspellings, with the correct spelling in square brackets preceded by an asterisk rendersveu*[rendezvous] - Tags for types of content [newspaper cutting] - Spelled out abbreviations or short form words F[ield[. Nat[uralists] - Words that cannot be transcribed [?] No.[Number] 67 1919. July 1. to 1920. Sep[tember] 30 [1] July. 1. Tues[day] Commencing this month as a convalescent from Sciatica. Locomotion is difficult &[and] slow. Wrote to Melbourne in reply, as to designation of Sardines &[and] pilchards, commercially. (Trades &[and] Customs Dep[artmen]t) 2. Wed[nesday] Received request from Narracoorte*[Naracoorte], through the Agric[ulture] Dep[artmen]t, to lecture at some future date. Com- mittee meeting. 3. Thurs[day] Reported on contents of a tin of Sardines marked [2] "Outing Brand" packed at Stockton Spring, Maine U.S.A. Determined them a Sardina pseudohispanica. (Amblygaster). Paid £1.4.<9>6 for making pattern of new piston. (A.W.Tremewen) 4 Fri[day] Prepared list of genera in fishes, proposed by me for Jordan's "Genera of Fishes. Attended (Presided) meet Aquarium Soc[iety] 5. Sat[urday] Wrote to Jordan and enclosed list of genera 7 Mon[day] Sent pocket wallet to Watson made by Miss Leicester for the purpose- [3] 8 Tues[day] "Children's Hour" for June contains my notes on the Big Whale.
    [Show full text]
  • Sa Arts- Strategic Directions and Fresh Ideas
    SA ARTS- STRATEGIC DIRECTIONS AND FRESH IDEAS STEVEN MARSHALL, STATE LIBERAL LEADER “The arts sector in South Australia is internationally renowned as innovative, vibrant and varied. The State Liberals are committed to seeing all our creative industries thrive and grow.” Steven Marshall State Liberal Leader SOUTH AUSTRALIAN ARTS INDUSTRY Strategic directions and fresh ideas South Australia was once regarded as our nation’s most creative state. 1Adelaide and our regional centres continue to be home to numerous festivals, arts companies, cultural institutions, artists, administrators and creatives who make up our vital arts and creative sector, and whose creative endeavours enlarge and enrich our life, and help us all to celebrate our sense of identity, heritage and cultural diversity. However, after 12 years of Labor our arts and creative community is only just holding its head above water. The Weatherill Labor Government has taken an ad-hoc approach to arts policy. Its lack of a strategic plan for the industry has led to intermittent funding. The drip-feed of State Government funding and excessive red tape has kept arts organisations tied up in paper work and unsure about their economic viability from year to year. A Marshall Liberal Government is committed to seeing our arts and creative industries thrive and grow. We want South Australia to be a place where arts organisations and creative businesses are able to grow and network, be sustainable and plan for the future with confidence. A strong arts and creative sector is able to employ new artists and practitioners, produce new works, collaborate creatively and contribute as critical, creative participants to the culture, tourism and economic drivers of South Australia.
    [Show full text]
  • South Australian Museum Digitisation Project Final Report
    "#$%&!'%(%)%*#)%+,!-.+/01)2! 3%,#4!"0$+.)! 5+6)7!86*).#4%#,!96*06:! ;<==! ! ! ! ! ! ! digitisation ! © South Australian Museum 2011 This document is licensed under Creative Commons 3.0 Australia: Attribution. Attribution: Courtesy of South Australian Museum ! "#$%&!'%(%)%*#)%+,!-.+/01)2!5+6)7!86*).#4%#,!96*06:!;<==! !"#$%#$&! 1! Introduction ..................................................................................................................................................... 1! 2! Equipment ....................................................................................................................................................... 2! 2.1! Microphotography workstation ......................................................................................................... 2! 2.2! Macrophotography workstation ........................................................................................................ 5! 2.3! Additional workstations: Post-processing, scanning, databasing and other activities .............. 7! 2.4! In-kind support from SAMA .............................................................................................................. 7! 3! Process/workflow .......................................................................................................................................... 9! 3.1! Core process: From drawer to digital ................................................................................................ 9! 3.2! Core process (described) ..................................................................................................................
    [Show full text]
  • The Process and Importance of Writing Aboriginal Fiction for Young Adult Readers Exegesis Accompanying the Novel “Calypso Summers”
    The process and importance of writing Aboriginal fiction for young adult readers Exegesis accompanying the novel “Calypso Summers” Jared Thomas Thesis submitted for the degree of Doctor of Philosophy School of Humanities Discipline of English University of Adelaide September 2010 Dedication For the Nukunu and all Indigenous people in our quest to live, reclaim, document and maintain culture. 2 TABLE OF CONTENTS DEDICATION................................................................................................... 2 TABLE OF CONTENTS ................................................................................... 3 ABSTRACT...................................................................................................... 4 STATEMENT OF ORIGINALITY ..................................................................... 5 ACKNOWLEDGEMENTS ................................................................................ 6 INTRODUCTION ............................................................................................. 7 PART A: ABORIGINAL REPRESENTATION AND NEGOTIATING PROTOCOL ......................................................................................................................... 9 Representation of Aboriginal people and culture in film and fiction................ 10 Who can represent Aboriginal Australia and how? ........................................ 13 Identity and its impact on engagement with protocols ................................... 21 Writing in accord with Aboriginal cultural protocols .......................................
    [Show full text]
  • TOURISM INVESTMENT SOUTH AUSTRALIA Welcome to SOUTH AUSTRALIA
    TOURISM INVESTMENT SOUTH AUSTRALIA Welcome to SOUTH AUSTRALIA Bunyeroo Valley, Flinders Ranges & Outback n behalf of the South Australian We’re proud of our regional areas too. Their outstanding leisure Government, I am delighted to attractions are a tourism engine room - accounting for 40 per cent Owelcome you to our vibrant State. of total visitor expenditure. Kangaroo Island is quickly becoming one of the most notable destinations in Australia and is one As Minister for Trade, Tourism and of South Australia’s biggest drawcards. It is home to pristine Investment, I am pleased at the significant wilderness, unique experiences and is globally renowned for number of private investments into South Southern Ocean Lodge and Flinders Chase National Park. Australia that are influencing our economic growth. We’re open for business with new Our visitor economy is breaking records, at an all-time high of hotels and infrastructure projects happening $6.7 billion – well on track to reach the target of $8 billion by 2020. across the State to accommodate our growing number of visitors. The State Government in partnership with the South Australian Tourism Commission will continue to find ways to ensure tourism South Australia is diverse, modern and lively. Boasting world-class plays its part in transforming our economy. food and wine experiences, stunning coastlines, natural beauty and friendly people – we’re a destination unlike any other. You’ll quickly discover that South Australia is a great place to live, visit and do business. Tourism is our super-growth area and I call Our city has been revitalised in recent times, with the on you to be a part of our strong and prosperous future.
    [Show full text]
  • South Australian Heritage Register
    South Australian HERITAGE COUNCIL South Australian Heritage Register List of State Heritage Places in South Australia – as at 2 February 2021 SH FILE NO DATE LISTED STATE HERITAGE PLACE ADDRESS LOCAL COUNCIL AREA 10321 8/11/1984 Goodlife Health Club (former Bank of Adelaide Head Office) 81 King William Street, ADELAIDE Adelaide 10411 11/12/1997 Shops (former Balfour's Shop and Cafe) 74 Rundle Mall, ADELAIDE Adelaide 10479 8/11/1984 Divett Mews (former Goode, Durrant & Co. Stables) Divett Place, ADELAIDE Adelaide 10480 8/11/1984 Cathedral Hotel Kermode Street, NORTH ADELAIDE Adelaide 10629 5/04/1984 Dwelling ('Admaston', originally 'Strelda') 219 Stanley Street, NORTH ADELAIDE Adelaide 1‐Mar Finniss Street and MacKinnon 10634 5/04/1984 Shop & Dwellings Parade, NORTH ADELAIDE Adelaide 10642 23/09/1982 Museum of Economic Botany, Adelaide Botanic Garden Park Lands, ADELAIDE Adelaide 10643 23/09/1982 Barr Smith Library (original building only), The University of Adelaide North Terrace, ADELAIDE Adelaide 10654 6/05/1982 Old Methodist Meeting Hall 25 Pirie Street, ADELAIDE Adelaide Pennington Terrace, NORTH 10756 24/07/1980 Walkley Cottage (originally Henry Watson's House), St Mark's College [modified 'Manning' House] ADELAIDE Adelaide 10760 26/11/1981 House ‐ 'Dimora', front fence and gates and southern boundary wall 120 East Terrace, ADELAIDE Adelaide 10761 28/05/1981 Former Centre for Performing Arts (former Teachers Training School), including Northern and Western Boundary Walls Grote Street, ADELAIDE Adelaide 10762 24/07/1980 Adelaide Remand
    [Show full text]