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California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE JAPANESE FASCINATION TOWARDS THE LEGENDS OF THE CHINESE FIGURE YANG GUIFEI A thesis submitted in partial fulfillment of the requirements For the degree of MASTER OF ARTS in GEOGRAPHY, STANDARD PROGRAM by Jasmine Yu Ting Tung August 2018 1 The thesis of Jasmine Yu Ting Tung is approved: Dr. Steve Graves Date Dr. James Craine Date Dr. Ron Davidson, Chair Date California State University, Northridge ii TABLE OF CONTENTS SIGNATURE PAGE ii ABSTRACT iv CHAPTER 1: INTRODUCTION OF YANG GUIFEI 1 BACKGROUND CHINESE HISTORY 1 ACTUAL LIFE AND DEATH OF YANG GUIFEI 2 CHAPTER 2: JAPANESE LEGENDS OF YANG GUIFEI 6 LEGENDS OF HER AS HUMAN 6 LEGENDS OF HER AS DEITY 11 CHAPTER 3: JAPANESE LITERATURES ON YANG GUIFEI 15 HEIAN PERIOD LITERATURES 15 MEDIEVAL PERIOD LITERATURES 22 TOKUGAWA PERIOD LITERATURES 26 CHAPTER 4: JAPANESE RELIGIOUS ADAPTATIONS 32 SHINTOISM AND NAGOYA ATSUTA SHRINE 32 BUDDHISM AND KYOTO SENNYU JI 39 CHAPTER 5: PAINTINGS AND THEATRICAL PERFORMANCES 45 YANG GUIFEI IN PAINTINGS 45 YANG GUIFEI IN THEATRE 58 CHAPTER 6: JAPANESE REASONS FOR YANG GUIFEI ADORATION 71 RISE OF JAPANESE NATIONALISM 71 RISE OF JAPANESE ORIENTALISM 80 RISE OF JAPANESE RELIGIOUS REFORM 83 ROMANCE AND BEAUTY SYMBOL IN POP CULTURE 88 CHAPTER 7: CONCLUSIONS 102 REFERENCES 104 iii Abstract Why the Japanese Fascination towards the Legends of the Chinese Figure Yang Guifei By Jasmine Yu Ting Tung Master of Arts in Geography, Standard Program This thesis discusses the different versions of the historic Chinese figure Yang Guifei's legends that circulated in Japan, and her various appearances throughout Japanese literatures. -
“First Editions” at the Jin Yong Gallery Dr Yau Kin-Yan, Clarence Jin
An Overview of the “First Editions” at the Jin Yong Gallery Dr Yau Kin-yan, Clarence Jin Yong’s novels were first serialised in the New Evening Post in 1955, but later several offprints (known as “the First Editions”) were also published. They were to be followed by other editions revised by the author himself: the first was edited in the early 1970s, entitled The Jin Yong Novel Collection (referred to as “the Revised Editions”); and the second was further revised and compiled based on “the Revised Editions” (known as “the New Revised Editions”) towards the end of the 20th century. Among them, the First Editions are the most highly valued and avidly sought after by Jin Yong’s fans because the contents have been rewritten over and over again by the author himself in the later editions, and they would like to find out what was in the earliest versions. But with the many decades in between, those old copies are very hard to find today, and this adds to the public’s curiosity for the unknown. “The First Editions” is a generic term that covers not only the nascent versions before Jin Yong started revising them in 1972, but also the printed versions published in various newspapers, magazines, offprints etc. The Jin Yong Gallery of Hong Kong Heritage Museum has on display physical copies of published works and contents that are the most representative of Jin Yong’s novels. In other words, they have lifted the veil from the mysterious unknown, and revived contents that have intrigued Chinese readers in all parts of the world over the last half century. -
Female Knights-Errant in Jin Yong's Fiction by Yin-Jen Chen Bachelor Of
Roaming Nüxia: Female Knights-errant in Jin Yong’s Fiction by Yin-Jen Chen Bachelor of Arts, University of Victoria, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Pacific and Asian Studies ã Yin-Jen Chen, 2017 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Roaming Nüxia: Female Knights-errant in Jin Yong’s Fiction by Yin-Jen Chen B.A., University of Victoria, 2015 Supervisory Committee Dr. Tsung-Cheng Lin (Department of Pacific and Asian Studies) Co-Supervisor Dr. Richard King (Department of Pacific and Asian Studies) Departmental Member Dr. Ai-Lan Chia (Department of Phychology) Outside Member iii Abstract Supervisory Committee Dr. Tsung-Cheng Lin (Department of Pacific and Asian Studies) Co-Supervisor Dr. Richard King (Department of Pacific and Asian Studies) Departmental Member Dr. Ai-Lan Chia (Department of Phychology) Outside Member This thesis will explore the images of nüxia or “female knight-errant” in Jin Yong’s novels: The Eagle-Shooting Heroes, the Giant Eagle and Its Companion, and the Heaven Sword and the Dragon Saber. The depiction of nüxia underwent a significant development from the classical to modern literature of knight-errantry-related genre. Jin Yong, the master of wuxia fiction, has created many remarkable nüxia that distinguishes his nüxia images from the literary conventions. To examine Jin Yong’s uniqueness in portraying nüxia, this thesis will look into the history of nüxia-related works of poetry and classical literature, and analyze Jin Yong’s nüxia in the context of the literary history. -
PDF Download Ancient Chinese Weapons : a Martial Arts Guide
ANCIENT CHINESE WEAPONS : A MARTIAL ARTS GUIDE PDF, EPUB, EBOOK Dr. Jwing-Ming Yang | 142 pages | 29 Apr 1999 | YMAA Publication Center | 9781886969674 | English | Rochdale, United States Ancient Chinese Weapons : A Martial Arts Guide PDF Book Instead, Kung Fu is an umbrella term which refers to the various, often very distinctive martial art schools and styles that originated in the country today known as China, but yet, are similar in the movement they adopt, because of its emblematic circular, fluid and continuous motion, infinite and in suspense, that attempts to emulate the grace and power of animals in action. This revised edition includes a complete redesign with an emphasis on reader usability and modern Chinese typography. The guide below, intended for every kind of user, explains the background, features, and main purpose for the most popular Chinese martial arts weapons. Stuart marked it as to-read Feb 12, Showing Add to Cart Add to Cart. However, once upon a time, the four basic weapons of ancient China, established the supremacy of one of the biggest and most ancient civilizations of Southeast Asia. And while Lister went to lengths to obscure his identity probably because he made some sharp attacks against colleagues in the civil service , one of these later editors of the Straits Times seems to have taken a certain amount of satisfaction in outing him as the actual author. Over the past 5, years, the Chinese have developed a vast array of weapons, built for a multitude of purposes. Most of the martial artists that Lister seems to have been aware of were patent medicine salesmen, retired opera singers, soldiers or gamblers. -
160275764.Pdf
R Jongjairuksa, Kulyanee (2018) A sociological approach to the translation of Chinese martial arts fiction into Thai. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/26168 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. A Sociological Approach to the Translation of Chinese Martial Arts Fiction into Thai Kulyanee Jongjairuksa Thesis submitted for the degree of PhD 2016 Department of Languages and Cultures of South East Asia SOAS, University of London Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Fakt Und Fiktion in Der Chinesischen Kampfkunst
Magisterarbeit zur Erlangung der Würde eines Magister Artium des Sinologischen Seminars der Fakultät für Orientalistik und Altertumswissenschaften der Ruprecht-Karls-Universität Heidelberg Gutachter: Prof. Dr. Rudolf Wagner PH Dr. Barbara Mittler Thema: Fakt und Fiktion in der chinesischen Kampfkunst Untersuchung von Fakt und Fiktion in der chinesischen Kampfkunst anhand eines Vergleichs von kontemporärer Kampfkunstpraxis in China mit ihrer Darstellung in den Romanen des Hongkonger Autoren Jin Yong Vorgelegt von: Thomas Schmidt-Herzog Karlsruherstr. 96 69126 Heidelberg [email protected] Vorgelegt im: Juni 2003 Inhaltsverzeichnis 1. Einleitung ............................................................................................................................... 3 2. Der Wuxia-Romanautor Jin Yong.......................................................................................... 7 2.1 Die Bedeutung des Aspektes der Kampfkunst in den Wuxia-Romanen Jin Yongs....... 12 3. Geschichtliche Entwicklung und Bedeutung des Begriffs Jianghu ..................................... 14 3.1. Die Darstellung des Gebiets der Flüsse und Seen in den Romanen Jin Yongs ............ 17 4. Die Darstellung chinesischer Kampfkunst in den Wuxia-Romanen Jin Yongs................... 28 4.1. Der Daoist Zhang Sanfeng und die Kampfkunst Taijiquan .......................................... 35 4.2. Die inneren und die äußeren Kampfkünste Chinas....................................................... 39 4.3. Das Konzept der Kraft in den chinesischen -
Divine Eagle, Gallant Knights)
Shen Diao Xia Lu (Divine Eagle, Gallant Knights) by Jin Yong Translation Credits: Initial Editor: James Gataiant Lead Translator: Noodles Translators: Lanny Lin, Rayon, Hanky Panky, Athena, BeeDreamer, Dugu Seeking a Win, Xuelian, Xiao_Long_Nu, Frans Soetomo, Hugh (aka IcyFox), Jin_yong_fan. Acknowledgements: With thanks to Athena, Bangs, Da Bao, Han Nguyen, Linh Vu, Huang Yushi, SunnySnow and IcyBlade Disclaimer This work is an unofficial fan translation of Jin Yong’s Shen Diao Xia Lu, 2nd Edition. The Copyright owner is Jin Yong and the publisher of his original Chinese text. The copyright owner of the English translations posted here is the respective translator(s). No part of this translation may be reproduced or stored in a retrieval system, or transmitted in any form or by any means without the prior written permission of the copyright owner(s) nor be otherwise circulated for commercial purpose. Table of Contents Chapter 31 – The Other Half of the Antidote ........................................................... 929 Translated by Bee Dreamer, xuelian & xiao_long_nu Chapter 32 – What is Love ....................................................................................... 958 Translation by Xiao_Long_Nu & Frans Soetomo Chapter 33 – Tales in the Night ................................................................................ 997 Translated by Hugh (aka IcyFox) Chapter 34 – Settling a Dispute .............................................................................. 1026 Translated by Jin_Yong_Fan & Frans Soetomo -
Love of the Condor Heroes Tagalog Version Free Download
love of the condor heroes tagalog version free download The Romance of the Condor Heroes (2014) The story revolves around the protagonist Yang Guo and his lover, Xiao Long Nü, in their adventures in the pugilist world, which disapproves of the taboo love between master and apprentice. Adapted from Jin Yong's novel. Edit Translation. English Español Português 한국어. Related Content. Country: China Type: Drama Episodes: 54 Aired: Dec 3, 2014 - Mar 11, 2015 Aired On: Wednesday, Thursday Original Network: Hunan TV Duration: 45 min. Score: 7.8 (scored by 798 users) Ranked: #1951 Popularity: #2801 Content Rating: Not Yet Rated Watchers: 2,344 Favorites: 0. Where to Watch The Romance of the Condor Heroes. Cast & Credits. Photos. Reviews. First of all, I did not watch the old versions from 1984,1995, 2006 so my judgement will be strictly based on this 2014 version, but for sure I'm gonna give the older ones a try to compare because Romance of the Condor Heroes was a complete failure, that's my opinion of course. So you may ask what is the particularity of this drama ? Simply entertainment and a fresh amazing lead actor : Chen Xiao ; he was probably one of the reason I had to finish this drama no matter what. I really liked the character Chen Xiao portrayed : Yang Kang's son Yang Guo who is a very funny, playful, smart guy. He was not fully aware of his father's past and what sins he committed but it's like he atoned for his father's wrongdoings since he lend a hand to the Guo family and was always here in critical situations. -
PERBEDAAN SIKAP ANTARA LI PING DAN BAO XIRUO Arrabella
PERBEDAAN SIKAP ANTARA LI PING DAN BAO XIRUO 李萍和包惜弱的性格分析 Arrabella Debora Naftalie & Olivia, S.E., M.A., Program Studi Sastra Tionghoa Universitas Kristen Petra, Siwalankerto 121-131, Surabaya 60236 E-mail: [email protected] & [email protected] ABSTRAK Skripsi ini menganalisi sebuah novel berjudul Pendekar Pemanah Rajawali karangan Jin Yong. Di dalam novel ini terdapat dua orang tokoh pembantu yang sangat mempengaruhi kedua tokoh utama dalam novel, yaitu Li Ping dan Bao Xiruo. Li Ping adalah ibu dari Guo Jing, sedangkan Bao Xiruo adalah ibu dari Yang Kang. Tujuan dari penulisan ini adalah untuk mengetahui perbedaan pengajaran antara Li Ping, ibu dari Guo Jing dan Bao Xiruo, ibu dari Yang Kang. Studi ini menggunakan teori penokohan yang diterapkan dalam tokoh Li Ping dan Bao Xiruo untuk mempelajari lebih lanjut sikap-sikap yang mereka miliki, teori konflik juga ditujukan dalam tokoh Li Ping dan Bao Xiruo untuk lebih memahami sikap yang mereka miliki. Kata kunci: Perbedaan, Sikap, Ibu, Novel Pendekar Pemanah Rajawali 摘要 这论文探讨金庸的《射雕英雄传》小说里说明了两位衬托人物李萍跟包 惜弱对主要人物的影响。李萍是郭靖的母亲，包惜弱是杨康的母亲。这论文 的目的是李萍和包惜弱性格的分析。笔者使用造型理论找出李萍跟包惜弱的 性格，以矛盾理论理解她们的性格。 关键词： 性格，分析，母亲，《射雕英雄传》小说 STUDENT JOURNAL – PROGRAM STUDI SASTRA TIONGHOA UNIVERSITAS KRISTEN PETRA PENDAHULUAN Latar Belakang “Sastra adalah bentuk dan hasil pekerjaan seni kreatif yang objeknya adalah manusia dan kehidupannya, dengan menggunakan bahasa sebagai mediumnya. Sebagai seni kreatif yang menggunakan manusia dan segala macam kehidupannya, maka ia tidak saja merupakan suatu media untuk menyampaikan ide, teori atau sistem berpikir tetapi juga merupakan media untuk menampung ide, teori serta sistem berpikir manusia. Sebagai karya kreatif, sastra harus mampu menjadi wadah penyampaian ide-ide yang dipikirkan dan dirasakan oleh sastrawan tentang kehidupan umat manusia.” (Semi Atar, 1993: 8) Banyak penulis yang menulis hanya karena ingin mengabadikan suatu kejadian yang ada dalam segi kehidupannya. -
Record of Occultists
-36 — Record of Occultists AlanAlan]. J. Berkowitz In the formulation of a religious tradition, great attention is paid to the narration of the lives of the protagonists of the religion, both mortal and divinedivine,, the patripatri archs and other individuals credited with the articulation and transmission of the tradition.tradition. For it is the lives of these personages that are as keystoneskeystones in the edifice of the religion and witness the interweaving of the divine and the mundanemundane.. In many ways the Record of Occultists (Xuan pin lulu;; lit. Categorized Record of the Occult) is one of Daoism'’s analogues to the various Lives of Saints in the Western traditiontradition;; and it is a good representative of the hagiographic genre, being inspirational but not homiletic, instructive but not arcane,arcane, entertaining but not frivolous.frivolous. China has a rich tradition of biographical compilation,compilation, both secular and relireli gious.gious. Huijiao'’s (497-554) LivesLives of EminentEminent Monks (Gao(Gaosengseng zhuan),zhuan) , the preemipreemi nent Buddhist example, greatly influenced religious hagiography, but Daoist haghag iography is not entirely derivativederivative,, drawing also from Han and later traditions of compiling records of extraordinary people and strange eventsevents.. Daoist hagiograph-hagiograph ical compilations proliferated as the Daoist religion pervaded Chinese society in a general sense and as sectarian movements and schools established their own particular traditionstraditions.. Some hagiographies recount the life of one or more of the saints associated with particular cults, while others are collective accounts of a more general or comprehensive nature.nature. One hagiography, compiled in the 1120s and called simply A History of Transcendents, supposedly contained accounts of 5050,000,000 persons.persons. -
HUANG Kailin-MA-CHS-Looking at Hong Kong-2007
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS LOOKING AT HONG KONG – JIN YONG'S RETURN OF THE CONDOR HEROES AND CHANG CHEH'S BRAVE ARCHER AND HIS MATE HUANG KAILIN B.A. (Hons), NUS A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF CHINESE STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2007 ACKNOWLEDGMENTS I believe that the people divinely placed in my path have, like the many benefactors Return of the Condor Heroes ' Yang Guo encountered and was treated by as an equal on his way to becoming a highly regarded heroic pugilist, offered me not just assistance but also fellowship in multifarious ways. Specifically, I wish to thank my past and present supervisors, namely Dr. Daisy Ng Sheung-yuen, Dr. Lin Pei-yin and Associate Professor Su Jui-lung. I have subjected them to the peril of having to take me under their wings at one point or another. Associate Professor Lee Cheuk Yin, Dr. James George St. Andre and Dr. Ong Chang Woei have provided generous advice for my research, as well as much appreciated opportunities to participate in their ongoing academic projects. Harvard Project for Asia and International Relations (HPAIR) 2006 afforded me the privilege to present a preliminary draft of my dissertation, but my participation at this conference would not have been possible either without the generous grant and of course, research scholarship, from the Faculty of Arts and Social Sciences. Among my peers, I am greatly indebted to Grace Mak, Ma Lujing Iris, Sabrina Ong, Dr. -
A Story Is Always Born Twice
Sandra Camacho RoCH: Fandom and the nostalgic return So it starts with looking back, it starts with a return. susan pui san lok’s (b. 1972) RoCH (Return of the Condor Heroes) Fans & Legends began with a wish of the London-born artist to look back at her Chinese ancestry; to relate to a culture that, simultaneously, was and wasn’t her own. To make this return she took not to history books, or to unpractised traditions and customs, but instead looked to what had always connected her – and the Chinese diaspora – to their past and to each other: the television adaptations of Jin Yong’s wuxia 1. Tere are many names a project can take: it can begin with its infuencing roots, its conceptual basis, and it can be modifed as the work is adapted or assumes diferent shapes – or lives. RoCH Fans & Legends took its name from two elements: the title of one of Yong’s most popular novels – Return of the Condor Heroes; and the fan community that surrounds it, that ardently discusses and is inspired by it, and transforms it into RoCH. Fandom is key to RoCH, as it is key to lok’s project, as it is key in understanding the work. But let us continue with the 1 Te simplest translation of wuxia – with wu denoting martial or military energies, and xia meaning a heroic or chivalrous individual – is as a genre of literature that primarily focuses on the tales of martial art heroes in ancient China (to whom the closest Western approximation would be that of the ‘errant knight’).