European Identity: Historical Fact and Political Problem7

Total Page:16

File Type:pdf, Size:1020Kb

European Identity: Historical Fact and Political Problem7 SIX KRZYSZTOF POMIAN European Identity: Historical Fact and Political Problem7 magine we are invited to answer two questions: is it possible to speak of a Chi- nese identity, formed in history, which makes China different from the rest I of the world? Can the Chinese find an inspiration in this for their future? For an average Chinese person, an affirmative answer to both questions would be so self-evident as to obviate the need to ask them. For an average European looking at China from the outside, the answers would be no less obvious. But the same European would be much more hesitant if posed the questions with respect to Europe. Where does this difference between Chinese and European identity arise? The answer is easily given. A Chinese person is accustomed to thinking of China as a unified cultural and political entity; as an empire. Europeans, on the other hand, think in terms of plurality: a plurality of idioms, cultural regions, religions, and within religions, confessions. Not to mention, of course, the plurality of nations. The latter has imposed itself so powerfully and for so long on the European imagination that for Europeans, Europe as a reality other than a sum of nations is problematic. It seems self-evident that to be a Dutchman or a Pole is to have a com- mon language, a particular education, traditions, prejudices, habits, customs, and so on. But what it means to be a European is by no means obvious. That is why asking after “European identity” is futile without first showing that one can speak meaningfully of Europe not only as a continent, or as a Union, but also as a cultural and historical formation that is complementary to and superimposed upon nations. 1. The easiest way to do that is to compare Europe with its neighbours. Such an oper- ation, which is tantamount to looking at Europe from the outside, draws atten- 7 Most of this text has been first published 24 August 2009. Original in Dutch in L. Ornstein and L. Breemer (eds.). Paleis Europa. Grote denkers over Europa, as “De Europese identiteit: een historisch feit en een politiek problem”, Amsterdam: De Bezige Bij: 2007, 29-54; Transit 37 (2009) (German version). 76 001-140_Niznik_Europe on Test_168_238_OK_16.06.20.indd 76 16.06.2020 16:35:23 tion to features that distinguish Europe as an inhabited space from Muslim North Africa, the Middle East, and China (assuming we agree, for the time being, to extend Europe to the eastern frontiers of Russia). Let us start with those features that can be perceived by the senses. The most striking is probably the presence of crosses: on buildings, in cemeteries, sometimes also at crossroads and roadsides. The second feature is the plans of cities and architecture, particularly of public buildings; if we leave aside the international style fashionable since the 1930s, the most widespread style is what we call “neoclassical”. The third is the alphabet, which is different from Chinese ideography as well as from the Arabic and other alphabets. There are three major types of this writing, but it is manifest that they belong to the same family. The fourth is the density of images in the public space and in dwelling places of ordinary persons. The fifth is the great number of images that represent human figures, including naked male and female bodies. The sixth is the ringing of bells. The seventh is the presence of Greek, Roman, and mediaeval remains, either as buildings or as ruins or as objects preserved in museums. Some of these features are specific to Europe; some are present elsewhere too. But their coexistence creates a unique visual and aural landscape, which outside Europe can only be found in areas inhabited by Europeans. This inventory is certainly open-ended. And it is very general so as to encom- pass all cultural areas of Europe, in particular the western and the eastern ones, where the form of churches differs (in the East they have onion-shaped domes), as does the appearance of priests, the alphabets used, the vernacular architecture, and the amount of images of naked bodies (much less in the East). It concentrates on what is dominant, obvious, and present almost everywhere on European terri- tory; hence it deliberately neglects the millennial presence in Europe of the Jew- ish minority and the results of globalization, which in the last four decades has installed in Europe significant Muslim, Chinese, Hindu, and Sikh populations. And it is intended to have only statistical validity: in some places, distinctive features of the European cultural space are concentrated and prominent; elsewhere they are weak and rarefied. An attempt at cartography would almost certainly show that their density is the greatest in certain regions of Western Europe. Let us now move from perceptible differences to those that become visible only when European society is compared with its neighbours. First, we discover that Europe has its own way of organizing time, beginning with the week – Sunday being an official holiday – but extending to the year, with its feasts and holidays. The former, in particular Christmas and Easter, are common to Western and to Eastern Europe, although celebrated on different dates because the religious calen- dars do not coincide. Holidays are specific to each country, but each has a national holiday or a Victory Day. Second, Europe possesses its own cultural references. If we try to establish which titles, names, events, and places are referred to with the greatest frequency in European writings, the visual arts, religious and civil cere- monies, political discourse and so on, we arrive at the conclusion that, apart from those disseminated by Christianity on all continents, almost all are either ignored outside Europe or known only to small and learned minorities. However, besides Christian and also Jewish references, Europeans often appeal to ancient Greece 77 001-140_Niznik_Europe on Test_168_238_OK_16.06.20.indd 77 16.06.2020 16:35:23 and ancient Rome; the Latin Middle Ages are more frequently evoked in the West, while the East more often turns towards Byzantium. Modern art, literature, science, political doctrines, and legal norms are common to all parts of Europe. It is true that some of these cultural references are now propagated throughout the world. But if we were to treat them statistically and project the results on a map, it is almost certain that the cluster would have the greatest density in Europe. The third distinctive feature of Europe is its secularity, by which I mean the separation of politics and religion and of citizenship from adherence to a religion or a confession. The fourth is the status of women: European laws recognize only monogamous marriages; women are not compelled to cover their faces, and they have always played an essential role in European culture and politics. The fifth component of European specificity is the absence of dietary restrictions, another legacy of Christianity different to Judaism and Islam. More difficult to describe briefly are habits manifest in everyday life and materialized in the furniture of European homes and offices. All this applies, albeit to a variable extent, to coun- tries born following the European expansion between the sixteenth and the nine- teenth centuries: to the US, Canada, Latin America, Australia, and New Zealand. For brevity’s sake, I will disregard their differences and treat them as projections of Europe outside Europe proper. I stress once more that this is an open-ended inventory. But it is enough to answer in the affirmative the question of whether there are features peculiar to Europe that distinguish it from the rest of the world. If we agree on that, we must seek an explanation for the simultaneous presence in Europe of, on the one hand, the diversity of languages, religions and confessions, signs and symbols, states and nations, and, on the other hand, the unity attested to by the presence of character- istics shared by different groups of Europeans, albeit to a variable degree, differ- entiating them as a whole from their Muslim or Chinese neighbours. If we wish to avoid futile speculation and to remain on an empirical basis obtained through rational methods, then the explanation we need both for Europe’s unity and diver- sity can come only through the study of European history. 2. Present-day Europe, with all its peculiarities, is the outcome of a very long process. I am inclined to locate its starting point somewhere around the middle of the first millennium before Christ. At that time, the Greeks began to colonize the shores of the Mediterranean and the Black Sea, and entered into closer contact with Celts, who occupied the centre of the continent, roughly speaking along the Danube and the Rhine in the north and, in the south, present-day France, then Gaul, northern Italy, and northern Spain. The consequence was Celtic expeditions to lands inhab- ited by Greeks and the slow transformation of Celtic societies. This, in turn, indi- rectly provoked the movement to the south of the northern and eastern neighbours of Celts; let us call them Barbarians without any pejorative connotation. More- over, the influence of Great Greece in southern Italy on its neighbours provided an 78 001-140_Niznik_Europe on Test_168_238_OK_16.06.20.indd 78 16.06.2020 16:35:23 impulse to the growth and the expansion of the small Latin-speaking tribe concen- trated around Rome. In the course of several centuries, the Romans came to domi- nate first their Etruscan and later their Greek neighbours, and started the conquest of the Mediterranean, of northern Italy, and of Transalpine Gaul.
Recommended publications
  • Fifty Years on Culture, Politics and Cultural Policy
    Cinquante ans après Culture, politique et politiques culturelles Fifty Years On Culture, Politics And Cultural Policy Sommaire Table of Contents Sommaire Table of Contents Ouverture Opening Session Frédéric MITTERRAND Frédéric MITTERRAND Maryvonne DE SAINT PULGENT Maryvonne DE SAINT PULGENT Élie BARNAVI Élie BARNAVI Le modèle français en question Examining the French Model Les missions de 1959, vues de 2009 A 2009 perspective on the aims of 1959 Antoine COMPAGNON ............................................... Antoine COMPAGNON .......................................... 5 Redéfinir une culture véritablement cultivée Redefining a genuinely cultured culture Élie BARNAVI Élie BARNAVI Réponse à Antoine Compagnon et à Élie Barnavi Response to Antoine Compagnon and Élie Barnavi Jack LANG Jack LANG CHAPITRE 1 SESSION 1 La construction de l’Europe suppose-t-elle Does the Construction of Europe une politique culturelle commune ? Presuppose a Common Cultural Policy? Les politiques culturelles dans le temps Cultural policies in European time and space. et l’espace européens. Modèles et évolutions Models and evolutions Pierre-Michel MENGER ............................................ Pierre-Michel MENGER ......................................... 10 TABLE RONDE ROUND TABLE Présidée par Jack LANG Chaired by Jack LANG Modérateur : Emmanuel LAURENTIN Facilitator: Emmanuel LAURENTIN Intervenants : Liz FORGAN, Jan-Hendrik OLBERTZ, Panel members: Liz FORGAN, Jan-Hendrik OLBERTZ, Jacques RIGAUD, Ivaylo ZNEPOLSKI Jacques RIGAUD, Ivaylo ZNEPOLSKI La politique
    [Show full text]
  • PRESS RELEASE EXHIBITION : « FORGIVENESS and RECONCILIATION » Boleslaw Kominek, an Unrecognized Father of Europe
    EXHIBITION 09.06 > 30.07.2017 FORGIVENESS AND RECONCILIATION At Space Cardinal Bolesław Kominek AN UNRECOGNIZED FATHER OF EUROPE Ravenstein Gallery www.expokominek.com PRESS RELEASE EXHIBITION : « FORGIVENESS AND RECONCILIATION » Boleslaw Kominek, an unrecognized father of Europe Brussels, Bozar (Ravenstein gallery) from June 9 to July 30 2017 1. The exhibition’s origins In 2007, the exhibition “Europe is our history! 50 years of European construction”, designed and produced by Tempora SA at the request of the Museum of Europe, was presented in Brussels on the occasion of the anniversary of the Treaties of Rome. The exhibition was quite naturally addressed at all Europeans, but in particular, with it being presented in Brussels, was aimed at an audience drawn from the founding Member States of the European Union. In 2009, at the request of the Municipality of Wroclaw, the exhibition was presented in Poland in a version adapted for a Polish audience. The Cardinal Kominek (1903-1974) was part of this adaptation which enabled us to discover his initiatives for reconciliation in Europe. This gave rise to the itinerant exhibition which, after Italy (The Vatican), Germany (Berlin) and Poland (Wroclaw), is today presented in Brussels: it allows us to discover the initiatives, of which most Belgians are largely unaware, of this Polish prelate in favor of reconciliation that was long thought impossible, between Germans and Poles. And therefore, more extensively between Europeans. 2. The historical context “The Poles”, explains the Professor Krzysztof Pomian, exhibition curator, “were still suffering from the scars of the war of servitude and extermination carried out by Nazi Germany against their people, their country and their culture.
    [Show full text]
  • Final Report of the Reflection Group of the European Cultural Foundation (2002-2004)
    EUROPEAN CULTURAL FOUNDATION Final Report Otto von der Gablentz Europe Andrei Ples¸u Z˘elimir Z˘ilnik of the Reflection Group as a Geert Mak Michael Naumann of the European Cultural Foundation Krzysztof Pomian Cultural Sonja Licht Nasr Abu Zayd (2002-2004) Project Maarten van Veen Dragan Klaic Preface One of the ways in which foundations contribute to The Europe that inspired the ECF's founding fathers society is by helping to produce social and cultural as well as the Europe of the 'Eurocrats' are capital. Foundations are private bodies acting within substantially different from the European experience the public sphere, and as such they have an of the coming generation. Continuing the nautical obligation to society to be responsible in what they metaphor, one might say that the ECF, quite an try to achieve. That said, they also have a freedom elderly vessel, sails between prestigious traditions which is less available to public bodies: the freedom and prospective shores. Having taken upon itself a to take risks. Unhindered by cumbersome wide cultural remit, from policy development to the bureaucracy, foundations can invest in undertakings promotion of artistic projects, the ECF as an that are not a 'sure thing', but which have exciting admittedly small foundation runs the risk of getting prospects. They can look beyond day-to-day 'lost in translation' unless it remains constantly open operations to explore uncharted territory and and self-critical. anticipate new directions. All the more reason, then, to invite intellectuals, Yet reality can often be a barrier to reflection, artists, media figures, policy and business experts to organisational demands prevent risk-taking, and re-conceptualize the challenges facing Europe and, individual shortcomings limit the potential to consequently, the ECF.
    [Show full text]
  • MAKING SENSE of CZESLAW MILOSZ: a POET's FORMATIVE DIALOGUE with HIS TRANSNATIONAL AUDIENCES by Joanna Mazurska
    MAKING SENSE OF CZESLAW MILOSZ: A POET’S FORMATIVE DIALOGUE WITH HIS TRANSNATIONAL AUDIENCES By Joanna Mazurska Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History August, 2013 Nashville, Tennessee Approved: Professor Michael Bess Professor Marci Shore Professor Helmut W. Smith Professor Frank Wcislo Professor Meike Werner To my parents, Grazyna and Piotr Mazurscy II ACKNOWLEDGEMENTS I would like to express my gratitude to the members of my Dissertation Committee: Michael Bess, Marci Shore, Helmut Smith, Frank Wcislo, and Meike Werner. Each of them has contributed enormously to my project through providing professional guidance and encouragement. It is with immense gratitude that I acknowledge the support of my mentor Professor Michael Bess, who has been for me a constant source of intellectual inspiration, and whose generosity and sense of humor has brightened my academic path from the very first day in graduate school. My thesis would have remained a dream had it not been for the institutional and financial support of my academic home - the Vanderbilt Department of History. I am grateful for the support from the Vanderbilt Graduate School Summer Research Fund, the George J. Graham Jr. Fellowship at the Robert Penn Warren Center for the Humanities, the Max Kade Center Graduate Student Research Grant, the National Program for the Development of the Humanities Grant from the Polish Ministry of Science and Higher Education, and the New York University Remarque Institute Visiting Fellowship. I wish to thank to my friends at the Vanderbilt Department of History who have kept me company on this journey with Milosz.
    [Show full text]
  • The Political Background of Europeana.Eu Portal1
    Dušan Miletić УДК 32:008.91(04) The Political Background of Europeana.eu Portal1 Abstract: This paper examines the political background of the European cross-domain cultural and scientifi c heritage portal Europeana.eu from multiple perspectives, as it is simultane- ously a reaction to the Google Books projects that is deemed a threat to European cultural infl uence, and a part of the EU’s identity-forging strategies. While examining Europeana’s for- mat, the paper goes on to suggest that this website is not a regu- lar digitized heritage portal, arguing that a new kind of supra- national identity requires a new kind of cultural institution to support it. The last part of the paper fi nds that in fulfi lling its two major tasks – promoting cultures of European nation-state and bringing their common cultural heritage to fore – Euro- peana treats the later as a higher priority. Keywords: Europeana, Politics, Culture, Heritage, Identity Culture, identity and politics rarely exist as separate, independent spheres. More often they form an interwoven web of infl uences and support and reinforce each other, to an extent that sometimes it is hard to tell where one ends and the other begins. Culture played a signifi cant role in formation of identities of newly formed nation-states during the nineteenth century, and the European Union recognizes culture as a key element which is necessary for successful European integration. Most of its cultural projects have a promi- nent identity-forging and cultural cohesion dimension, and Europeana is not an exception to that rule. Even though it’s clearly stated political agenda is often mentioned in the works dealing with this portal, it is rarely elaborated.
    [Show full text]
  • Report on the Activities of the Museum of the Second World War in 2014 Report on the Activities of the Museum of the Second World War in 2014
    Report on the activities of the Museum of the Second World War in 2014 Report on the activities of the Museum of the Second World War in 2014 Gdańsk 2015 Table of contents Important events of 2014 7 Work on the permanent exhibition 11 Museum construction 15 Collection 21 Scholarly activity and publications 35 Exhibitions 43 “The Explosion” film and multimedia performance 49 Educational activity 53 National and international cooperation 65 About the Museum 71 Professor Paweł Machcewicz, director of the Museum of the Second World War in Gdańsk. Photo: Renata Dąbrowska/Agencja Gazeta. Report on the activities of the Museum of the Second World War in 2014 n 2014 the Museum began to “grow” out of the ground. The construction of the vital elements of Ithe underground section of the building had been completed. The future location of the permanent exhibition, the underground part is going to be the “heart” of the Museum. Walking on the bottom floor, which is a huge concrete slab placed 15 metres below the ground level, you can clearly see the outline of the future exhibition space, the individual rooms, and the main interior “avenue”, designed as a reflection of the main street of the Wiadrownia quarter — a Gdańsk quarter which used to be here until 1945 and whose remains were unearthed during the archaeological survey preceding the construction of the Museum. Aside from the construction, efforts are being made to obtain valuable exhibits for the exhibition. Let us mention only two of which the Museum acquired in 2014. The Norwegian Armed Forces Museum presented us with a German Enigma coding machine, which is to serve as a reminder that it was the Polish mathematicians who broke its code back in the 1930s, greatly contributing to the later victory of the Allies.
    [Show full text]
  • Politics of the Past: the Use and Abuse of History
    Cover History and Politics:Mise en page 1 3/20/09 4:04 PM Page 1 Twenty years after the end of the Cold War and the collapse of communism the battles about the right interpretation of the twentieth century past are still being fought. In some countries even the courts have their say on what is or is not the historical truth. But primarily politicians have claimed a dominant role Politics of the Past: in these debates, often mixing history and politics in an irresponsible way. The European Parliament has become the arena where this culminates. Nevertheless, not every Member of Parliament wants to play historian. That is the The Use and Abuse of History background of Politics of the Past, in which historians take the floor to discuss the tense and ambivalent relationship between their profession and politics. Pierre Hassner: “Judges are no better placed than governments to replace open Edited by dialogue between historians, between historians and public opinion, between citizens and within and between democratic societies. That is why this book is Hannes Swoboda and such an important initiative.” Jan Marinus Wiersma Politics of the Past: The Use and Abuse of History The of the Past: Politics Cover picture: Reporters/AP 5 7 2 6 2 3 2 8 2 9 ISBN 92-823-2627-5 8 7 QA-80-09-552-EN-C ISBN 978-92-823-2627-5 9 Politics of the Past: The Use and Abuse of History Edited by Hannes Swoboda and Jan Marinus Wiersma Dedicated to Bronisław Geremek Bronisław Geremek, historian, former political dissident and our dear colleague, was one of the speakers at the event which we organized in Prague to commemorate the Spring of 1968.
    [Show full text]
  • (1946-2000) (Association Institut Littéraire "Kultura") (Poland) Ref N° 2008-54
    MEMORY OF THE WORLD REGISTER Archives of the Literary Institute in PARIS (1946-2000) (Association Institut Littéraire "Kultura") (Poland) Ref N° 2008-54 PART A – ESSENTIAL INFORMATION 1 SUMMARY ARCHIVES of THE LITERARY INSITUTE in PARIS (1946-2000) (Association Institut Littéraire “Kultura”) The Archives of the Literary Institute are the complete documentation of the Institute’s activities in the years 1946-2000. They are a unique collection, which depicts the work of an unparalleled emigration institution, which, thanks to the intellectual and political vision implemented for decades by its founders and leaders, played an extremely vital role in one of the most important historical events of the 20th century – the peaceful victory over the communist dictatorship and the division of the world into two hostile political blocs. The Institute significantly contributed to the success of the transformation of 1989-1990s by creating intellectual and political foundations, which, through a dialogue of the elites, allowed for reconciliation between the nations of Eastern and Central-Eastern Europe. The Institute also deserves recognition because it enabled the intellectuals of this part of Europe to participate in a wide international intellectual exchange in a period of an information blockade and censorship that lasted till the end of the 1980s. The Institute fulfilled the functions of: • the publishing house that produced the journal “Kultura” that inspired intellectuals from Central-Eastern Europe and fought against censorship in the countries under totalitarian rule, • a centre of independent political thought for emigrants from Eastern European countries, such as Poland, Ukraine, Belarus, Czechoslovakia, Hungary, Baltic countries, • an organizer of support for authors, dissidents and independent organizations from countries behind the Iron Curtain in the 1950s and 1960s, especially for organizations that were established in the 1970s, like e.g.
    [Show full text]
  • The Sarmatian Review
    THE SARMATIAN REVIEW Vol. XVIII, no. 1 January 1998 The Range of Central European Literatures Polish Yiddish German Poetry Short Story Children’s Warsaw in the eighteenth century. 498 THE SARMATIAN REVIEW January 1998 The Sarmatian Review (ISSN 1059- “The March Breezes, ” a 5872) is a triannual publication of the Polish In- From the Editor powerful Hemingwayesque story by the stitute of Houston. The journal deals with Polish, In order to be noticed in German writer Marie Luise Kaschnitz, Central, and Eastern European affairs, and their American society, a common-interest was ably translated by Professor Hal implications for the United States. We specialize group (we prefer this designation to the in the translation of documents. Rennert. It deals with what is still Subscription price is $12.00 per year for individu- ideologized ‘minority’) has to be insufficiently known and understood in als, $18.00 for institutions and libraries ($18.00 described in a language that incorporates German society: Nazi behavior toward for individuals, $24.00 for libraries overseas, air the idiom of the day and remains both Polish peasants and Polish mail). The views expressed by authors of articles comprehensible to the group in question. do not necessarily represent those of the Editors intellectuals in World War II. or of the Polish Institute. Articles are subject to The Irish have described themselves Among the crop of excellent editing. Unsolicited manuscripts are not returned abundantly, the central and eastern reviews, we would like to single out unless accompanied by a self-addressed and Europeans less so. The writers John Mark Wegierski’s comments on the stamped envelope.
    [Show full text]
  • Die Immigration Und Integration Der Polnischen Juden Von 1968 in Israel
    Eik Dödtmann Exil oder Heimat? Die Immigration und Integration der polnischen Juden von 1968 in Israel Eine qualitative Fallstudie auf Basis von Interviewanalysen Pri ha-Pardes | 8 Pri ha-Pardes | 8 Eik Dödtmann Exil oder Heimat? Die Immigration und Integration der polnischen Juden von 1968 in Israel Eine qualitative Fallstudie auf Basis von Interviewanalysen Universitätsverlag Potsdam Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbiblio- graphie; detaillierte bibliografische Daten sind im Internet über http://dnb.de abrufbar. Universitätsverlag Potsdam 2013 http://verlag.ub.uni-potsdam.de/ Am Neuen Palais 10, 14469 Potsdam Tel.: +49 (0)331 977 2533 / Fax: -2292 E-Mail: [email protected] Die Schriftenreihe Pri ha-Pardes wird herausgegeben von Nathanael Riemer im Auftrag der Vereinigung für Jüdische Studien e.V. in Verbindung mit dem Institut für Jüdische Studien der Universität Potsdam ISSN (print) 1863-7442 ISSN (online) 2191-4540 Zugl.: Potsdam, Univ., Magisterarbeit, 2007 Dieses Werk ist unter einem Creative Commons Lizenzvertrag lizenziert: Namensnennung – Keine kommerzielle Nutzung – Keine Bearbeitung 3.0 Deutschland Um die Bedingungen der Lizenz einzusehen, folgen Sie bitte dem Hyperlink: http://creativecommons.org/licenses/by-nc-nd/3.0/de/ Druck: docupoint GmbH Magdeburg Layout und Satz: Frank Schlöffel Umschlaggestaltung: Attila Szamosi ISBN 978-3-86956-249-0 Zugleich online veröffentlicht auf dem Publikationsserver der Universität
    [Show full text]
  • THE INSTITUTION of the MUSEUM, MUSEUM PRACTICE and EXHIBITS WITHIN the THEORY of POSTCOLONIALISM – PRELIMINARY RESEARCH Magdalena Michalik
    museums and collections Muz., 2018(59): 28-33 Rocznik, eISSN 2391-4815 received – 01.2018 reviewed – 02.2018 accepted – 02.2018 DOI: 10.5604/01.3001.0011.7254 THE INSTITUTION OF THE MUSEUM, MUSEUM PRACTICE AND EXHIBITS WITHIN THE THEORY OF POSTCOLONIALISM – PRELIMINARY RESEARCH Magdalena Michalik University of Gdańsk Abstract: The article contributes to considerations on the temporary exhibition in Berlin – “Deutscher Kolonialismus: exhibits of colonial origin that exist in Western culture, and Fragmente seiner Geschichte und Gegenwart” from 2017. on the institution of museum with regard to the terms of The problems that have been examined reveal the hybrid postcolonial theory. Moreover, it addresses practical issues structure of “semiophores” coming from outside Europe, concerning museum’s policy towards artefacts of non- which makes both their reception by the viewer and the European origin. I referred to the basic concepts used in way of their presentation by the museum difficult. The the theory of postcolonialism, such as: otherness, hybridity, article helps to realise that displaying the “otherness” of the mimicry, the Third Space, and to the interpretation of non-European cultures is quite a challenge for curators, collectibles – “semiophores” (carriers of meaning) – as named similarly as the concept of such institution like museum by Krzysztof Pomian. I presented issues related to museum must be for these cultures. This results in creation by the exhibitions, and the existence of museums in countries museum of the so-called Third
    [Show full text]
  • ANNUAL REPORT 2018 POLISH ACADEMY of SCIENCES of ACADEMY POLISH the Order of the White Eagle
    ANNUAL REPORT 2018 POLISH ACADEMY of SCIENCES of ACADEMY POLISH The Order of the White Eagle The oldest and highest state decoration of the Republic of Poland, awarded for remarkable civil and military merits, during the time of peace and war, for the glory and development of the Republic of Poland. It is awarded to the most eminent Poles and the highest-ranking representatives of foreign countries. In 2017 President Andrzej Duda decorated two members of the Polish Acad- emy of Sciences with the Order of the White Eagle in recognition of their contribution to the development of Polish medicine and for their achieve- ments in scientific and research work: Professor Ryszard Jerzy Gryglewski Polish pharmacologist and physician, ordinary member of the Polish Academy of Sciences since 1991, Professor emeritus at the Collegium Medi- cum, Jagellonian University, recipient of honorary doctorates from numerous universities worldwide. In 1976, together with S. Bunting, J. Vane and S. Moncada, he discovered prostacyclin, which set off many further scientific discoveries. A year later he discovered the first selective inhibitor of throm- boxanes. One of the most-cited authors in the world literature in the field of biomedical sciences in the A. HRECHOROWICZ/KPRP A. years 1965‒2005. Professor Mieczysław Chorąży Specialist in biochemistry and molecular biology of cancer, ordinary member of the Polish Academy of Sciences, longtime Head of the Department of Biology of Cancer of the Maria Skłodowska-Curie Institute – Oncology Center in Gliwice. Recipient of the title of doctor honoris causa from the Medi- cal University of Bialystok and Medical University of Silesia.
    [Show full text]