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Greenwich Park
GREENWICH PARK CONSERVATION PLAN 2019-2029 GPR_DO_17.0 ‘Greenwich is unique - a place of pilgrimage, as increasing numbers of visitors obviously demonstrate, a place for inspiration, imagination and sheer pleasure. Majestic buildings, park, views, unseen meridian and a wealth of history form a unified whole of international importance. The maintenance and management of this great place requires sensitivity and constant care.’ ROYAL PARKS REVIEW OF GREEWNICH PARK 1995 CHAIRMAN’S FOREWORD Greenwich Park is England’s oldest enclosed public park, a Grade1 listed landscape that forms two thirds of the Maritime Greenwich World Heritage Site. The parks essential character is created by its dramatic topography juxtaposed with its grand formal landscape design. Its sense of place draws on the magnificent views of sky and river, the modern docklands panorama, the City of London and the remarkable Baroque architectural ensemble which surrounds the park and its established associations with time and space. Still in its 1433 boundaries, with an ancient deer herd and a wealth of natural and historic features Greenwich Park attracts 4.7 million visitors a year which is estimated to rise to 6 million by 2030. We recognise that its capacity as an internationally significant heritage site and a treasured local space is under threat from overuse, tree diseases and a range of infrastructural problems. I am delighted to introduce this Greenwich Park Conservation Plan, developed as part of the Greenwich Park Revealed Project. The plan has been written in a new format which we hope will reflect the importance that we place on creating robust and thoughtful plans. -
The Gothick COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B the Gothick COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice the Gothick a national style a style with genuine associational values a style for which there was local archaeological evidence a style with links to real architecture THETHE EARLYEARLY GOTHICKGOTHICK Woodstock Manor, Oxfordshire, illustrated in 1714 J D Hunt & Peter Willis [eds], The Genius of the Place (London 1975), p 119 The Belvedere, Claremont, Esher, Surrey, by Vanbrugh, c 1715-16; Vanbrugh Castle, Greenwich, by Vanbrugh, 1717 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 46; Miles Lewis King Alfred's Hall, Cirencester Park, begun 1721, contemporary & modern views Christopher Hussey, English Gardens and Landscapes (London 1967), pl 93 mock Fort at Wentworth Castle, begun 1728 Vilet's engraving of 1771 & modern photo of the remains Country Life, 14 February 1974, p 309 the 'Temple' at Aske, Yorkshire, apparently by William Kent, built by William Halfpenny between 1727 and 1758: view & ceiling of the principal room in the Octagon Tower Mott & Aall, Follies and Pleasure Pavilions, p 29; Country Life, 26 September 1974, -
University Microfilms 300 North Zaeb Road Ann Arbor
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
London Greenwich Wal
Exploring the ends of the earth A self-guided walk around Greenwich Discover a centre of navigation and exploration Visit world-famous landmarks and hidden corners Enjoy spectacular views across London Find out how Greenwich links many countries and divides the Earth .walktheworld.or www g.uk Find Explore Walk 2 Contents Introduction 4 Route overview 5 Practical information 6 Commentary 8 Further information 34 Credits 35 © The Royal Geographical Society with the Institute of British Geographers, London, 2012 Walk the World is part of Discovering Places, the London 2012 Cultural Olympiad campaign to inspire the UK to discover their local environment. Walk the World is delivered in partnership by the Royal Geographical Society (with IBG) with Discovering Places (The Heritage Alliance) and is principally funded by the National Lottery through the Olympic Lottery Distributor. The digital and print maps used for Walk the World are licensed to RGS-IBG from Ordnance Survey. 3 Exploring the ends of the earth Discover how maritime Greenwich shaped the world Welcome to Walk the World! This walk in Greenwich is one of 20 in different parts of the UK. Each walk explores how the 206 participating nations in the London 2012 Olympic and Paralympic Games have been part of the UK’s history for many centuries. Along the routes you will discover evidence of how different countries have shaped our towns The Royal Observatory and cities. Rory Walsh © RGS-IBG Discovering Britain Greenwich is one of the world’s most famous maritime sites. As the home of the Royal Observatory, Old Royal Naval College, the National Maritime Museum and the Cutty Sark, the area attracts thousands of visitors from worldwide. -
The Literary London Journal
The Literary London Journal The Mechanics of the Occult: London’s Psychogeographical Fiction as Key to Understanding the Roots of the Gothic David Ashford (University of Surrey, UK) The Literary London Journal, Volume 10 Number 2 (Autumn 2013) Fig.1 The Mason's Carpet - as represented on the masonic apron presented to George Washington by General Lafayette in 1784. From Robert Macoy, Illustrated History and Cyclopedia of Freemasonry. New York: Masonic Publishing Co., 1896: 85. <1>The temple is perfected on the killing of the architect. The masterword being withheld, his assailants strike the skull three times, with plumb-rule, level and maul. In recoil, passes from south to north, between pillars of brass (each bears a ball: the giving and receiving of strength), to the east and: collapses to a pavement (chequered, white and black flag). The body is buried on top of a hill. The grave is a secret marked with a sprig of acacia. <2>This is the Third Degree. To acquire the name of a Master-Mason, the Initiate must proceed through a diagrammatic map or plan; the story of the architect plays out on a schematic representation of the temple-complex, a mnemonic device surely inspired by the method of loci, or Memory Palace, spoken of in the Rhetorica ad Herrenium. ‘Persons desiring to train this faculty (of memory) must select places and form mental images of the things they wish to remember’, wrote Cicero (Book II, lxxxvi, 351-4). In so doing, practitioners produce an imaginary architecture they enter at will, a series of spaces that contain objects. -
The Building of Clare College Chapel’, the Georgian Group Journal, Vol
John Brushe, ‘The building of Clare College Chapel’, The Georgian Group Journal, Vol. X, 2000, pp. 84–91 TEXT © THE AUTHORS 2000 THE BUILDING OF CLARE COLLEGE CHAPEL OHN BRUSHE he consecration of the new chapel in was finally completed in . Of the old court only the Tthe culmination of the rebuilding of the college chapel survived. begun in . None of the earlier buildings survive Donations specifically for rebuilding the chapel to tell the visitor that Clare is the second oldest of the were made as early as when the college received Cambridge colleges, founded, as Clare Hall, in , £ from a Fellow, Mr James Goodwin. The Bishop more than a century before the foundation of its of Ely, Dr Peter Gunning, a former Fellow, gave £ neighbour King’s College in . The original college in . Money continued to trickle in until buildings were built round a courtyard to the west side when Dr John Wilcox, Master of Clare for years, of Milne Street, the present Trinity Lane. Milne Street died, leaving the college the residue of his estate for was no cul-de-sac then, but a back lane running the purpose of providing a new chapel. After the sale parallel to the High Street to join Queen’s Lane. The of stock and other assets his will realised £ , s first buildings of King’s were built opposite Clare on ¾d, which was to cover the greater part of the cost a cramped site between the Schools and Milne Street. of building the new chapel. Henry VI had more ambitious plans. -
Neil Rhind Publishes His New Book on Blackheath
NEWSLETTER WINTER 2020 NEIL RHIND PUBLISHES HIS NEW BOOK ON BLACKHEATH Our President, Neil Rhind, has for the Society, was commissioned Blackheath and Hampstead Heath completed the third volume by the Greater London Council to were designated at risk, and write a modest pamphlet marking careful lobbying of the freehold of his major work, Blackheath the 100th anniversary in 1971 of owners - in our case the Earls of Village & Environs, and this will the taking into care of Blackheath’s Dartmouth and Queen Victoria - be published by the Society 275 acres, for the benefit of the convinced them that they should before Christmas. people of London in perpetuity. give up their rights, but not the freeholds. The exact date was still to be finalised as the Newsletter went to This encouraged the introduction press and we hope to hold a Zoom of an Act of Parliament which launch event for the book, covering would protect these precious Lewisham and Lee parishes, in acres for ever. In 1869 that December. Please watch our website was done and in 1871 the and regular emails to members for Supplemental Act, protecting the confirmation of both events. heaths, was passed. His first single volume covering Since then our local residents the Village and the Vale appeared have been tenacious in guarding in 1976 and, encouraged by the the qualities of Blackheath as bookseller the late Louis Leff, and a topographical entity, not just others, he published Volume II in Other open spaces within the the green area in the middle, 1983. This had 400 pages and over London suburbs, some of them but the fringe suburb we all call 200 illustrations, maps and indices. -
Literature Oxford, He Built Tom Tower, a Rather Florid Gothic Gatehouse
12_D Michael J. Lewis, "The Gothic Revival", London, 2002, pp.13-57,81-93,105-23 it)' with existing buildings. vVren felt that 'to deviate from the old Form, would be to rurn [ a building] into a disagreeable Mixture, which no Person ofa good Taste could relish.' At Christ Church. Chapter 1: Literature Oxford, he built Tom Tower, a rather florid Gothic gatehouse. For the restoration of\Vesmlinster Abbey he made designs for a Gothic facade and transept, intending 'to make the whole of a Piece'. \ Vren also appreciated the structural refinements of the Gothic. At St Paul's, London, the crowning achie\'ement of his .My stud.y holds three thousand volumes classicism, he supported the great barrel va ult of the navc with a AndJet Jsighfor Gothic columns. mighty array of fly ing bu ttresses, although these were carefully Sanderson Miller, 1750 masked from sight behind a blank second-storey wall. Here was the characteristic seventeenth-century attitude toward the It is a leap to go frolll writing poems about ruins to making ruins Gothic: respect and admi ration for its structural achievements, to represent poems, but in the early eighteenth century England horror and disgust for its vi su al fo rms. did just this. The Gothic Revival began as a literary movement. Throughout Europe, simila r attitudes prevailed. Damaged or drawing its im pulses from poetry and drama, an d trans lating dila pidated cathed rals were patched with simplified Gothic ele them in to architecture. It was swept into exis tence in Georgian ments, as at ~ oyon, France in the mid-eighteenth century. -
Horace Walpole and Strawberry Hill
Sybil Campbell Library Monograph Number 3 Horace Walpole and Strawberry Hill Summary of a talk by Nancy Edwards, 8 March 2005 Horace Walpole (1717-1797), author, politician and patron of the arts, was the youngest child of the statesman, Sir Robert Walpole. Educated at Eton and King’s College, Cambridge, he went on the Grand Tour between 1739 and 1741 accompanied by the poet, Thomas Gray. In Florence, Horace met Horace Mann, minister there, who became one of his chief correspondents, and John Chute, who inherited The Vyne, Hampshire, and became one of the Committee of Taste at Strawberry Hill, at first with Richard Bentley. Horace catalogued his father’s collection at Houghton (now mostly in the Hermitage), publishing Aedes Walpolianae in 1747. He entered Parliament in 1741, serving for 21 years in three different seats. His political career and letters, returned at his request, provided material for Memoirs of George II* and Memoirs of George III*, both published posthumously. His income from public sources has been estimated at £3,000 p.a. Mrs Helen Paget Toynbee edited the first collected edition of his correspondence (1903-1908)*. W.S. Lewis edited the letters in 48 volumes (Yale edn. 1937-1983). Walpole’s women correspondents included the blind Madame du Deffand (d.1780); these 800 letters, edited by Mary Berry in 1810*, with an enlarged edition by Mrs Paget Toynbee in 1912*, were sold in 1842, but are now with a large part of Horace’s library and collections at Farmington, Connecticut. The enthusiasm of Ivy Davison, cousin of Sybil Campbell, the first woman to edit The Geographical Magazine and one of the Library’s greatest benefactors, resulted in the Library holding Walpole’s Description of Strawberry Hill , 1784, and the catalogue of the sale, 1842, plus her unpublished typescript, At the Country Villas. -
English Baroque COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B English Baroque COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice thethe EnglishEnglish BaroqueBaroque vv thethe PalladianPalladian RevivalRevival Christopher Wren Colen Campbell Nicholas Hawksmoor Lord Burlington John Vanbrugh William Kent James Gibbs James Flitcroft TALMANTALMAN && ARCHERARCHER Versailles, park front, in a contemporary painting MUAS 11,461 Chatsworth, south front with the water parterre and Emperor Fountain commercial slide CH 7 Chatsworth, east front by Talman, 1693, with cascade Miles Lewis St John's, Smith Square, by Thomas Archer, 1714-1728 Miles Lewis St John's, Smith Square, details Miles Lewis St John's, Smith Square, details Miles Lewis St John's, Smith Square, tower; St Paul's Cathedral, London, by Christopher Wren, 1675-1710, detail of west towers Miles Lewis, 14,986 NICHOLASNICHOLAS HAWKSMOORHAWKSMOOR St Vedast, Foster Lane, 1670-3: steeple 1694-7 Miles Lewis Downes, Christopher Wren, p 174 Steeple of St James's, Garlickhythe, by Wren's office, probably Hawksmoor, 1714-1717, and project for the steeple of St Augustine, Watling Street, by Hawksmoor, early 1690s Downes, Hawksmoor, pp -
Horace Walpole and John Giles Eckardt: a Study of 'Political' Patronage and a Forgotten Artist
University of Bristol Department of History of Art Best undergraduate dissertations of 2015 Charles Gayner Horace Walpole and John Giles Eckardt: A study of 'political' patronage and a forgotten artist The Department of History of Art at the University of Bristol is commit- ted to the advancement of historical knowledge and understanding, and to research of the highest order. We believe that our undergraduates are part of that endeavour. For several years, the Department has published the best of the annual dis- sertations produced by the final year undergraduates in recognition of the excellent research work being undertaken by our students. This was one of the best of this year’s final year undergraduate disserta- tions. Please note: this dissertation is published in the state it was submitted for examination. Thus the author has not been able to correct errors and/or departures from departmental guidelines for the presentation of dissertations (e.g. in the formatting of its footnotes and bibliography). © The author, 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means without the prior permission in writing of the author, or as expressly permitted by law. All citations of this work must be properly acknowledged. 53028 Horace Walpole and John Giles Eckardt: A study of ‘political’ patronage and a forgotten artist Dissertation Submitted for the Degree of B.A. Honours in History of Art 2014/2015 3 Contents Abstract Page 5 Introduction Page 7 a) Literature Review Page 8 b) Methodology Page 10 1. John Eckardt and Horace Walpole Page 12 a) Rising to fashion as a foreign artist (1740-1746) b) Horace Walpole patronage (1746-1763) Page 15 2. -
Part Three: Development of Conservation Theories
J. Jokilehto, A History of Architectural Conservation D. Phil Thesis, University of York, 1986 Part Three: Development of Conservation Theories Page 230 J. Jokilehto Chapter Thirteen Restoration of Classical Monuments 13.1 Principles created during the French Concorde, symbolized this attitude. Consequently, Revolution it was not until 1830s before mediaeval structures had gained a lasting appreciation and a more firmly The French Revolution became the moment established policy for their conservation. of synthesis to the various developments in the appreciation and conservation of cultural heritage. 13.2 Restoration of Classical Monuments Vandalism and destruction of historic monuments (concepts defined during the revolution) gave a in the Papal State ‘drastic contribution’ toward a new understanding In Italy, the home country of classical antiquity, where of the documentary, scientific and artistic values legislation for the protection of ancient monuments contained in this heritage, whcih so far had been had already been developed since the Renaissance closed away and forbidden to most people. Now for (or infact from the times of antiquity!), and where the the first time, ordinary citizens had the opportunity to position of a chief Conservator existed since the times come in contact with these unknown works of art. The of Raphael, patriotic expressions had often justified lessons of the past had to be learnt from these objects acts of preservation. During the revolutionary years, in order to keep France in the leading position even when the French troops occupied Italian states, and in the world of economy and sciences. It was also plundered or carried away major works of art, these conceived that this heritage had to be preserved in situ feelings were again reinforced.