The Building of Clare College Chapel’, the Georgian Group Journal, Vol
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The Gothick COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B the Gothick COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice the Gothick a national style a style with genuine associational values a style for which there was local archaeological evidence a style with links to real architecture THETHE EARLYEARLY GOTHICKGOTHICK Woodstock Manor, Oxfordshire, illustrated in 1714 J D Hunt & Peter Willis [eds], The Genius of the Place (London 1975), p 119 The Belvedere, Claremont, Esher, Surrey, by Vanbrugh, c 1715-16; Vanbrugh Castle, Greenwich, by Vanbrugh, 1717 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 46; Miles Lewis King Alfred's Hall, Cirencester Park, begun 1721, contemporary & modern views Christopher Hussey, English Gardens and Landscapes (London 1967), pl 93 mock Fort at Wentworth Castle, begun 1728 Vilet's engraving of 1771 & modern photo of the remains Country Life, 14 February 1974, p 309 the 'Temple' at Aske, Yorkshire, apparently by William Kent, built by William Halfpenny between 1727 and 1758: view & ceiling of the principal room in the Octagon Tower Mott & Aall, Follies and Pleasure Pavilions, p 29; Country Life, 26 September 1974, -
Literature Oxford, He Built Tom Tower, a Rather Florid Gothic Gatehouse
12_D Michael J. Lewis, "The Gothic Revival", London, 2002, pp.13-57,81-93,105-23 it)' with existing buildings. vVren felt that 'to deviate from the old Form, would be to rurn [ a building] into a disagreeable Mixture, which no Person ofa good Taste could relish.' At Christ Church. Chapter 1: Literature Oxford, he built Tom Tower, a rather florid Gothic gatehouse. For the restoration of\Vesmlinster Abbey he made designs for a Gothic facade and transept, intending 'to make the whole of a Piece'. \ Vren also appreciated the structural refinements of the Gothic. At St Paul's, London, the crowning achie\'ement of his .My stud.y holds three thousand volumes classicism, he supported the great barrel va ult of the navc with a AndJet Jsighfor Gothic columns. mighty array of fly ing bu ttresses, although these were carefully Sanderson Miller, 1750 masked from sight behind a blank second-storey wall. Here was the characteristic seventeenth-century attitude toward the It is a leap to go frolll writing poems about ruins to making ruins Gothic: respect and admi ration for its structural achievements, to represent poems, but in the early eighteenth century England horror and disgust for its vi su al fo rms. did just this. The Gothic Revival began as a literary movement. Throughout Europe, simila r attitudes prevailed. Damaged or drawing its im pulses from poetry and drama, an d trans lating dila pidated cathed rals were patched with simplified Gothic ele them in to architecture. It was swept into exis tence in Georgian ments, as at ~ oyon, France in the mid-eighteenth century. -
Part Three: Development of Conservation Theories
J. Jokilehto, A History of Architectural Conservation D. Phil Thesis, University of York, 1986 Part Three: Development of Conservation Theories Page 230 J. Jokilehto Chapter Thirteen Restoration of Classical Monuments 13.1 Principles created during the French Concorde, symbolized this attitude. Consequently, Revolution it was not until 1830s before mediaeval structures had gained a lasting appreciation and a more firmly The French Revolution became the moment established policy for their conservation. of synthesis to the various developments in the appreciation and conservation of cultural heritage. 13.2 Restoration of Classical Monuments Vandalism and destruction of historic monuments (concepts defined during the revolution) gave a in the Papal State ‘drastic contribution’ toward a new understanding In Italy, the home country of classical antiquity, where of the documentary, scientific and artistic values legislation for the protection of ancient monuments contained in this heritage, whcih so far had been had already been developed since the Renaissance closed away and forbidden to most people. Now for (or infact from the times of antiquity!), and where the the first time, ordinary citizens had the opportunity to position of a chief Conservator existed since the times come in contact with these unknown works of art. The of Raphael, patriotic expressions had often justified lessons of the past had to be learnt from these objects acts of preservation. During the revolutionary years, in order to keep France in the leading position even when the French troops occupied Italian states, and in the world of economy and sciences. It was also plundered or carried away major works of art, these conceived that this heritage had to be preserved in situ feelings were again reinforced. -
In Search of the Origin of the Gothic: Thomas Pitt´S Travel in Spain in 1760*
In Search of the Origin of the Gothic: Thomas Pitt´s Travel in Spain in 1760* Matilde Mateo Among the many travellers who toured Spain in the eighteenth century, there is one whose visit has gone unnoticed in the periegetic literature but who is of great interest: Thomas Pitt, First Baron Camelford (fig.1), who visited the Iberian Peninsula in 1760.1 His impressions were recorded in a manuscript account, kept at The British Library, under the title of Observations in a Tour to Portugal & Spain, 1760, by John Earl of Strathmore & Thomas Pitt, Esq. (MSS Add 5845, 217-287/111v-146v).2 This document has remained practically unknown in Spain, although not in the English speaking world and Portugal.3 Nevertheless, the published information * The research for this article, in the United Kingdom and the United States of America, has been made possible by the financial support of the Xunta de Galicia, the University of Vigo, and the Spanish Ministry of Education and Culture. The article was originally published in Spanish, ‘En busca del origen del gótico: el viaje de Thomas Pitt por España en 1760’, Goya. Revista de Arte, published by the Fundación Lázaro Galdeano, No 292, 2003, 9-22. It is reproduced here in an English translation by kind permission of the Fundación Lázaro Galdeano and Goya. Revista de Arte. 1 I am not aware of any study about British travellers in Spain that mentions Thomas Pitt. He is absent from the classic bibliographic repertoires of Arturo Farinelli, Viajes por España y Portugal desde la edad media hasta el siglo XX. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margin^ and inproper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. STRAWBERRY HILL: A CASE STUDY OF THE GOTHIC REVIVAL by Susan D. -
Eastern Delights
Sarah Holland Presents EASTERN DELIGHTS BY DEREK HOLLAND Copyright Published by Sarah Holland in November 2012 ISBN 978-1-909468-00-9 Copyright © Sarah Holland All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without the prior permission of the copyright holder. i Eastern Delights Tudor to Georgian Buildings in Eastern England By Derek Holland ii Dedication This memorial edition is drawn from the research and writings of Inevitably, his passion for the buildings and history of England, my late father, Derek Holland. Derek was a historian and tutor and his vast knowledge of the subject, meant that he continued to who wrote, published work and lectured predominantly on build- research and write. The buildings of Eastern England became a ings, landscapes and history. He developed a passion for the build- multi-volumed work, expanded to cover a larger geographical area, ings of Eastern England, and was commissioned to write a volume a longer time period, and to encompass additional building types in a series of books about the buildings of England. Unfortu- such as castles and fortifications. nately, the series was never completed and the manuscript remained Following my father’s death, and the success of the digital version unpublished. of ‘A Yorkshire Town - The Making of Doncaster’, I decided that Many a family holiday saw us exploring the buildings and land- ‘Eastern Delights’ deserved a wider audience. This book is the scapes of Eastern England, whether it be Norfolk, Cambridgeshire original one that my father wrote and revised. -
Catalogue of Books on Cambridge the University, the Town and the County, Arranged Alphabetically by Author, Otherwise by Title
Catalogue of Books on Cambridge The university, the town and the county, arranged alphabetically by author, otherwise by title Compiled by Pierre Gorman Catalogue of Books on Cambridge: the university, the town and the county, arranged alphabetically by author, otherwise by title Compiled by Pierre Gorman, CBE, PhD (Cantab), BAgriSc BEd (Melb), FACE University of Melbourne Catalogue of Books on Cambridge: the university, the town and the county, arranged alphabetically by author, otherwise by title © The University of Melbourne 2008 ISBN 9780734039170 All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author. The views expressed herein are those of individuals and not necessarily those of the University of Melbourne. Editors: Stephanie Jaehrling and Pam Pryde Catalogue design and typesetting: Jacqui Barnett Photography: Lee McRae Production: Publications, Information Services The University of Melbourne Victoria 3010,Australia Front cover:‘Inside view of the Public Library, Cambridge’, by T.H. Rowlandson, 1809. Back cover:Watercolour of Pierre Gorman at Corpus Christi College, by D. Moore, 1990. Contents Dr Pierre Patrick Gorman iv Acknowledgments iv Foreword 1 From the Granta to the Yarra: Cambridge in Books 3 Cambridge in Carlton: Dr Pierre Gorman and the Collection of Books on Cambridge 9 in the University of Melbourne Library Catalogue of Books on Cambridge: the university, the town and the county, arranged alphabetically by author, 17 otherwise by title iii Dr Pierre Patrick Gorman Acknowledgments (1924–2006) This publication was conceived and sponsored by the Friends of Pierre Gorman was born in Melbourne as the only child of the Baillieu Library.