The Gothick COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
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Landscape,Associationism & Exoticism
702132/702835 European Architecture B landscape,associationism & exoticism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice Pope's Villa at Twickenham Pevsner, Studies in Art, Architecture and Design, I, p 89 CCHISWICKHISWICK Chiswick, by Lord Burlington, begun 1725, south front Jeff Turnbull Chiswick and its garden from the west, by Pieter Rysbrack, 1748 Steven Parissien, Palladian Style (London 1994), p 99 Chiswick: drawing by Kent showing portico and garden John Harris, The Palladian Revival: Lord Burlington, his Villa and Garden at Chiswick (Montréal 1994), p 255 Chiswick: general view of house and garden, by P J Donowell, 1753 Jourdain, The Work of William Kent, fig 103 Doric column, Chiswick, perhaps by William Kent, c 1714 Harris, The Palladian Revival, p 71 Bagno, Chiswick, by Burlington, 1717 Campbell, Vitruvius Britannicus, III, p 26 Bagno and watercourse, Chiswick Jourdain, The Work of William Kent, fig 105 Chiswick: plan of the garden Architectural Review, XCV (1944), p 146. Chiswick, garden walks painting by Peter Rysbrack & engraving Lawrence Fleming & Alan Gore, The English Garden (London 1988 [1979]), pl 57. B S Allen, Tides in English Taste (1619-1800) (2 vols, New York 1958 [1937]), I, fig 33 Bagno and orange trees, Chiswick, by Rysbrack, c 1729-30 Fleming & Gore, The English Garden, pl 58 Bagno or Pantheon, Chiswick,probably by William Kent Jeff Turnbull Chiswick: design for the Cascade, by William Kent Harris, The Palladian Revival, p 14 Chiswick: the Great Walk and Exedra, by Kent. -
THE MUSEUM During 1970 and 1971 Considerable Work Has Been Done on the Collections, Although Much Still Remains to Be Sorted Out
THE MUSEUM During 1970 and 1971 considerable work has been done on the collections, although much still remains to be sorted out. The work of identifying and labelling geological specimens has been completed, and the insect collections sorted, fumi- gated, labelled, put in checklist order and card indexed. The egg collection has also been re-labelled and card indexed, and some specimens added to it. In the historical field a large collection of photographic plates, mainly taken by Taunt of Oxford about 1900, has been sorted and placed in individual envelopes. Racking has been installed in part of the first floor of the stable and most of the collection of pottery sherds transferred to it, where it is easily accessible. A start has been made on the production of a card index of the folk collection and to-date some 1,500 cards have been completed. At short notice reports on archaeological sites in the Chilterns and in the River Ouse Green Belt were prepared, and at greater leisure one on the Vale of Aylesbury for the County Planning Department. This involved visiting a very large number of sites, which did however yield additional information about some. A start has been made on an examination of air photographs of the county, and a number of new sites, particularly of ring ditches and medieval sites, have been found. Excavations were carried out by the museum staff on four sites referred to in The Records, three of them on behalf of the Milton Keynes Research Committee. Amongst the exhibitions was one of Museum Purchases 1960-1970, opened by Earl Howe, Chairman of the County Education Committee, which showed all the purchases made during that period. -
Conservation Bulletin 74
Streamlining Heritage Management Issue 74 | Summer 2015 Contents 3 Historic Environment: Context, Current Status 38 Port Sunlight, Wirral: working towards a Local Listed & Instruments Building Consent Order 3 Editorial: heritage challenges in the modern world 4 Heritage regeneration schemes: what future in an era of 40 Strategic Involvement Government cuts? 40 Protected landscapes get the VIP treatment 6 More from less in heritage management 41 Surplus public-sector land – strategic engagement with 8 Response from the Chief Executive to John Penrose MP government departments 43 Marine Planning: a strategic partnership 9 Improved Understanding of Heritage 44 Listed Building Heritage Partnership Agreements: the 9 The value of precision: defining special interest university perspective in designation 45 Stow Maries Great War Aerodrome 10 Historic England’s guides to our heritage 47 New Ways of Managing Waterways Heritage 12 How the new approach to listing helps the management 49 Conservation Area Management – Local Development of modern buildings Orders used in combination with Article 4 Directions. 14 Recognising archaeological significance for planning 16 Partnership in the management of major 51 The Future infrastructure projects 51 The way forward for the independent heritage sector: the 18 Heritage and the modernisation of the railway network view from the Historic Houses Association 20 National Expertise Delivered Locally 51 Historic England: a new beginning, or same 20 The streamlined planning system English Heritage? 23 Saving the -
Peter Smith, 'Lady Oxford's Alterations at Welbeck Abbey 1741–55', the Georgian Group Journal, Vol. Xi, 2001, Pp
Peter Smith, ‘Lady Oxford’s alterations at Welbeck Abbey 1741–55’, The Georgian Group Journal, Vol. XI, 2001, pp. 133–168 TEXT © THE AUTHORS 2001 LADY OXFORD’S ALTERATIONS AT WELBECK ABBEY, – PETER SMITH idowhood could be a rare time of indepen - On July the Duke died unexpectedly, after Wdence for a woman in the eighteenth century, a riding accident at Welbeck, precipitating a and especially for one like the dowager Countess of mammoth legal battle over the Cavendish estates. By Oxford and Mortimer (Fig. ), who had complete his will all his estates in Yorkshire, Staffordshire and control of her own money and estates. Born Lady Northumberland were bequeathed to his year-old Henrietta Cavendish-Holles in , the only daughter Henrietta, while an estate at Orton in daughter of John Holles, st Duke of Newcastle, and Huntingdonshire passed to his wife and the remainder his wife, formerly Lady Margaret Cavendish, she of his considerable property passed to his nephew chose to spend her widowhood building, like her Thomas Pelham. This would have meant that the great-great-great-grandmother, Bess of Hardwick, former Cavendish estates in Nottinghamshire and before her. Derbyshire would have gone to Thomas Pelham, not Lady Oxford had fought hard, and paid a high Henrietta. When the widowed Duchess discovered price, to retain her mother’s Cavendish family estates, the terms of her husband’s will she ‘was indignant and she obviously felt a particularly strong beyond measure’ and ‘immediately resolved to attachment to them. These estates were centred dispute its validity’. The legal battle which ensued around the former Premonstratensian abbey at was bitter and complex, and it was only finally settled Welbeck, in Nottinghamshire, but also included the after the death of the Duchess by a private Act of Bolsover Castle estate in Derbyshire and the Ogle Parliament in . -
Worcester Statement of Significance
WORCESTER STATEMENT OF SIGNIFICANCE January 2019 ST MARTIN IN THE CORNMARKET WORCESTER (formerly known as Old St Martin’s) STATEMENT OF SIGNIFICANCE 1.0 Areas of significance There are four important areas of significance to which we need to draw attention within the history and site of St. Martin in the Cornmarket. 1.1 The Churchyard Garden 1.2 North Side Entrance 1.3 West End Under-Gallery and the Tower 1.4 The Parish Room 2.0 Table of Basic Facts 2.1 Parish : The Benefice of Worcester, St Martin in the Cornmarket with St. Swithun and St. Paul 2.2 Dedication : St. Martin of Tours 2.3 Address : Parish Office, St. Swithun’s Institute, The Trinity, Worcester WR1 2PN 2.4 Diocese : Worcester (Church of England) 2.5 Planning Authority : City of Worcester 2.6 County : Worcestershire 2.7 Statutory Listing : Grade II* 2.8 Statutory designation of structures and objects within churchyard : None 2.9 Conservation Area : Historic City Conservation Area 2.10 Tree Preservations : None 2.11 Protected species : None Document Contents 3.0 Introduction and Background 4.0 The Church in its urban setting and environment 5.0 The Church and its Garden 6.0 The Space below the West End Gallery and the Tower 7.0 The Mission Room and Parish Hall 8.0 North Side Entrance 9.0 Conclusion At the end of this document will be found a list of photographs and maps relevant to the text, which can be viewed on request. 3.0 Introduction and Background: The Church’s Dedication, Architecture and Interior 3.1 Tradition has it that there has been a church on this site since before Norman times. -
University Microfilms 300 North Zaeb Road Ann Arbor
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
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Downloaded by [New York University] at 05:35 16 August 2016 the Idea of the Cottage in English Architecture, 1760–1860
Downloaded by [New York University] at 05:35 16 August 2016 The Idea of the Cottage in English Architecture, 1760–1860 The Idea of the Cottage in English Architecture is a history of the late Georgian phenomenon of the architect-designed cottage and the architectural discourse that articulated it. It is a study of small buildings built on country estates and not so small buildings built in picturesque rural settings, resort towns and suburban developments. At the heart of the English idea of the cottage is the Classical notion of retreat from the city to the countryside. This idea was adopted and adapted by the Augustan-infused culture of eighteenth-century England where it gained popularity with writers, artists, architects and their wealthy patrons who from the later eighteenth-century commissioned retreats, gate-lodges, estate workers’ housing and seaside villas designed to ‘appear as cottages’. The enthusiasm for cottages within polite society did not last. By the mid- nineteenth century, cottage-related building and book publishing had slowed and the idea of the cottage itself was eventually lost beneath the Tudor barge-boards and decorative chimneystacks of the Historic Revival. And yet while both designer and consumer have changed over time, the idea of the cottage as the ideal rural retreat continues to resonate through English architecture and English culture. Daniel Maudlin is Professor of Modern History at the University of Plymouth. He has previously worked as an Inspector of Historic Buildings for Historic Scotland and held positions at Dalhousie University, the University of Pennsylvania and the University of Glasgow. -
Jericho Conservation Area Designation Study
Jericho Conservation Area Designation Study Oxford City Council – City Development October 2010 Contents Reason for the Study........................................................................................3 Study Area........................................................................................................4 Summary of Significance..................................................................................5 Vulnerability......................................................................................................7 Opportunity for Enhancement ..........................................................................9 Archaeological Interest...................................................................................10 Designated Heritage Assets and Buildings of Local Architectural and Historic Interest............................................................................................................12 Designated Heritage Assets in the surrounding area that influence the character of the study area:............................................................................12 Historic Development .....................................................................................14 Medieval 1086 – 1453 ................................................................................14 Early Modern 1453-1789 ............................................................................16 1790-1899...................................................................................................19 -
North Oxford Victorian Suburb
North Oxford Victorian Suburb Conservation Area Appraisal North Oxford Victorian Suburb Contents Statement of Special Interest 3 1. Introduction 5 2. Context 7 3. Historical Development 8 4. Spatial Analysis 12 5. Buildings 16 6. Character Areas 23 Norham Manor 23 Park Town 26 Bardwell 29 Kingston Road 33 St Margaret's 36 Banbury Road 39 North Parade 42 Lathbury and Staverton Roads 45 7. Vulnerabilities, Negative Features and Opportunities for Enhancement 47 8. SOURCES 51 9. APPENDICES 52 1: Listed Buildings 52 2: Positive Unlisted Buildings 58 3: Maps 59 1 1. Summary of Significance Statement of Special Interest This conservation area’s primary signifi- cance derives from its character as a distinct area, imposed in part by topography as Summary well as by land ownership from the 16th century into the 21st century. At a time Key positive features when Oxford needed to expand out of its • Diversity historic core centred around the castle, the • Village-like enclaves medieval streets and the major colleges, these two factors enabled the area to be • Quality of the buildings laid out as a planned suburb as lands asso- • Residential houses a special feature ciated with medieval manors were made • Gothic, Italianate, Arts and Crafts, Vernacular styles available. This gives the area homogeneity • Purpose-built college teaching and as a residential suburb. In the eastern and residential accommodation central parts of the area as a whole, this • Contribution of 20th and 21st centuries to the area is reinforced by the broad streets and the feeling of spaciousness created by the • Three ecclesiastical buildings generously proportioned and well-planted • 73 listed buildings and a further 21 buildings gardens. -
The Making of the Radcliffe Observatory’, the Georgian Group Journal, Vol
Geoffrey Tyack, ‘The making of the Radcliffe Observatory’, The Georgian Group Journal, Vol. X, 2000, pp. 122–140 TEXT © THE AUTHORS 2000 THE MAKING OF THE RADCLIFFE OBSERVATORY GEOFFREY TYACK he Radcliffe Observatory in Oxford has long maker, presented what is reckoned to be the first Tbeen recognised as an important monument telescope to the States General of Holland in , of early neo-classical architecture. But, for all its and in an observatory was built on the roof of historical interest, its striking appearance and its the University of Leiden, followed by others at excellent state of preservation, it remains surprisingly Utrecht and elsewhere, including one built by King little known, even to architectural historians . This is Christian IV of Denmark in in the form of a - partly because of its location, outside the centre of the ft-high tower next to the church of Holy Trinity, city, squashed up against the dreary th-century Copenhagen . The first tower observatories were not wards of a hospital, and only accessible through the very sophisticated buildings, but in Claude grounds of one of the lesser-known colleges of Oxford Perrault, himself a scientist, built a more elaborate University. It is also perhaps because of its unusual observatory at Paris which still survives in an altered functions and complicated building history, both of form; it was a two-storeyed structure with a flat roof, which repay investigation. projections at the corners for the telescopes, a room According to Anthony Wood the first observatory for larger astronomical instruments, and a meeting in Oxford was the ancient medieval gatehouse known room for the members of Colbert’s recently-established as Friar Bacon’s Study, guarding the southern approach Académie des Sciences. -
Hendrik Van Paesschen, Architect of the Northern European Renaissance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1981 Hendrik van Paesschen, architect of the Northern European Renaissance John Fitzhugh Millar College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Architecture Commons, European History Commons, and the United States History Commons Recommended Citation Millar, John Fitzhugh, "Hendrik van Paesschen, architect of the Northern European Renaissance" (1981). Dissertations, Theses, and Masters Projects. Paper 1539625149. https://dx.doi.org/doi:10.21220/s2-8z3e-jw35 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. HENDRIK VAN PAESSCHEN 11 ARCHITECT OF THE NORTHERN EUROPEAN RENAISSANCE A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by John Fitzhugh Millar 1981 ProQuest Number: 10626342 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest, ProQuest 10626342 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. -
Painted Wood: History and Conservation
PART TWO Historical Perspectives 82 Support and Polychromy of Altarpieces from Brussels, Mechlin, and Antwerp Study, Comparison, and Restoration Myriam Serck-Dewaide , comprising painted and sculpted ele- ments (really pieces of liturgical furniture) had already appeared in Cgreat number by the middle of the fourteenth century in different regions. They functioned at this time as tabernacles,1 and cupboards for relics and for individual figures of saints and narrative scenes. Gilded archi- tectural elements, baldachins,2 and rhythmic colonnettes strictly compart- mentalized the space. The painted wings served to close these “cases,” revealing the figures to the faithful only on feast days. Altarpieces were popular throughout Europe in the fifteenth and sixteenth centuries. The regional workshops—for example, Germanic, Franco-Flemish, Spanish, and Italian—evolved differently, varying the dimensions, space, perspective, lighting, and polychromy of the altarpieces (Skubiszewski 1989). Only altarpieces from the historic Brabant region3 are considered here—in particular, the sculpted parts of these Brabantine altarpieces. In the fifteenth century, Brabantine altarpieces evolved toward a more realis- tic expression and a more accentuated relief. Compositions were grouped in successive arrangement, presenting scenes of small characters, related as in a theatrical setting. Over time, the architecture changed, reducing in size, until eventually there was no more than a frame presenting scenes consecrated to the Virgin, to the lives of the saints, or to cycles of the infancy and Passion of Christ. This evolution progressed very slowly dur- ing the mid–sixteenth century, from late Gothic decoration to Renaissance motifs. From the second half of the fifteenth century, Brabantine altar- pieces became so successful that, in order to satisfy the demand, a division of labor became necessary.