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The United Nations and Palestinian Refugees the United Nations and Palestinian Refugees
UNRWA CONTACTS: Public Information Office Gaza HQ P.O. Box 140157 Amman, Jordan 11814 Tel.: +972 8 677 7527 Fax: +972 8 677 7697 E-mail: [email protected] Website: www.unrwa.org UNHCR CONTACTS: United Nations High Commissioner for Refugees 94, Rue de Montbrillant Case Postale 2500 CH-1211 Genève 2 Dépôt Switzerland Tel.: +41 22 739 8111 Fax: +41 22 739 7334 E-mail: [email protected] Website: www.unhcr.org Front cover: Palestinians fleeing to Jordan,June 1967 / UNRWA Back cover: Tents had just been replaced by cement block houses at Khan Younis refugee camp, Gaza Strip, 1955 / UNRWA Inside cover: Baqa’a refugee camp, Jordan, 1969 / UNRWA Opposite: A Palestine refugee with her grandson in Beach refugee camp, Gaza Strip / UNRWA All UNRWA photographs courtesy of UNRWA Photo Archive & Steve Sabella January 2007 2 The United Nations and Palestinian Refugees The United Nations and Palestinian Refugees n December 1949, the United Nations General IAssembly established the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) to provide humanitarian relief to the more than 700,000 refugees and displaced persons who had been forced to flee their homes in Palestine as a result of the 1948 Arab-Israeli war. Also in December 1949, the United Nations General Assembly decided to set up the Office of the United Nations High Commissioner / 1950s UNRWA for Refugees (UNHCR), as Suffering and fortitude of young and old in of 1 January 1951, with the Jalazone refugee camp, West Bank principal aim of dealing with refugees in Europe of Palestine refugees, that is, refugees left homeless by World War from the territory that had been under II. -
Rules and Regulations for Safe Working Conditions in Film Productions Under Covid-19 Restrictions in Turkey
RULES AND REGULATIONS FOR SAFE WORKING CONDITIONS IN FILM PRODUCTIONS UNDER COVID-19 RESTRICTIONS IN TURKEY Date of announcement in Turkish 18.05.2020 Number of Revisions* 00 Date of announcement in English 25.05.2020 Date of Revisions* *This document will be updated according to changing conditions based on reliable data. CONTRIBUTING INSTITUTIONS The Cinema/Television Union Cinematographers’ Association Actors’ Union of Turkey Art Directors’ Association of Turkish United Boom Operator’ Association Istanbul Camera Assistants Platform Assistant Directors’ Platform Contemporary Film Actors BIROY: Turkish Actors’ Collecting Association Collecting Society Post Production Workers’ United Directors’ Platform Digital Imaging Technicians’ Association Alliance Screenplay and Dialogue Writers Turkish Medical Association Cinema Work Owners Association 1 Rules For Safe Working Conditions In Film Productions Under Covid-19 Restrictions In Turkey 25.05.2020 rev:00 TABLE OF CONTENTS 1. PRESENTATION/AIMS ..................................................................................................................... 4 2. GENERAL ISSUES ............................................................................................................................. 4 3. SELECTION OF CAST AND CREW ..................................................................................................... 5 4. PRE-PRODUCTION AND TRANSPORTATION .................................................................................. 5 5. HEALTH CHECKS AND REQUIREMENTS -
Exclusive Ranking of the Industry's Top Operators
TAKING IT TO THE STREETS STREET VENDORS ARE PLUS BRINGING GLOBAL FLAVOURS the FOOD FOR THOUGHT CASUAL-DINING SEGMENT NEXT25 FACES UNIQUE CHALLENGES THE 2016 TOP 100 EXCLUSIVE RANKING OF ALIX BOX THE INDUSTRY’S BREATHES TOP OPERATORS NEW LIFE INTO SECOND Second CUP CANADIAN PUBLICATION MAIL PRODUCT SALES AGREEMENT #40063470 CANADIAN PUBLICATION Chancesfoodserviceandhospitality.com $20 | JUNE 2016 Brand Culture Marketing & Promotions 14-5250 Satellite Drive, Mississauga, Ontario L4W 5G5 T: 905 361 0305 F: 905 629 9305 REVISION: FA DATE: APRIL 15, 2016 DOCKET: XXXX CLIENT: The French’s Food Company COLOUR: CMYK PROJECT: Table Top Ad 1 TRIM SIZE: 8.125 ” x 10.875” DESCRIPTION: Media Edge Full Page Ad BLEED SIZE: 8.375” x 11.125” CONTACT: Barbara MacDonald DATE REQUIRED: 2016 TYPE SAFETY: 7.125” x 9.625” HOME GROWN French’s supports Saskatchewan Farmers using 100% Canadian mustard seeds. French’s NOW also supports Southern Ontario Tomato Farmers with the addition of French’s Ketchup! Contact us for a FREE sample & learn how we can support your business. call 1 866 428 0119 email [email protected] visit www.frenchsfoodservice.ca ©2015 The French’s Food Company LLC THERE’S A MONIN FOR EVERY MEAL The possibilities are endless Grilled Peach Teriyaki Shrimp Skewers with Peach Fruit Purée Chicken & Apple Salad with Granny Smith Apple Syrup Raspberry & Chocolate Crepes with Dark Chocolate Sauce CONTACT US TODAY! NATIONAL PARTNER C.W. Shasky & Associates Ltd. GOURMET FLAVOURINGS 1 844 829 9414 | [email protected] Brand Culture Marketing & -
Becoming PALESTINE
Becoming PALESTINE TOWARD AN ARCHIVAL IMAGINATION OF THE FUTURE GIL Z. HOCHBERG Becoming P ALESTINE GIL Z. HOCHBERG Becoming PALESTINE TOWARD AN ARCHIVAL IMAGINATION OF THE FUTURE © All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Cover designed by Aimee C. Harrison Text designed by Matthew Tauch Typeset in Portrait Text Regular by Compositor Library of Congress Cataloging- in- Publication Data Names: Hochberg, Gil Z., [date] author. Title: Becoming Palestine: toward an archival imagination of the future / Gil Z. Hochberg. Description: Durham: Duke University Press, 2021. | Includes bibliographical references and index. Identi«ers: ¬¬ 2021005977 (print) ¬¬ 2021005978 (ebook) ´ 9781478013884 (hardcover) ´ 9781478014829 (paperback) ´ 9781478022138 (ebook) Subjects: ¬ : Visual communication— Political aspects— Palestine. | Archival materials— Palestine. | Ethnomusicology— Palestine. | Arab- Israeli con»ict— Mass media and the con»ict. | Palestine— In motion pictures. | ´¬: / Middle Eastern | / History / Con temporary (1945-) Classi«cation: ¬¬ 95.82. 19 634 2021 (print) | ¬¬ 95.82. 19 (ebook) | ¬ 302.2095694— dc23 ¬ rec ord available at https: // lccn . loc . gov / 2021005977 ¬ ebook rec ord available at https: // lccn . loc . gov / 2021005978 Cover art: Steve Sabella, 38 Days of Re-Collection, 2014. b&w «lm negatives (generated from digital images), printed with b&w photo emulsion spread on paint fragments peeled o¾ Jerusalem’s Old City house walls. The photograph was taken in a Palestinian -
View the 2021 Project Dossier
www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133 -
Cinematographer As Storyteller How Cinematography Conveys the Narration and the Field of Narrativity Into a Film by Employing the Cinematographic Techniques
Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. This page intentionally left blank. 4 The alteration Note: The alteration of my MPhil thesis has been done as was asked for during the viva for “Cinematographer as Storyteller: How cinematography conveys narration and a field of narrativity into a film by employing cinematographic techniques.” The revised thesis contains the following. 1- The thesis structure had been altered to conform more to an academic structure as has been asked for by the examiners. -
Steve Sabella. Archaeology of the Future
STEVE SABELLA ARCHAEOLOGY OF THE FUTURE STEVE SABELLA ARCHAEOLOGY OF THE FUTURE Verona, Centro Internazionale di Fotografia Scavi Scaligeri 8 OTTOBRE - 16 NOVEMBRE 2014 Il Sindaco | Mayor Visite guidate | Guided Tours Davide D’Agostino Mostra a cura di | Curated by Assessore alla Cultura | The Culture Councillor Karin Adrian von Roques Valentina Ferrazzi Flavio Tosi Giulia Magnabosco Consigliera incaricata alla Cultura Valeria Marchi Counsellor for Cultural Affairs Valeria Nicolis Antonia Pavesi Lorenza Roverato | Catalogo a cura di | Catalog edited by Si ringrazia | Many thanks to Direzione Area Cultura | Culture Department Director Servizio guardiania Gallery Attendants Service Beatrice Benedetti Un ringraziamento particolare a Mauro Fiorese. Gabriele Ren Auser Con lui abbiamo preso parte alla Biennale Coordinamento e organizzazione Servizio Sicurezza/Security Testi di | Texts by di Fotografia FotoFest di Houston in veste Società Servizi Socio Culturali Flavio Tosi di portfolio reviewer. Coordination and Organisation Giusi Pasqualini Antonia Pavesi Grazie a quell’esperienza abbiamo Servizio Civile/Civilian Service Karin Adrian von Roques incontrato Karin e Steve Silvano Campedelli Davide Papetti Steve Sabella Progetto e coordinamento manageriale Nadia Johanne Kabalan Special thanks go to Mauro Fiorese, Tirocinio/Internship Project and Managerial Coordination Alice Malesani Leda Manosur who was with us when we took part Giorgio Gaburro Beatrice Benedetti in the FotoFest Biennial of Photography Logistica mostra | Exhibition Logistics in -
SOWC-2005.Pdf
THE STATE OF THE WORLD’S CHILDREN 2005 CHILDHOOD UNDER THREAT CHILDHOOD I Number of children in the world: 2.2 billion. I Number of children living in developing countries: 1.9 billion. I Number of children living in poverty: 1 billion – every second child. I The under-18 population in Sub-Saharan Africa: 340 million; in Middle East and North Africa: 153 million; in South Asia: 585 million; in East Asia and Pacific: 594 million; in Latin America and Caribbean: 197 million; and in Central and Eastern Europe and the Commonwealth of Independent States (CEE/CIS): 108 million. I SHELTER, WATER AND HEALTH CARE I 640 million children in developing countries live without adequate shelter: one in three. I 400 million children have no access to safe water: one in five. I 270 million children have no access to health services: one in seven. I EDUCATION, COMMUNICATION AND INFORMATION I More than 121 million primary- school-age children are out of school; the majority of them are girls. I Number of tele- phones per 100 people in Sweden, 162; in Norway, 158; in South Asia, 4. I Number of Internet users per 100 people in Iceland, 65; in Liechtenstein, 58; in Sweden, 57; in the Republic of Korea and the United States, * 55; in Canada, Denmark, Finland and the Netherlands, 51; and in South Asia, 2. I SURVIVAL I Total number of children younger than five living in France, Germany, Greece and Italy: 10.6 million I Total num- ber of children worldwide who died in 2003 before they were five: 10.6 million. -
|FREE| Film Genre for the Screenwriter
FILM GENRE FOR THE SCREENWRITER EBOOK Author: Jule Selbo Number of Pages: 339 pages Published Date: 07 Aug 2014 Publisher: Taylor & Francis Ltd Publication Country: London, United Kingdom Language: English ISBN: 9781138020832 Download Link: CLICK HERE Film Genre For The Screenwriter Online Read Please Film Genre for the Screenwriter it by verifying the claims made and adding inline citations. Writers Store. Film genres may appear to be readily categorizable from the setting of the film. A screenwriter becomes credible by having work that is recognized, which gives the writer the opportunity to earn a higher income. Should they be prepared to be scared? Are genres culture-bound or trans-cultural? An example would be writing a horror film where a young woman is getting chased by a stranger down a dark alley and finally gets cornered by him. Wikimedia Commons. Subscription or UK public library membership required. New York: Focal Press. Be amazed? When word is put out about a project a film studioproduction companyor producer wants done, they are Film Genre for the Screenwriter to as "open" assignments. So when watching and analyzing film genres we must remember to remember its true intentions aside from its entertainment value. Lists of films by genre and themes. Reviews Film Genre For The Screenwriter Central apparatus room Changing room Master control room Network operations center Production control room Stage theatre Transmission control room. Maybe Stage 32 just kept you in the game?! Format refers to the way the film was shot e. For example, while both The Battle of Midway and All Film Genre for the Screenwriter on the Film Genre for the Screenwriter Front are set in a wartime context and might be classified as belonging to the war film genre, the first examines the themes of honor, sacrifice, and valour, and the second is an anti-war film which emphasizes the pain and horror of war. -
Building a Successful Palestinian State
CHILD POLICY This PDF document was made available from www.rand.org as CIVIL JUSTICE a public service of the RAND Corporation. EDUCATION ENERGY AND ENVIRONMENT Jump down to document HEALTH AND HEALTH CARE 6 INTERNATIONAL AFFAIRS NATIONAL SECURITY The RAND Corporation is a nonprofit research POPULATION AND AGING organization providing objective analysis and PUBLIC SAFETY SCIENCE AND TECHNOLOGY effective solutions that address the challenges facing SUBSTANCE ABUSE the public and private sectors around the world. TERRORISM AND HOMELAND SECURITY TRANSPORTATION AND INFRASTRUCTURE Support RAND Purchase this document Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND monographs undergo rigorous peer review to ensure high standards for research quality and objectivity. Building a Successful Palestinian State The RAND Palestinian State Study Team Supported by a gift from David and Carol Richards Research for this study was carried out from September 2002 through May 2004 by a multidisciplinary team of RAND researchers, working under the direction of the RAND Health Center for Domestic and International Health Security in conjunction with the Center for Middle East Public Policy (CMEPP), one of RAND’s international programs. -
GCC F&B Sector Report
The GCC F&B Sector An Enticing Opportunity April 2017 GCC F&B Sector Report © ARDENT Advisory 1 GCC F&B Sector Report © ARDENT Advisory 2 Table of Contents Foreword 4 Key Takeaways 5 F&B Market Overview 7 GCC F&B Market Size 8 Average Spend on Food Service Categories 9 Investment Thesis 11 Demand Drivers 11 Key Risk Factors 14 M&A and PE Deals 16 Trends in F&B Sector in the GCC 19 Country Profiles 23 United Arab Emirates 23 Saudi Arabia 28 Qatar 31 Oman 34 Kuwait 36 Bahrain 38 Major F&B Players in the GCC 41 Kuwait Food Company 41 Kout Food Group 42 Herfy Food Service Company 43 GCC F&B Sector Report © ARDENT Advisory 3 Foreword When thinking about the most lavish and exotic Among all the GCC economies, the UAE’s F&B Food and Beverage (F&B) markets in the world, market expanded the fastest during 2010–2015, at one name that comes to the mind is the GCC. This a CAGR of 12%; this was closely followed by Saudi region has built a strong brand identity in the F&B Arabia and Qatar at 9.9% and 7.4%, respectively. In space, which has benefited its food service market Saudi Arabia, an increasing population is one of the and strengthened its foothold in the F&B industry major drivers of huge demand for food and in recent years. beverages, especially in the fast food and cafe segments. The rising number of tourists from the The F&B sector is also one of the major US and Europe is also fuelling the demand for beneficiaries of the GCC governments’ economic western casual dining concepts. -
Série Series and APA Proceedings 2012
PROCEEDINGS 9TH TV CREATIVITY DAY THE First EVENT dedicAted to TELEVISION SERIES BY AND FOR THOSE WHO MAKE THEM __________ 5th, 6th and 7th July 2012 This July 2012 has witnessed the launch of the very first Série Series festival in Fontainebleau, the only event exclusively dedicated to television series by and for those who make them. This first edition has gathered 550 European professionals for three days of projections, with no competition and no prize-giving, of professional meetings and debate with the public, to create the television series of tomorrow. For this launching year, Série Series and the 9th tv creativity day organized by the APA have decided to join their forces to bring together all professionals from an audiovisual sector undergoing profound mutation. This document presents the proceedings of the debates, masterclass and case studies organized at Fontainebleau during these 3 days of unique meetings. SUMMARY 9TH TV CREATIVITY DAY OPENING SPEECH BY JEAN FRANÇOIS BOYER 4 SPEECH MADE BY RÉMY PFLIMLIN 5 SPEECH MADE BY DAVID ASSOULINE 6 SPEECH MADE BY MICHEL BOYON 7 HoW DO WE IMPROVE THE EXPORT of FRENCH SERIES ? Economic debate. 8 WHICH STORY LINES, foR WHICH PUBLIC ? MANUFACTURING METHODS FOR SUCCESSful SERIES Artistic Debate. 10 PRESENTATION of BAROMÉTRE 2012 BY BENOÎT DANARD 11 SPEECH MADE BY PHILIPPE BRUNET 12 WHEN FRENCH SERIES AWAKEN. Political Debate. 14 SÉRIE SERIES OPENING of THE 1ST EDITION of SÉRIE SERIES 17 DoMINIC MINGHEllA, show-runner : the British model, Masterclass 18 ‘THE HOUR’ (BBC – Great Britain), Case