|FREE| Film Genre for the Screenwriter

Total Page:16

File Type:pdf, Size:1020Kb

|FREE| Film Genre for the Screenwriter FILM GENRE FOR THE SCREENWRITER EBOOK Author: Jule Selbo Number of Pages: 339 pages Published Date: 07 Aug 2014 Publisher: Taylor & Francis Ltd Publication Country: London, United Kingdom Language: English ISBN: 9781138020832 Download Link: CLICK HERE Film Genre For The Screenwriter Online Read Please Film Genre for the Screenwriter it by verifying the claims made and adding inline citations. Writers Store. Film genres may appear to be readily categorizable from the setting of the film. A screenwriter becomes credible by having work that is recognized, which gives the writer the opportunity to earn a higher income. Should they be prepared to be scared? Are genres culture-bound or trans-cultural? An example would be writing a horror film where a young woman is getting chased by a stranger down a dark alley and finally gets cornered by him. Wikimedia Commons. Subscription or UK public library membership required. New York: Focal Press. Be amazed? When word is put out about a project a film studioproduction companyor producer wants done, they are Film Genre for the Screenwriter to as "open" assignments. So when watching and analyzing film genres we must remember to remember its true intentions aside from its entertainment value. Lists of films by genre and themes. Reviews Film Genre For The Screenwriter Central apparatus room Changing room Master control room Network operations center Production control room Stage theatre Transmission control room. Maybe Stage 32 just kept you in the game?! Format refers to the way the film was shot e. For example, while both The Battle of Midway and All Film Genre for the Screenwriter on the Film Genre for the Screenwriter Front are set in a wartime context and might be classified as belonging to the war film genre, the first examines the themes of honor, sacrifice, and valour, and the second is an anti-war film which emphasizes the pain and horror of war. Exercises and assignments will allow the driven writer to step-by-step complete his or her own screenplay if committed to the assignments. Davo Gr rated it it was amazing Oct 13, Return to Book Page. As such, film genres are also useful in the areas of marketing, film criticism and the analysis of consumption. Inscreenwriter Eric R. Special effects supervisor Visual effects supervisor. About Film Genre For The Screenwriter Writer Rating details. Other Editions 1. This enables viewers to understand the evolution of film genres as time and history morphs or views and ideals of the entertainment industry. For instance, studio management may have a complaint that the motivations of the Film Genre for the Screenwriter are unclear or that the dialogue is weak. The partnerships often pitch their project to investors or others in a position to further a project. Script Magazine. Eric R. Order - plain and simple. Film crew filmmaking. A free and open forum. Free Film Genre For The Screenwriter PDF Book For instance, studio management may have a complaint that the motivations of the characters are unclear or Film Genre for the Screenwriter the dialogue is weak. Read a good book about your craft? Many films cross into multiple genres. Animator Visual effects Modeling Rigging Layout artist. A screenplay writer also called screenwriter for shortscriptwriter or scenaristis a writer who practices the craft of screenwritingwriting screenplays on which mass media, such as films, television programs and video games, are based. Wikimedia Commons. Wallflower Press, More Details Discuss, share content and offer advice or tips regarding technique, trends, software, advice, tips and all other pertinent issues related to animation. Some are performer-based Fred Astaire and Ginger Rogers films or budget-based blockbusterslow Film Genre for the Screenwriter filmwhile others are based on artistic status the art filmracial identity Race filmslocation the Westernor sexual orientation Queer cinema. A working screenwriter and producer, The Unknown Screenwriter makes his home in the Sierra Nevada Mountains of Northern California and somewhere in the state of New Mexico with just a little Film Genre for the Screenwriter of Los Angeles thrown in when he feels he can breathe the air. https://site-1032201.mozfiles.com/files/1032201/a-short-history-of-the-french-revolution-5th-edition-9981.pdf https://site-1032213.mozfiles.com/files/1032213/the-girlboss-workbook-an-interactive-journal-for-winning-at-life-9889.pdf https://site-1032251.mozfiles.com/files/1032251/rumi-oracle-an-invitation-into-the-heart-of-the-divine-6177.pdf https://site-1032226.mozfiles.com/files/1032226/services-marketing-6th-edition-4999.pdf https://cdn.shopify.com/s/files/1/0491/8562/0130/files/the-grid-the-fraying-wires-between-americans-and-our-energy-future-7309.pdf https://cdn.shopify.com/s/files/1/0490/3659/1257/files/rational-principles-of-piano-technique-piano-technique-468.pdf https://site-1032242.mozfiles.com/files/1032242/smyrna-1922-the-destruction-of-a-city-5693.pdf https://cdn.shopify.com/s/files/1/0488/2418/9095/files/numero-zero-4166.pdf https://cdn.shopify.com/s/files/1/0490/2754/7285/files/principles-of-supply-chain-management-a-balanced-approach-3rd-edition-4941.pdf https://cdn.shopify.com/s/files/1/0489/2095/2995/files/joining-the-dots-book-6-piano-book-6-a-fresh-approach-to-piano-sight-reading-8568.pdf.
Recommended publications
  • Rules and Regulations for Safe Working Conditions in Film Productions Under Covid-19 Restrictions in Turkey
    RULES AND REGULATIONS FOR SAFE WORKING CONDITIONS IN FILM PRODUCTIONS UNDER COVID-19 RESTRICTIONS IN TURKEY Date of announcement in Turkish 18.05.2020 Number of Revisions* 00 Date of announcement in English 25.05.2020 Date of Revisions* *This document will be updated according to changing conditions based on reliable data. CONTRIBUTING INSTITUTIONS The Cinema/Television Union Cinematographers’ Association Actors’ Union of Turkey Art Directors’ Association of Turkish United Boom Operator’ Association Istanbul Camera Assistants Platform Assistant Directors’ Platform Contemporary Film Actors BIROY: Turkish Actors’ Collecting Association Collecting Society Post Production Workers’ United Directors’ Platform Digital Imaging Technicians’ Association Alliance Screenplay and Dialogue Writers Turkish Medical Association Cinema Work Owners Association 1 Rules For Safe Working Conditions In Film Productions Under Covid-19 Restrictions In Turkey 25.05.2020 rev:00 TABLE OF CONTENTS 1. PRESENTATION/AIMS ..................................................................................................................... 4 2. GENERAL ISSUES ............................................................................................................................. 4 3. SELECTION OF CAST AND CREW ..................................................................................................... 5 4. PRE-PRODUCTION AND TRANSPORTATION .................................................................................. 5 5. HEALTH CHECKS AND REQUIREMENTS
    [Show full text]
  • View the 2021 Project Dossier
    www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133
    [Show full text]
  • Cinematographer As Storyteller How Cinematography Conveys the Narration and the Field of Narrativity Into a Film by Employing the Cinematographic Techniques
    Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. This page intentionally left blank. 4 The alteration Note: The alteration of my MPhil thesis has been done as was asked for during the viva for “Cinematographer as Storyteller: How cinematography conveys narration and a field of narrativity into a film by employing cinematographic techniques.” The revised thesis contains the following. 1- The thesis structure had been altered to conform more to an academic structure as has been asked for by the examiners.
    [Show full text]
  • Série Series and APA Proceedings 2012
    PROCEEDINGS 9TH TV CREATIVITY DAY THE First EVENT dedicAted to TELEVISION SERIES BY AND FOR THOSE WHO MAKE THEM __________ 5th, 6th and 7th July 2012 This July 2012 has witnessed the launch of the very first Série Series festival in Fontainebleau, the only event exclusively dedicated to television series by and for those who make them. This first edition has gathered 550 European professionals for three days of projections, with no competition and no prize-giving, of professional meetings and debate with the public, to create the television series of tomorrow. For this launching year, Série Series and the 9th tv creativity day organized by the APA have decided to join their forces to bring together all professionals from an audiovisual sector undergoing profound mutation. This document presents the proceedings of the debates, masterclass and case studies organized at Fontainebleau during these 3 days of unique meetings. SUMMARY 9TH TV CREATIVITY DAY OPENING SPEECH BY JEAN FRANÇOIS BOYER 4 SPEECH MADE BY RÉMY PFLIMLIN 5 SPEECH MADE BY DAVID ASSOULINE 6 SPEECH MADE BY MICHEL BOYON 7 HoW DO WE IMPROVE THE EXPORT of FRENCH SERIES ? Economic debate. 8 WHICH STORY LINES, foR WHICH PUBLIC ? MANUFACTURING METHODS FOR SUCCESSful SERIES Artistic Debate. 10 PRESENTATION of BAROMÉTRE 2012 BY BENOÎT DANARD 11 SPEECH MADE BY PHILIPPE BRUNET 12 WHEN FRENCH SERIES AWAKEN. Political Debate. 14 SÉRIE SERIES OPENING of THE 1ST EDITION of SÉRIE SERIES 17 DoMINIC MINGHEllA, show-runner : the British model, Masterclass 18 ‘THE HOUR’ (BBC – Great Britain), Case
    [Show full text]
  • The Achievement of Television: the Quality and Features of John
    Investigations into the Emergence of British Television 1926-1936 1 Investigations into the Emergence of British Television 1926-1936 November 2017 A Critical Review submitted to Aberystwyth University in partial fulfilment of the degree of Doctor of Philosophy (PhD by Published Work) in the Department of Theatre, Film and Television Studies Donald F McLean Aberystwyth University Investigations into the Emergence of British Television 1926-1936 2 Abstract This Critical Review discusses the significance of the author’s published works and their impact on the history of the emergence of British television between 1926 and 1936. Although events in television within this period have since been well- documented, the related debates have tended to be specialist in scope and restricted to technology-centric or institution-centric viewpoints. Within this period of complex, rapid technological change, the author’s published works introduce the principle of embracing multiple disciplines for comparative analysis. The author’s application of that principle opens up long- established views for further debate and provides a re-assessment of early British television within a broader context. The rewards of this approach are a view of events that not only avoids nationalistic bias and restrictions of a single institutional viewpoint, but also tackles the complex interdependencies of technology, of service provision and of content creation. These published works draw attention to the revolutionary improvements that enabled the BBC’s 1936 service and the re-definition of television, yet also emphasise the significance of the previous television broadcast services. The most important innovation within these works has been the author’s discovery and in-depth study of artefacts from that earlier period.
    [Show full text]
  • Ashpan Number 114 Number 114 Summer 2017
    111144 Ickenham and District Society of Model Engineers Summer 2017 Ashpan Number 114 Number 114 Summer 2017 114 Contents: 2 Cover Story 3 Ashpan Notebook 4 Airlander 10 - Hybrid Air Vehicle 8 Chairman's Chat 9 The Rise and Fall of Television Centre Ickenham & District Society of Model Engineers was founded on 8th October 1948. Ickenham and District Society of Model Engineers, a company limited by guarantee, was incorporated on 10th September 1999. Registered in England No: 3839364. Website: WWW.IDSME.CO.UK IDSME Members Message Board: http://idsme001.proboards.com Hon. Secretary and Registered Office: David Sexton, 25 Copthall Road East, Ickenham, Uxbridge, Middlesex, UB10 8SD. Ashpan is produced for members of Ickenham and District Society of Model Engineers by Patrick Rollin, 84 Lawrence Drive, Ickenham, Uxbridge, Middlesex, UB10 8RW Email: [email protected] Summer 2017 1 Cover Story Happenings at IDSME By the time you read this the 2017 running season will be almost two- thirds done. The cover photograph shows one of many passenger trains that we have run during the year so far. Mike Werrell is seen at the controls of club locomotive Lady Patricia on the June running day. This locomotive has been a regular performer on running days this year, following a lot of hard work to get it into a serviceable condition, and this was one of the few occasions that somebody managed to prise Harry Wilcox away from the controls of this locomotive. On the same day Michael Proudfoot (inside front cover top) passes the junction signal while driving Mark Hamlin’s R1 single-handed, the other hand being engaged in the rather more important activity of carrying a cup of tea.
    [Show full text]
  • Shonda Rhimes a Defining American Voice Davinci Resolve 12.5 Now with 1,000 Enhancements and 250 New Features for Faster Editing, Better Color and New E Ects!
    January 2017 Shonda Rhimes A defining American voice DaVinci Resolve 12.5 now with 1,000 enhancements and 250 new features for faster editing, better color and new e ects! DaVinci Resolve 12.5 is a massive new update that gives professional New Eects editors and colorists a faster and more refined editing and grading DaVinci Resolve 12.5 introduces ResolveFX, an amazing collection of experience! You get professional editing with advanced color correction, high performance plug-ins such as blurs, light rays, mosaics, and more! plus incredible new eects so you can edit, color correct, add eects You also get more transitions, enhanced titles, keyframe animation and and deliver projects from start to finish, all in one single software tool! speed ramp eects, along with Fusion Connect, which lets you send shots to Fusion for visual eects! Faster Editing DaVinci Resolve 12.5 features dozens of new editing and trimming tools, DaVinci Resolve 12.5 Studio along with faster timeline performance! You get new ripple overwrite, When you need to work at resolutions higher than Ultra HD, like DCI 4K paste insert, revolutionary new audio waveform overlays that help you or even on stereoscopic 3D projects, then upgrade to DaVinci Resolve edit, and much more. DaVinci Resolve 12.5 now features virtually every 12.5 Studio. You get multi-user editing and color correction, network editing and trimming tool imaginable! rendering, 3D, advanced temporal and spatial noise reduction, optical quality blur eects, additional ResolveFX and much more! Better Color Now you can use the same tools Hollywood colorists use every day on DaVinci Resolve 12.5 Free Download blockbuster films and television shows! DaVinci Resolve 12.5 Studio DaVinci Resolve 12.5 Studio £785* gives you new HDR grading, faster node editing, new Resolve FX and more! You get color that goes far beyond any other editing system and DaVinci Resolve Advanced Panel £23,595* you can switch between editing and grading with a single click! Watch Video! www.blackmagicdesign.com/uk *SRP is Exclusive of VAT.
    [Show full text]
  • Tom Perrotta Discusses "Mrs. Fletcher"
    Tom Perrotta discusses "Mrs. Fletcher" [00:00:05] Welcome to The Seattle Public Library’s podcasts of author readings and library events. Library podcasts are brought to you by The Seattle Public Library and Foundation. To learn more about our programs and podcasts, visit our web site at w w w dot SPL dot org. To learn how you can help the library foundation support The Seattle Public Library go to foundation dot SPL dot org [00:00:35] Good evening I'm Stesha Brandon and I'm the Literature and Humanities Program Manager here at Seattle Public Library and it's my delight to welcome you here to Central Library tonight to see Tom Perrotta discuss his new novel Mrs. Fletcher. Thank you to Elliott Bay Book Company for copresenting the event tonight. We would like to thank the Seattle Times for their generous promotional support for library programs. We're also grateful. Oh wait is Nicole in here. I don't I don't see her. We'd also like to thank our author series sponsor Gary Kunis and finally a big thank you to The Seattle Public Library Foundation. It is now my pleasure to welcome Karen Maeda Allman from Elliott Bay Book Company who will introduce Tom Perrotta. [00:01:25] Good evening and thank you for joining us tonight. And I just want to start out with a thank you again to The Seattle Times for their book coverage and more where McDonald's here tonight. And also Nicole Broder and. I. If you're like me you're looking obsessively every Friday for the listings and every Sunday for the reviews the wonderful interviews including one with Tom Perrotta and also the Live Life column.
    [Show full text]
  • American English Video Glossary
    "We have really everything in common with America nowadays except, of course, language" - Oscar Wilde, The Canterville Ghost , 1887 The idea for this dictionary began during a survey/scout of a theater/theatre in Brussels prior to an Anglo-American television production. The director selected camera locations. Two were to be located towards the rear of the lowest level of audience. I wandered off to discuss technical issues with the stage crew. My French is poor and my Flemish essentially non-existent, but I had little difficulty communicating with the Belgians. I returned to find the American female producer and the British male producer screaming at each other. They were saying exactly the same thing and didn't realize it. He: So we're having two cameras in the stalls. She: No, we agreed not to put cameras in the boxes; they're going in the orchestra. He: We agreed not to put cameras with the musicians! She: Of course we're not having cameras in the pit! He: Yes, we are ! It helps to know that the lowest level of theatrical audience in English is called the stalls , which seems suspiciously like boxes to an American. The same level is called the orchestra by an American, which means the musicians in English. To the American, those musicians play in the pit . But the pit is an old English theatrical term for the lowest level of audience. Professions often have their own jargons, never mind American/English language variations. How many people not employed in theatrical work know that tormentors hide the view of off-stage areas from the audience or that vomitories are entrances piercing the seating? Abbreviate those terms as torms and voms , and people can't even look them up in dictionaries.
    [Show full text]
  • 2006 Vendor Listing App
    FILM FLORIDA PUBLISHING COMPANY P.O. Box 143913 Coral Gables, Florida 33114-3913 ID # Tel: (786)484-2001 Fax: (305)446-5168 Office Use Only [email protected] FilmFlorida.com VENDOR APPLICATION Applications are accepted throughout the year and posted on FILMFLORIDA.COM for vendors that maintain an office in Florida. Verification documenting services or website is mandatory. The Publisher reserves the right to limit non-essential information and submissions are not guaranteed to be included. Owner or Company Contact Company Name Address _____________________________________________ City ________________________________ State ___________ Zip+4 ___________________ E-mail _______________________________________________________ www _____________________________________________________________ We publish one phone number. Please select and check the preferred contact number. Additional numbers are also helpful. Phone: ( ) ______________________________ q check one Alt. Phone: ( )_____________________________ _ q check one Fax: ( )______________________________ Cellular: () _______________________ q check one Enter a Login ID and Password between 3 - 15 characters below (please print in block letters, no spaces). Include a valid email address. Once registered you Ewnitlle br ea apbaless two orerdvi ebwet wyoeuern c 3ur -re 1n8t rcehcaorradc, tenrsro allbmoevnet (cpaleteagsoer ipesri n&t cinu rbrleonctk a lde tptelarsc)e. mInecnlut de a valid email address and we will assign you a secure login ID. OLnocgei nre IgD istered you will be able to: Password 1 Revise your Current Record and Review your Category Listings Film Florida Publishing Company will not share your personal information E-mail with outside vendors for their promotional use. The information you provide is necessary to retrieve your login id and password. Occasionally, we may contact you with special notifications, renewal notices, new services, or valuable entertainment industry information and events.
    [Show full text]
  • Women in Sports Journalism
    San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Fall 2009 Women in sports journalism. Sara Ellen Swanson San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Swanson, Sara Ellen, "Women in sports journalism." (2009). Master's Theses. 3986. DOI: https://doi.org/10.31979/etd.tps9-gtwq https://scholarworks.sjsu.edu/etd_theses/3986 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. WOMEN IN SPORTS JOURNALISM A Thesis Presented to The Faculty of the School of Journalism and Mass Communication San Jose State University In Partial Fulfillment Of the Requirements for the Degree Master of Science By Sara Ellen Swanson December 2009 UMI Number: 1484312 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 1484312 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 © 2009 Sara Ellen Swanson ALL RIGHTS RESERVED SAN JOSE STATE UNIVERSITY The Undersigned Thesis Committee Approves the Thesis Titled WOMEN IN SPORTS JOURNALISM By Sara Swanson APPROVED FOR THE DEPARTMENT OF MASS COMMUNICATION I .
    [Show full text]
  • Cinematic Hong Kong of Wong Kar-Wai
    CINEMATIC HONG KONG OF WONG KAR-WAI by HAIHONG LI ABSTRACT In order to promote an understanding of the centrality of space and the intimate relationship between space and identity in Wong Kar-wai’s films, this dissertation examines the director’s construction of cinematic space and the characters’ sense of who they are in relation to Hong Kong in his six films Days of Being Wild, In the Mood for Love, 2046, As Tears Go by, Chungking Express, and Fallen Angels. The investigation of Wong’s use of cinematic space involves the analysis of his selection of location and strategic employment of the mise-en-scène, camera angles, lenses, lighting, and music, which constitute his fictional world. It is my assertion that Wong’s construction of Hong Kong in these films responds to the formation and transformation of identity and showcases the impact of colonialism, modernization, decolonization, globalization, and postmodern culture upon the lives of Hong Kong inhabitants. INDEX WORDS: Wong Kar-wai, Hong Kong, Cinematic space, Identity CINEMATIC HONG KONG OF WONG KAR-WAI by HAIHONG LI B.A., Fu Zhou University, China, 2000 M.A., Truman State University, 2004 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2012 © 2012 Haihong Li All Rights Reserved CINEMATIC HONG KONG OF WONG KAR-WAI by HAIHONG LI Major Professor: Hyangsoon Yi Committee: Richard Neupert Ronald Bogue Masaki Mori Karim Traore Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2012 ACKNOWLEDGEMENTS I wish to extend my sincere gratitude to my supervisor, Hyangsoon Yi, who helped me develop research skills and understanding of the subject during the completion of the project.
    [Show full text]