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Escola De Comunicação, Artes E Design – Famecos Programa De Pós-Graduação Em Comunicação Mestrado Em Comunicação Social
ESCOLA DE COMUNICAÇÃO, ARTES E DESIGN – FAMECOS PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO MESTRADO EM COMUNICAÇÃO SOCIAL FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA Porto Alegre 2018 PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL - PUCRS ESCOLA DE COMUNICAÇÃO, ARTES E DESIGN – FAMECOS PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO MESTRADO EM COMUNICAÇÃO SOCIAL FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA PORTO ALEGRE 2018 FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA Dissertação apresentada como pré-requisito parcial para obtenção do título de Mestre em Comunicação Social, no Programa de Pós- Graduação da Escola de Comunicação, Artes e Design da Pontifícia Universidade Católica do Rio Grande do Sul. Orientadora: Profa. Dra. Mágda Rodrigues da Cunha PORTO ALEGRE 2018 FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA Dissertação apresentada como pré-requisito parcial para obtenção do título de Mestre em Comunicação Social, no Programa de Pós- Graduação da Escola de Comunicação, Artes e Design da Pontifícia Universidade Católica do Rio Grande do Sul. Aprovado em: ____ de ___________________ de 2018. BANCA EXAMINADORA: ______________________________________________________________ Profa. Dra. Mágda Rodrigues da Cunha (Orientadora) ______________________________________________________________ Prof. Dra. Doris Fagundes Haussen – PUCRS ______________________________________________________________ Prof. Dr. André Pase – PUCRS Este trabalho é dedicado a todas as pessoas que, assim como eu, amam o rádio. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
Trend Analysis the Israeli Unit 8200 an OSINT-Based Study CSS
CSS CYBER DEFENSE PROJECT Trend Analysis The Israeli Unit 8200 An OSINT-based study Zürich, December 2019 Risk and Resilience Team Center for Security Studies (CSS), ETH Zürich Trend analysis: The Israeli Unit 8200 – An OSINT-based study Author: Sean Cordey © 2019 Center for Security Studies (CSS), ETH Zurich Contact: Center for Security Studies Haldeneggsteig 4 ETH Zurich CH-8092 Zurich Switzerland Tel.: +41-44-632 40 25 [email protected] www.css.ethz.ch Analysis prepared by: Center for Security Studies (CSS), ETH Zurich ETH-CSS project management: Tim Prior, Head of the Risk and Resilience Research Group, Myriam Dunn Cavelty, Deputy Head for Research and Teaching; Andreas Wenger, Director of the CSS Disclaimer: The opinions presented in this study exclusively reflect the authors’ views. Please cite as: Cordey, S. (2019). Trend Analysis: The Israeli Unit 8200 – An OSINT-based study. Center for Security Studies (CSS), ETH Zürich. 1 Trend analysis: The Israeli Unit 8200 – An OSINT-based study . Table of Contents 1 Introduction 4 2 Historical Background 5 2.1 Pre-independence intelligence units 5 2.2 Post-independence unit: former capabilities, missions, mandate and techniques 5 2.3 The Yom Kippur War and its consequences 6 3 Operational Background 8 3.1 Unit mandate, activities and capabilities 8 3.2 Attributed and alleged operations 8 3.3 International efforts and cooperation 9 4 Organizational and Cultural Background 10 4.1 Organizational structure 10 Structure and sub-units 10 Infrastructure 11 4.2 Selection and training process 12 Attractiveness and motivation 12 Screening process 12 Selection process 13 Training process 13 Service, reserve and alumni 14 4.3 Internal culture 14 5 Discussion and Analysis 16 5.1 Strengths 16 5.2 Weaknesses 17 6 Conclusion and Recommendations 18 7 Glossary 20 8 Abbreviations 20 9 Bibliography 21 2 Trend analysis: The Israeli Unit 8200 – An OSINT-based study selection tests comprise a psychometric test, rigorous Executive Summary interviews, and an education/skills test. -
The BBC at a Glance Our Role and Purpose
The BBC at a glance Our role and purpose The BBC serves the public interest through the promotion of its six public purposes Sustaining citizenship Representing the UK, and civil society its nations, regions and communities The BBC provides high quality news, current affairs The BBC reflects the and factual programming UK’s many communities, to engage its audiences in promoting awareness important current events of different cultures and and ideas. viewpoints, but also brings audiences together for shared experiences. Promoting education Bringing the UK to and learning the world and the world to the UK Education and learning lie at the heart of the BBC’s The BBC supports a global mission and have a part to understanding of play in the delivery of all its international issues and public purposes. broadens UK audiences’ experience of different cultures. Stimulating creativity Delivering to the public and cultural excellence the benefit of emerging communications, The BBC encourages interest, engagement and technologies and services participation in cultural, In promoting its other creative and sporting purposes, the BBC helps activities across the UK. audiences to get the best out of emerging media technologies. nnThe BBC exists to serve the public, and its nnThe following pages outline the strategic mission is to inform, educate and entertain. objectives agreed by the Trust and the Executive Within the overall public purposes, the Trust and provide some highlights illustrating how the sets the strategic framework for the BBC, and BBC has worked to achieve them. the Executive, led by the Director-General, delivers the BBC’s services and creative output. -
Ramsey-OA-Con-2016
‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2016) ‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online. Convergence. (http://dx.doi.org/10.1177/1354856516659001) Abstract In November 2015 the BBC Trust gave its final approval for BBC Three to cease broadcasting on television in the UK and become an online-only entity. The decision is a landmark moment in the history of BBC Television, and has significant implications for BBC planning in relation to the continued transition from broadcast television to streaming and download services. In this article the original proposals for BBC Three’s move online are assessed, and are discussed within the wider context of current BBC policy. It is argued that the rationale used for moving BBC Three online is based on arguments that vary in the extent to which they are backed by evidence. It is also argued that the plans have significant regulatory implications for the future of BBC Television and for the television licence fee in the UK. Keywords: BBC, BBC policy, BBC Three, online television, multi- platform approach, public service media, public value tests, media regulation. ‘It could redefine public service broadcasting in the digital age’: assessing the rationale for moving BBC Three online Introduction In March 2014 the BBC first announced that its UK television channel BBC Three, aimed at 16-34 year olds, would cease broadcast on digital terrestrial television (DTT) and on other broadcasting platforms and become an online-only entity. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
U.S. International Broadcasting Informing, Engaging and Empowering
2010 Annual Report U.S. International Broadcasting Informing, Engaging and Empowering bbg.gov BBG languages Table of Contents GLOBAL EASTERN/ English CENTRAL Letter From the Broadcasting Board of Governors 5 (including EUROPE Learning Albanian English) Bosnian Croatian AFRICA Greek Afan Oromo Macedonian Amharic Montenegrin French Romanian Hausa to Moldova Kinyarwanda Serbian Kirundi Overview 6 Voice of America 14 Ndebele EURASIA Portuguese Armenian Shona Avar Somali Azerbaijani Swahili Bashkir Tigrigna Belarusian Chechen CENTRAL ASIA Circassian Kazakh Crimean Tatar Kyrgyz Georgian Tajik Russian Turkmen Tatar Radio Free Europe Radio and TV Martí 24 Uzbek Ukrainian 20 EAST ASIA LATIN AMERICA Burmese Creole Cantonese Spanish Indonesian Khmer NEAR EAST/ Korean NORTH AFRICA Lao Arabic Mandarin Kurdish Thai Turkish Tibetan Middle East Radio Free Asia Uyghur 28 Broadcasting Networks 32 Vietnamese SOUTH ASIA Bangla Dari Pashto Persian Urdu International Broadcasting Board On cover: An Indonesian woman checks Broadcasting Bureau 36 Of Governors 40 her laptop after an afternoon prayer (AP Photo/Irwin Fedriansyah). Financial Highlights 43 2 Letter From the Broadcasting Board of Governors 5 Voice of America 14 “This radio will help me pay closer attention to what’s going on in Kabul,” said one elder at a refugee camp. “All of us will now be able to raise our voices more and participate in national decisions like elections.” RFE’s Radio Azadi distributed 20,000 solar-powered, hand-cranked radios throughout Afghanistan. 3 In 2010, Alhurra and Radio Sawa provided Egyptians with comprehensive coverage of the Egyptian election and the resulting protests. “Alhurra was the best in exposing the (falsification of the) Egyptian parliamentary election.” –Egyptian newspaper Alwafd (AP Photo/Ahmed Ali) 4 Letter from the Board TO THE PRESIDENT AND THE CONGRESS OF THE UNITED STATES On behalf of the Broadcasting Board of Governors (BBG) and pursuant to Section 305(a) of Public Law 103-236, the U.S. -
GAO-03-772 US International Broadcasting
United States General Accounting Office Report to the Committee on International GAO Relations, House of Representatives July 2003 U.S. INTERNATIONAL BROADCASTING New Strategic Approach Focuses on Reaching Large Audiences but Lacks Measurable Program Objectives a GAO-03-772 July 2003 U.S. INTERNATIONAL BROADCASTING New Strategic Approach Focuses on Highlights of GAO-03-772, a report to the Reaching Large Audiences but Lacks Committee on International Relations, House of Representatives Measurable Program Objectives Prompted by a desire to reverse Consistent with its new plan to dramatically increase the size of U.S. declining audience trends and to international broadcasting listening and viewing audiences in markets of support the war on terrorism, the U.S. strategic interest, the Broadcasting Board of Governors has launched Broadcasting Board of Governors several new projects, including Radio Sawa in the Middle East, Radio Farda (BBG), the agency responsible for in Iran, and the Afghanistan Radio Network. These projects adhere to the U.S. international broadcasting, Board’s core strategy of identifying a target audience and tailoring each began developing its new strategic approach to international broadcast product to market circumstances and audience needs. broadcasting in July 2001. This approach emphasizes the need to The Board’s plan lacks measurable program objectives designed to gauge the reach mass audiences by applying success of its new approach to broadcasting, detailed implementation modern broadcast techniques and strategies, resource needs, and project time frames. A number of key strategically allocating resources to effectiveness measures could provide a starting point for developing focus on high-priority markets. measurable program objectives and related performance goals and GAO was asked to examine (1) indicators under the Board’s annual performance plan. -
Rebuilding Iraqi Television: a Personal Account
Rebuilding Iraqi Television: A Personal Account By Gordon Robison Senior Fellow USC Annenberg School of Communication October, 2004 A Project of the USC Center on Public Diplomacy Middle East Media Project USC Center on Public Diplomacy 3502 Watt Way, Suite 103 Los Angeles, CA 90089-0281 www.uscpublicdiplomacy.org USC Center on Public Diplomacy – Middle East Media Project Rebuilding Iraqi Television: A Personal Account By Gordon Robison Senior Fellow, USC Annenberg School of Communication October 27, 2003 was the first day of Ramadan. It was also my first day at a new job as a contractor with the Coalition Provisional Authority, the American-led administration in Occupied Iraq. I had been hired to oversee the news department at Iraqi television. I had been at the station barely an hour when news of a major attack broke: at 8:30am a car bomb had leveled the Red Cross headquarters. The blast was enormous, and was heard across half the city. When the pictures began to come in soon afterwards they were horrific. The death toll began to mount. Then came word of more explosions: car bombs destroying three Iraqi police stations. A fourth police station was targeted but the bomber was intercepted in route. At times like this the atmosphere in the newsroom at CNN, the BBC or even a local television station is focused, if somewhat chaotic. Most news operations have a plan for dealing with big, breaking stories. Things in the newsroom move quickly, and they can get very stressful, but things do happen. Also, this was hardly the first time an atrocity like this had taken place. -
The Global Alliance on Media and Gender (Gamag) Framework and Plan of Action
THE GLOBAL ALLIANCE ON MEDIA AND GENDER (GAMAG) Promoting and addressing gender equality and women’s empowerment in media systems, structures and content FRAMEWORK AND PLAN OF ACTION FRAMEWORK AND PLAN OF ACTION FOR THE GLOBAL ALLIANCE ON MEDIA AND GENDER (GAMAG) Promoting and addressing gender equality and women’s empowerment in media systems, structures and content. Preamble The Beijing Declaration put on the map the critical importance of media in the attainment of gender equality and women’s empowerment. Twenty years later, while there have been signs of progress, and meantime the media environment has been significantly transformed. There is a need to revitalize our commitment and approach to the relationships between gender equality and the media in the 21st century. The new media environment, which includes social and digital media, increasingly complex market pressures and globalized media systems, provides new opportunities for women’s freedom of expression and access to information. Yet it exacerbates some existing problems and throws up new challenges that need to be addressed. The first Global Forum on Media and Gender (2-4 December, Bangkok, Thailand) aimed to initiate processes that would link up ongoing actions and add momentum to efforts to address the issue of gender equality in media systems, structures and content, acknowledging this as a key to women’s empowerment and full participation in society. Following a global discussion on the framework and plan of action for GAMAG, the forum committed to the following development goal: To catalyse the changes and partnerships needed to ensure that gender equality is achieved in constantly evolving media systems, structures and content at local, national and global levels. -
US Agency for Global Media (USAGM) (Formerly Broadcasting Board of Governors) Operations and Stations Division (T/EOS) Monthly Reports, 2014-2019
Description of document: US Agency for Global Media (USAGM) (formerly Broadcasting Board of Governors) Operations and Stations Division (T/EOS) Monthly Reports, 2014-2019 Requested date: 21-October-2019 Release date: 05-March-2020 Posted date: 23-March-2020 Source of document: USAGM FOIA Office Room 3349 330 Independence Ave. SW Washington, D.C. 20237 ATTN: FOIA/PRivacy Act Officer Fax: (202) 203-4585 Email: [email protected] The governmentattic.org web site (“the site”) is a First Amendment free speech web site, and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. UNITED STATES U.S. AGENCY FOR BROADCASTING BOARD OF GLOBAL MEDIA GOVERNORS 330 Independence Avenue SW I Washington, DC 20237 I usagm,gov Office of the General Counsel March 5. -
|FREE| Film Genre for the Screenwriter
FILM GENRE FOR THE SCREENWRITER EBOOK Author: Jule Selbo Number of Pages: 339 pages Published Date: 07 Aug 2014 Publisher: Taylor & Francis Ltd Publication Country: London, United Kingdom Language: English ISBN: 9781138020832 Download Link: CLICK HERE Film Genre For The Screenwriter Online Read Please Film Genre for the Screenwriter it by verifying the claims made and adding inline citations. Writers Store. Film genres may appear to be readily categorizable from the setting of the film. A screenwriter becomes credible by having work that is recognized, which gives the writer the opportunity to earn a higher income. Should they be prepared to be scared? Are genres culture-bound or trans-cultural? An example would be writing a horror film where a young woman is getting chased by a stranger down a dark alley and finally gets cornered by him. Wikimedia Commons. Subscription or UK public library membership required. New York: Focal Press. Be amazed? When word is put out about a project a film studioproduction companyor producer wants done, they are Film Genre for the Screenwriter to as "open" assignments. So when watching and analyzing film genres we must remember to remember its true intentions aside from its entertainment value. Lists of films by genre and themes. Reviews Film Genre For The Screenwriter Central apparatus room Changing room Master control room Network operations center Production control room Stage theatre Transmission control room. Maybe Stage 32 just kept you in the game?! Format refers to the way the film was shot e. For example, while both The Battle of Midway and All Film Genre for the Screenwriter on the Film Genre for the Screenwriter Front are set in a wartime context and might be classified as belonging to the war film genre, the first examines the themes of honor, sacrifice, and valour, and the second is an anti-war film which emphasizes the pain and horror of war.