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Escola De Comunicação, Artes E Design – Famecos Programa De Pós-Graduação Em Comunicação Mestrado Em Comunicação Social
ESCOLA DE COMUNICAÇÃO, ARTES E DESIGN – FAMECOS PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO MESTRADO EM COMUNICAÇÃO SOCIAL FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA Porto Alegre 2018 PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL - PUCRS ESCOLA DE COMUNICAÇÃO, ARTES E DESIGN – FAMECOS PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO MESTRADO EM COMUNICAÇÃO SOCIAL FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA PORTO ALEGRE 2018 FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA Dissertação apresentada como pré-requisito parcial para obtenção do título de Mestre em Comunicação Social, no Programa de Pós- Graduação da Escola de Comunicação, Artes e Design da Pontifícia Universidade Católica do Rio Grande do Sul. Orientadora: Profa. Dra. Mágda Rodrigues da Cunha PORTO ALEGRE 2018 FILIPE PEREIRA GAMBA A READAPTAÇÃO DO RÁDIO A PARTIR DA INTERNET: UMA ANÁLISE DOS MODELOS DA BBC E DA RÁDIO GAÚCHA Dissertação apresentada como pré-requisito parcial para obtenção do título de Mestre em Comunicação Social, no Programa de Pós- Graduação da Escola de Comunicação, Artes e Design da Pontifícia Universidade Católica do Rio Grande do Sul. Aprovado em: ____ de ___________________ de 2018. BANCA EXAMINADORA: ______________________________________________________________ Profa. Dra. Mágda Rodrigues da Cunha (Orientadora) ______________________________________________________________ Prof. Dra. Doris Fagundes Haussen – PUCRS ______________________________________________________________ Prof. Dr. André Pase – PUCRS Este trabalho é dedicado a todas as pessoas que, assim como eu, amam o rádio. -
L&RS Note | How Parliaments Are Working During the Covid-19
Oireachtas Library & Research Service | Bill Digest L&RS Note How parliaments are working during the Covid- 19 pandemic Charlotte Cousins, Senior Researcher (Parliamentary Affairs) Abstract 29 April 2020 This Note describes how twelve parliaments/assemblies have adapted their procedures and practices to adhere to the restrictions on physical meetings imposed due to Covid-19. Parliaments are continuing to meet with less sittings, dealing with limited business and with fewer members in their chambers. While most parliaments are precluded from holding full virtual plenary sessions, several have introduced some elements of remote working, most commonly virtual committee meetings. Remote voting is rarely feasible, for legal/procedural rather than technical reasons. Oireachtas Library & Research Service | Note Contents Introduction ..................................................................................................................................... 3 Key points ....................................................................................................................................... 4 Parliamentary plenary meetings – physical meetings ...................................................................... 5 Remote meetings and remote voting - procedures .......................................................................... 6 Technology for virtual meetings ...................................................................................................... 9 Conclusion ................................................................................................................................... -
Digital Disruption?
CONTENTS Contents EDITORIAL Faster, cleaner, smarter Editor’s letter Nick Molho 10 Sam Robinson 4 Code of ethics? Director’s note Christina Blacklaws 12 Ryan Shorthouse 5 A digital NHS: is it all good news? Letters to the editor 6 Rachel Hutchings 13 Assistive policy for assistive technology Clive Gilbert 14 DIGITAL SOCIETY Mind the digital skills gap Updating Whitehall Helen Milner 15 Daniel Korski CBE 7 Skype session with… Levelling up the tech sector Nir Eyal Matt Warman MP 9 Phoebe Arslanagić-Wakefield 17 Page 25 Damian Collins MP calls for a fundamental overhaul of the way we regulate social media Bright Blue is an independent think tank and pressure group for liberal conservatism. Director: Ryan Shorthouse Chair: Matthew d’Ancona Board of Directors: Rachel Johnson, Alexandra Jezeph, Diane Banks, Phil Clarke & Richard Mabey Editors: Sam Robinson & Phoebe Arslanagić-Wakefield brightblue.org.uk Page 18 The Centre Write interview: Print: Aquatint | aquatint.co.uk Rory Stewart Design: Chris Solomons Jan Baker CONTENTS 3 THE CENTRE WRITE INTERVIEW: DIGITAL WORLD ARTS & BOOKS Rory Stewart OBE 18 Digital borders? The AI Economy: Work, Wealth and Welfare Will Somerville 28 in the Robot Age (Roger Bootle) DIGITAL DEMOCRACY Defying the gravity effect? Diane Banks 35 Detoxifying public life David Henig 30 Inadequate Equilibria (Eliezer Yudkowsky) Catherine Anderson 22 Blockchain to the rescue? Sam Dumitriu 36 Our thoughts are not our own Dr Jane Thomason 31 Bagehot: The Life and Times of the Jim Morrison 23 Greatest Victorian (James Grant) Rethinking -
Digital Economy Bill
Digital Economy Bill [AS AMENDED ON REPORT] CONTENTS PART 1 ACCESS TO DIGITAL SERVICES 1 Universal service broadband obligations 2 General conditions: switching communications provider 3 Bill limits for mobile phone contracts 4 Automatic compensation for failure to meet performance standards PART 2 DIGITAL INFRASTRUCTURE Electronic communications code 5 The electronic communications code 6 Power to make transitional provision in connection with the code 7 Power to make consequential provision etc in connection with the code 8 Application of the code: protection of the environment Dynamic spectrum access services 9 Regulation of dynamic spectrum access services Other regulation of spectrum 10 Statement of strategic priorities 11 Penalties for contravention of wireless telegraphy licences 12 Fixed penalties under Wireless Telegraphy Act 2006 13 Search warrants under Wireless Telegraphy Act 2006 14 Disposal of seized property under Wireless Telegraphy Act 2006 15 Time limits for prosecutions under Wireless Telegraphy Act 2006 HL Bill 122 56/2 ii Digital Economy Bill PART 3 ONLINE PORNOGRAPHY 16 Internet pornography: requirement to prevent access by persons under the age of 18 17 Meaning of “pornographic material” 18 The age-verification regulator: designation and funding 19 Parliamentary procedure for designation of age-verification regulator 20 Age-verification regulator’s power to require information 21 Enforcement of sections 16 and 20 22 Financial penalties 23 Age-verification regulator’s power to give notice of contravention to payment-services -
COVID-19: Make It the Last Pandemic
COVID-19: Make it the Last Pandemic Disclaimer: The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the Independent Panel for Pandemic Preparedness and Response concerning the legal status of any country, territory, city of area or of its authorities, or concerning the delimitation of its frontiers or boundaries. Report Design: Michelle Hopgood, Toronto, Canada Icon Illustrator: Janet McLeod Wortel Maps: Taylor Blake COVID-19: Make it the Last Pandemic by The Independent Panel for Pandemic Preparedness & Response 2 of 86 Contents Preface 4 Abbreviations 6 1. Introduction 8 2. The devastating reality of the COVID-19 pandemic 10 3. The Panel’s call for immediate actions to stop the COVID-19 pandemic 12 4. What happened, what we’ve learned and what needs to change 15 4.1 Before the pandemic — the failure to take preparation seriously 15 4.2 A virus moving faster than the surveillance and alert system 21 4.2.1 The first reported cases 22 4.2.2 The declaration of a public health emergency of international concern 24 4.2.3 Two worlds at different speeds 26 4.3 Early responses lacked urgency and effectiveness 28 4.3.1 Successful countries were proactive, unsuccessful ones denied and delayed 31 4.3.2 The crisis in supplies 33 4.3.3 Lessons to be learnt from the early response 36 4.4 The failure to sustain the response in the face of the crisis 38 4.4.1 National health systems under enormous stress 38 4.4.2 Jobs at risk 38 4.4.3 Vaccine nationalism 41 5. -
The BBC at a Glance Our Role and Purpose
The BBC at a glance Our role and purpose The BBC serves the public interest through the promotion of its six public purposes Sustaining citizenship Representing the UK, and civil society its nations, regions and communities The BBC provides high quality news, current affairs The BBC reflects the and factual programming UK’s many communities, to engage its audiences in promoting awareness important current events of different cultures and and ideas. viewpoints, but also brings audiences together for shared experiences. Promoting education Bringing the UK to and learning the world and the world to the UK Education and learning lie at the heart of the BBC’s The BBC supports a global mission and have a part to understanding of play in the delivery of all its international issues and public purposes. broadens UK audiences’ experience of different cultures. Stimulating creativity Delivering to the public and cultural excellence the benefit of emerging communications, The BBC encourages interest, engagement and technologies and services participation in cultural, In promoting its other creative and sporting purposes, the BBC helps activities across the UK. audiences to get the best out of emerging media technologies. nnThe BBC exists to serve the public, and its nnThe following pages outline the strategic mission is to inform, educate and entertain. objectives agreed by the Trust and the Executive Within the overall public purposes, the Trust and provide some highlights illustrating how the sets the strategic framework for the BBC, and BBC has worked to achieve them. the Executive, led by the Director-General, delivers the BBC’s services and creative output. -
Ramsey-OA-Con-2016
‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2016) ‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online. Convergence. (http://dx.doi.org/10.1177/1354856516659001) Abstract In November 2015 the BBC Trust gave its final approval for BBC Three to cease broadcasting on television in the UK and become an online-only entity. The decision is a landmark moment in the history of BBC Television, and has significant implications for BBC planning in relation to the continued transition from broadcast television to streaming and download services. In this article the original proposals for BBC Three’s move online are assessed, and are discussed within the wider context of current BBC policy. It is argued that the rationale used for moving BBC Three online is based on arguments that vary in the extent to which they are backed by evidence. It is also argued that the plans have significant regulatory implications for the future of BBC Television and for the television licence fee in the UK. Keywords: BBC, BBC policy, BBC Three, online television, multi- platform approach, public service media, public value tests, media regulation. ‘It could redefine public service broadcasting in the digital age’: assessing the rationale for moving BBC Three online Introduction In March 2014 the BBC first announced that its UK television channel BBC Three, aimed at 16-34 year olds, would cease broadcast on digital terrestrial television (DTT) and on other broadcasting platforms and become an online-only entity. -
BBC TV\S Panorama, Conflict Coverage and the Μwestminster
%%&79¶VPanorama, conflict coverage and WKHµ:HVWPLQVWHU FRQVHQVXV¶ David McQueen This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. %%&79¶VPanorama, conflict coverage and the µ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy August 2010 µLet nation speak peace unto nation¶ RIILFLDO%%&PRWWRXQWLO) µQuaecunque¶>:KDWVRHYHU@(official BBC motto from 1934) 2 Abstract %%&79¶VPanoramaFRQIOLFWFRYHUDJHDQGWKHµ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen 7KH%%&¶VµIODJVKLS¶FXUUHQWDIIDLUVVHULHVPanorama, occupies a central place in %ULWDLQ¶VWHOHYLVLRQKLVWRU\DQG\HWVXUSULVLQJO\LWLVUHODWLYHO\QHJOHFWHGLQDFDGHPLF studies of the medium. Much that has been written focuses on Panorama¶VFRYHUDJHRI armed conflicts (notably Suez, Northern Ireland and the Falklands) and deals, primarily, with programmes which met with Government disapproval and censure. However, little has been written on Panorama¶VOHVVFRQWURYHUVLDOPRUHURXWLQHZDUUeporting, or on WKHSURJUDPPH¶VPRUHUHFHQWKLVWRU\LWVHYROYLQJMRXUQDOLVWLFSUDFWLFHVDQGSODFHZLWKLQ the current affairs form. This thesis explores these areas and examines the framing of war narratives within Panorama¶VFRYHUDJHRIWKH*XOIFRQIOLFWV of 1991 and 2003. One accusation in studies looking beyond Panorama¶VPRUHFRQWHQWLRXVHSLVRGHVLVWKDW -
Scottish Ballet to Take Over Televisions This Christmas with Two Special BBC Commissions
PRESS RELEASE scottishballet.co.uk Scottish Ballet to take over televisions this Christmas with two special BBC commissions Scottish Ballet is delighted to announce that the 50th anniversary year will culminate with two special BBC commissions, which will see the company take over televisions this festive period. In a year of celebrations for Scotland’s national dance company, Scottish Ballet’s 50th anniversary comes to a spectacular close with the world premiere of CEO / Artistic Director Christopher Hampson’s The Snow Queen. The glittering new production will provide the stage for a special performance capture that will be broadcast on BBC Scotland and BBC Four, and close the story on the Five Wishes campaign and a heartwarming documentary of the same name that will be broadcast on BBC One (Scotland) and BBC Scotland. The Snow Queen BBC Scotland audiences will be treated to a special performance of this new ballet as the glittering production takes over their homes, with a feature length screening. Inspired by Hans Christian Andersen’s much-loved tale, The Snow Queen is a story of love and friendship. From the bustle of a winter’s market to the shivers of a fairytale forest, the production takes a journey to the Snow Queen’s palace and finds her surrounded by the icy fragments of an enchanted mirror. Guaranteed to transport the whole family to a place of wonder, The Snow Queen is choreographed by Christopher Hampson, in collaboration with multi-award winning designer Lez Brotherston. Set to the music of Rimsky-Korsakov, the score will be performed by the full Scottish Ballet Orchestra. -
'Specially Restricted Material' and Age Verification Guidance For
‘Specially restricted material’ and Age Verification Guidance for Providers of On-Demand Programme Services Changes to the Guidance Contents Section 1. Overview 1 2. Background 3 3. Decisions on Changes to the Guidance 6 4. Revised Rule 11 and Guidance 17 Annex A1. Equality Impact Assessment 22 A2. Legal Background 24 Changes to the ODPS age verification guidance 1. Overview On-demand programme service providers (“ODPS providers”) regulated by Ofcom are required to place ‘specially restricted material’ (which includes certain pornographic content) behind age- verification controls to restrict access to over 18s. The Digital Economy Act 2017 increases the scope of content that has to be placed behind age-verification controls on ODPS, and we are changing Rule 11 of Ofcom’s Rules for ODPS to reflect this stricter requirement. The Digital Economy Act also introduced new duties for the British Board of Film Classification (“BBFC”) to regulate ‘pornographic’ content online on commercial adult websites. In light of this, and following our consultation in October 2018, this document sets out our decisions regarding changes to Ofcom’s Guidance for Rule 11. How Rule 11 is changing – in brief The changes to Rule 11 extend the meaning of ‘specially restricted material’ for which ODPS must provide age-verification (“AV”) controls. The definition will now include material whose principal purpose is to cause sexual arousal and which has been issued an ‘18’ Certificate by the BBFC, or would be likely to be issued an ‘18’ if it were submitted to the BBFC in a video work. What we have decided about the Rule 11 Guidance – in brief Our changes to the Guidance aim to promote consistency between our approach to regulating ‘specially restricted material’ on ODPS, and the approach of the BBFC to regulating ‘pornographic material’ on online adult websites. -
Bbc Week 36, 3
BBC WEEK 36, 3 - 9 September 2016 Programme Information, Television & Radio BBC Scotland Press Office BBC Media Centre (Scotland) BBC iPlayer (Scotland) BBC Scotland BBC Scotland on Facebook @BBCScotland on Twitter General / Carol Knight 0141 422 6381 Hilda McLean 0141 422 6377 Jim Gough 0141 422 6376 Julie Whiteside 0141 422 6378 BBC Alba 0141 220 6040 THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 36 _____________________________________________________________________________________________________ SUNDAY 4 SEPTEMBER A Very British Deterrent NEW BBC Two MONDAY 5 SEPTEMBER Grand Tours of the Scottish Islands NEW BBC One Scotland Programme NEW Channel TUESDAY 6 SEPTEMBER River City TV HIGHLIGHT BBC One Scotland _____________________________________________________________________________________________________ Viewers outside Scotland can access BBC One Scotland on Sky 141 (HD) & 951, Freesat 108 (HD) & 960, Virgin Media 108 (HD) & 862. BBC Two Scotland can be viewed on Sky 142 (HD) & 970, Freesat 970. BBC ALBA is on Sky 143, Freesat 110, Virgin Media 188, Freeview 8 (Scotland only). BBC Radio Scotland can be accessed on Sky 0116, Freesat 712, Freeview 719 (Scotland only). BBC One Scotland, BBC Two Scotland and BBC ALBA are also available on the BBC iPlayer bbc.co.uk/iplayer & BBC Radio Scotland on bbc.co.uk/radioscotland EDITORIAL 2016 / BBC WEEK 36 _____________________________________________________________________________________________________ GRAND TOURS OF THE SCOTTISH ISLANDS Starts Monday 5 September on BBC One Scotland at 7.30pm Paul Murton continues his island odyssey in this fourth series of the Grand Tours of the Scottish Islands, exploring the remote and fascinating places which scatter our coastline, and meeting the people who call these islands home. Over the six week filming period in the spring and summer, the production crew from Timeline Films was blessed by catching just about every good day going and the results are evident on screen. -
THE 422 Mps WHO BACKED the MOTION Conservative 1. Bim
THE 422 MPs WHO BACKED THE MOTION Conservative 1. Bim Afolami 2. Peter Aldous 3. Edward Argar 4. Victoria Atkins 5. Harriett Baldwin 6. Steve Barclay 7. Henry Bellingham 8. Guto Bebb 9. Richard Benyon 10. Paul Beresford 11. Peter Bottomley 12. Andrew Bowie 13. Karen Bradley 14. Steve Brine 15. James Brokenshire 16. Robert Buckland 17. Alex Burghart 18. Alistair Burt 19. Alun Cairns 20. James Cartlidge 21. Alex Chalk 22. Jo Churchill 23. Greg Clark 24. Colin Clark 25. Ken Clarke 26. James Cleverly 27. Thérèse Coffey 28. Alberto Costa 29. Glyn Davies 30. Jonathan Djanogly 31. Leo Docherty 32. Oliver Dowden 33. David Duguid 34. Alan Duncan 35. Philip Dunne 36. Michael Ellis 37. Tobias Ellwood 38. Mark Field 39. Vicky Ford 40. Kevin Foster 41. Lucy Frazer 42. George Freeman 43. Mike Freer 44. Mark Garnier 45. David Gauke 46. Nick Gibb 47. John Glen 48. Robert Goodwill 49. Michael Gove 50. Luke Graham 51. Richard Graham 52. Bill Grant 53. Helen Grant 54. Damian Green 55. Justine Greening 56. Dominic Grieve 57. Sam Gyimah 58. Kirstene Hair 59. Luke Hall 60. Philip Hammond 61. Stephen Hammond 62. Matt Hancock 63. Richard Harrington 64. Simon Hart 65. Oliver Heald 66. Peter Heaton-Jones 67. Damian Hinds 68. Simon Hoare 69. George Hollingbery 70. Kevin Hollinrake 71. Nigel Huddleston 72. Jeremy Hunt 73. Nick Hurd 74. Alister Jack (Teller) 75. Margot James 76. Sajid Javid 77. Robert Jenrick 78. Jo Johnson 79. Andrew Jones 80. Gillian Keegan 81. Seema Kennedy 82. Stephen Kerr 83. Mark Lancaster 84.