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1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Emanuele Serrelli Nathalie Gontier Editors Explanation, Interpretation
Interdisciplinary Evolution Research 2 Emanuele Serrelli Nathalie Gontier Editors Macroevolution Explanation, Interpretation and Evidence Interdisciplinary Evolution Research Volume 2 Series editors Nathalie Gontier, Lisbon, Portugal Olga Pombo, Lisbon, Portugal [email protected] About the Series The time when only biologists studied evolution has long since passed. Accepting evolution requires us to come to terms with the fact that everything that exists must be the outcome of evolutionary processes. Today, a wide variety of academic disciplines are therefore confronted with evolutionary problems, ranging from physics and medicine, to linguistics, anthropology and sociology. Solving evolutionary problems also necessitates an inter- and transdisciplinary approach, which is why the Modern Synthesis is currently extended to include drift theory, symbiogenesis, lateral gene transfer, hybridization, epigenetics and punctuated equilibria theory. The series Interdisciplinary Evolution Research aims to provide a scholarly platform for the growing demand to examine specific evolutionary problems from the perspectives of multiple disciplines. It does not adhere to one specific academic field, one specific school of thought, or one specific evolutionary theory. Rather, books in the series thematically analyze how a variety of evolutionary fields and evolutionary theories provide insights into specific, well-defined evolutionary problems of life and the socio-cultural domain. Editors-in-chief of the series are Nathalie Gontier and Olga Pombo. The -
October 2011
OctOber 2011 7:00 PM ET/4:00 PM PT 3:15 PM ET/12:15 PM PT 1:00 PM ET/10:00 AM PT 6:00 PM CT/5:00 PM MT 2:15 PM CT/1:15 PM MT 12:00 PM CT/11:00 AM MT The Wild Bunch - In Retro/Na- Robin Hood: Prince of Thieves Spaceballs tional Film Registry 5:45 PM ET/2:45 PM PT 2:45 PM ET/11:45 AM PT SATURDAY, OCTOBER 1 9:30 PM ET/6:30 PM PT 4:45 PM CT/3:45 PM MT 1:45 PM CT/12:45 PM MT 12:00 AM ET/9:00 PM PT 8:30 PM CT/7:30 PM MT Unforgiven - National Film Regis- Gremlins - Spotlight Feature 11:00 PM CT/10:00 PM MT Unforgiven - National Film Regis- try/Spotlight Feature 4:35 PM ET/1:35 PM PT The Country Bears - KIDS try/Spotlight Feature 8:00 PM ET/5:00 PM PT 3:35 PM CT/2:35 PM MT FIRST!/kidScene “Friday Nights” 11:45 PM ET/8:45 PM PT 7:00 PM CT/6:00 PM MT Gremlins 2: The New Batch 1:30 AM ET/10:30 PM PT 10:45 PM CT/9:45 PM MT A Face in the Crowd - In Retro/Na- 6:30 PM ET/3:30 PM PT 12:30 AM CT/11:30 PM MT The Wild Bunch - In Retro/Na- tional Film Registry 5:30 PM CT/4:30 PM MT White Squall tional Film Registry 10:15 PM ET/7:15 PM PT The Lost Boys 3:45 AM ET/12:45 AM PT 9:15 PM CT/8:15 PM MT 8:15 PM ET/5:15 PM PT 2:45 AM CT/1:45 AM MT SUNDAY, OCTOBER 2 Papillon - In Retro 7:15 PM CT/6:15 PM MT Everybody’s All American 2:15 AM ET/11:15 PM PT Beetlejuice 6:00 AM ET/3:00 AM PT 1:15 AM CT/12:15 AM MT MONDAY, OCTOBER 3 10:00 PM ET/7:00 PM PT 5:00 AM CT/4:00 AM MT Unforgiven - National Film Regis- 1:00 AM ET/10:00 PM PT 9:00 PM CT/8:00 PM MT Zula Patrol: Animal Adventures in try/Spotlight Feature 12:00 AM CT/11:00 PM MT Big Fish Space 4:30 AM ET/1:30 AM PT -
Anglia Ruskin University a Practice-Based Investigation Of
Anglia Ruskin University A Practice-based Investigation of Animal Character Development in Picturebook Illustration. (Written exegesis) Katherina Manolessou A Thesis in partial fulfilment of the requirements of Anglia Ruskin University for the degree of Doctor of Philosophy March 2012 Please note: This is a redacted version of the thesis. All images have been removed due to copyright considerations. You can find the full version of this thesis, including the visual record, dummy book and published picturebook, at the Anglia Ruskin University library. 3 Acknowledgements I would like to thank: My supervisors Martin Salisbury and Morag Styles for their invaluable advice and support throughout this project. More specifically I thank Martin for always believing that my illustration practice could generate a picturebook, and Morag for all her advice on my writing. Emily Ford, editor at Macmillan Children’s Books for her belief in Monkey and Bird. Together with Jo Spooner, designer, they have given me constructive feedback for the development of the picturebook. My friends Paola Parise, Joanna and Iain McGregor, Darren Raven, and Katerina Athanassopoulou for their advice. My family in Greece, and especially my sister Sofia, for the support they have offered me so that I could find the time and energy to work on this project. My children, Dimitri and Anna who are a constant source of inspiration. Dimitri has inspired the characters in this project and I am sure that Anna will inspire more. Above all I am grateful to my husband Andreas Tsanakas for his unlimited and unwavering patience, support, and encouragement. This project is dedicated to him. -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
IMAGE Film and Video Collection 1
IMAGE Film and Video Collection 1 A B C D E F G 1 Box # Item # Title Producer Format Date Length 2 1 12 "The Afterlife of Grandpa" P.J. Pesce 3/4" 1988 23:34 3 1 1 "Travelin' Trains" Eric Mofford 3/4" 2/10/88 30 min Best of the Festival Part II: 6th Atlanta 4 1 6 Independant [sic] Film and Video Festival Meridith Monk 3/4" 60 min Alene Richards & Beverly 5 1 13 Brady Boomers, The Ginsburg 3/4" 1990 16:00 6 1 8 Dream #2 William J. Oates 3/4" 30 min 7 1 2 Fanny Kemble's Journal Gary Moss, Robin Reidy 3/4" 1981 30 min 8 1 5 Four Episodes from 1984 Marshall Peterson 3/4" 1985 30 min 9 1 3 Haute Culture II: Muntadas Santa Monica Place 3/4" 60 min 10 1 3A Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 11 1 3B Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 12 1 10 Physical Phenomena Steven O' Connor 3/4" 26:10:00 13 1 11 Shoes Required Joe Murphy 3/4" 1991 27:50:00 14 1 7 Small Miracles Toni Pezone 3/4" 15 1 9 Songs in Minto Life Curt Madison 3/4" 28:36:00 16 1 4 South of the Border: A Documentary Lisa Napoli 3/4" 1991 30 min 17 2 25 "Art of Memory" Woody Vasulka 3/4" 11/5/87 36:00:00 18 2 15 1. -
Send in the Clones
Send in the Clones Chaplin Imitators from Stage to Screen, from Circus to Cartoon Ulrich Ruedel The Chaplin craze of the teens is often cited as one of the main indicators of the unprecedented popularity of Chaplin's little tramp. Chaplin imitators, cartoons, songs were abound. While Chaplin may indeed qualify as the most imitated character in film history, this "sincerest form of flattery" was not limited to him. Indeed, one of the historically most remarkable Chaplin imitations, that of former Chaplin understudy Stan Laurel, was part of a Keystone Trio stage act, which also included likenesses of Mabel Normand and Chester Conklin. Nor does the phenomenon of comic clones end there. Throughout film history, we find carbon copies of then- popular film clowns, sometimes unidentified today, often though probably quite justly forgotten.1 1 The Museum of Modern Art, for example, holds footage of an unidentified Snub Pollard imitator; imitations of Harold Lloyd's glasses character have been reported, and Wolfram Tichy's 1979 Harold Lloyd bioography presents an unidentified photo of what might have been such an imitator. Europe had their own, unique comedy success in the 20s and 30s, in the Danish comedy tramp duo of Fy og Bi / Long and Short / Pat & Patachon, and this author's research into this team (easily rivaling in popularity Chaplin, Keaton and Lloyd in countries like Germany and Russia) has so far confirmed at east four imitators, or "parodists," asppearing well into the 1950s. The Three Stooges are unique in this regard as their likenesses can claim a certain degree of legitimacy, either having gone through the same school as the original trio, Stooge inventor Ted Healy's act, that is, or in a couple instances even having the privilege of featuring former original Stooges. -
All Texts by Genre, Becoming Modern: America in the 1920S
BECOMING MODERN: AMERICA IN THE 1920S PRIMARY SOURCE COLLECTION k National Humanities Center Primary Source Collection BECOMING MODERN: AMERICA IN THE 1920S americainclass.org/sources/becomingmodern A collection of primary resources—historical documents, literary texts, and works of art— thematically organized with notes and discussion questions 1 __Resources by Genre__ ___Each genre is ordered by Theme: THE AGE, MODERNITY, MACHINE, PROSPERITY, DIVISION.___ External sites are noted in small caps. COLLECTIONS: CONTEMPORARY COMMENTARY NONFICTION, FICTION, ILLUSTRATIONS, CARTOONS, etc.* THE AGE 1 “The Age” PROSPERITY 1 “Age of Prosperity” MODERNITY 1 Modern Youth PROSPERITY 2 Business MODERNITY 2 Modern Woman PROSPERITY 3 Consumerism MODERNITY 3 Modern Democracy PROSPERITY 4 Crash MODERNITY 4 Modern Faith DIVISIONS 1 Ku Klux Klan MODERNITY 5 Modern City: The Skyscraper DIVISIONS 2 Black & White MACHINE 1 “Machine Age” DIVISIONS 3 City & Town MACHINE 3 Automobile DIVISIONS 5 Religion & Science MACHINE 5 Radio DIVISIONS 6 Labor & Capital DIVISIONS 7 Native & Foreign DIVISIONS 8 “Reds” & “Americans” POLITICAL CARTOON COLLECTIONS THE AGE 3 –Chicago Tribune political cartoons: 24 cartoons (two per year, 1918-1929) PROSPERITY 1 –“Age of Prosperity”: 12 cartoons PROSPERITY 4 –Crash: 12 cartoons DIVISIONS 1 –Ku Klux Klan: 16 cartoons DIVISIONS 2 –Black & White: 18 cartoons DIVISIONS 4 –Wets & Drys: 8 cartoons DIVISIONS 6 –Labor & Capital: 14 cartoons DIVISIONS 7 –Native & Foreign: 6 cartoons DIVISIONS 8 –“Reds” & “Americans”: 8 cartoons 1 Image: Florine Stettheimer, The Cathedrals of Broadway, oil on canvas, Metropolitan Museum of Art, New York, NY. Gift of Ettie Stettheimer, 1953. 53.24.3. Image: Art Resource, NY. Reproduced by permission of the Metropolitan Museum of Art; cropping permission request in process. -
Deuxièmes Rencontres Internationales Des Médias Numériques (DRIMN)
Deuxièmes Rencontres Internationales des Médias Numériques (DRIMN) France , 25 juin – 13 juillet 2007 32 étudiants et jeunes professionnels du monde entier invités pendant trois semaines 32 foreign students invited to France for three weeks Un parcours technique, artistique et culturel A technical, artistic and cultural journey A la découverte de 3 régions de référence dans les médias numériques : écoles, studios, laboratoires, espaces d’exposition… Discovering 3 regions of excellence for digital media training : training centres, studios, laboratories, and exhibition areas A la rencontre des professionnels, créateurs, experts français Meetings with French professionals, artists and technicians L’accès à un réseau d’écoles spécialisées à travers le monde Accessing a worldwide network of specialised schools Un contact privilégié avec les meilleures écoles françaises Easy access to the best French training centres La création d'un réseau International Creation of an international network 6 étudiants français participent aux rencontres 6 French students will be taking part in the event http://www.diplomatie.gouv.fr Contacts : [email protected] http://www.arte.tv/drimn Tél : +33(0)1 43 17 84 74 h ttp ://www.Audi.fr Tél : +33(0)6 30 35 43 57 Le Ministère des Affaires Etrangères et européennes organise, du 25 au 13 juillet 2007, les Deuxièmes Rencontres Internationales des Médias Numériques (DRIMN). Cet événement offrira à 32 étudiants et jeunes professionnels étrangers et français un parcours de formation en France au cours duquel ils seront à même de rencontrer des artistes, des chercheurs et des techniciens actifs dans les différents secteurs de l’imagerie numérique, linéaire ou interactive, et de suivre un programme de conférences dispensées dans le cadre des meilleures écoles, universités et organismes de formation français. -
Animatekapro Pitch 2018 3–4 December 2018 Old Power Station – Elektro Ljubljana
AnimatekaPRO Pitch 2018 3–4 December 2018 Old Power Station – Elektro Ljubljana A pitching competition for Ex-Yugoslav projects in development In exclusive partnership with CEE Animation 15th International Animated Film Festival Animateka 3–9 December 2018 Kinodvor, Slovenian Cinematheque, Old Power Station – Elektro Ljubljana Ljubljana AnimatekaPRO Pitch 2018 SCHEDULE 3 December 2018 Old Power Station – Elektro Ljubljana 14:00–20:00 Pitching training 4 December 2018 Old Power Station – Elektro Ljubljana 9:00–10:30 Pitching competition 14:30 AnimatekaPRO Pitch award winner announcement Index 3 About 4 Jury & Training Tutor 6 Projects in Competition 16 AnimatekaPRO 2018 21 CEE Animation Workshop 2 AnimatekaPRO Pitch 2018 We are proud to welcome you to the second edition of the AnimatekaPRO Pitch pitching competition, which is aimed at promoting new short animated films from ex-Yugoslav countries and helping them get a good start in the animation market circuit. AnimatekaPRO Pitch is open for animated projects in development for single short animated films of less than 20 minutes in length. It will take place in Ljubljana between 3 and 4 December, the first days of the 15th edition of the Animateka International Animated Film Festival (3-9 December 2018). The AnimatekaPRO Pitch 2018 selected projects are: • Raft, Marko Meštrović, Mia Bučević (Kreativni sindikat), Croatia • From the Ghetto, Lucija Bužančić, Andrijana Vidaček (Zagreb film), Croatia • Aqualia, Vladisav Knežević, Andrijana Vidaček (Zagreb film), Croatia • Mišja hiša/Mouse House, Timon Leder, Jure Vizjak (Invida), Slovenia • Legenda o Zlatorogu/The Legend of the Goldhorn, Lea Vučko, Damir Grbanović (Octopics), Slovenia Pitching sessions will be preceded by a workshop led by expert tutor Jožko Rutar, allowing the participants to discuss and/or fine-tune the strengths and weaknesses of their projects as well as best pitching strategies.