DOCSLIB.ORG

Burrowes-Song.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Burrowes-Song.Pdf d OF THE American Institute s Hebrew. Department o/ . Department No. ti.J.Q.-.l . Case Retail Price.............. Postage'. REGULATIONS. ... [N. 11. Neglect on the part of a patron to follow rigidly the following- regulations will result in his loss of the priv- ileges of the Library, and the forfeiture of all fees which lie may have paid.] I. No Patron may have at one time more than one volume. II. No book may be in the hands of a Patron more than three (3) weeks. III. For each day beyond the allotted time, an extra charge will be made. IV. Patrons will acknowledge on postal card by return mail the receipt of each book. V. In ordering Patrons will indicate not less than three volumes, in the order of preference. Books will be mailed in the order of application. VI. No books will be issued during the mouth ot! July. VII. Books will be remailed at the expiration of the al- loted time to the Librarian, unless instructions to the contrary are received. VIII. Only Patrons of the Library may be permitted to use its books. __ '..',.. _. 'Class Book QO*iAjf" , University of Chicago Library GIVRN BY TYWUI W Ha, Besides the main topic this book also treats of Subject No, On page Subject No. On p age -*- l (T f II ^ A COMMENTARY ON THE SONG OF SOLOMON. BY GEORGE BURROWES, D.D. PHILADELPHIA: WILLIAM S. & ALFRED MARTIEN, 606 CHESTNUT STREET. 1860. Entered according to Act of Congress, in the year 1853, by WILLIAM S. MARTIEN, In the Clerk's Office of the District Court of the Eastern District of Pennsylvania. CONTENTS PAGE. PREFACE 5 INTRODUCTION 9 SUMMARY OF THE SONG ... 75 TRANSLATION. CHAPTER I. - - - - - 78 CHAPTER II. ... 79 CHAPTER!!!. - - - - 81 CHAPTER IV. - - - 82 CHAPTER V. - - - - - 83 CHAPTER VI. - - - - 85 - - - - CHAPTER VII. 86 CHAPTER VIII. .... 87 ANALYSIS OF THE SONG-. CHAPTER I. - - - - 89 " - - - - CHAPTER II. .- 93 CHAPTER III. - - - - - 99 CHAPTER IV. - - - 102 CHAPTER V. - - - - - 107 CHAPTER VI. 110 CHAPTER VII. - - - - - 114 f CHAPTER VIII. - - - - 115 4 CONTENTS.. COMMENTARY ON THE SONG:. CHAPTER I. - - - - - CHAPTER II. - - - - 218 ' - - - - CHAPTER III. -. 274 CHAPTER IV. - - - - 298 CHAPTER V. - - - - - 342 CHAPTER VI. - - - - 383 - - - - - CHAPTER VII. .'.' 401 CHAPTER VIII. ... 424 PREFACE. -*- THE notes which have grown into the following pages were begun amid the pious exercises and duties connected with the pastoral charge of a retired congregation, and without any idea of making a volume for the press. They have gradually taken their present form. The Analysis now stands, with no material, alteration, as it was written some years ago; and subsequent research has brought to light no reason for changing the views then adopted concerning the general mean- ing of this portion of Scripture. To those who consider the misapprehension that has prevailed in reference to the Song, the Introduction may not seem unnecessarily long, inasmuch as an answer to 6 PREFACE. objections, an argument in defence of the alle- gorical meaning, and a statement of the principles of interpretation, are required before proceeding to the exposition. The Summary and Analysis give the writer's idea of the meaning of the Song. In the exposition, the aim has been to unfold the truth, in the way supposed the most desirable to a soul animated with fervent love for the Lord Jesus, and craving the hidden manna which the Holy Spirit has lodged in this precious portion of the Scriptures. The heart hungering and thirst- ing for righteousness, does not rest satisfied with the stalk and husks, but is anxious for the luscious kernel, of these fruits of eternal life. As here viewed, the Song is a continuous and coherent whole, illustrating some of the most exalted and delightful exercises of the believing heart. According to our exposition, there will not be found in the book a single passage to which the most fastidious taste can take the least exception. A correct interpretation of the book is its only proper vindication. Those who engage in the work of Scripture exposition, become best FREE A CE. t aware of the difficulties of the undertaking; and while the writer is sensible of the difficulty attending a Commentary on the Song, and sub- mits this volume with diffidence to those who love the adorable Redeemer, he shall be happy if any- thing has been done, in however humble a degree, for enabling them to value this book, and draw herefrom truth for nourishing a more vigorous affection for their Beloved and their Friend. INTRODUCTION. -**- THE effect of sin has been to destroy in the human heart the love of God, and substitute for it the love of unworthy things. The object of redemption is the res- toration of man from his condition of enmity against God, and from all the consequences of sin, to the posses- sion and enjoyment of perfect love to God. Hence, as hatred of God is the spirit of sin, love is represented as the essential grace, as the fulfilling of .the law. The growth of the soul in holiness must be estimated, not by . deep excitement, whether of ecstasy or of overwhelming sorrow, not by burning zeal or untiring activity, not by acquaintance with all mysteries and all knowledge, not by giving our goods to feed the poor and our body to be burned; but by the love which beareth all things, be- lieveth all things, hopeth all things,, endureth..all things. Long before the time of the apostle Paul, Plato had celebrated the excellence of this affection, though exer- cised in an inferior sphere. "It is proper to exhort every man to behave in all things piously towards the gods, that we may escape from the ills, and obtain the good to which Love is our guide and commander; who confers on us the greatest benefits for the present, and for the future gives us the strongest hopes that if we pay the debt of piety to heaven, he will restore us to our original nature, and make us happy by healing our ills. 2 10 INTRODUCTION. to be himself the most beautiful Love appears and "best ; and to be the cause of such like beautiful things in other beings. He it is who produces Peace amongst men, upon tlie sea a calm; Stillness on winds, on beds of sorrow sleep. It is he "who divests us of all feelings of alienation, and fills us "with those of friendship; gracious to the good; looked to the wise admired the inhabitants of up by ; by heaven; the parent of refinement, of tenderness, of ele- gance, and of grace; in labour, in fear, in wishes, and in discourse, the pilot, the encourager, the assistant, and best of and taken the protector ; gods men, altogether, a leader the most beautiful in ornament ; and best, whose train it is the duty of every one to follow, bearing a part in that sweet song which he sings himself when soothing the mind of every one among divinities and men."* To this love we are restored in sanctification. Per- fect sanctification carries with it perfect love. The death of Christ, the agency of the Holy Spirit, all the means of grace, all the dealings of Providence with the saints, converge on this one point, the forming anew in man of this lost love. As the sanctification of the soul is through the truth, we might therefore suppose, that in giving us the Scriptures, God would give full elucida- tions of this very important principle or affection. This he has been careful to do. He has shown love to be not 1 xiii. only important but essential, Cor. 1 3; has * Banquet, Stallbaum's ed., p. 156. "Love is the leading passion of the soul; all the rest conform them- selves to it, desire and hope and fear, joy and sorrow." Leighton. "The entire economy of salvation is constructed on the principle of restoring to the world the lost spii-it of love." Harris. NT . R'O DUO TIO N. 11 of it as the root of given a full and excellent definition xiii. 4- has our best and holy feelings, 1 Cor. 7; shown and its perpetuity, its superiority to knowledge, faith, hope, and its inseparable connection with the happiness xiii. 8 13 he and existence of the soul of man, 1 Cor. ; has embodied it for our benefit in the living example of Jesus Christ; has shown that Grod, to whose image we must be restored, is love, 1 John iv. 8; has given the blood of his Son for removing the difliculty in the way his of establishing in us this principle; and has sent Spirit for forming it within us by a new creation, and for opening channels in the heart, through which its influence may reach and control all our other powers. All this has been necessary, because divine love is so perfectly opposite to our natural disposition. Its pre- sence makes us new creatures, gives us new workings of the affections, and prompts to new language from the lips. Now, it is not unreasonable to suppose that He who has given us such means for cherishing this heavenly affection would go farther, and add a description of the actual operations of a heart in which this love is found, and would give us language such as these emotions would naturally adopt in using the words of men; so that in giving utterance to this love, the saints should not be left to the uncertainty and danger of adopting such words as human error might suggest; but have readily furnished language of precision and beauty made ready to our hands by the same Spirit who is working within us this affection.
Load more

Recommended publications
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Emanuele Serrelli Nathalie Gontier Editors Explanation, Interpretation
    Interdisciplinary Evolution Research 2 Emanuele Serrelli Nathalie Gontier Editors Macroevolution Explanation, Interpretation and Evidence Interdisciplinary Evolution Research Volume 2 Series editors Nathalie Gontier, Lisbon, Portugal Olga Pombo, Lisbon, Portugal [email protected] About the Series The time when only biologists studied evolution has long since passed. Accepting evolution requires us to come to terms with the fact that everything that exists must be the outcome of evolutionary processes. Today, a wide variety of academic disciplines are therefore confronted with evolutionary problems, ranging from physics and medicine, to linguistics, anthropology and sociology. Solving evolutionary problems also necessitates an inter- and transdisciplinary approach, which is why the Modern Synthesis is currently extended to include drift theory, symbiogenesis, lateral gene transfer, hybridization, epigenetics and punctuated equilibria theory. The series Interdisciplinary Evolution Research aims to provide a scholarly platform for the growing demand to examine specific evolutionary problems from the perspectives of multiple disciplines. It does not adhere to one specific academic field, one specific school of thought, or one specific evolutionary theory. Rather, books in the series thematically analyze how a variety of evolutionary fields and evolutionary theories provide insights into specific, well-defined evolutionary problems of life and the socio-cultural domain. Editors-in-chief of the series are Nathalie Gontier and Olga Pombo. The
    [Show full text]
  • IMAGE Film and Video Collection 1
    IMAGE Film and Video Collection 1 A B C D E F G 1 Box # Item # Title Producer Format Date Length 2 1 12 "The Afterlife of Grandpa" P.J. Pesce 3/4" 1988 23:34 3 1 1 "Travelin' Trains" Eric Mofford 3/4" 2/10/88 30 min Best of the Festival Part II: 6th Atlanta 4 1 6 Independant [sic] Film and Video Festival Meridith Monk 3/4" 60 min Alene Richards & Beverly 5 1 13 Brady Boomers, The Ginsburg 3/4" 1990 16:00 6 1 8 Dream #2 William J. Oates 3/4" 30 min 7 1 2 Fanny Kemble's Journal Gary Moss, Robin Reidy 3/4" 1981 30 min 8 1 5 Four Episodes from 1984 Marshall Peterson 3/4" 1985 30 min 9 1 3 Haute Culture II: Muntadas Santa Monica Place 3/4" 60 min 10 1 3A Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 11 1 3B Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 12 1 10 Physical Phenomena Steven O' Connor 3/4" 26:10:00 13 1 11 Shoes Required Joe Murphy 3/4" 1991 27:50:00 14 1 7 Small Miracles Toni Pezone 3/4" 15 1 9 Songs in Minto Life Curt Madison 3/4" 28:36:00 16 1 4 South of the Border: A Documentary Lisa Napoli 3/4" 1991 30 min 17 2 25 "Art of Memory" Woody Vasulka 3/4" 11/5/87 36:00:00 18 2 15 1.
    [Show full text]
  • Descarga Custodiada De Las Obras Hasta La Inauguración, En Lo Que Las Transformaciones Que El Turismo Provoca En Un País Que Está De Las Tierras Del Mundo
    Madrinazgo de Honor / Honorary Patroness S.A.R. la Princesa de Asturias / H.R.H. the Princess of Asturias En un tiempo tan complejo y cambiante como el que vivimos, el documental se ha El festival también dedicará una retrospectiva a Hanns Eisler, uno de los convertido en un instrumento esencial para descubrir y analizar las múltiples aristas compositores más importantes de la Alemania de entreguerras. Con la llegada del y los insalvables obstáculos a los que nos enfrenta, con toda crudeza, una realidad nazismo dio el salto a Nueva York, donde puso música a películas de directores tan caprichosa e incierta. afamados como Joris Ivens, Joseph Losey, Alain Resnais. El director catalán Gonzalo Enterarse, estar al tanto, de cuanto sucede, cerca y lejos; sopesar necesidades Herralde y el realizador italiano Tommaso Cotronei recibirán especial atención en e inconvenientes; apoyar o rechazar desde logros espléndidos a abusos intolerables. Documenta Madrid 2010, además de Joseph Strick y Ben Russell, quienes sorprenderán 8 Todas estas acciones resumen la labor de un documentalista. Pero, al mismo tiempo, por su temática y modernidad. 9 estos también nos entretienen, nos hacen sonreír, o quizá llorar, con la belleza de También se abordará el trabajo del estadounidense Peter Hutton, deudor de historias ferozmente humanas. Porque el cine documental nos reta a observar la un documentalismo experimental, que filma en blanco y negro. Esta retrospectiva es realidad, imponiéndose como única meta la sinceridad del propio relato. Por ello, la más amplia dedicada a su obra en Europa. Por ello contaremos con la presencia del despierta adhesiones, siembra solidaridades y, en definitiva, ayuda a construir nuestro propio autor, que desgranará en una clase magistral las claves de su trabajo.
    [Show full text]
  • ASIFA 50 on 50” (Aka “ASIFA 51 on 51”) – the Contest
    “ASIFA 50 on 50” (aka “ASIFA 51 on 51”) – the contest th inspired by the 50 anniversary of International Animated Film Association (Association Internationale du Film d’Animation – ASIFA) This year, a significant group of artists, producers, festival directors, animation critics and viewers can th celebrate the 50 anniversary of the creation of the International Animated Film Association (Association Internationale du Film d’Animation – ASIFA), an organization founded by Norman Mc Laren and other exceptional creators in order to unite animation artists from all around the world. th The head of the Association chose 2010 to be the year in which the 50 anniversary is celebrated. As people responsible for the International Etiuda&Anima Film Festival, which is the oldest Polish festival devoted to film education and international animation, we have decided to hold a competition together with ASIFA Poland. The international contest called “ASIFA 50 on 50” focuses on creating a list of 50 best animated shorts created during the 50 years that the Association has been active. The idea was welcomed by the ASIFA and honorary Patronage was provided by the Association President, Mr Nelson Shin from Korea, and Mr Raoul Servais from Belgium, the Honorary President of the celebration. The story is worth remembering. In the 1984, the ASIFA Hollywood decided to celebrate the Los Angeles Olympics together with the American Academy of Motion Picture Arts and Sciences and conducted the famous “Champions of Animation” poll. The idea first occurred to the late Fini Littlejohn, an ASIFA Hollywood member, designer and illustrator working for the Disney Studios.
    [Show full text]
  • The Elegies of Wim Wenders, Laurie Anderson and Alexander Sokurov
    “In Works of Hands or of the Wits of Men”: The Elegies of Wim Wenders, Laurie Anderson and Alexander Sokurov by Morteza Dehghani A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2019 ©Morteza Dehghani 2019 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Angelica Fenner Associate Professor Supervisors Alice Kuzniar Professor Kevin McGuirk Associate Professor Internal Members David-Antoine Williams Associate Professor Ken Hirschkop Associate Professor Internal-external Member Élise Lepage Associate Professor ii Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract This dissertation explores the concept of loss and the possibility of consolation in Wim Wenders’s The Salt of the Earth, Laurie Anderson’s Heart of a Dog and Alexander Sokurov’s Oriental Elegy through a method that inter-reads the films with poetic elegies. Schiller’s classic German elegy “Der Spaziergang” (“The Walk”) and Rainer Maria Rilke’s Duino Elegies have been used in examining The Salt of the Earth and a late Hölderlin poem “In lieblicher Bläue” (“In Lovely Blue”) is utilised in perusing Oriental Elegy. In Heart of a Dog, Rilke’s “Schwarze Katze” (“Black Cat”) and Derek Walcott’s “Oddjob, a Bull Terrier,” among others, shed light on the working of the elegiac.
    [Show full text]
  • Desire, Villainy, and Capital in Eighteenth-Century Fiction
    THE UNIVERSITY OF CHICAGO IMAGINARY WANTS: DESIRE, VILLAINY, AND CAPITAL IN EIGHTEENTH-CENTURY FICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE BY SAMUEL TOMAN ROWE CHICAGO, ILLINOIS AUGUST 2017 Table of contents List of figures iii Acknowledgements iv Introduction 1 1. Consumptive production 6 2. The persecutory plot 21 3. Tragedy and the other Enlightenment 36 I. Moll’s bundles: desire, tragi-comedy, and criminality in Defoe 42 1. The picaresque, the providential, the tragi-comic 44 2. Fortune, mastery, and the picaresque 54 3. The projector’s fortune, the tradesman’s bait 65 4. Bundles and baits 72 II. “Strange Diligence”: Lovelace and the rake ethic 90 1. The persecutory plot in Richardson 93 2. Strange diligence 99 3. Hedonism without heart 107 4. Smith’s shop 117 5. “Visionary gratification” and tragedy 126 III. Beckford’s insatiable caliph: oriental despotism and consumer society 129 1. The Asiatic mode of consumption 136 2. Luxuriance, privation, and the market 143 3. Beyond the palace of the senses 149 4. Enameling the sensorium 159 5. Damnation, the gaze, and sociality 164 IV. Matthew Lewis and the gothic face 174 1. The persecutory plot in romantic fiction 179 2. Gothic faciality 187 3. Lewis: capital accumulation and the flaming eye 203 Bibliography 217 ii List of figures 1. Sketch of Vathek’s tower attributed to William Beckford, c. 1843-4. Page 151. 2. Bookplate from William Lane’s circulating library. Page 202.
    [Show full text]
  • Short Film Programme
    SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 43, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger and poverty. This Richler about how families deal with colours shifting in sync with jazz Oscar-nominated film was among older relatives, and the emotions COSMIC ZOOM music performed by the Oscar the first to incorporate computer- surrounding a grandmother’s death. Peterson Trio. animation technology. THE SWEATER THE BIG SNIT THE LOG DRIVER’S WALTZ Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. John Weldon 1979 3 min. Iconic author Roch Carrier narrates A wonderfully wacky look at two Kate and Anna McGarrigle sing a mortifying boyhood experience conflicts — global nuclear war and a along to the tale of a young girl who in this animated adaptation of his domestic quarrel — and how each is loves to dance and chooses to marry beloved book The Hockey Sweater. resolved. Nominated for an Oscar. a dancing log driver over her more well-to-do suitors.
    [Show full text]
  • Animerte Perler - Animasjonsklassikere Fra National Film Board of Canada [DVD] Animerte Perler - Animasjonsklassikere Fra National Film Board of Canada [DVD]
    Animerte perler - Animasjonsklassikere fra National Film Board of Canada [DVD] Animerte perler - Animasjonsklassikere fra National Film Board of Canada [DVD] Animerte perler samler 14 animerte kortfilmer produsert av National Film Board of Canada i tidsrommet 1949-1993. Utgivelsen er en tidløs animert fest! Animerte perler Diverse regissører National Film Board of Canada 1949-1993 Norsk filminstitutt 4:3 Fullskjerm Dolby 2.0 131 min. 2 6 Blame Canada Det er ikke mulig å overdrive hvilken rolle National Film Board of Canada (NFB) har spilt i å utvikle en alternativ rute for animasjonsfilmskapere som ønsker å skape et kunstuttrykk på siden av Disney og de andre dominerende amerikanske studioene. Etter etableringen på slutten av 1930-tallet har NFB produsert mer enn 13.000 dokumentarfilmer, animerte og live-action kortfilmer og tatt med Oscar-statuetten hvem til Canada 12 ganger, inkludert en æresoscar i 1988. Da Norman McLaren ble ansatt ved NFB i 1941 startet også animasjonsproduksjonen og som følge av McLarens pionerarbeid, økte anseelsen til NFB, og særlig animasjonsdivisjonen, betraktelig. Med utgivelsen av Animerte perler har Norsk filminstitutt samlet 14 animerte kortfilmer produsert av NFB i tidsrommet 1949-1993, og viser med dette hvilken sterk posisjon NFB har innen internasjonal animasjon og hvordan de har jobbet målrettet og metodisk over lang tid for å bli en ledende produsent av den frie, kunstneriske animerte kortfilmen. Første del av utgivelsen er naturlig nok viet Norman McLaren - banebrytende dokumentarist og animasjonsfilmskaper, som ikke bare har skapt en rekke fabelaktige produksjoner, men langt på vei satt standarden for filmproduksjonen hos National Film Board of Canada.
    [Show full text]
  • Uhm Phd 9532628 R.Pdf
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type ofcomputer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to beremoved, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. MI48106-1346 USA 313/761-4700 800/521-0600 The Marine Realm and a Sense of Place Among the Papua New Guinean Communities ofthe Torres Strait A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN GEOGRAPHY MAY 1995 By Donald M.
    [Show full text]
  • News from St George's. J&Mflfw.Eitp
    Ebe "Ko^al <5a3ette anb Goloniet ©ailv INCORPORATING THE ROYAL GAZETTE (Established 1828) and THE BERMUDA COLONIST (Established 186$) VOL. 13 No. 94 HAMILTON, BERMUDA, FRIDAY, OCTOBER 26, 1928. PER COPY 3d. or 6 rants—40/- PER ANNUM PRINCE GEORGE WELCOMED TO Graf Zepp Ready For 1 The Fight for the COLONIAL PARLIAMENT RE- BERMUDA. Return Trip. U.SLA. Presidency. Washington, Oct. 24th.—A fort­ OPENS TODAY. Lakehurst, N.J., October 24.— night hence on November 6th the Tbe Graf Zeppelia was ready today President of the Uaited States will * to start ber mid-West tour either to­ be elected. Crowds Line Route to Government House oight or at dawn tomorrow, de­ Today the situation in the fight Busy Season Faces Legislators as Duties pending upon weather conditions between Herbert Hoover, Repub­ Passeagers booked for the aight lican and Governor Alfred E. Smith, are Resumed. have been instructed to be at the Democrat may be summed up: — Representative Gathering at Reception to field at six p.m. tonight. 1. In the Southern States, De­ Eighteen to twenty passengers mocrats are divided among them­ Meet H.R.H. will be carried as guests of Dr. selves over prohibition, but it is Report of Channels Committee on Negotiations Hugo Eckener. doubtful if their divisions will be * * * so great as to permit Republican with Admiralty perhaps most Interesting item Lakehurst, N.J., October __.— successes in the usually solid De­ for early Consideration. His Royal Highness Prince George, I On Reid Street were drawn up a The Middle-West flight of the mocratic South.
    [Show full text]
  • Les Années Musicales : 1920-2020
    PROGRAMME Les années musicales : 1920-2020 ŒUVRE SPÉCIFIQUE ET PERFORMANCES Synchromie, 1971, 7 min 39 s Norman McLaren (1914-1987) les marges du silence/ghosts along the way Musique : Norman McLaren installation, 2020 Michaela Grill & Sophie Trudeau Svelto Proniká Tmou (The Light Penetrates the Dark), 1930, 4 min Glimmer, performance, 2020 Zdenék Pešánek (1896-1965) Michaela Grill & Sophie Trudeau Musique : Joachim Bärenz Danses kaleidoscopiques Mechanical Principles, 1930, 10 min 48 s performance, 2020 Ralph Steiner (1899-1986) Manon de Pauw & Pierre-Marc Ouellette Musique : Eric Beheim Passage à l’acte, 1993, 12 min INTRODUCTION HISTORIQUE Martin Arnold (1959- ) Symphonie diagonale, 1924, 7 min 29 s Musique : Martin Arnold Viking Eggeling (1880-1925) Cinq minutes de cinéma pur, 1925, 4 min 37 s FILMS D’ANIMATION Henri Chomette (1896-1941) 1. Le château de sable, 1977, 13 min 15 s Anemic Cinéma, 1926, 6 min 41 s Co Hoedeman Marcel Duchamp (1887-1968) 2. Le chat colla..., 1988, 7 min 41 s So this is Paris [extrait], 1926, 4 min 39 s Ernst Lubitsch (1892-1947) Cordell Barker 3. Juke-Bar, 1989, 10 min 29 s Unit #86, Clavilux Junior Martin Barry (premier modèle de clavilux), 1930, 10 min Thomas Wilfred (1889-1968) 4. When the Day Breaks, 1999, 9 min 36 s Reflektorische Farblichtspiele (Jeux de Amanda Forbis & Wendy Tilby lumières réfléchies), 1922-1966, 17 min Kurt Schwerdtfeger (1897-1966) 5. Nuit d’orage, 2003, 9 min 53 s Michèle Lemieux Écoutez Voir, 1983, 6 min Gaston Sarault (1919-2001) 6. Ici par ici, 2006, 9 min 3 s Diane Obomsawin CINÉMA ABSTRAIT 7.
    [Show full text]