Project Bookmark Canada's Canlit Trail #1-17 (2009
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Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Susan Swan: Michael Crummey's Fictional Truth
Susan Swan: Michael Crummey’s fictional truth $6.50 Vol. 27, No. 1 January/February 2019 DAVID M. MALONE A Bridge Too Far Why Canada has been reluctant to engage with China ALSO IN THIS ISSUE CAROL GOAR on solutions to homelessness MURRAY BREWSTER on the photographers of war PLUS Brian Stewart, Suanne Kelman & Judy Fong Bates Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K, Toronto, ON M4P 2G1 New from University of Toronto Press “Illuminating and interesting, this collection is a much- needed contribution to the study of Canadian women in medicine today.” –Allyn Walsh McMaster University “Provides remarkable insight “Robyn Lee critiques prevailing “Emilia Nielsen impressively draws into how public policy is made, discourses to provide a thought- on, and enters in dialogue with, a contested, and evolves when there provoking and timely discussion wide range of recent scholarship are multiple layers of authority in a surrounding cultural politics.” addressing illness narratives and federation like Canada.” challenging mainstream breast – Rhonda M. Shaw cancer culture.” –Robert Schertzer Victoria University of Wellington University of Toronto Scarborough –Stella Bolaki University of Kent utorontopress.com Literary Review of Canada 340 King Street East, 2nd Floor Toronto, ON M5A 1K8 email: [email protected] Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/ support Vol. 27, No. 1 • January/February 2019 EDITORS-IN-CHIEF Murray Campbell (interim) Kyle Wyatt (incoming) [email protected] 3 The Tools of Engagement 21 Being on Fire ART DIRECTOR Kyle Wyatt, Incoming Editor-in-Chief A poem Rachel Tennenhouse Nicholas Bradley ASSISTANT EDITOR 4 Invisible Canadians Elaine Anselmi How can you live decades with someone 22 In the Company of War POETRY EDITOR and know nothing about him? Portraits from behind the lens of Moira MacDougall Finding Mr. -
Emanuele Serrelli Nathalie Gontier Editors Explanation, Interpretation
Interdisciplinary Evolution Research 2 Emanuele Serrelli Nathalie Gontier Editors Macroevolution Explanation, Interpretation and Evidence Interdisciplinary Evolution Research Volume 2 Series editors Nathalie Gontier, Lisbon, Portugal Olga Pombo, Lisbon, Portugal [email protected] About the Series The time when only biologists studied evolution has long since passed. Accepting evolution requires us to come to terms with the fact that everything that exists must be the outcome of evolutionary processes. Today, a wide variety of academic disciplines are therefore confronted with evolutionary problems, ranging from physics and medicine, to linguistics, anthropology and sociology. Solving evolutionary problems also necessitates an inter- and transdisciplinary approach, which is why the Modern Synthesis is currently extended to include drift theory, symbiogenesis, lateral gene transfer, hybridization, epigenetics and punctuated equilibria theory. The series Interdisciplinary Evolution Research aims to provide a scholarly platform for the growing demand to examine specific evolutionary problems from the perspectives of multiple disciplines. It does not adhere to one specific academic field, one specific school of thought, or one specific evolutionary theory. Rather, books in the series thematically analyze how a variety of evolutionary fields and evolutionary theories provide insights into specific, well-defined evolutionary problems of life and the socio-cultural domain. Editors-in-chief of the series are Nathalie Gontier and Olga Pombo. The -
Chinatown Children During World War Two in the Jade Peony a Journal
Chinatown Children during World War Two in The Jade Peony Zhen Liu Shandong University (China) [email protected] A Journal of Canadian Literary and Cultural Studies ISSN 2254-1179 VOL. 7 (2018) pp. 25-35 • ARTICLES 6ƮƛƦƢƭƭƞƝ $ƜƜƞƩƭƞƝ 29/05/2017 26/01/2018 .ƞƲưƨƫƝƬ Asian Canadian literature; Chinese Canadian literature; Canadian literature $ƛƬƭƫƚƜƭ In The Jade Peony (1995) Wayson Choy captured vividly the lives of three children growing up in Vancouver’s Chinatown during the 1930s and 1940s when the Depression and the Second World War constituted the social backdrop. In the article, I argue that the Chinatown residents exemplify WKHW\SHRIYXOQHUDELOLW\GH¿QHGE\-XGLWK%XWOHUDVXSDJDLQVWQHVVDQGHVSHFDLOO\WKHFKLOGUHQ LQWKHQRYHOVXIIHUIURPDJUHDWHUYXOQHUDELOLW\DVWKH\DUHFDXJKWXSLQWKHFURVV¿UHRIERWKVLGHV *URZLQJXSLQWZRFRQÀLFWLQJFXOWXUHVDQGUHVWULFWHGWRWKHOLPLQDOFXOWXUDODQGSK\VLFDOVSDFHWKH children are disorientated and confused as if stranded in no man’s land. More importantly, in their serious struggles, the children show great resilience and devise their own strategies, such as for ming alliance with others, to survive and gain more space in spite of the many restraints imposed on them. 5ƞƬƮƦƞƧ En The Jade Peony (1995) Wayson Choy captura vívidamente las vidas de tres niños que crecen en el Chinatown de Vancouver durante las décadas de 1930 y 1940, con la Gran Depresión y la Segunda Guerra Mundial como telón de fondo social. En el artículo, argumento que los residentes HQ&KLQDWRZQHMHPSOL¿FDQHOWLSRGHYXOQHUDELOLGDGGH¿QLGDSRU-XGLWK%XWOHUFRPR³XSDJDLQVW ness”(2) y especialmente, que los niños en la novela sufren una gran vulnerabilidad al estar atra pados en medio del fuego cruzado mantenido por ambos sectores. Ya que crecen en dos culturas HQFRQÀLFWR\UHVWULQJLGDVDOHVSDFLROLPLQDOFXOWXUDO\ItVLFRORVQLxRVHVWiQGHVRULHQWDGRV\FRQ fundidos como si hubieran sido abandonados en tierra de nadie. -
Adderson, Caroline
Caroline Adderson Fonds In Special Collections, Simon Fraser University Library Finding aid with file descriptions prepared by: Wendy Sokolon, November 2006 40. Caroline Adderson fonds 1986-2004 2.58 m of textual records and other material Biographical Sketch: Caroline Adderson was born in Edmonton, Alberta in 1963. After finishing high school, she entered Katimavik, a Canadian youth volunteer-service program, and travelled across Canada, partaking in such activities as working on a sheep farm and building log cabins on a reservation. Adderson completed an education degree at UBC in 1986, and a year later she settled in Vancouver and started teaching ESL. She has spent most of her adult life in Vancouver, B.C., but has also lived for brief periods in New Orleans and Toronto. Her first book of short fiction, Bad Imaginings (1993) won the 1994 Ethel Wilson Fiction Prize, was shortlisted for the 1993 Governor General’s Award and Commonwealth Book Prize, and in audio format the CNIB (Canadian National Institute for the Blind) Talking Book of the Year. These stories have since appeared in many anthologies and have been broadcast and adapted for radio. Her first novel, A History of Forgetting (1999) was nominated for the 2000 Ethel Wilson Fiction Prize and the 2000 Rogers’ Writer’s Trust Fiction Prize. Her second novel, Sitting Practice (2003) was shortlisted for the VanCity Book Prize for best book pertaining to women’s issues by a B.C. author as well as the City of Vancouver Book Award. It won the 2004 Ethel Wilson Fiction Prize. Her works of fiction and non-fiction have been widely published in literary magazines and newspapers. -
QC Fiction in EN
QUEBEC FICTIO I EGLISH DURIG THE 1980S: 1 A CASE STUDY I MARGIALITY Linda Leith I The unique position of Quebec writers in the English language 2 and the peculiarities of the fiction they have been publishing during the 1980s are best understood in the light of recent socio-political and cultural changes within Quebec and in Canada as a whole. Caught up as no other English-Canadian writers have been caught up in the maelstrom of change, and living as no other English-Canadian writers live in a society with a French face, these writers have produced a body of work quite distinct in some ways from other contemporary English-Canadian fiction. Much of my thinking about this writing is inspired by recent work on the formation of literary canons and on the literary production of marginal social groups. It owes a particular debt to the work of Raymond Williams, who devoted much of his career to exploring the possibilities of discussing English literature and society together while respecting the uniqueness of specific texts. This is a debt not only to Williams's most general observation that "as a society changes, its literature changes" (1965, 268), and to his comments on the formation of a literary tradition, but also to his suggestive, though not wholly applicable, account of the interrelations between dominant and alternative or oppositional aspects at a given historical moment. Williams's distinction between two different kinds of alternatives on a status quo, which he terms the "residual" and the "emergent" (1977, 121-27), is helpful in discussions of the cultural manifestations of the middle class in nineteenth century Britain; it is not applicable in the present context of English Quebec fiction, which requires an assessment of a social group linked not along class lines but rather along linguistic and cultural lines. -
![THE I]NTVERSITY of MANITOBA COPYRIGHT PERMISSION Beyond](https://docslib.b-cdn.net/cover/5884/the-i-ntversity-of-manitoba-copyright-permission-beyond-925884.webp)
THE I]NTVERSITY of MANITOBA COPYRIGHT PERMISSION Beyond
THE I]NTVERSITY OF MANITOBA FACTJLTY OF GRADUATE STUDIES ¿súgJ COPYRIGHT PERMISSION Beyond Limits: Cultural Identity in Contemporary Canadian Fiction BY Alain Régnier A ThesislPracticum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirement of the degree MASTER OFARTS Alain Régnier A 2007 Permission has been granted to the University of Manitoba Libraries to lend a copy of this thesis/practicum, to Library and Archives Canada (LAC) to lend a copy of this thesis/practicum, and to LAC's agent (UMlÆroQuest) to microfilm, sell copies and to publish an abstract of this thesis/practicum. This reproduction or copy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner. Beyond Limits: Cultural Identity in Contemporary Canadian Fiction by Alain Régnier A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of English University of Manitoba Winnipeg, Manitoba O July, 2007 Abstract This thesis deals with the fictional works All That Matters by Wayson Choy, Monkey Beach by Eden Robinson and L'immense fatigue des pierres by Régine Robin, and the manner in which the authors of these texts have approached the issue of cultural identity from their particular vanfage point in Canadian society. Drawing significantly on the thoughts of Homi K. Bhabha and Judith Butler, the study explores the problem of cultural liminality and hybridity, and how identities come to be formed under such conditions. -
Diasporic Space in Wayson Choy's All That Matters1
Postcolonial Text, Vol 6, No 3 (2011) “His Paper Family Knew Their Place”: Diasporic Space in Wayson Choy’s All That Matters1 Alena Chercover University of Victoria I. Arrested Bodies: Diasporic Matters on the West Coast On the morning of August 13, 2010, a cargo ship called the MV Sun Sea pulled into Esquimalt Harbour on the southern tip of Vancouver Island. The ship had left Thailand ninety days earlier, filled with 493 Sri Lankan Tamils seeking refuge in North America. However, its arrival on Canada’s west coast followed weeks of government and media rhetoric announcing the pending invasion of the Canadian border by terrorists and human smugglers (Burgmann). Canadian border guards met and quickly relayed the migrants to awaiting cells at various detention centres in the lower mainland, while government officials declared the detainment of Tamil migrants necessary for public safety until their papers could be fully analyzed (“Tamil Migrants”). Dominating media coverage, the “processing” of paper identities began to eclipse the incarcerated bodies of Tamil migrants and, two months after their arrival on Canadian shores, more than 450 of the refugee claimants remained in a state of indefinite detention. Contrary to celebratory discourses of diasporic mobility in which, as James Clifford writes in his seminal 1994 essay, “separate places become effectively a single community” (303), the movement of bodies across geopolitical borders and within hostland communities remains fraught in the current transnational moment. Bodies marked by race and gender, as well as those lacking the material means of migration, risk becoming entangled in the legislative, systemic, social, and ultimately concrete barriers inscribed by both the host nation and the diaspora itself: for some, diasporic mobility simultaneously (and paradoxically) begets diasporic bondage. -
IMAGE Film and Video Collection 1
IMAGE Film and Video Collection 1 A B C D E F G 1 Box # Item # Title Producer Format Date Length 2 1 12 "The Afterlife of Grandpa" P.J. Pesce 3/4" 1988 23:34 3 1 1 "Travelin' Trains" Eric Mofford 3/4" 2/10/88 30 min Best of the Festival Part II: 6th Atlanta 4 1 6 Independant [sic] Film and Video Festival Meridith Monk 3/4" 60 min Alene Richards & Beverly 5 1 13 Brady Boomers, The Ginsburg 3/4" 1990 16:00 6 1 8 Dream #2 William J. Oates 3/4" 30 min 7 1 2 Fanny Kemble's Journal Gary Moss, Robin Reidy 3/4" 1981 30 min 8 1 5 Four Episodes from 1984 Marshall Peterson 3/4" 1985 30 min 9 1 3 Haute Culture II: Muntadas Santa Monica Place 3/4" 60 min 10 1 3A Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 11 1 3B Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 12 1 10 Physical Phenomena Steven O' Connor 3/4" 26:10:00 13 1 11 Shoes Required Joe Murphy 3/4" 1991 27:50:00 14 1 7 Small Miracles Toni Pezone 3/4" 15 1 9 Songs in Minto Life Curt Madison 3/4" 28:36:00 16 1 4 South of the Border: A Documentary Lisa Napoli 3/4" 1991 30 min 17 2 25 "Art of Memory" Woody Vasulka 3/4" 11/5/87 36:00:00 18 2 15 1. -
ADULT FRONTLIST U.S. RIGHTS AVAILABLE Fall 2018
ADULT FRONTLIST U.S. RIGHTS AVAILABLE Fall 2018 1 Table of Contents Fiction AFTERSHOCK ALISON TAYLOR ....................................................................................................................... 3 ASKING FOR A FRIEND KERRY CLARE .......................................................................................................... 4 BAD WEATHER KRISTA FOSS ........................................................................................................................... 5 BEAUTIFUL DREAMERS IVY KNIGHT ............................................................................................................ 6 THE CENTAUR'S WIFE AMANDA LEDUC ..................................................................................................... 7 CONDUCT MIRANDA HILL ............................................................................................................................... 8 DAUGHTERS OF SILENCE REBECCA FISSEHA ............................................................................................ 9 THE DEAD CELEBRITIES CLUB SUSAN SWAN ......................................................................................... 10 THE DEATH AND LIFE OF STROTHER PURCELL IAN WEIR ................................................................. 11 ELEMENTAL CATHERINE BUSH ..................................................................................................................... 12 THE HUNTER AND THE OLD WOMAN PAMELA KORGEMAGI ............................................................ -
Burrowes-Song.Pdf
d OF THE American Institute s Hebrew. Department o/ . Department No. ti.J.Q.-.l . Case Retail Price.............. Postage'. REGULATIONS. ... [N. 11. Neglect on the part of a patron to follow rigidly the following- regulations will result in his loss of the priv- ileges of the Library, and the forfeiture of all fees which lie may have paid.] I. No Patron may have at one time more than one volume. II. No book may be in the hands of a Patron more than three (3) weeks. III. For each day beyond the allotted time, an extra charge will be made. IV. Patrons will acknowledge on postal card by return mail the receipt of each book. V. In ordering Patrons will indicate not less than three volumes, in the order of preference. Books will be mailed in the order of application. VI. No books will be issued during the mouth ot! July. VII. Books will be remailed at the expiration of the al- loted time to the Librarian, unless instructions to the contrary are received. VIII. Only Patrons of the Library may be permitted to use its books. __ '..',.. _. 'Class Book QO*iAjf" , University of Chicago Library GIVRN BY TYWUI W Ha, Besides the main topic this book also treats of Subject No, On page Subject No. On p age -*- l (T f II ^ A COMMENTARY ON THE SONG OF SOLOMON. BY GEORGE BURROWES, D.D. PHILADELPHIA: WILLIAM S. & ALFRED MARTIEN, 606 CHESTNUT STREET. 1860. Entered according to Act of Congress, in the year 1853, by WILLIAM S. MARTIEN, In the Clerk's Office of the District Court of the Eastern District of Pennsylvania.