Adderson, Caroline
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Writing Here1
WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
QC Fiction in EN
QUEBEC FICTIO I EGLISH DURIG THE 1980S: 1 A CASE STUDY I MARGIALITY Linda Leith I The unique position of Quebec writers in the English language 2 and the peculiarities of the fiction they have been publishing during the 1980s are best understood in the light of recent socio-political and cultural changes within Quebec and in Canada as a whole. Caught up as no other English-Canadian writers have been caught up in the maelstrom of change, and living as no other English-Canadian writers live in a society with a French face, these writers have produced a body of work quite distinct in some ways from other contemporary English-Canadian fiction. Much of my thinking about this writing is inspired by recent work on the formation of literary canons and on the literary production of marginal social groups. It owes a particular debt to the work of Raymond Williams, who devoted much of his career to exploring the possibilities of discussing English literature and society together while respecting the uniqueness of specific texts. This is a debt not only to Williams's most general observation that "as a society changes, its literature changes" (1965, 268), and to his comments on the formation of a literary tradition, but also to his suggestive, though not wholly applicable, account of the interrelations between dominant and alternative or oppositional aspects at a given historical moment. Williams's distinction between two different kinds of alternatives on a status quo, which he terms the "residual" and the "emergent" (1977, 121-27), is helpful in discussions of the cultural manifestations of the middle class in nineteenth century Britain; it is not applicable in the present context of English Quebec fiction, which requires an assessment of a social group linked not along class lines but rather along linguistic and cultural lines. -
ADULT FRONTLIST U.S. RIGHTS AVAILABLE Fall 2018
ADULT FRONTLIST U.S. RIGHTS AVAILABLE Fall 2018 1 Table of Contents Fiction AFTERSHOCK ALISON TAYLOR ....................................................................................................................... 3 ASKING FOR A FRIEND KERRY CLARE .......................................................................................................... 4 BAD WEATHER KRISTA FOSS ........................................................................................................................... 5 BEAUTIFUL DREAMERS IVY KNIGHT ............................................................................................................ 6 THE CENTAUR'S WIFE AMANDA LEDUC ..................................................................................................... 7 CONDUCT MIRANDA HILL ............................................................................................................................... 8 DAUGHTERS OF SILENCE REBECCA FISSEHA ............................................................................................ 9 THE DEAD CELEBRITIES CLUB SUSAN SWAN ......................................................................................... 10 THE DEATH AND LIFE OF STROTHER PURCELL IAN WEIR ................................................................. 11 ELEMENTAL CATHERINE BUSH ..................................................................................................................... 12 THE HUNTER AND THE OLD WOMAN PAMELA KORGEMAGI ............................................................ -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
Annual Report 2009 | 2010 Ontario Media Development Corporation Culture Is Our Business
omdcontario media development corporation ANNUAL REPORT 2009 | 2010 Ontario Media Development Corporation culture is our business Table of Contents Who We Are 1 Message from the Chair 2 Message from the President and Chief Executive Officer 3 Ontario’s Cultural Media Industries 4 Our Information and Electronic Future 6 Creative Collaboration and Cross Sectoral Synergies 8 Ontario’s Cultural Media in the Global Marketplace 10 Celebrating Ontario’s Achievements 12 Innovative Financial Support 14 Research 17 Doing Business Better 18 Looking Ahead 20 22nd Annual Trillium Book Award Finalists/Winners 21 OMDC Program Recipients 2009-10 22 Board of Directors 31 Management’s Responsibility for Financial Statements 32 Auditor’s Report 33 Statement of Financial Position 34 Statement of Operations 35 Statement of Changes in Net Assets 36 Statement of Cash Flows 37 Notes to Financial Statements 38 OUR MISSION: The Ontario Media Development Corporation, an agency of the Ontario Ministry of Tourism and Culture, is the central catalyst for Ontario’s cultural media cluster. It promotes, enhances and leverages investment, jobs and original content creation in the province’s book and magazine publishing, film and television, music and interactive digital media industries. Ontario Media Development Corporation (OMDC) 175 Bloor Street East, South Tower, Suite 501, Toronto, Ontario M4W 3R8 www omdc on ca Published by the Ministry of Tourism and Culture, Government of Ontario | © Queens Printer 2010 | ISSN 0836-1363 | Printed on recycled paper Ontario Media Development Corporation culture is our business The Ontario Media Development Corporation stimulates investment and employment in six cultural media industries in Ontario: book and magazine publishing, film and television, music and interactive digital media. -
Mavis Gallant F Ancine P Ose Damon Galgut Aleksanda
Brick celebrates Mavis Gallant, with contributions from Michael Helm, Francine Prose, Alison Harris, Michael Ondaatje, and Nadia Szilvassy & Tara Quinn. A LITERARY JOURNAL Aleksandar Hemon talks to Eleanor Wachtel Obi Nwakanma in conversation with Madeleine Thien Grant Buday on Thomas De Quincey Damon Galgut on E. M. Forster Andrew H. Miller watches The Clock The watch continues to tick where the story stops. — stops. story the where tick continues to The watch permanence. grief without are the look, The lie, the David L. Ulin traces our expressions Myrna Kostash searches for Eliza McLean William Everson meets Theodore Dreiser ichard Sanger says goodbye to Seamus Heaney Tara Quinn follows Leonard Woolf to Sri Lanka Jim Harrison misses Paris A dispatch from Siberia by Sean Michaels A ri on Tolstoy by Jessica Michalofsky Amitava Kumar’s train stories Mark Marczyk’s notes from Ukraine Mavis Gallant Mavis Poems by Jan Zwicky and Sharon Olds Photograph of Mavis Gallant by Alison Harris. eviews by Laurie D Graham, John McIntyre, $. and ebecca Silver Slayter MAVIS GALLANT FANCINE POSE DAMON GALGUT And Zachary Lazar on Angola Prison’s Passion Play, ALEKSANDA HEMON SHAON OLDS ZACHAY LAZA with photographs by Deborah Luster £. DEBOAH LUSTE MICHAEL HELM OBI NWAKANMA JIM HAISON MADELEINE THIEN JAN ZWICKY The New Brick Reader Summer Special A Brick subscription plus The New Brick Reader — only $55* Subscribe, Renew, or Give! Visit BrickMag.com and click on “The New Brick Reader Summer Deal.” *plus shipping for the Reader Offer expires August -
Uncovering the Chains the Black and Aboriginal Slaves Who Helped Build New France
Borduas’s revolution • Alzheimer’s dilemmas SPUR FESTIVAL Ottawa and Vancouver preview! $6.50 Vol. 22, No. 4 May 2014 Lawrence Hill Uncovering the chains The black and aboriginal slaves who helped build New France. ALSO IN THIS ISSUE Jocelyn Maclure Why democracy needs protests Candace Savage A prairie pilgrimage Jonathan Kay Reviving the Enlightenment PLUS: NON-FICTION David Milligan on debunking our “historical illiteracy” + Christopher Dummitt on a West Coast riot + Molly Worthen on coexistence through religious limits + David MacDonald on a made-in-Canada church + Jennifer Jeffs on regulating the markets since 2008 + Denise Donlon on the Tales of Bachman Publications Mail Agreement #40032362 FICTION Claire Holden Rothman reviews Wonder by Dominique Fortier + Roger Seamon Return undeliverable Canadian addresses to LRC, Circulation Dept. reviews Life Class by Ann Charney PO Box 8, Station K Toronto, ON M4P 2G1 POETRY Shane Neilson + Elizabeth Ross + Crystal Hurdle + Kayla Czaga Literary Review of Canada 170 Bloor St West, Suite 710 Toronto ON M5S 1T9 email: [email protected] reviewcanada.ca T: 416-531-1483 • F: 416-531-1612 Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/support Vol. 22, No. 4 • May 2014 EDITOR Bronwyn Drainie [email protected] CONTRIBUTING EDITORS 2 Outthinking Ourselves 15 May Contain Traces Mark Lovewell, Molly Peacock, Robin A review of Enlightenment 2.0, by Joseph Heath A poem Roger, Anthony Westell Jonathan Kay Kayla Czaga ASSOCIATE EDITOR Judy Stoffman 4 Market Rules 18 Under the Volcano POETRY EDITOR A review of Transnational Financial Regulation A review of Wonder, by Dominique Fortier, Moira MacDougall after the Crisis, edited by Tony Porter translated by Sheila Fischman COPY EDITOR Jennifer Jeffs Claire Holden Rothman Madeline Koch 7 The Memory Thief 19 Making It ONLINE EDITORS Diana Kuprel, Jack Mitchell, A review of The Alzheimer Conundrum: A review of Life Class, by Ann Charney Donald Rickerd, C.M. -
Westwood Creative Artists ______
Westwood Creative Artists ___________________________________________ FRANKFURT CATALOGUE Fall 2018 INTERNATIONAL RIGHTS Director: Carolyn Forde Associate: Meg Wheeler AGENTS Carolyn Forde Jackie Kaiser Michael A. Levine Hilary McMahon John Pearce Bruce Westwood FILM & TELEVISION Michael A. Levine 386 Huron Street, Toronto, Ontario M5S 2G6 Canada Phone: (416) 964-3302 ext. 223 & 233 E-mail: [email protected] & [email protected] Website: www.wcaltd.com Table of Contents News from Westwood Creative Artists page 3 – 5 Recent sales page 6 – 7 Fiction Nicole Lundrigan, Hideaway page 10 Raziel Reid, Kens page 11 Alisa Smith, Doublespeak page 12 M.G. Vassanji, A Delhi Obsession page 13 Non-Fiction Sarah Berman, Don’t Call It a Cult page 16 Erin Davis, Mourning Has Broken page 17 Gail Gallant, The Changeling page 18 Don Gillmor, To The River page 19 Stephen J. Harper, Right Here, Right Now page 20 Thomas Homer-Dixon, Commanding Hope page 21 Darren McLeod, Mamaskatch page 22 Tessa McWatt, Shame on Me page 23 Ailsa Ross, The Woman Who Rode a Shark page 24 Poetry Najwa Zebian, The Nectar of Pain page 26 Titles of Special Note Karma Brown, Recipe for a Perfect Wife page 28 Kim Fu, The Lost Girls of Camp Forevermore page 29 Thomas King, The Dreadfulwater series page 30 – 31 Manjushree Thapa, All of Us In Our Own Lives page 32 Richard Wagamese, Starlight page 33 Mark Abley, Watch Your Tongue page 34 Darrell Bricker & John Ibbitson, Empty Planet page 35 David Chariandy, I’ve Been Meaning to Tell You page 36 Rae Congdon, GAYBCs page 37 B. -
Remembering 1993
Remembering 1993 I forgot Amnesia. This time last year, writing about 1992 publications, I omitted men- tioning Douglas Cooper's fascinating novel Amnesia, perhaps because (like the French-language works of Nancy Huston, recognized in 1993 with the Governor-General's Award) it was published first outside Canada. This possibility does not so much raise serious questions about the relevance of national boundaries to criticism as it comments on the difficulty (even in an age of "free" trade and mass communications) of keeping up with interesting publications wherever they appear. The bias of information networks always intervenes. Lately, there's been a kind of bureaucratic barrier also set up which promises to do an even more active disservice to Canadian readers. The Globe and Mail reported in February 1994 on the power over books that the Mulroney government of the 1980s (casually? or was it with deliberate intent?) granted to customs officers; a six-week training course in Rigaud, Quebec, including one afternoon on obscenity-recognition, constitutes (says the Globe) all the qualifications that that government thought nec- essary for the job of literary classification. Now, in practice, all kinds of books—textbooks, classics, children's books—are being barred at the border, often on the basis of a "keyword" in their title, but always in the name of decency. But there's another obstructive practice going on, too. By current regulations, if a foreign publisher sends a "gratis" review book to a Canadian journal at a Canadian university—even a book by a Canadian author, and sent "on spec"—the journal must pay a fee to a cus- toms broker (the minimum cost I've been quoted is $18.00) or else Canada Customs charges the university a fine of $100.00. -
Armchair Books and Penguin Random House Welcome These Authors to the Whistler Readers and Writers Festival
Welcome Welcome to the 14th annual Whistler Writers Festival. Each year we strive to bring the very best Canadian and international authors to Whistler for a weekend packed with readings, workshops, and opportunities for you to meet some of your favourite authors. This year our theme is fledgling to flight, which celebrates our ongoing commitment to feature both emerging and established authors on the same stage, each showcasing and supporting the other. Thursday October 15th will feature Comedy Quickies, a night of bite-sized comedy that takes writers’ humorous humdingers to the stage. A panel of judges will pre-select their 10 favourite written submissions to bring to life in the beautiful Millennium Place Theatre. Cash and prizes will be awarded for Best Comedy Writing, and of course, The People’s Choice award (chosen by our audience) will go to the best act of the evening. Our special guest will be comedian, humourist and author, Charlie Demers from CBC’s The Debaters and This is That. On Friday night our Chefs’ Reception will feature star chefs Emily Wight (Well Fed, Flat Broke) and award-winning poet and author Susan Musgrave (A Taste of Haida Gwaii). James Nevison, prize-winning author of the best selling book, (Had A Glass 2015) will join in to talk about some of the best and least expensive wine pairings. There will be samples of appetizers to try and you’ll be able to meet all three authors and hear them discuss their featured recipes and books. The Reception will be followed by the Literary Cabaret. -
Dr. Steven Hayward English Department the Colorado College 14 E. Cache La Poudre Street Colorado Springs, CO 80903 Academic
Dr. Steven Hayward English Department The Colorado College 14 E. Cache La Poudre Street Colorado Springs, CO 80903 Academic Employment 2013 to present: Associate Professor, Department of English, The Colorado College. 2008-2013: Assistant Professor, Department of English, The Colorado College. 2001-2008: Assistant Professor, Department of English, John Carroll University. 2000-2001: Visiting Scholar, University of Pennsylvania (Social Science and Research Council of Canada Postdoctoral Research Fellowship); Associate Fellow, Center for the Critical Analysis of Contemporary Culture (CCACC), Rutgers University. Education York University, Toronto, Canada Ph.D., English, 2001 Dissertation: “Shakespeare’s Theatre and the Language of Performance” York University, Toronto, Canada M.A., English, 1995 University of Toronto, Toronto, Canada B.A., English, 1994 Books Small Peanuts: Selected and Collected Short Stories. Toronto: Exile Editions, forthcoming, March 2015. Don’t Be Afraid. Toronto: Knopf Canada, 2011. The Secret Mitzvah of Lucio Burke. Toronto: Knopf Canada, 2005. -- Winner, 2006 Premio Grinzane Cavour Award for Excellence by an Emerging Author (Italy) -- Finalist, 2006 Northern Ohio Live Award of Achievement (Writing Category) Buddha Stevens and Other Stories. Toronto: Exile Editions, 2000. -- Winner, 2001 Upper Canada Writers’ Craft Award -- Finalist, 2001 ReLit Award (Best Collection of Short Fiction) -- Globe and Mail top 100 book of 2001. Foreign Hayward 2 Niets Meer Te Verliezen. Trans. Jasper Mutsaers. Amsterdam: Pimento, 2011. La Mitzvah Segreta di Lucio Burke. Trans. Marco di Bosonetto. Turin: Instar Libri, 2005. Short Fiction “The Dead Thing.” Pilgrimage 31.1 (Summer 2013). “Grief Therapy.” Ars Medica 6.2 (Spring 2010). “Aunt Daisy’s Secret Sauce for Hamburgers.” Grain 37.1 (December 2009).* *Nominated for a Canadian National Magazine award.