Susan Swan: Michael Crummey's Fictional Truth
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What Is Hell Like? What Is Hell Like?
WHAT IS HELL LIKE? WHAT IS HELL LIKE? • What does the Bible tell us about hell? • How should we respond to the doctrine of hell? WHAT IS HELL LIKE? Hell is: • Just (Rom 3:23; 6:23; 2 Thess 1:6-9; Matthew 25:46). WHAT IS HELL LIKE? For after all it is only just for God to repay with affliction those who afflict you, and to give relief to you who are afflicted and to us as well when the Lord Jesus will be revealed from heaven with His mighty angels WHAT IS HELL LIKE? in flaming fire, dealing out retribution to those who do not know God and to those who do not obey the gospel of our Lord Jesus. These will pay the penalty of eternal destruction, WHAT IS HELL LIKE? away from the presence of the Lord and from the glory of His power. 2 Thessalonians 1:6-9 WHAT IS HELL LIKE? These will go away into eternal punishment, but the righteous into eternal life. Matthew 25:46 WHAT IS HELL LIKE? Hell is: • Just (Rom 3:23; 6:23; 2 Thess 1:6-9; Matthew 25:46). • Eternal (Revelation 20:10-15; Mark 9:42- 49). WHAT IS HELL LIKE? And the devil who deceived them was thrown into the lake of fire and brimstone, where the beast and the false prophet are also; and they will be tormented day and night forever and ever… WHAT IS HELL LIKE? Then death and Hades were thrown into the lake of fire. This is the second death, the lake of fire. -
Best-Selling Band of the Decade Back with 'Over the Top' Tour
PAGE b10 THE STATE JOURNAL Ap RiL 20, 2012 Friday ALMANAC 50 YEARS AGO Nickelback is ready to rock Three Frankfort High School records were lowered in a dual track meet with M.M.I., but it wasn’t enough for the victory. The Panthers Best-selling band of the decade back with ‘over the top’ tour were edged out by the Cadets 59.5 to 56.5 at the Kentucky State College Alumni field. ing hard-rock journey nearly By Brian MccolluM Tommy Harp, Artist Mont- two decades ago in a rural d eTroiT Free Press fort and Robert Davis set farm and mining region of DETROIT – Before Nickel- new standards for Frankfort Alberta. It helps that Nickel- back became the best-selling High in hurdles, shot put and back is something of a fam- band of the past 10 years, re- broad jump, respectively. members Mike Kroeger, they ily affair, with a core that in- were four guys in a cold van cludes Kroeger’s half-brother Chad Kroeger on vocals and 25 YEARS AGO slogging across Canada with Former Frankfort In- longtime buddy Ryan Peake a small set of songs and big dependent School Dis- on guitar. Drummer Dan- dreams of a break. trict superintendents F.D. iel Adair (ex-3 Doors Down) Since then, there have Wilkinson, Lee Tom Mills, joined in 2005. been plenty of surreal, down- Jim Pack and Ollie Leathers “We try hard not to be dif- the-rabbit-hole moments, as joined current superinten- the bassist calls them: Like ferent,” says Mike Kroeger. -
The Scottish Roots of English Studies in Canada
The Dream of Empire: The Scottish Roots of English Studies in Canada SARAH PHILLIPS CASTEEL T XHE LAST FIFTEEN years have seen the publication of a num• ber of histories of English Studies in Canada which depart from earlier discussions by focusing on disciplinary formation rather than on the history of a specific institution (Tayler; Johnson; Murray; Hubert). This new orientation has brought to light some of the social undercurrents that propelled the formation of the discipline of English in the emerging society of nine• teenth-century colonial Canada. Yet surprisingly, these disci• plinary histories largely neglect the significant links between the rise of English Studies and the history of British imperialism that have recently been identified by scholars such as Gauri Viswanathan and Robert Crawford. This limitation is best illustrated by the treatment of the Scot• tish legacy in the histories of the discipline. Most scholars of Canadian English Studies readily acknowledge the dispropor• tionate impact of Scottish immigrants on the formation of Canadian universities, and especially on the growth of rhetoric and of modern languages departments. Some have in fact made the Scottish contribution the focus of their studies (Masters; Tayler). Such scholars call attention to the deep-rooted divi• sions between English Anglican and Scottish Presbyterian edu• cators that patterned the Canadian educational system and determined the place of English Studies in that system, as the English emphasis on a classical curriculum came up against the more utilitarian Scottish approach. Yet these accounts fail to consider in any depth how a long and fraught history of Anglo- Scottish relations informed the Scottish immigrants' debate with English educators in Canada. -
1967 to 2017 CANADA TRANSFORMED
FALL / WINTER 2017 1967 to 2017 CANADA TRANSFORMED RANDY BOSWELL DOMINIQUE CLÉMENT VICTOR RABINOVITCH KEN MCGOOGAN NELSON WISEMAN JACK BUMSTED VERONICA STRONG-BOAG JEAN-PHILIPPE WARREN JACK JEDWAB TABLE OF CONTENTS 3 INTRODUCTION MILESTONES, LEGACIES AND A HALF-CENTURY OF CHANGE Randy Boswell 7 HOW CANADIAN BOOMERS SPIRITED THE SIXTIES INTO THE 21ST CENTURY Ken McGoogan 11 “SHE NAMED IT CANADA BECAUSE THAT’S WHAT IT WAS CALLED”: LANGUAGE AND JUSTICE IN CANADA 2017+ Veronica Strong-Boag 15 CANADA’S RIGHTS CULTURE: FIFTY YEARS LATER Dominique Clément 20 AN EVER-CHANGING FACE AND IDENTITY Nelson Wiseman 24 AN UNEXPECTED CANADA Jean-Philippe Warren 28 50 YEARS OF CANADIAN CULTURE: THE ROOTS OF OUR MODEL AND THE BIG, NEW THREAT Victor Rabinovitch 33 HAS THE COUNTRY REALLY CHANGED ALL THAT MUCH IN THE PAST 50 YEARS? Jack Bumsted 36 VIVE LE QUÉBEC LIBRE @ 50: THE RISE AND DECLINE OF QUÉBEC’S INDEPENDENCE MOVEMENT, 1967-2017 Jack Jedwab CANADIAN ISSUES IS PUBLISHED BY ASSOCIATION FOR CANADIAN STUDIES BOARD OF DIRECTORS Canadian Issues is a quarterly publication of the Association Elected November 3, 2017 for Canadian Studies (ACS). It is distributed free of charge to individual and institutional members of the ACS. Canadian CELINE COOPER Montréal, Québec, Chairperson of the Board of Directors, Issues is a bilingual publication. All material prepared by Columnist at the Montréal Gazette, PhD Candidate, the ACS is published in both French and English. All other OISE/University of Toronto articles are published in the language in which they are written. Opinions expressed in articles are those of the authors THE HONOURABLE HERBERT MARX and do not necessarily reflect the opinion of the ACS. -
2014 Program
Kingston’s Readers and Writers Festival Program September 24–28, 2014 Holiday Inn Kingston Waterfront kingstonwritersfest.ca OUR MANDATE Kingston WritersFest, a charitable cultural organization, brings the best Welcome of contemporary writers to Kingston to interact with audiences and other artists for mutual inspiration, education, and the exchange of ideas that his has been an exciting year in the life of the Festival, as well literature provokes. Tas in the book world. Such a feast of great books and talented OUR MISSION Through readings, performance, onstage discussion, and master writers—programming the Festival has been a treat! Our mission is to promote classes, Kingston WritersFest fosters intellectual and emotional growth We continue many Festival traditions: we are thrilled to welcome awareness and appreciation of the on a personal and community level and raises the profile of reading and bestselling American author Wally Lamb to the International Marquee literary arts in all their forms and literary expression in our community. stage and Wayson Choy to deliver the second Robertson Davies lecture; to nurture literary expression. Ben McNally is back for the Book Lovers’ Lunch; and the Saturday Night BOARD OF DIRECTORS 2014 FESTIVAL COORDINators SpeakEasy continues, in the larger Bellevue Ballroom. Chair | Jan Walter Archivist | Aara Macauley We’ve added new events to whet your appetite: the Kingston Vice-Chairs | Michael Robinson, Authors@School, TeensWrite! | Dinner Club with a specially designed menu; a beer-sampling Jeanie Sawyer Ann-Maureen Owens event; and with kids events moved offsite, more events for adults on T Secretary Box Office Services T | Michèle Langlois | IO Sunday. -
Sins and Sinners Numen Book Series
Sins and Sinners Numen Book Series Studies in the History of Religions Series Editors Steven Engler (Mount Royal University, Calgary, Canada) Richard King (University of Glasgow, Scotland) Kocku von Stuckrad (University of Groningen, The Netherlands) Gerard Wiegers (University of Amsterdam, The Netherlands) VOLUME 139 The titles published in this series are listed at brill.nl/nus Sins and Sinners Perspectives from Asian Religions Edited by Phyllis Granoff and Koichi Shinohara LEIDEN • BOSTON 2012 Cover illustration: Participant at the Makar Melā bathing in front of the Kṛṣṇa temple, Panautī, Nepal. Photograph taken in January 2010, by Prasant Shrestha. Reproduced with kind permission from the photographer. Library of Congress Cataloging-in-Publication Data Sins and sinners : perspectives from Asian religions / edited by Phyllis Granoff and Koichi Shinohara. p. cm. — (Numen book series, ISSN 0169-8834 ; v. 139) Proceedings of a conference held in the fall of 2010 at Yale University. Includes index. ISBN 978-90-04-22946-4 (hardback : alk. paper) — ISBN 978-90-04-23200-6 (e-book) 1. Asia—Religions—Congresses. 2. Sin—Congresses. I. Granoff, P. E. (Phyllis Emily), 1947– II. Shinohara, Koichi, 1941– BL1033.S56 2012 202’.2—dc23 2012017165 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.nl/brill-typeface. ISSN 0169-8834 ISBN 978 90 04 22946 4 (hardback) ISBN 978 90 04 23200 6 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. -
Wanting, Not Waiting
WINNERSdateline OF THE OVERSEAS PRESS CLUB AWARDS 2011 Wanting, Not Waiting 2012 Another Year of Uprisings SPECIAL EDITION dateline 2012 1 letter from the president ne year ago, at our last OPC Awards gala, paying tribute to two of our most courageous fallen heroes, I hardly imagined that I would be standing in the same position again with the identical burden. While last year, we faced the sad task of recognizing the lives and careers of two Oincomparable photographers, Tim Hetherington and Chris Hondros, this year our attention turns to two writers — The New York Times’ Anthony Shadid and Marie Colvin of The Sunday Times of London. While our focus then was on the horrors of Gadhafi’s Libya, it is now the Syria of Bashar al- Assad. All four of these giants of our profession gave their lives in the service of an ideal and a mission that we consider so vital to our way of life — a full, complete and objective understanding of a world that is so all too often contemptuous or ignorant of these values. Theirs are the same talents and accomplishments to which we pay tribute in each of our awards tonight — and that the Overseas Press Club represents every day throughout the year. For our mission, like theirs, does not stop as we file from this room. The OPC has moved resolutely into the digital age but our winners and their skills remain grounded in the most fundamental tenets expressed through words and pictures — unwavering objectivity, unceasing curiosity, vivid story- telling, thought-provoking commentary. -
UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya
UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya Musa Abdul Kareem (Libyan) Journalist at Sabbha-based newspaper Fasanea Killed on 31 July 2018 UNESCO Statement Jeroen Oerlemans (Dutch) Veteran war photographer Killed in Libya on 2 October 2016 [UNESCO Statement] Abdelqadir Fassouk (Libyan) Photojournalist and correspondent for satellite news channel Arraed TV Killed in Libya on 21 July 2016 [UNESCO Statement] Khaled al-Zintani (Libyan) Freelance journalist Killed in Libya on 23 June 2016 [UNESCO Statement] Mohamed Jalal (Egyptian) Photographer Killed in Libya on 27 April 2015 [UNESCO Statement] Yousef Kader Boh (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 1 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya [UNESCO Statement] Abdallah Al Karkaai (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Younes Al Mabruk Al Nawfali (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] khaled Al Sobhi (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Muftah al-Qatrani (Libyan) Journalist for Libya Al-Wataniya TV Killed in Libya on 22 April 2015 [UNESCO Statement] Moatasem Billah Werfali (Libyan) Freelance journalist and presenter for Libya Alwatan radio Killed in Libya on 8 October 2014 [UNESCO Statement] Tayeb Issa Hamouda 2 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya (Libyan) One of the founders of the Touareg cultural television channel Tomast Killed -
Chronicling the Soldier's Life in Afghanistan Transcript
Perspective Shifts Interviewer So today is May the third— Sebastian Junger Yeah. Interviewer 2011.  We’re in the studios of West Point Center for Oral History with Sebastian Junger.  And Sebastian, I would like to ask you—you know, there’s a lot of material we can go into, but since we’re here at West Point I’d like to focus on your most recent work, and ask you to tell me when you first got interested in war. Sebastian Junger I mean, I just have the assumption that every little boy is interested in war.  I remember growing up, you know, and all the adults that I knew had fought in World War II.  And when we played war, some of the boys had to play Germans, and no one wanted to play Germans, and everyone wanted to be Americans.  And the Vietnam War was going on, and so it started deploying with that.  But you know, like I—since I was a little boy, I mean it’s just—it’s exciting to pick up a crooked stick and pretend to shoot it at somebody.  I mean it says terrible things about the human species, I suppose, but that’s what little boys do—or a lot of them. Sebastian Junger And—but then after Vietnam, the Vietnam War was so controversial, and I—you know, I came from a part of society—Massachusetts, pretty liberal background—that was very, very against the war.  And the whole enterprise and the military and everything, I was just—found really unpleasant and distasteful, and that started to change after I started covering wars myself. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
The Reality of Hell
THE REALITY OF HELL Bob Ross Is there a place of literal fire where lost sinners will be confined throughout eternity? “HELL” • “SHEOL” • “HADES” • “GEHENNA” • “TARTARUS” The Bible was written in three languages: Hebrew (Old Testament), Chaldee (por- tion of Daniel), and Greek (New Testament). The Bible that we have today is a translation of the Hebrew, Chaldee, and Greek writings into our language. There are many transla- tions of the Bible, the most popular being the King James Version, which you probably own. The Word “Hell” in the King James Version There are four words in the KJV translated “hell.” Of these four words, only one of them is used in the Old Testament. That word is the Hebrew word “Sheol.” In the New Testament, the three words translated “hell” are “hades,” “gehenna,” and “tartarus,” all Greek words. What do these words mean? 1. The Hebrew word “sheol” is translated as follows. “Hell”—31 times, as in Psalm 9:17: “The wicked shall be turned into hell, and all the nations that forget God.” “Grave”—31 times, as in Ecclesiastes 9:10: “Whatsoever thy hand findeth to do, do it with thy might; for there is no work, nor device, nor knowledge, nor wisdom, in the grave, whither thou goest.” “Pit”—3 times, as in Job 17:16: “They shall go down to the bars of the pit, when our rest together is in the dust.” But actually, the Hebrew word “sheol” does not mean either “hell,” “grave,” or “pit.” It means “the unseen world” or “the place of departed spirits.” Notice how it is de- fined: Strong’s Hebrew and Chaldee Dictionary says that “sheol” is “the world of the dead.” Young’s Analytical Concordance says that “sheol” is “the unseen state.” Smiths Bible Dictionary says that “sheol” is “always the abode of departed spirits.” Fausset’s Bible Dictionary and Encyclopedia says that “sheol” is “the common re- ceptacle of the dead.” So sheol does not strictly refer to hell, but to the place of departed spirits, irrespec- tive of whether saved or lost. -
CV June20 Eng.Pdf
a n t o i n e b u s t r o s [email protected] www.antoinebustros.com Updated: 06/2020 E D U C A T I O N University of Southern California. Film music with Elmer Bernstein. University of California, Los Angeles. Film music with Tom Sharp. B.Mus, McGill University; Composition with Profs Bruce Mather and John Rea; orchestration with Profs Bengt Hambreus and Donald Stevens; instrument: piano with Paul Loyonnet; minor in jazz with Mr Luc Beaugrand; Jazz Arrangements with Mr Vic Vogel, Concordia University. D.E.C. in Music from St-Laurent Cegep. MUSIC FOR THE SCREEN 2018 Theme music for Association francophone pour le savoir (ACFAS). 2017 Extraordinary Canadians. Season 2; 6 episodes Producer Kenneth Hirsch, PMA productions. Maurice Richard (by Charles Foran; directed by Adrian Wills) Marshal McLuhan (by Douglas Coupland; directed by Karen Cho) René Lévesque (by John Ralston; directed by Karen Cho) Louis Riel et Gabriel Dumond (by Joseph Boyden; directed by Adrian Wills) Wilfrid Laurier (by André Pratte; directed by Karen Cho) Tommy Douglas (by Vincent Lam; directed by Adrian Wills) Watch CBC: https://watch.cbc.ca/season/extraordinary-canadians/season-2/d907370d-44e8-4764-9af3-a3641376219f Return to Park Ex. Documentary. Producer Périphéria Productrions inc. and Les productions Easter Films; directed by Tony Asimakopoulos Watch CBC: https://watch.cbc.ca/media/cbc-docs-pov/season-1/return-to-park-ex/38e815a-00d01cbe7d0 Amour et argent peuvent faire bon ménage. Documentary. Producer Relais-femmes et les productions mainslibres; directed by Sophie Bissonnette 2015 Despedida. Documentary. Produced and directed by Leopoldo Guttierez, Polo Productions.