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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Replica Styles from 1795–1929
Replica Styles from 1795–1929 AVENDERS L REEN GHistoric Clothing $2.00 AVENDERS L REEN GHistoric Clothing Replica Styles from 1795–1929 Published by Lavender’s Green © 2010 Lavender’s Green January 2010 About Our Historic Clothing To our customers ... Lavender’s Green makes clothing for people who reenact the past. You will meet the public with confidence, knowing that you present an ac- curate picture of your historic era. If you volunteer at historic sites or participate in festivals, home tours, or other historic-based activities, you’ll find that the right clothing—comfortable, well made, and accu- rate in details—will add so much to the event. Use this catalog as a guide in planning your period clothing. For most time periods, we show a work dress, or “house dress.” These would have been worn for everyday by servants, shop girls, and farm wives across America. We also show at least one Sunday gown or “best” dress, which a middle-class woman would save for church, weddings, parties, photos, and special events. Throughout the catalog you will see drawings of hats and bonnets. Each one is individually designed and hand-made; please ask for a bid on a hat to wear with your new clothing. Although we do not show children’s clothing on most of these pages, we can design and make authentic clothing for your young people for any of these time periods. Generally, these prices will be 40% less than the similar adult styles. The prices given are for a semi-custom garment with a dressmaker- quality finish. -
PPE:In Laboratories Lab Coats Esearch and Teaching Activities Often Require Personal Protective Equipment (PPE) to Ensure Maximum Safety of Personnel
Food and Drink FactSheet PPE:in Laboratories Lab Coats esearch and teaching activities often require personal protective equipment (PPE) to ensure maximum safety of personnel. A lab coat is an essential component of PPE for many types of laboratory work. This fact sheet will assist the researcher in selecting the appropriate lab coat type for the hazard encountered. TipsR on Wearing Lab Coats • Fully button/snap the lab coat and wear in conjunction • Always ensure lab coat fits properly. with other PPE, such as eye protection and gloves, when deemed necessary per your risk assessment. • Wear appropriate clothing under your lab coat, including long pants and closed-toe/heel shoes. Roll up long sleeves • Lab coats provide moderate protection against chemical to prevent contamination if necessary. Wear personal exposure, but may degrade over time. Replace if heavily clothing that is made of natural rather than synthetic soiled/contaminated or visibly degraded. fibers (e.g., cotton jeans vs. Lycra leggings) if working with • Immediately remove and dispose of as hazardous waste if flammable liquids or open flames. grossly contaminated. Lab Coat Selection Guide Flame Resistant, Nomex® Nomex® is a meta-aramid synthetic fiber that provides the highest level fire protection for a lab coat. The material is intrinsically flame resistant. Its protection will not diminish over repeated washes. Appropriate for protecting against: • Open flames • Electrical arc flash hazard • Extreme fire hazard (e.g., large volumes of flammable materials) • Organometallic compounds, metal hydrides, alkali metals, or other materials that ignite on contact with air (pyrophoric) or moisture Flame Resistant, Treated Cotton Cotton lab coats that are treated with flame resistant material provide a good balance of protection from chemicals, and low-to-medium fire risk procedures. -
Dressing Aids F Are Available Through Specialtyretailers
The War Amps For Your Information Tel.: 1 877 622-2472 Fax: 1 855 860-5595 [email protected] Dressing Aids rom buttons, buckles, zippers and laces, these Fsimple fasteners can pose difficulties in an amputee’s daily activities. Featured below are various Velcro tabs dressing aids that can make many of these tasks easier. Some can be made using household items and others are available through specialty retailers. Hassle-free Fasteners • Velcro tabs under shirt or blouse buttons instead of conventional button holes. • A Velcro strip instead of a zipper in the fly of trousers. • Velcro on jacket cuffs. • Toggle buttons on outer wear which are easier to manage than stiff, flat buttons. Elastic cufflink • Cuff links made of elastic thread between two buttons keep cuffs looking tidy while letting you slide your hand in and out without undoing the button. • Some button-up shirts can be put on without being fully unbuttoned, simply leave enough buttons undone to allow room for your head, and then A C fasten the rest later. B D Button Hooks To assist the amputee with buttoning clothing, various button hooks are available including the regular handle(A), rubber handle(B), cuff handle(C), and ball or knob handle(D). Prosthetic Limbs and Devices Prosthetic A button hook has a small wire loop that slips over the button and when pulled, guides the button through the buttonhole. Zipper Pull Rings For those who have difficulty holding onto and pulling the regular zipper tabs, a variety of zipper pull rings are available which attach to the regular zipper tab and which can be grasped more easily by artificial limbs. -
GRADUATE LEARNING PLAN for Pamela Vanderlinde
DePaul University School for New Learning Graduate Programs MASTER OF ARTS PROGRAM IN APPLIED PROFESSIONAL STUDIES (MAAPS) 1 E. Jackson Blvd., Chicago, IL 60604 [email protected] (312-362-8448) GRADUATE LEARNING PLAN for Pamela Vanderlinde •ADDRESS: •PHONE: •EMAIL: DOCUMENT DATE: January 18, 2011 FOCUS - Applying study of historical and contemporary AREA: bespoke fashion to my design practice, philosophy and teaching. Prof. - Ms. XXX XXXX Advisor: •PA Position/Title: _Instructor, Illinois Institute of Art-Chicago •PA Address: _____________________________________ •PA Phone: ______ •PA Email: Faculty - Michelle Navarre Cleary, PhD •Position/Title: Resident Faculty, School for New Learning, DePaul University Mentor: •Address: DePaul University, 1 E. Jackson Blvd., Chicago, IL 60604 •Phone: 312-362-7301______ •Email: [email protected] Cluster: - 86_______ - __1/21/11_____ (date approved by Student’s Academic Committee) Approval: - ___2/18/11________ (date approved by Graduate Student Program Review Committee) - 1 - PART I: Personal/Professional Background & Goals Directions: In Part I, the student provides a context for the Graduate Learning Plan and a rationale for both his/her career direction and choice of the MAAPS Program of study as a vehicle to assist movement in that direction. Specifically, Part I is to include three sections: A. a brief description of the student’s personal and professional history (including education, past/current positions, key interests, etc.); B. an explanation of the three or more years of experience (or equivalent) offered in support of the Graduate Focus Area; C. a brief description/explanation of the student’s personal and professional goals. A. Description of My Personal/Professional History: I have many passions in this world; fashion, teaching, travel, reading, yoga to name a few. -
The Influence of Clothing on First Impressions: Rapid and Positive Responses
The influence of clothing on first impressions: Rapid and positive responses to minor changes in male attire Keywords: Clothing, first impressions, bespoke, influence, communication The influence of clothing on first impressions: Rapid and positive responses to minor changes in male attire. In a world that is becoming dominated by multimedia, the likelihood of people being judged on snapshots of their appearance is increasing. Social networking, dating websites and online profiles all feature people’s photographs, and subsequently convey a visual message to an audience. Whilst the salience of facial features is well documented, other factors, such as clothing, will also play a role in impression formation. Clothing can communicate an extensive and complex array of information about a person, without the observer having to meet or talk to the wearer. A person’s attire has been shown to convey qualities such as character, sociability, competence and intelligence (Damhorst, 1990), with first impressions being formed in a fraction of a second (Todorov, Pakrashi, and Oosterhof, 2009). This study empirically investigates how the manipulation of small details in clothing gives rise to different first impressions, even those formed very quickly. Damhorst (1990) states that ‘dress is a systematic means of transmission of information about the wearer’ (p. 1). A person’s choice of clothing can heavily influence the impression they transmit and is therefore a powerful communication tool. McCracken (1988) suggests that clothing carries cultural meaning and that this information is passed from the ‘culturally constructed world’ to clothing, through advertising and fashion. Clothes designers can, through branding and marketing, associate a new product or certain designs with an established cultural norm (McCracken, 1988). -
The Republican Journal: Vol. 78, No. 10
The Republican Journal. r^^ME78 BELFAST, MAINE, THURSDAY, MARCH 8, 1906. __NUMBER 10 CASH RECEIPTS. of Waldo County Veterans. fOR Emery F. a New York contents of Today’s Paper. Meeting MAYOR. White, entertainer, Government Fines.».$87.06 PERSONAL. will appear under the auspices of the Help- City Meeting. Cards. 32-10 The Waldo County Veteran Association somehow societv of the Baptist church at Churches.... Booklovers. 3.04 ii gliway Robbery ...The March Hancock hall, Ellsworth, Friday The of the Council Old sold. .. 4.87 hall, Swanville, evening, I’- ‘Cuts and Boats....City Government regular meeting City paper met at the Grange Sherman W. Freeman of Hartford, Conn, March 27.—Hancock March 5th. books sold. 8.88 County Demoorat. Mu ting ..Municipal Elections..»ieet- was held Monday evening, 1st. was cold and the traveling ...News The day was in town Monday. ,,f Waldo County Veterans Mayor Shales presided, a full board of al- Mrs. Florence Shibles Mahar and sou so- $123.86 but a number was present. the Granges .Obituary..Seciet. dermen was present and there was a full hard, quite good Chester A. Sun- ror Orlando E. Frost, called to order Grant, Colby '06, spent Llewellyn of Wrentham, Mass., were sud- iies Mayor board in the council room. Roll of accounts of the children’s books should be The forenoon meeting was Elections..Transfers in Real ts- Many at his home in un No. 12 are the new About 70 books Bowen -of Morrill. day Unity. denly called back to her old home in Belfast Maiue News Items...Personal. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
That Was a T-Shirt!!! We Need Tops! While Cotton Tops Are Easy to Make, Knit Tops Are the Most Versatile Due to the Forgiving Stretch
That was a t-shirt!!! We need tops! While cotton tops are easy to make, knit tops are the most versatile due to the forgiving stretch. Because of the challenges in working with knit fabric, updating a t-shirt is the perfect compromise. Our goal is to have someone look at our top and say “that was a t-shirt?!” All hemlines need to be removed and restyled and the neckline needs to be either ruffled (size small and some medium) or trimmed. Here are some guidelines that we are looking for. Simply sewing a decorative stitch or zigzag over the existing hemline (sleeves and bottom hem) does not make visual changes to the t-shirt. Please cut off the existing hemline and if you like, you can make it shorter. If you have a serger, you can finish the edge prior to hemming but because the knit does not ravel it is not necessary. You also do not need to turn over the edge prior to hemming. Sleeves Match the sleeves and cut off both hems at the same time. You can cut straight or at an angle and make it a cap sleeve Use a decorative stitch for the hemming, variegated thread looks great! Use either white or black thread in the bottom as variegated thread is expensive. Remember to sew on the right side with your finger on the bottom feeling for the fabric edge. Watch for those sales and coupons!! Sulky blendables, 30 weight, 100% cotton is very nice to use. If you hem with a straight stitch, make it a little longer perhaps 3.0 and add some elastic to make it gathered at the hem edge. -
The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked. -
Sewing & Hand Application
APPLICATION MANUAL Sewing & hand application Sewing and hand application Preciosa Components offers a wide range of various products ideal for sewing and embroidery. Thanks to a rich choice of shapes, sizes, settings and applications, Preciosa crystals can be used in mass apparel and accessories production, designer´s studios and Do-It-Yourself activities. Stones can be easily applied with industrial sewing or embroidery machines or household sewing machines and are also suitable for various manual applications. PRODUCT OVERVIEW COMPONENTS SEWING HAND APPLICATION Flat Back Stones Sew-on Stones Beads and Pendants Beads Pendants Nacre Pearls Nacre Pearls Cup Chains Plastic Bandings Fashion and Fashion Jewelry Components Metal Bandings Stones in Settings Fashion and Fashion Crystal Mesh Jewelry Application MACHINES, TOOLS AND AIDS Use the following machines, tools and aids for sewing Preciosa components: • Household sewing machine with common stitch types (straight, zigzag, button sewing programme). • Industrial sewing machine. • Sewing machine accessories – presser feet, needles, threads. • Goggles. Household sewing machine Industrial sewing machine Different types of presser feet 2 PRECIOSA CRYSTAL COMPONENTS APPLICATION MANUAL 3 Sewing – basic rules TYPES OF MACHINE APPLICATION OF CRYSTAL COMPONENTS CHOICE OF THE RIGHT THREAD APPLICATION MACHINE TOOL PROGRAMME NOTE Synthetic threads of 50 – 60 Nm strength are the most suitable for sewing Preciosa stones. The threads Programme for button Switch off the lower Sewing are