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Hlnch Film on Pnpfh SEE PAGE 10
YOlUmf 8 ISSUf 1 WlnHH 1996 HlnCH film on PnPfH SEE PAGE 10 ~"""'" HlSO ===--;] Visit Oscar on the Net The Academy's site: http://www.oscars.org/ The Oificiallnteradive Guide to the Oscars: I http://oscars.guide.com © AM PAS® Apn14 thru JUIII 9 - FROM THE PRESIDENT Acadetlly Gallery: Opening of "Film 've had a few c onversations and some interest Architedure: Set ~esign from M£IlOPOLIS ing correspondence on the subject of our deport to BlAOE RUNN ER: Blade Runner ment at m ember screenings i n o u r Goldwyn Aprd 11, 12, 13- theater. The subject came up after there had been some shouting at Saluel GoIcIwyw Theater - 8p.rn.: the screen at one of our late-year screenings, and some booing at the Seats will be removed from the conclusion of the picture. Theater in April to accomodate the Evelyn Brent and 72-piece German Film Orchestra of It was an unprecedented reaction in most members' experience Em~ Jonnings in Babelsberg, which will accompany THE lAsT ( OMIWID (an undercurrent of sibilance duri ng credit-crawl applause having two restored silent films, the 1928 Oscar·winning film, THE lAsT (OMMAND, on April 11 and the constituted tHe p revious high-water-mark of disapproval) , and it 1922 horror classic, NOSFERATU, on April 12 and 13. Las Angeles Times movie critic Kenneth Turon will give a produced more than one suggestion that the president ought to get out a pre-screening lecture on April 12 and Anton Kaes, director letter reminding people of how we behave at our theater. -
Nfpont ACADEMY PAYS TRIBUTE to STANLEY DONEN
,....." 5IpIIIIIMr 24- 7:30 .... s-.I....,. EPRESIDENT n..w: rtjnIIiere «1iIIIr, with a newIyiesIured pIiIt md sooodhock. ....FrIIIIy __, 5IpItIIIIer ....,. 27 - 'IIIIItIr:7:30 D id you feel it? Amdemy S1undanIs Saeaning: BIIIIIIoes .1IRooMsncls. The Academy always $epIIIIIMr 27 .... ........ -..r..y undergoes its greatest GIIIries: ·Memories of !he Savoy: The Gnemo annual tectonic shift in I'ainIi1gs «PuIridt Morrison· md ·On ~ far Ile: Rex IIcIdy's ItaIywaad the part of the year we've ~: ,..." 0ctWtr 1 -7:30 .... 1WIIb 1IIem, just come through. IJCLA: k.lI'srrtl UOA IloaInenhry Series: 011 StIvMJR REMfMBEIS md AlII full REMIMI8m. In June the member W....", 0ctWtr 2 - 23-7 ...... ....., ship roster experiences UtIle n...t.: Movie marketing S8Il1inor far fOIl mnserufive Wednesdays. the larger of its two FriIIIy, 0ctMer 11-..... s-.lGIWwp .... - ........ ·6Oth Amiversory of the Gnemotheque annual jumps. This most FIIIIIClIise· - a prognIIlI of recent round saw us invite 145 movie makers to join the resIlJf8d fins keynoted by GnemaIheque Iliedor organization, and, if experience is any guide, nearly all IIoniique Pun. ,..." 0cIIMr 15- 7:30 .... 1W11b ......., IJCLA: 11._1 UOA (Though it isn't one of our particular aims, we're still IIoaInentIIy Series: 1M 10 Tw: Til fIsT GAy .1.!sawI1'IoM II experi encing modest organizational growth. In the 1995 AlmA md THE CBJ.taoo Cmsrr. calendar year we took in 205 new members whi le losing FrIIIay, 0ctMer 1. - ..... s..I GaWwp 'IIIIItIr: Academy SIundcrds SaeeniJg: THE only 91. We're now at a total of over 6,000 for the first time CoIfoolIsT. Punellisrussion with IIeIIlIIdo BertoIucd. -
COLCOA Short Film Competition Is Open to the Public
The Franco-American Cultural Fund A partnership of: The Directors Guild of America The Motion Picture Association The French Society for Authors, Composers and Music Publishers The Writers Guild of America, West PRESENTS A WEEK OF FRENCH FILM PREMIERES IN HOLLYWOOD APRIL 21 – 28, 2014 With the support of: L’ARP Le CNC The Los Angeles Film and TV Office of The French Embassy Unifrance COLCOA — A BRAND FOR FRENCH CINEMA IN THE US “Is cinema more important than life?” This question, asked with an audience before possible acquisition in Cannes. by François Truffaut – who is celebrated this year at The festival is also popular among producers and agents COLCOA, 30 years after he passed away – has always looking for talent or remake rights. obsessed writers and directors, and remains at the center of Claude Lelouch’s new film, which opens during this 18th But the success of COLCOA can also be explained by annual week of French Film Premieres in Hollywood. its growing media coverage (70 journalists accredited in 2014), which has given the event a national and 18 years is the age of adulthood in France – and the international dimension. COLCOA is now not only a City of Lights, City of Angels, created in 1997 by the platform, but also a brand for the promotion of French Franco-American Cultural Fund and its partners (the cinema in the U.S. DGA, the MPA, la SACEM and the WGA West), has certainly reached maturity : 61 films – a record! – will Even though in 2014, comedies and romances comprise premiere at the Directors Guild of America: 41 features the lion’s share of the program, the selection still reflects and 20 shorts, including 52 films in competition for the the diversity of French cinema, with new and established COLCOA Awards – and 20,000 French cinema lovers writers/directors and talent invited to present their films are expected. -
Carol Leonard William Levy Lowed to Get Away with Much More
PICTURES PfotiEff Wednesday, August 5, 1970 U. S. to Europe Andrew Filson Exit ActorsGuOdToCongressmanCorman: Robert Alda London, Aug. 4. Robert Altman Andrew Filson i's resigning Bo-Sarli Pair In Harry Algus at end of September as gen Larry Applebaum eral secretary of British Film 'Who Are You To Pry Into Our Biz?' Al Freeman Jr. Production Assn. of Vwhich N.Y.; Do Burn-Up J. Ronald Getty Clifford Barclay is president. Hollywood, Aug. 4. decries lack of professional stand ards in admitting new members. S. Frederick Gronich Replacing Filson is Mrs. The Screen Actors Guild Board Ray Harden Gwyneth Dunwoody, former of Directors refused Congressman However, in his letter Hestbn maintained that, with the board's Hy Hollinger official in labor government On Berlin Hippies' James C. Corman's "invitation" to Lee H. Katzin and onetime actress. participate in a public conference approval, he and the SAG staff Argentinian filmmaker Armando were willing to meet individually Stacy Keach Filson future is unsettled Bo ("Fuego") and his constant lead on Guild policies. At the request Jay Lasker of a group of dissident SAG mem with Corman "to discussi any prob but he intends staying in film ing lady, Isabel Sarli, were in New lems which beset actors and the Thomas -J. McDermott biz. York last week still steaming from bers, "who went to the Congress Brian McKay events at the Berlin Film Festival man, because we couldn't commu numerous problems which beset our whole industry today." Sue Mengers where the duo refused at the last nicate with the union hierarchy," Morton Minsky minute to screen their latest pic, the > Democrat from the 22nd dis Apparently a factor in the re Chuck Mulvehill 35 RACE APPRENTICES fusal was a story in VARIETY on "Bewitched," despite pleas from trict had invited SAG president Frank O'Connor fest director Dr. -
Student Academy Awards, Nicholl Fellowships
ACADEMY OFFICERS 1999-2000 President Robert Rehme First Vice President Alan Bergman Vice President Sid Ganis Vice President Kathy Bates Treasurer Donn Cam bern Secretary Donald C. Rogers Executive Director Bruce Davis Oscar<', Oscars Academy Awards". Academy AWQrd A.M.PAS.«> and OeW!" ~'91 t are the trademarks and the Oscar statuet/e IS Ihe regiStered design marK and copyrighled propArty of the Academy of Motion Picture Arts and Sciences. Dear Academy Member Some years are more susceptible than others to characterization with a glib phrase. For some, for example, this will be "The Year the Oscars were Stolen." Those of us who were involved, of course, will always remember that week, and we'll probably even refer to the year that way. But the 12 months were too filled with expanded programs, new programs and planned programs for that one event to characterize it. It truly was a transitional year. The switch from the 1900s to the 2000s, which fell midway in our fiscal accounting, is an excellent metaphor for this Academy year, firmly grounded in a tradition of excellence but looking forward to a blossoming future. We began to see the effects of our improved financial position. We tripled the funding of our grants program, announced the creation of an Academy Film Scholars competition and launched the first of what will be an ongoing series of membership forums. Membership committees worked diligently throughout the year on questions of awards categori es and branch makeup, while the staff searched for physical space into which some of the expanded and new programs can move. -
2015-2478 I-Bank Official Statement
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Settlement Reached in Case Against BHPD Chief
WWW.BEVERLYPRESS.COM INSIDE • New school board members in Beverly Hills. pg. 3 • Local Rainy, with “Nutcracker” temperatures production hits in the low 60s the state. pg. 6 Volume 28 No. 49 Serving the Beverly Hills, West Hollywood, Hancock Park and Wilshire Communities December 6, 2018 Settlement reached in Academyn Museum ready for its close-up Museum executives case against BHPD chief announce plans for the museum’s opening The city of Beverly Hills exhibitions announced on Nov. 30 that a $2.3 million settlement has been reached in a civil lawsuit filed against the city by police Capt. After years of seeing the Italian Mark Rosen, who claimed he was gold tiles, Texas limestone and discriminated and retaliated spherical movie theater forming an against by Beverly Hills Police imposing exterior at the corner of Chief Sandra Spagnoli. Wilshire Boulevard and Fairfax The lawsuit alleged Rosen was Avenue, executives of the Academy unfairly passed over for the chief Museum of Motion Pictures finally of police position in 2016 when gave a preview of what they have Spagnoli, a department outsider, BHPD Chief Spagnoli planned for the inside of the muse- was hired. um when it opens in about a year. Attorney Bradley Gage, who continues to deny allegations in “This museum has exceeded all rendering courtesy of the Academy Museum of Motion Pictures the hopes of our forefathers,” Dawn represented Rosen, claimed the the Mark Rosen and other law- A rendering shows the concept for “The Studio System” gallery, featur- 45-year department veteran was suits, a decision was made by the Hudson, CEO of the museum, told ing stacks of scripts and pullout drawers with annotated scripts. -
Owning the Olympics
Owning the Olympics Owning the Olympics Narratives of the New China Monroe E. Price and Daniel Dayan, Editors THE UNIVERSITY OF MICHIGAN PRESS and THE UNIVERSITY OF MICHIGAN LIBRARY Ann Arbor Copyright © by Monroe E. Price and Daniel Dayan 2008 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2011 2010 2009 2008 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. ISBN-13: 978-0-472-07032-9 (cloth : alk. paper) ISBN-10: 0-472-07032-0 (cloth : alk. paper) ISBN-13: 978-0-472-05032-1 (paper : alk. paper) ISBN-10: 0-472-05032-X (paper : alk. paper) ISBN-13: 978-0-472-02450-6 (electronic) Contents Introduction Monroe E. Price 1 I. De‹ning Beijing 2008: Whose World, What Dream? “One World, Different Dreams”: The Contest to De‹ne the Beijing Olympics Jacques deLisle 17 Olympic Values, Beijing’s Olympic Games, and the Universal Market Alan Tomlinson 67 On Seizing the Olympic Platform Monroe E. Price 86 II. Precedents and Perspectives The Public Diplomacy of the Modern Olympic Games and China’s Soft Power Strategy Nicholas J. Cull 117 “A Very Natural Choice”: The Construction of Beijing as an Olympic City during the Bid Period Heidi Østbø Haugen 145 Dreams and Nightmares: History and U.S. -
Annual IMPACT Report 2014
Annual IMPACT Report 2014 10089_USC_SHOAH_Brochure.r2.indd 3 11/14/14 2:00 PM Thank You When I began interning with USC Shoah Foundation nearly “ four years ago, I had no idea that I would become so passionate — so engrossed with the power and potential of archival preservation. Had it not been for the Institute, I would not be embarking on a life-long journey as a writer and researcher in genocide studies, an aspiring academic who now seeks to create and develop my own visual history archive. Thank you to every donor for all of your support, and I hope you will continue to support the mission of the Institute and continue to instill in my peers and colleagues this profound humanitarian spirit I carry with me today. ORLI ROBIN ” USC Senior, Creative Writing Major Double Minor in Resistance to Genocide and Judaic Studies Co-Founder and Former President of USC Shoah Foundation Student Association 10089_USC_SHOAH_Brochure.r2.indd 4 11/14/14 2:00 PM MESSAGE FROM OUR LEADERSHIP November 2014 Dear Friends, Our 20th anniversary year continues to be one of remarkable growth and achievement, thanks to you, the community of supporters who propel us forward. In the pages of this update, we gratefully share some highlights from the past year: expanding the influence of our values-based education programs; establishing a new Center for Advanced Genocide Research; studying the role of testimony in building social cohesion in Rwanda; combating anti- Semitism in France; and many more activities that have been fueled by donors with a purpose that dovetailed with ours. -
CRI SD 268 COLUMBIA-PRINCETON ELECTRONIC MUSIC CENTER TENTH ANNIVERSARY ALBUM Edgard Varèse
CRI SD 268 COLUMBIA-PRINCETON ELECTRONIC MUSIC CENTER TENTH ANNIVERSARY ALBUM Edgard Varèse: DÉSERTS (1954-1961) with newly-realized version of organized sound Group for Contemporary Music at Columbia University, Charles Wuorinen, conductor Otto Luening: IN THE BEGINNING from THEATER PIECE No. 2 (1956) Milton Babbitt: VISION AND PRAYER (1961) Bethany Beardslee, soprano Vladimir Ussachevsky: COMPUTER PIECE No. 1 (1968) TWO SKETCHES FOR A COMPUTER PIECE (1971) Pril Smiley: KOLYOSA (1970) Alice Shields: THE TRANSFORMATION OF ANI (1970) Bülent Arel: STEREO ELECTRONIC MUSIC No. 2 (1970) Mario Davidovsky: SYNCHRONISMS No. 5 (1969) Ray Des Roches, Richard Fitz, Claire Heidrich, Donald Marcone, Howard Van Hyning, percussion; Harvey Sollberger, conductor DÉSERTS is the first large work using electronically recorded sounds composed by a man who has since become a major prophet of electronic music. Varèse began to gather and process the sounds as soon as he could find equipment capable of doing the job, and completed it during 1954 at the studios of the French Radio, upon the invitation of one of the pioneers in the field, Pierre Schaeffer. The world premiere was given by Hermann Scherchen and the Orchestre Nationale, Paris, December 2, 1954. The interpolations of organized sound were revised with the technical assistance of Bülent Arel in 1961 at the Columbia-Princeton Electronic Music Center. A new master was prepared especially for this recording by Mr. Arel. DÉSERTS consists of four instrumental sections and three interpolations of organized sound. In Varèse's own words: "The music given to the instrumental ensemble may be said to evolve in opposing planes and volumes, producing the sensation of movement in space." The mutation and movement of these "planes and volumes" are defined by intervals that are "not based on any fixed set .. -
Moon Explorers Racing a SPACE CENTER, Houston EDT, About 950 Miles South- but on Their Return, They'll -Be Isolated" Another 16 Days
Controversial Teacher Loses' Red Bank Job ' SEE STORY BELOW Cloudy and Cool Cloudy and cool with scat- FINAL tered showers likely today, Red Bank, Freehold tonight and tomorrow. Long Branch J EDITION (Bet Details, Put 2), Monmouth County's Home Newspaper for 92 Years VOL. 93, NO. 19 RED BANK, N. J., THURSDAY, JULY 24, 1969 32 PAGES 10 CENTS IIMffllllllBlllllB^ Moon Explorers Racing a SPACE CENTER, Houston EDT, about 950 miles South- But on their return, they'll -be isolated" another 16 days. Armstrong, Aldrin and Col- .'(AP) — The Apollo 11 moon west of Hawaii. be. treated more ike lepers These precautions are in- lins beamed a final television explorers raced, through the The landng spot was shift- than conquerors of the moon. surance against the remote show to earth Wednesday final hours of their historic ed 250 miles to the east last President Nixon will be on chance the astronauts or the night. In"a; moving 12 min- night when weathermen fore- the recovery ship, the air- moon rocks they brought back utes, they thanked God and voyage today, heading for a cast thunderstorms for the craft carrier Hornet. But he harbor lunar bacteria that all the peopteTm earth who fiery dash through the atmo- original touchdown point. The won't shake their hands. A might harm life on earth. made their trip possible. sphere and the strangest wel- astronauts wilf steer to the strangely garbed frogman will Nixon To Observe Commander Armstrong, the come any nation ever has ac- new site by changing the an- greet them, not with a cheery President Nixon will ob- first man to step on the moon, corded returning heroes. -
2010/2011 Annual Report Preserving the Past
2010/2011 ANNUAL REPORT PRESERVING THE PAST. CRAFTING THE FUTURE. Above 1940 photo of Judy Garland in front of the May Company building in Los Angeles. Opposite LACMA West (story on page 43). D • ACADEMY OF MOTION PICTURE ARTS AND SCIENCES 2010/2011 ANNUAL REPORT • 1 PRESERVING THE PAST. CRAFTING THE FUTURE. Above 1940 photo of Judy Garland in front of the May Company building in Los Angeles. Opposite LACMA West (story on page 43). D • ACADEMY OF MOTION PICTURE ARTS AND SCIENCES 2010/2011 ANNUAL REPORT • 1 Table of Contents Honoring Excellence 6 The 83rd Academy Awards, the Governors Awards, Scientific and Technical Awards, Student Academy Awards and Nicholl Fellowships. The Academy Awards Student Academy Awards Margaret Herrick Library Cultural Diplomacy A busy year of International Outreach exchanges. colleges whose students 16 used the Library in 2010 photographs screenplays Oscar nominations earned by past production and costume Student Academy Award winners design drawings countries aired the 83rd Academy Awards telecast Grants Support Diverse Initiatives Academy Film Archive special collections on film industry notables and organizations original movie posters periodical titles 20 Financial support to film festivals and film-related organizations for 2011. Events & Exhibitions Nicholl Fellowships in Screenwriting film and video assets Academy Awards won by former student winners . But Who’s Counting? Teacher’s Guide Series Statistics showing the depth and breadth of films restored entries in 2010 22 the Academy. galleries and museums exhibited Margaret Herrick Library materials in 2010 high school students have access prints provided for to Young Minds Inspired study guides individual titles film screenings last year exploring filmmaking crafts 63,000 people attended Academy events and exhibitions in 2010 Celebrating the Big Screen Academy Grants Public events and exhibitions fill the calendar Nicholl Fellows produced feature films24 written or since 1985 co-written by former Nicholl Fellows year to inform and entertain.