Nfpont ACADEMY PAYS TRIBUTE to STANLEY DONEN
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JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Technological Alterations to Motion Pictures and Other Audiovisual Works
Loyola of Los Angeles Entertainment Law Review Volume 10 Number 1 Article 1 1-1-1990 Technological Alterations to Motion Pictures and Other Audiovisual Works: Implications for Creators, Copyright Owners, and Consumers—Report of the Register of Copyrights Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation , Technological Alterations to Motion Pictures and Other Audiovisual Works: Implications for Creators, Copyright Owners, and Consumers—Report of the Register of Copyrights, 10 Loy. L.A. Ent. L. Rev. 1 (1989). Available at: https://digitalcommons.lmu.edu/elr/vol10/iss1/1 This Other is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. REPORT TECHNOLOGICAL ALTERATIONS TO MOTION PICTURES AND OTHER AUDIOVISUAL WORKS: IMPLICATIONS FOR CREATORS, COPYRIGHT OWNERS, AND CONSUMERS Report Of The Register Of Copyrights March 1989 United States Copyright Office Washington, D.C.t TABLE OF CONTENTS Executive Sum m ary ............................................ 4 Chapter 1: Introduction ........................................ 11 Scope of the Copyright Office Study .......................... 11 Previous Copyright Office Actions ............................ 14 Issues Examined in this Report ............................... 16 Chapter 2: Copyright In The Motion Picture And Television Industries ...................................................... 18 Copyright Protection for Motion Pictures and Television Program s .................................................... 19 International Conventions .................................... 20 Universal Copyright Convention ............................ 20 The Berne Convention for the Protection of Literary and Artistic Works ......... -
Annual Report, FY 2013
ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2013 ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS for the fiscal year ending September 30, 2013 Library of Congress Washington, D.C. 2014 CONTENTS Letter from the Librarian of Congress ......................... 5 Organizational Reports ............................................... 47 Organization Chart ............................................... 48 Library of Congress Officers ........................................ 6 Congressional Research Service ............................ 50 Library of Congress Committees ................................. 7 U.S. Copyright Office ............................................ 52 Office of the Librarian .......................................... 54 Facts at a Glance ......................................................... 10 Law Library ........................................................... 56 Library Services .................................................... 58 Mission Statement. ...................................................... 11 Office of Strategic Initiatives ................................. 60 Serving the Congress................................................... 12 Office of Support Operations ............................... 62 Legislative Support ................................................ 13 Office of the Inspector General ............................ 63 Copyright Matters ................................................. 14 Copyright Royalty Board ..................................... -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Broadcasting Telecasting
TH YEAr BROADCASTING TELECASTING i lE BUSINESSWEEKLY OF RADIO AND TELEVISION DECEMBER 24, 1956 35¢ PER COPY More Competitive Tv: FCC 83dVdSÀ431 aTV ájama89'uo11 Page 27 Odt, GSM esss avao.I aiV Tismx.eyó Spot Billings of Top 40 Ra 1GSOi'' (6£Ob-95(009-10)-;70F4'Z3V) Page 29 301 Q qua boy eTaaF 1seaglR Gimmicks and Giveaways: TS-£ A3TEaeAtur: .1 TV 4VSt1 Page 36 FCC Changes Possible: Mc Page 51 ?1.8% Auto Dominance Amount Spent on Autos by Grade B Area Families Market figures prove families living in WXEX -TV Grade B area spend 21.8% more WXEX -TV $170,145,000 m autos *than families in Grade B area of Station B $139,070,000 any other RICHMOND market TV station Station C $139,691,000 Automobiles, tires, batteries, accessories Source: Sidney Hollander Associates TV wXEXTom Tinsley, President NBC BASIC - CHANNEL 8 Irvin G. Abeloff, Vice Pres. National Representatives: Select Station Representatives in New York, Philadelphia, Baltimore, Washington. Farjoe & Co. in Chicago, Seattle, Sari Francisco, Los Angeles, Dallas, Atlanta. A Merry Christmas and a Happy New Year from KVTV'S TALENT TEAM homemaker FORECAST, weatherman Jan TODAY ro Conrad Voss Johnson Hostess on KVTV's Mr. Weather in the 3- Open House and the state KVTV area. Con- Homemaker home tinually sponsored, 5 makers rely on -with days a week, by the sales results to prove same advertiser for it. over three years. women's feature news editor editor Austin Marge Schneider Hinshaw "At Home" with Marge Consistently first with Hinshaw is filled with the News in Sioux City. -
Annual Report of the Librarian of Congress
ANNUAL REPO R T O F THE LIBR ARIAN OF CONGRESS ANNUAL REPORT OF T HE L IBRARIAN OF CONGRESS For the Fiscal Year Ending September , Washington Library of Congress Independence Avenue, S.E. Washington, DC For the Library of Congress on the World Wide Web visit: <www.loc.gov>. The annual report is published through the Public Affairs Office, Office of the Librarian, Library of Congress, Washington, DC -, and the Publishing Office, Library Services, Library of Congress, Washington, DC -. Telephone () - (Public Affairs) or () - (Publishing). Managing Editor: Audrey Fischer Copyediting: Publications Professionals LLC Indexer: Victoria Agee, Agee Indexing Design and Composition: Anne Theilgard, Kachergis Book Design Production Manager: Gloria Baskerville-Holmes Assistant Production Manager: Clarke Allen Library of Congress Catalog Card Number - - Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC - A Letter from the Librarian of Congress / vii Library of Congress Officers and Consultants / ix Organization Chart / x Library of Congress Committees / xiii Highlights of / Library of Congress Bicentennial / Bicentennial Chronology / Congressional Research Service / Copyright Office / Law Library of Congress / Library Services / National Digital Library Program / Office of the Librarian / A. Bicentennial / . Steering Committee / . Local Legacies / . Exhibitions / . Publications / . Symposia / . Concerts: I Hear America Singing / . Living Legends / . Commemorative Coins / . Commemorative Stamp: Second-Day Issue Sites / . Gifts to the Nation / . International Gifts to the Nation / v vi Contents B. Major Events at the Library / C. The Librarian’s Testimony / D. Advisory Bodies / E. Honors / F. Selected Acquisitions / G. Exhibitions / H. Online Collections and Exhibitions / I. -
Hdnet Movies February 2012 Program Highlights
February 2012 Programming Highlights *All times listed are Eastern Standard Time *Please check the complete Program Schedule or www.hdnetmovies.com for additional films, dates and times HDNet Movies Sneak Previews – Experience exclusive broadcasts of new films before they hit theaters and DVD Tim and Eric’s Billion Dollar Movie Premieres Wednesday, 29th at 8:30pm followed by encore presentations at 10:15pm and 12:00am An all new feature film from the twisted minds of cult comedy heroes Tim Heidecker and Eric Wareheim ("Tim and Eric Awesome Show, Great Job")! Tim and Eric are given a billion dollars to make a movie, but squander every dime... and the sinister Schlaaang corporation is pissed. Their lives at stake, the guys skip town in search of a way to pay the money back. When they happen upon a chance to rehabilitate a bankrupt mall full of vagrants, bizarre stores and a man-eating wolf that stalks the food court, they see dollar signs-a billion of them. Featuring cameos from Awesome Show regulars and some of the biggest names in comedy today! SPOTLIGHT FEATURES – Highlighted feature films airing throughout the month on HDNet Movies See program schedule or www.hdnetmovies.com for additional listings of dates and times Demolition Man – premieres Saturday, February 11th at 7:00pm Starring Sylvester Stallone, Wesley Snipes, Sandra Bullock. Directed by Marco Brambilla Heat – premieres Thursday, February 9th at 8:00pm Starring Al Pacino, Robert De Niro, Val Kilmer, Jon Voight. Directed by Michael Mann Mr. Brooks – premieres Thursday, February 2nd at 9:05pm Starring Kevin Costner, Demi Moore, Dane Cook, William Hurt. -
Hlnch Film on Pnpfh SEE PAGE 10
YOlUmf 8 ISSUf 1 WlnHH 1996 HlnCH film on PnPfH SEE PAGE 10 ~"""'" HlSO ===--;] Visit Oscar on the Net The Academy's site: http://www.oscars.org/ The Oificiallnteradive Guide to the Oscars: I http://oscars.guide.com © AM PAS® Apn14 thru JUIII 9 - FROM THE PRESIDENT Acadetlly Gallery: Opening of "Film 've had a few c onversations and some interest Architedure: Set ~esign from M£IlOPOLIS ing correspondence on the subject of our deport to BlAOE RUNN ER: Blade Runner ment at m ember screenings i n o u r Goldwyn Aprd 11, 12, 13- theater. The subject came up after there had been some shouting at Saluel GoIcIwyw Theater - 8p.rn.: the screen at one of our late-year screenings, and some booing at the Seats will be removed from the conclusion of the picture. Theater in April to accomodate the Evelyn Brent and 72-piece German Film Orchestra of It was an unprecedented reaction in most members' experience Em~ Jonnings in Babelsberg, which will accompany THE lAsT ( OMIWID (an undercurrent of sibilance duri ng credit-crawl applause having two restored silent films, the 1928 Oscar·winning film, THE lAsT (OMMAND, on April 11 and the constituted tHe p revious high-water-mark of disapproval) , and it 1922 horror classic, NOSFERATU, on April 12 and 13. Las Angeles Times movie critic Kenneth Turon will give a produced more than one suggestion that the president ought to get out a pre-screening lecture on April 12 and Anton Kaes, director letter reminding people of how we behave at our theater. -
PROGRAM NOTES Superman March
PROGRAM NOTES Superman March (2008) John Williams Composer, conductor, and pianist John Williams has enjoyed a career spanning six decades, Williams has composed many of the most recognizable film scores in history, including those for Jaws, the Star Wars films, Superman, the Indiana Jones films, E.T. the Extra-Terrestrial, Hook, Jurassic Park, Schindler's List, Home Alone, and three Harry Potter films; he has composed the music for all but one of Steven Spielberg's theatrical features. Other notable works by Williams include theme music for four Olympic Games, NBC Nightly News, the rededication of the Statue of Liberty, the DreamWorks Pictures production logo, and the television series Lost in Space. Williams also composed numerous classical concerti, and served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993. He is now the orchestra's laureate conductor. Williams has won five Academy Awards, four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004. Superman March This march was conducted by Mr. Williams as part of the 210th anniversary concert of the United States Marine Band, July 20, 2008 at the John F. Kennedy Center for the Performing Arts in Washington DC. The music of course is from the Richard Donner Film, Superman,and was the basis for the film’s entire musical score. -
Lilms Perisllecl
Film History, Volume 9, pp. 5-22, 1997. Text copyrig ht © 1997 David Pierce. Design, etc. copyright© John libbey & Company. ISSN: 0892-2 160. Pri nted in Australia l'lle legion of file conclemnecl - wlly American silenf lilms perisllecl David Pierce f the approximately 1 0 ,000 feature print survives for most silent films, usually therewere films and countless short subjects re not many copies lo begin with . While newspapers leased in the United States before or magazines were printed and sold by the thou O 1928, only a small portion survive . sands, relatively few projection prints were re While so me classics existand are widelyavailable, quired for even the most popular silent films . In the many silent films survive only in reviews, stills, pos earliest days of the industry, producers sold prints, ters and the memories of the few remaining audi and measured success bythe number ofcopies sol d. ence members who saw them on their original By the feature period, beginning around 1914, release. 1 copies were leased lo subdistributors or rented lo Why did most silent films not survive the pas exhibitors, and the owners retained tight control. sage of time? The curren! widespread availability The distribution of silent features was based on a of many tilles on home video, and the popularity of staggered release system, with filmgoers paying silent film presentations with live orchestral accom more lo see a film early in its run. Films opened in paniment might give the impression that silent films downtown theatres, moved lo neighbourhood had always been held in such high regard . -
Resume May 4, 2012
RICHARD EINHORN 320 Riverside Dr. #15c New York, NY 10025 Phone: 212.932.1972 Cell: 917.225.1632 Email: [email protected] http://www.richardeinhorn.com MUSIC FOR CONCERTS, DANCE AND THEATER SHOOTING GALLERY, for pre-recorded instruments and electronics, a multimedia collaboration with filmmaker Bill Morrison for the opening of the Fisher Theater at Brooklyn Academy of Music. 2012 (in progress). ETUDE FOR PIANO, Commissioned by Esopus Magazine for a special cd celebrating Nicholas Slonimsky’s Thesaurus of Musical Scales and Melodic Patterns. 2012. VARIATIONS ON ‘LA FOLIA,’ for 4 violas da gamba. Commissioned and premiered by Parthenia, October, 2011. THE ORIGIN, an opera/oratorio about the life and work of Charles Darwin, scored for soprano, baritone, Balkan female choir, chorus, and orchestra. Commissioned by ARTSwego. Premiered in February 2009. VOICES OF LIGHT: THE PASSION OF JOAN OF ARC, opera/oratorio to accompany Carl Dreyer's 1927 silent film, scored for soloists, chorus, orchestra, and electronics. Sold out performances at Avery Fisher Hall, Lincoln Center and Brooklyn Academy of Music Next Wave Festival, as well as many other venues. Over 150 additional performances both on tour and with other orchestras including the National Symphony Orchestra, Lincoln Center, the Washington Symphony at Wolf Trap, the Cabrillo Festival, Australian Chamber Symphony at Sydney Opera House. Major media coverage, including extended television feature on CBS Sunday Morning, articles in the New York Times, Wall Street Journal and other major papers, and extensive radio coverage and airplay including All Things Considered and Performance Today. CD on Sony Classical is an international classical bestseller.