DOCSLIB.ORG

2010/2011 Annual Report Preserving the Past

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2010/2011 Annual Report Preserving the Past 2010/2011 ANNUAL REPORT PRESERVING THE PAST. CRAFTING THE FUTURE. Above 1940 photo of Judy Garland in front of the May Company building in Los Angeles. Opposite LACMA West (story on page 43). D • ACADEMY OF MOTION PICTURE ARTS AND SCIENCES 2010/2011 ANNUAL REPORT • 1 PRESERVING THE PAST. CRAFTING THE FUTURE. Above 1940 photo of Judy Garland in front of the May Company building in Los Angeles. Opposite LACMA West (story on page 43). D • ACADEMY OF MOTION PICTURE ARTS AND SCIENCES 2010/2011 ANNUAL REPORT • 1 Table of Contents Honoring Excellence 6 The 83rd Academy Awards, the Governors Awards, Scientific and Technical Awards, Student Academy Awards and Nicholl Fellowships. The Academy Awards Student Academy Awards Margaret Herrick Library Cultural Diplomacy A busy year of International Outreach exchanges. colleges whose students 16 used the Library in 2010 photographs screenplays Oscar nominations earned by past production and costume Student Academy Award winners design drawings countries aired the 83rd Academy Awards telecast Grants Support Diverse Initiatives Academy Film Archive special collections on film industry notables and organizations original movie posters periodical titles 20 Financial support to film festivals and film-related organizations for 2011. Events & Exhibitions Nicholl Fellowships in Screenwriting film and video assets Academy Awards won by former student winners . But Who’s Counting? Teacher’s Guide Series Statistics showing the depth and breadth of films restored entries in 2010 22 the Academy. galleries and museums exhibited Margaret Herrick Library materials in 2010 high school students have access prints provided for to Young Minds Inspired study guides individual titles film screenings last year exploring filmmaking crafts 63,000 people attended Academy events and exhibitions in 2010 Celebrating the Big Screen Academy Grants Public events and exhibitions fill the calendar Nicholl Fellows produced feature films24 written or since 1985 co-written by former Nicholl Fellows year to inform and entertain. institutional grants to film-related nonprofits and universities since 1968 Evolving Technology public events The Science and Technology Council’s last year 28 film festivals supported institutional and progress in solving the technological issues in grants awarded annually in 2011 internship grants worldwide box office gross for feature films awarded in 2011 Nicholl Fellows wrote or co-wrote affecting our industry. Our Collective History 32 Film history preserved and brought to life by the Margaret Herrick Library and the Academy Film Archive. Library Acquisitions 36 Highlights of the 2010–2011 additions to the Academy’s extraordinary collections. Academy Leadership 42 Saying goodbye to retiring Executive Director Bruce Davis and welcoming new leaders. Financial Report 44 Consolidated financial statements for the fiscal year, July 1, 2010–June 30, 2011. Committees Tom Hooper (‘The King’s Speech”) 52 Academy members in action: accepting the Oscar for Achievement 2010–11 committee chairs. in Directing. 2 • ACADEMY OF MOTION PICTURE ARTS AND SCIENCES 2010/2011 ANNUAL REPORT • 3 Table of Contents . Honoring E)(cellence The 83rd Academy Awards. the Governors Awards. " '. .' , ,-\ 6 .1:., _----. ,1),1 I Scientific and Techn ical Awards. Student Academy I -:;~", .....,... Awards and Nicholl Fellowships. I - ,."', •. ....• II " ...,, - I Cultural Diplomacy 16 A busy year of International Outreach exchanges. Grants Support Diverse Initiatives 20 Financial support to film festivals and film·related organizations for 2011. .. But Who's Counting? -,. Statistics showing the depth and breadth of 22 the Academy. • e:.~ nnn I 10 Celebrating the Big Screen Public events and e)(h ibitions fill the calendar 24 year to inform and entertain. I Evolving Technology The Science and Technology Council"s 28 progress in solving the technological issues affecting our industry. Our Collective Hi story Film history preserved and brought to life by 32 the Margaret Herrick Library and the Academy Film Archive. Library Acquisitions Highlights of the 2010- 2011 additions to the 36 Academis extraordinary collections. Academy Leadership Saying goodbye to retiring Executive Director 42 Bruce Davis and welcoming new leaders. FinanCial Report Consolidated financial statements for the lO.634 44 fiscal year. July 1. 2010- June 30. 2011. Committees • , 52 Academy members In action: , ' 2010- 11 committee chairs. ! I . From the President Dear Academy Member, My second year as President of the Academy of Motion Picture Arts and Sciences was as exciting as my first. I am deeply honored to serve the membership and to have been re-elected by the Board for a third year. This past year saw a packed calendar of exhibitions and programs, significant advances in our preservation work (for both film and digital), continued global and educational outreach, and great achievements by the Science and Technology Council in bringing long-term initiatives to fruition. The telecast of the 83rd Academy Awards was an incredible ride, as always. During the show, I had the pleasure of announcing (along with Anne Sweeney, President of Disney/ABC Television Group) that we have extended our agreement to broadcast the Oscars on ABC through the year 2020. It was as extraordinary a time as ever to be part of the Academy– for the membership, the leadership and the staff. With the close of the fiscal year, we marked an even greater ending, and also the beginning of a new era. After 30 years of service to the Academy, Bruce Davis retired from his position as executive director, a post he held for two decades. Bruce’s leader- ship on many fronts – including the establishment of the Margaret Herrick Library in its current home and the creation of the Academy Film Archive – has ensured that the Academy Officers 2010–2011 Third Row: Not pictured: safeguarding of our industry’s legacy will forever be a part of his own. 2010–2011 Board Of Governors Jeffrey Kurland John Bailey Tom Sherak, President Front Row: Kathryn Bigelow Ed Begley Jr. Sid Ganis, First Vice President Annette Bening Bill Kroyer Rosemary Brandenburg On July 1st, Bruce passed the mantle to Dawn Hudson, our new CEO, and to James L. Brooks, Vice President Sid Ganis Curt Behlmer James L. Brooks Ric Robertson, our new COO. They have inherited a thriving organization from Phil Robinson, Vice President Tom Sherak Don Hall Donn Cambern Bruce, and the combination of Dawn’s new perspective and Ric’s operational and Hawk Koch, Treasurer Phil Robinson Marvin Levy Caleb Deschanel institutional expertise will be invaluable as the Academy faces new challenges Annette Bening, Secretary Frank Pierson Richard Edlund Rob Friedman Bill Taylor Tom Hanks and opportunities. Second Row: Hawk Koch Michael Moore Rob Epstein Kevin O’Connell I am thrilled to work with Dawn and Ric, our staff and all of you in making sure Anne V. Coates Top Row: Edward Zwick that the year ahead is as exciting and meaningful as the greatest achievements of Mark Goldblatt Jon Bloom Martha Coolidge Charles Fox our past. Please join me in celebrating everything the Academy represents: past Owen Roizman Leonard Engelman accomplishments, future achievement, old friends and new beginnings. Lynne Littman Arthur Hamilton Kathleen Kennedy Craig Barron John Lasseter Robert Rehme Jim Gianopulos Mark Johnson Jim Bissell Bruce Broughton 2010/2011 ANNUAL REPORT • 5 From the President Dear Academy Member, My second year as President of the Academy of Motion Picture Arts and Sciences was as exciting as my first. I am deeply honored to serve the membership and to have been re-elected by the Board for a third year. This past year saw a packed calendar of exhibitions and programs, significant advances in our preservation work (for both film and digital), continued global and educational outreach, and great achievements by the Science and Technology Council in bringing long-term initiatives to fruition. The telecast of the 83rd Academy Awards was an incredible ride, as always. During the show, I had the pleasure of announcing (along with Anne Sweeney, President of Disney/ABC Television Group) that we have extended our agreement to broadcast the Oscars on ABC through the year 2020. It was as extraordinary a time as ever to be part of the Academy– for the membership, the leadership and the staff. With the close of the fiscal year, we marked an even greater ending, and also the beginning of a new era. After 30 years of service to the Academy, Bruce Davis retired from his position as executive director, a post he held for two decades. Bruce’s leader- ship on many fronts – including the establishment of the Margaret Herrick Library in its current home and the creation of the Academy Film Archive – has ensured that the Academy Officers 2010–2011 Third Row: Not pictured: safeguarding of our industry’s legacy will forever be a part of his own. 2010–2011 Board Of Governors Jeffrey Kurland John Bailey Tom Sherak, President Front Row: Kathryn Bigelow Ed Begley Jr. Sid Ganis, First Vice President Annette Bening Bill Kroyer Rosemary Brandenburg On July 1st, Bruce passed the mantle to Dawn Hudson, our new CEO, and to James L. Brooks, Vice President Sid Ganis Curt Behlmer James L. Brooks Ric Robertson, our new COO. They have inherited a thriving organization from Phil Robinson, Vice President Tom Sherak Don Hall Donn Cambern Bruce, and the combination of Dawn’s new perspective and Ric’s operational and Hawk Koch, Treasurer Phil Robinson Marvin Levy Caleb Deschanel institutional expertise will be invaluable as the Academy faces new challenges Annette Bening, Secretary Frank Pierson Richard Edlund Rob Friedman Bill Taylor Tom Hanks and opportunities. Second Row: Hawk Koch Michael Moore Rob Epstein Kevin O’Connell I am thrilled to work with Dawn and Ric, our staff and all of you in making sure Anne V. Coates Top Row: Edward Zwick that the year ahead is as exciting and meaningful as the greatest achievements of Mark Goldblatt Jon Bloom Martha Coolidge Charles Fox our past.
Load more

Recommended publications
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • HAWK KOCH Producer
    HAWK KOCH Producer Selected Credits: SOURCE CODE (Executive Producer) - Summit Entertainment - Duncan Jones, director UNTRACEABLE (Executive Producer) - Screen Gems/Lakeshore - Greg Hoblit, director FRACTURE (Executive Producer) - New Line - Greg Hoblit, director BLOOD AND CHOCOLATE (Producer) - MGM/Lakeshore - Katja von Garnier, director HOSTAGE (Executive Producer) - Miramax - Florent Emelio Siri, director THE RIVERMAN (Executive Producer) - Fox TV / A & E - Bill Eagles, director COLLATERAL DAMAGE (Executive Producer) - Warner Bros. - Andrew Davis, director FREQUENCY (Producer) - New Line - Greg Hoblit, director KEEPING THE FAITH (Producer) - Spyglass - Ed Norton, director THE BEAUTICIAN AND THE BEAST (Producer) - Paramount - Ken Kwapis, director PRIMAL FEAR (Executive Producer) - Paramount - Greg Hoblit, director VIRTUOSITY (Executive Producer) - Paramount - Brett Leonard, director LOSING ISAIAH (Producer) - Paramount - Stephen Gyllenhaal, director WAYNE’S WORLD 2 (Executive Producer) - Paramount - Stephen Surjik, director SLIVER (Executive Producer) - Paramount - Phillip Noyce, director WAYNE’S WORLD (Executive Producer) - Paramount - Penelope Spheeris, director NECESSARY ROUGHNESS (Executive Producer) - Paramount - Stan Dragoti THE LONG WALK HOME (Producer) - Miramax - Richard Pearce, director ROOFTOPS (Producer) - New Visions - Robert Wise, director THE POPE OF GREENWICH VILLAGE (Producer) - United Artists - Stuart Rosenberg, director THE KEEP (Producer) - Paramount - Michael Mann, director GORKY PARK (Producer) - Orion - Michael Apted, director A NIGHT IN HEAVEN (Producer) - Fox - John G. Avildsen, director HOKY TONK FREEWAY (Producer) - Universal - John Schlesinger, director THE IDOLMAKER (Producer) - United Artists - Taylor Hackford, director THE FRISCO KID (Executive Producer) - Warner Bros. - Robert Aldrich, director HEAVEN CAN WAIT (Executive Producer) - Paramount - Warren Beatty/Buck Henry, directors THE DROWNING POOL (Associate Producer) - Warner Bros. - Stuart Rosenberg, director .
    [Show full text]
  • Contenido Estrenos Mexicanos
    Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148
    [Show full text]
  • BAM/PFA Program Guide Were Initiated by Bampfa.Berkeley.Edu/Signup
    2011 SEP / OCT BAM/PFA UC BERKELEY ART MUSEum & PacIFIC FILM ARCHIVE PROGRAM GUIDE SILKE OTTO-KNAPp RICHARD MISRACh DESIRÉE HOLMAn KURT SCHWITTERs cREATe hIMALAYAN PILGRIMAGe DZIGA VERTOV RAINER WERNER FASSBINDER UCLA FESTIVAL OF PRESERVATIOn PAUL SHARITs yILMAZ GÜNEy nEW HOLLYWOOD CINEMA IN THE SEVENTIEs TERRY RILEY rOBIN COX ENSEMBLE 01 BAM/PFA EXHIBITIONS & FILM SERIES SILKE OTTO-KNAPP / MATRIX 239 P. 7 1991: THE OAKLAND-BERKELEY FIRE AfTErmATH PHOTOGRAPHS BY RICHARD MIsrACh P. 5 RICHARD MIsrACH: PHOTOGRAPHS from THE COLLECTIOn P. 6 DESIRÉE HoLMAN: HETEroTOPIAS / MATRIX 238 P. 9 CREATE P. 8 ROME, NAPLES, VENICE: MASTERWORKS from THE BAM/PFA COLLECTIOn P. 9 KURT SCHWITTErs: COLor AND COLLAGe P. 8 HIMALAYAN PILGRIMAGE: JOURNEY TO THE LAND of SNOWS P. 9 THom FAULDErs: BAMscAPE UCLA FESTIVAL of PrESErvATIOn P. 15 THE OUTSIDErs: NEW HoLLYWooD CINEMA IN THE SEVENTIES P. 12 SOUNDING Off: PorTRAITS of UNUSUAL MUSIC P. 18 ALTERNATIVE VISIONS P. 22 ANATOLIAN OUTLAW: YILMAZ GÜNEy P. 20 KINO-EYE: THE REvoLUTIONARY CINEMA of DZIGA VERTov P. 24 A THEATER NEAR You P. 19 PAUL SHARITS: AN OPEN CINEMa P. 23 HomE MovIE DAy P. 17 RAINER WERNER FAssbINDER: TWO GrEAT EPIcs P. 26 GET MORE Listen to artist Desirée Holman in conversation with curatorial assistant Dena Beard, bampfa.berkeley.edu/podcasts. Cover Dziga Vertov: Imitation of the "Leap from the Grotto" (PE 5), c. 1935; from the Vertov Collection, Austrian Film Museum, Vienna. Listen to the June 23 Create roundtable discussion, bampfa.berkeley.edu/podcasts. 01. Peter Bissegger: Reconstruction of Kurt Schwitters’s Merzbau, 1981-83 (original ca. 1930–37, destroyed 1943); 154 3/4 × 228 3/8 × 181 in.; Sprengel Museum Hannover; Photo: Michael Herling/ Learn more about L@TE artists and programmers at bampfa.berkeley.edu/late.
    [Show full text]
  • PRESSBOOK ITALIANO Di IL CAVALIERE OSCURO
    WARNER BROS. PICTURES Presenta In associazione con LEGENDARY PICTURES Una produzione SYNCOPY Un film di CHRISTOPHER NOLAN CHRISTIAN BALE (THE DARK KNIGHT RISES) MICHAEL CAINE GARY OLDMAN ANNE HATHAWAY TOM HARDY MARION COTILLARD JOSEPH GORDON-LEVITT E MORGAN FREEMAN 1 Musiche HANS ZIMMER Costumi LINDY HEMMING Coproduttore JORDAN GOLDBERG Montaggio LEE SMITH, A.C.E Scenografie NATHAN CROWLEY KEVIN KAVANAIGH Direttore della fotografia WALLY PFISTER, A.S.C. Produttori Esecutivi BENJAMIN MELNIKER MICHAEL E. USLAN KEVIN DE LA NOY THOMAS TULL Basato sui personaggi di Batman creati da BOB KANE E pubblicati da DC COMICS Soggetto CHRISTOPHER NOLAN e DAVID S. GOYER 2 Sceneggiatura JOHNATHAN NOLAN e CHRISTOPHER NOLAN Prodotto da EMMA THOMAS CHRISTOPHER NOLAN CHARLES ROVEN Diretto da CHRISTOPHER NOLAN Distribuzione WARNER BROS. PICTURES ITALIA Durata: 2h 44’ Uscita italiana: 29 Agosto 2012 I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Ufficio stampa WB Pictures Italia Emanuela Semeraro [email protected] Cinzia Fabiani [email protected] Antonio Viespoli [email protected] Ufficio stampa film Chicca Ungaro [email protected] Sito: www.ilcavaliereoscuroilritorno.it Facebook: www.facebook.com/ilcavaliereoscuroilritorno Twitter: https://twitter.com/DarkKnight_IT Canale WB: www.youtube.com/user/warnerbrostrailers 3 Warner Bros. Pictures e Legendary Pictures presentano, “Il Cavaliere Oscuro - Il Ritorno” , l’epica conclusione della trilogia di Batman, del regista Christopher Nolan. Alla guida di un cast stellare internazionale, il premio Oscar ® Christian Bale (“The Fighter”), di nuovo nel duplice ruolo di Bruce Wayne/Batman. Il film vede anche la partecipazione di Anne Hathaway, nel ruolo di Selina Kyle; Tom Hardy nel ruolo di Bane; il premio Oscar ® Marion Cotillard (“La Vie en Rose”) nel ruolo di Miranda Tate e Joseph Gordon-Levitt, nel ruolo di John Blake.
    [Show full text]
  • FILM FESTIVAL 22Nd - 29Th November 2012
    UNDER THE AUSPICES OF THE EMBASSY OF THE REPUBLIC OF SERBIA IN PRETORIA SERBIAN ARTS AND CULTURE SOCIETY AFRICA SERBIAN FILM FESTIVAL 22nd - 29th November 2012 NU METRO, MONTECASINO An author’s perspective of the world Film, as a sublimation of all arts, is a true medium, a universal vehicle with which the broader public is presented with a world view, as seen by the eye of the fi lmmaker. Nowadays, due to the global economic crisis, which is ironically producing technological and all sorts of other develop- ments, an increasing number of people are pushed to the margins of average standards of living, and fi lmmakers are given the chance to bring under their ‘protection’ millions of disillusioned people with their fi lmmaking capabilities. Art, throughout its history, has always praised but has also been heavily critical of its subject. Film is not just that. Film is that and so much more. Film is life itself and beyond life. Film is everything many of us dream about but never dare to say out loud. That is why people love fi lms. That is why it is eternal. It tears down boundaries and brings together cul- tures. It awakens curiosity and builds bridges from one far away coast to another. Film is a ‘great lie’ but an even greater truth. Yugoslavian, and today the Serbian fi lm industry has always been ‘in trend’. It might sound harsh but, unfortunately, this region has always provided ample ‘material’ for fi lms. Under our Balkan clouds there has been an ongoing battle about which people are older, which came and settled fi rst, who started it and who will be fi rst to leave and such battles have been and continue to be an inspiration to fi lm producers.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Pencapaian Filem Cereka Tempatan Di Peringkat Antarabangsa (1950-2017)] Finas Malaysia
    [INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017)] FINAS MALAYSIA INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017) 1 KAJIAN & PENGUMPULAN DATA OLEH : Ahmad Syazli Muhd Khiar ([email protected]) Pengarah Dasar & Penyelidikan FINAS TARIKH KEMASKINI : 31 Disember 2017 (Tertakluk kepada kemaskini data dan maklumat dari masa ke semasa) Bil Judul Filem [INISIATIFPengarah PEMBANGUNANama N DATA INDUSTRINama Festival FILE M: PENCAPAIANTahun Tempat FILEM CEREKAPenerima TEMPATAN Status Pencapaian Produksi/Tahun DI PERINGKATPenyertaan ANTARABANGSA (1950-2017)] FINAS MALAYSIA Tayangan 1 Nasib B.S Rajhans Malay Film BFI Festival of 1950 London, UK Malay Film Tayangan Official Selection Productions/1949 Commonwealth Films Productions 2 Iman K.R.S Sastry Malay Film 1st Asia Pacific Film 1954 Tokyo, Malay Film Penyertaan Official Submission Productions/1954 Festival Jepun Productions 3 Hang Tuah Phani Majumdar Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions Tan Sri P. Ramlee Menang Penggubah Muzik Terbaik 7th Berlin International 1956 Berlin, Malay Film Pencalonan Filem Terbaik (Golden Bear) Film Festival Germany Production (In Competition) 4 Semerah Padi Tan Sri P. Ramlee Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions 5 Anakku Sazali Phani Majumdar Malay Film 4th Asia
    [Show full text]
  • Academy's Newtheater Named for Linwood Dunn
    PRESIDENT A Lotta That In December we opened the new Linwood Dunn Theater at the Pickford Center, fmally achieving a long­ To program coordinator l{amly needed mid-sized screening room for Academy business HahlTkamp. thl" hl"st thing ahout thl" and public programs. scrl"l"ning of "Chicago." thl" final film Also in December the Academy's Science and in thl" Facets of thl" Diamond slTlTning Technology Council became a reality with the hire of sl"ries. \\'as that it ml"ant thl" series its new director, Andrew Maltz. was O\'l"r, We've long hoped for a medium-sized theater. At "I han'n't had a lifl" sincl" \Iay 286 seats, the Dunn Theater should nicely fill the bill. of 2002." Randy said. "Still. it was an For the fIrst months of the year it will be heavily used amazing l"xpl"ril"ncl", I wouldn't want to for Awards screenings, then for Academy Film Archive do it again. hut I wouldn't gin' up thl" business, but at some point we'll begin to notice some l"xpl"ril"ncl" of haYing donl" it I()!- any­ new kinds of public programming - perhaps programs thing, It was thl" most work and thl" with more narrowly defined subjects, perhaps more most fun of anything I\'l" l"nT donl"," technically oriented subjects. Thl" audil"ncl". which gan' Ram" a Which brings us back to the Science and Technology standing ()\'ation. calkd l"ach otiler on Council. Andy isn't waiting until he actually has an till"ir cdl phonl"s as thl" program hl"gan, office at the Pickford Center to get moving on Council For -" \\'l"l"ks Ram'" had drl"aml"d up a functions.
    [Show full text]
  • Broadcasting Telecasting
    TH YEAr BROADCASTING TELECASTING i lE BUSINESSWEEKLY OF RADIO AND TELEVISION DECEMBER 24, 1956 35¢ PER COPY More Competitive Tv: FCC 83dVdSÀ431 aTV ájama89'uo11 Page 27 Odt, GSM esss avao.I aiV Tismx.eyó Spot Billings of Top 40 Ra 1GSOi'' (6£Ob-95(009-10)-;70F4'Z3V) Page 29 301 Q qua boy eTaaF 1seaglR Gimmicks and Giveaways: TS-£ A3TEaeAtur: .1 TV 4VSt1 Page 36 FCC Changes Possible: Mc Page 51 ?1.8% Auto Dominance Amount Spent on Autos by Grade B Area Families Market figures prove families living in WXEX -TV Grade B area spend 21.8% more WXEX -TV $170,145,000 m autos *than families in Grade B area of Station B $139,070,000 any other RICHMOND market TV station Station C $139,691,000 Automobiles, tires, batteries, accessories Source: Sidney Hollander Associates TV wXEXTom Tinsley, President NBC BASIC - CHANNEL 8 Irvin G. Abeloff, Vice Pres. National Representatives: Select Station Representatives in New York, Philadelphia, Baltimore, Washington. Farjoe & Co. in Chicago, Seattle, Sari Francisco, Los Angeles, Dallas, Atlanta. A Merry Christmas and a Happy New Year from KVTV'S TALENT TEAM homemaker FORECAST, weatherman Jan TODAY ro Conrad Voss Johnson Hostess on KVTV's Mr. Weather in the 3- Open House and the state KVTV area. Con- Homemaker home tinually sponsored, 5 makers rely on -with days a week, by the sales results to prove same advertiser for it. over three years. women's feature news editor editor Austin Marge Schneider Hinshaw "At Home" with Marge Consistently first with Hinshaw is filled with the News in Sioux City.
    [Show full text]
  • Press Release 12 January 2016
    Press Release 12 January 2016 (For immediate release) SIDNEY POITIER TO BE HONOURED WITH BAFTA FELLOWSHIP London,12 January 2016: The British Academy of Film and Television Arts will honour Sir Sidney Poitier with the Fellowship at the EE British Academy Film Awards on Sunday 14 February. Awarded annually, the Fellowship is the highest accolade bestowed by BAFTA upon an individual in recognition of an outstanding and exceptional contribution to film, television or games. Fellows previously honoured for their work in film include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench, Vanessa Redgrave, Christopher Lee, Martin Scorsese, Alan Parker and Helen Mirren. Mike Leigh received the Fellowship at last year’s Film Awards. Sidney Poitier said: “I am extremely honored to have been chosen to receive the Fellowship and my deep appreciation to the British Academy for the recognition.” Amanda Berry OBE, Chief Executive of BAFTA, said: “I’m absolutely thrilled that Sidney Poitier is to become a Fellow of BAFTA. Sidney is a luminary of film whose outstanding talent in front of the camera, and important work in other fields, has made him one of the most important figures of his generation. His determination to pursue his dreams is an inspirational story for young people starting out in the industry today. By recognising Sidney with the Fellowship at the Film Awards on Sunday 14 February, BAFTA will be honouring one of cinema’s true greats.” Sir Sidney Poitier’s award-winning career features six BAFTA nominations, including one BAFTA win, and a British Academy Britannia Award for Lifetime Contribution to International Film.
    [Show full text]
  • Dramaturgies of Power a Dissertat
    UNIVERSITY OF CALIFORNIA, SAN DIEGO UNIVERSITY OF CALIFORNIA, IRVINE The Master of Ceremonies: Dramaturgies of Power A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Drama and Theatre by Laura Anne Brueckner Committee in charge: University of California, San Diego Professor James Carmody, Chair Professor Judith Dolan Professor Manuel Rotenberg Professor Ted Shank Professor Janet Smarr University of California, Irvine Professor Ian Munro 2014 © Laura Anne Brueckner, 2014 All rights reserved The Dissertation of Laura Anne Brueckner is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ Chair University of California, San Diego University of California, Irvine 2014 iii DEDICATION This study is dedicated in large to the sprawling, variegated community of variety performers, whose work—rarely recorded and rarely examined, so often vanishing into thin air—reveals so much about the workings of our heads and hearts and My committee chair Jim Carmody, whose astonishing insight, intelligence, pragmatism, and support has given me a model for the kind of teacher I hope to be and Christopher
    [Show full text]