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Muziek Voor Volwassenen 2020 Week 21
Muziek voor volwassenen / Johan Derksen Album van de week: Jason Isbell and the 400 UNIT-Reunions maandag 18/05/2020 18:00-19:00 ARTIEST TITEL COMPONIST PLATENLABEL CATALOGUSNUMMER CD TITEL 1 Little Richard Rip it up R. Blackwell/J. Marascalco ACE CDCHM 729 The original British hit singles 2 Emmylou Harris & Rodney Crowell You can' t say we didn' t try Rodney Crowell/Emmylou Harris/Cory ChiselNonesuch Records Nonesuch 7559-79519-6 The travel kind 3 Albert Washington These arms of mine Otis Redding ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 4 Emmylou Harris & Rodney Crowell Just pleasing you Rodney Crowell/Mary Karr Nonesuch Records Nonesuch 7559-79519-6 The travel kind 5 William Bell I' v been loving you too long Jerry Butler/Otis Redding ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 6 Emmylou Harris & Rodney Crowell Her hair was red Amy Allison Nonesuch Records Nonesuch 7559-79519-6 The travel kind 7 King Floyd Think about it Don Covay/Otis Redding ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 8 Harris, Ronstadt & Parton After the goldrush Neil Young Asylum Records 7559-62275-2 Trio two 9 Jason Isbell River Jason Isbell Thirty Tigers Onbekend Reunions 10 Percy Sledge I' ve got dreams to remember Otis/Zelma Redding/Joe Rock ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 11 Harris, Ronstadt & Parton When we' re gone long gone Kieran Kane/James Paul O' Hara Asylum Records 7559-62275-2 Trio two 12 Mitty Collier I' m missing you Otis Redding /Loretta Williams ACE CDCHD -
When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
Religions 2015, 6, 1277–1313; doi:10.3390/rel6041277 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Mark LeVine 1,2 1 Department of History, University of California, Irvine, Krieger Hall 220, Irvine, CA 92697-3275, USA; E-Mail: [email protected] 2 Center for Middle Eastern Studies, Lund University, Finngatan 16, 223 62 Lund, Sweden Academic Editor: John L. Esposito Received: 6 August 2015 / Accepted: 23 September 2015 / Published: 5 November 2015 Abstract: This article examines the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world. Keywords: Arab Spring; revolutionary art; Tahrir Square What to do when military thugs have thrown your mother out of the second story window of your home? If you’re Nigerian Afrobeat pioneer Fela Kuta, Africa’s greatest political artist, you march her coffin to the Presidential compound and write a song, “Coffin for Head of State,” about the murder. Just to make sure everyone gets the point, you use the photo of the crowd at the gates of the compound with her coffin as the album cover [1]. -
Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences. -
A Feminist Analysis of the Emerging Church: Toward Radical Participation in the Organic, Relational, and Inclusive Body of Christ
CORE Metadata, citation and similar papers at core.ac.uk Provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2015 A feminist analysis of the Emerging Church: toward radical participation in the organic, relational, and inclusive body of Christ https://hdl.handle.net/2144/16295 Boston University BOSTON UNIVERSITY SCHOOL OF THEOLOGY Dissertation A FEMINIST ANALYSIS OF THE EMERGING CHURCH: TOWARD RADICAL PARTICIPATION IN THE ORGANIC, RELATIONAL, AND INCLUSIVE BODY OF CHRIST by XOCHITL ALVIZO B.A., University of Southern California, 2001 M.Div., Boston University School of Theology, 2007 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 © 2015 XOCHITL ALVIZO All rights reserved Approved by First Reader _________________________________________________________ Bryan Stone, Ph.D. Associate Dean for Academic Affairs; E. Stanley Jones Professor of Evangelism Second Reader _________________________________________________________ Shelly Rambo, Ph.D. Associate Professor of Theology Now when along the way, I paused nostalgically before a large, closed-to-women door of patriarchal religion with its unexamined symbols, something deep within me rises to cry out: “Keep traveling, Sister! Keep traveling! The road is far from finished.” There is no road ahead. We make the road as we go… – Nelle Morton DEDICATION To my Goddess babies – long may you Rage! v ACKNOWLEDGMENTS This dissertation has always been a work carried out en conjunto. I am most grateful to Bryan Stone who has been a mentor and a friend long before this dissertation was ever imagined. His encouragement and support have made all the difference to me. -
Muziek Voor Volwassenen / Johan Derksen Zaterdag 16 Mei 2020
Muziek voor volwassenen / Johan Derksen Zaterdag 16 mei 2020 Album van de week: "Reunions" - Jason Isbell and the 400 UNIT ARTIEST TITEL COMPONIST PLATENLABEL LABELNO CD TITEL 09.00 - 10.00 uur 1 Little Richard Rip it up R. Blackwell/J. Marascalco ACE CDCHM 729 The original British hit singles 2 Emmylou Harris & Rodney Crowell You can' t say we didn' t try Crowell/Harris/Chisel Nonesuch Records Nonesuch 7559-79519-6 The travel kind 3 Albert Washington These arms of mine Otis Redding ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 4 Emmylou Harris & Rodney Crowell Just pleasing you Rodney Crowell/Mary Karr Nonesuch Records Nonesuch 7559-79519-6 The travel kind 5 William Bell I' v been loving you too long Jerry Butler/Otis Redding ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 6 Emmylou Harris & Rodney Crowell Her hair was red Amy Allison Nonesuch Records Nonesuch 7559-79519-6 The travel kind 7 King Floyd Think about it Don Covay/Otis Redding ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 8 Harris, Ronstadt & Parton After the goldrush Neil Young Asylum Records 7559-62275-2 Trio two 9 Jason Isbell River Jason Isbell Thirty Tigers Onbekend Reunions 10 Percy Sledge I' ve got dreams to remember Otis/Zelma Redding/Joe Rock ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 11 Harris, Ronstadt & Parton When we' re gone long gone Kieran Kane/James Paul O' Hara Asylum Records 7559-62275-2 Trio two 12 Mitty Collier I' m missing you Otis Redding /Loretta Williams ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 13 Emmylou Harris & Gram Parsons Love hurts Boudleaux Bryant Rhino/Warner 8122-73123-2 Heartaches & Highways, the very best of Emmylou Harris 14 Clarence Carter Just one more day Cropper/Redding/Robinson ACE CDCHD 1352 Hard to handle, black America sings Otis Redding 15 Emmylou Harris Boulder to Birmingham Emmylou Harris Rhino/Warner 8122-73123-2 Heartaches & Highways, the very best of Emmylou Harris 10.00 - 11.00 uur 1 Little Richard Tutti frutti D. -
When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
Religions 2015, 6, 1277–1313; doi:10.3390/rel6041277 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Mark LeVine 1,2 1 Department of History, University of California, Irvine, Krieger Hall 220, Irvine, CA 92697-3275, USA; E-Mail: [email protected] 2 Center for Middle Eastern Studies, Lund University, Finngatan 16, 223 62 Lund, Sweden Academic Editor: John L. Esposito Received: 6 August 2015 / Accepted: 23 September 2015 / Published: 5 November 2015 Abstract: This articles explores the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world. Keywords: Arab Spring; revolutionary art; Tahrir Square What to do when military thugs have thrown your mother out of the second story window of your home? If you’re Nigerian Afrobeat pioneer Fela Kuta, Africa’s greatest political artist, you march her coffin to the Presidential compound and write a song, “Coffin for Head of State,” about the murder. Just to make sure everyone gets the point, you use the photo of the crowd at the gates of the Presidential compound with the coffin as the album cover [1]. -
2010 Npr Annual Report About | 02
2010 NPR ANNUAL REPORT ABOUT | 02 NPR NEWS | 03 NPR PROGRAMS | 06 TABLE OF CONTENTS NPR MUSIC | 08 NPR DIGITAL MEDIA | 10 NPR AUDIENCE | 12 NPR FINANCIALS | 14 NPR CORPORATE TEAM | 16 NPR BOARD OF DIRECTORS | 17 NPR TRUSTEES | 18 NPR AWARDS | 19 NPR MEMBER STATIONS | 20 NPR CORPORATE SPONSORS | 25 ENDNOTES | 28 In a year of audience highs, new programming partnerships with NPR Member Stations, and extraordinary journalism, NPR held firm to the journalistic standards and excellence that have been hallmarks of the organization since our founding. It was a year of re-doubled focus on our primary goal: to be an essential news source and public service to the millions of individuals who make public radio part of their daily lives. We’ve learned from our challenges and remained firm in our commitment to fact-based journalism and cultural offerings that enrich our nation. We thank all those who make NPR possible. 2010 NPR ANNUAL REPORT | 02 NPR NEWS While covering the latest developments in each day’s news both at home and abroad, NPR News remained dedicated to delving deeply into the most crucial stories of the year. © NPR 2010 by John Poole The Grand Trunk Road is one of South Asia’s oldest and longest major roads. For centuries, it has linked the eastern and western regions of the Indian subcontinent, running from Bengal, across north India, into Peshawar, Pakistan. Horses, donkeys, and pedestrians compete with huge trucks, cars, motorcycles, rickshaws, and bicycles along the highway, a commercial route that is dotted with areas of activity right off the road: truck stops, farmer’s stands, bus stops, and all kinds of commercial activity. -
S E a S O N F Ive Bin G C on Cer T Hall Subs Cribe St Anford
Stanford University NONPROFIT Bing Concert Hall Ticket Office ORGANIZATION U.S. POSTAGE PLAN YOUR VISIT 327 Lasuen Street, MC 2550 IVE Stanford, CA 94305 PAID PALO ALTO, CA PERMIT NO. 28 Want the best seats in the house? DININGVENUES Bing Concert Hall Priority is given to Bing Members and Bing Concert Hall Enjoy pre-concert and intermission snacks Stanford Live Donors. Seating is by pricing TERRACE CENTER 3 TERRACE and drinks at Interlude 2 1 SEASON F zone. Seating map SUBSCRIBE Café in Bing Concert • Bing Members (donors of $7,500 and shown at left. STANFORD LIVE CENTER 2 Hall’s expansive lobby. above) are guaranteed premium seats SEASON FIVE Pre-performance dining to all subscription performances and priority Bing Concert Hall 2016–17 TERRACE TERRACE is also available at the CENTER 1 Studio seating access throughout the season. 3 8 café at the Arrillaga STANFORD LIVE STANFORD Seating in the Bing Alumni Center, just • Stanford Live Donors of $500 and STAGE Studio is by general a five-minute walk to above enjoy early access to subscription admission. Bing Concert Hall. TERRACE TERRACE seating, according to level of gift. 4 7 Memorial Auditorium Visit live.stanford. Orders begin April 28. Seating is by pricing edu/dining for your zone. Seating map complete dining • Renewing Subscribers and Donors of CHORAL Complete Schedule, TERRACE TERRACE TERRACE shown at left. options. $150–$499 enjoy access to subscription 5 6 Subscription & Donation seating before the general public. Orders Memorial Church Information Inside PARKING & begin June 5 in person and June 6 by Memorial Auditorium Seating at Memorial DIRECTIONS phone and online. -
JAN 2017 KQED Perks
Member Magazine JAN 2017 KQED Perks 2-for-1 Tickets to PHOTOFAIRS Experience cutting-edge, contemporary artworks by emerging and internationally photography on a global scale. Don’t miss recognized artists working with still and the inaugural launch of PHOTOFAIRS moving images. For more information, visit San Francisco, January 27–29, at Fort photofairs.org. Mason’s Festival Pavilion. The new boutique fair, presenting prominent galleries from For special 2-for-1 ticket offer, enter around the world, is the West Coast’s leading promo code KQED: fortmason.org/ destination for discovering and collecting event/photofairs-san-francisco Free Admission to the de Young See Frank Stella: A Retrospective © 2016 Frank Stella / Artists Rights Society (ARS), New York. 1967. Polymer and fluorescent polymer paint on canvas, 120 x 240 in (308.4 609.6 cm). 1967. Polymer and fluorescent Harran II, Frank Stella, Since bursting into the New York art world On Friday, January 20, and Saturday, in 1959, Frank Stella has challenged and January 21, admission to the de Young expanded the definitions of painting and museum is free to KQED members who sculpture. Frank Stella: A Retrospective includes present a current KQED MemberCard 50 major works that span the artist’s career, and valid ID (up to two tickets per from his legendary early Black paintings through MemberCard). Tickets must be picked up his groundbreaking shaped canvases and relief on-site and are subject to availability. For constructions to recent sculptural works created hours, information about the exhibition and with cutting-edge digital technologies. On view more, visit deyoung.famsf.org. -
Rob Kapilow's What Makes It Great
Music of William Finn (Sally), The Mistress Cycle City Christmas in such venues as The Brian Greene’s multimedia theater (Tess) and The Prince & The Pauper (Mary Cerritos Center for the Performing Arts, 54 piece, Light Falls in New York and in Rob Kapilow’s Canty) . At Carnegie Hall she has appeared Below, New Jersey Performing Arts Center, Australia (March 2016). He starred as “Dan” in Cole Porter’s Jubilee, South Pacific in Concert Dallas’ Horchow Center, The Jacob Javits in the Pulitzer winning musical, Next (starring Reba McEntire) , and Sondheim: A Center, Le Chat Noir, The Allen Room, Jazz To Normal at Baltimore/Centerstage; Frank What Makes it Great? Tribute, (all for PBS). Performing with the New at Lincoln Center, The Zipper Theatre, London and Neil Berger’s A Night In The Old York City Ballet at Lincoln Center and Merkin Hall, Symphony Space, Joe’s Pub, Marketplace in São Paulo; Tectonic Theatre Tokyo, she was featured soloist, singing Birdland, and Williamstown’s 62 Center. Her Company’s The Laramie Project Cycle at Theater Songs of Leonard Bernstein Somewhere for their performances of West recording credits include Sweet Little Devil, BAM/Harvey Theatre; Fred Hersch’s Side Story Suite. Wilfert has performed See Rock City, Kitty’s Kisses, New York City multimedia jazz-theatre piece, My Coma throughout the country, including shows at Christmas, Make Me A Song, Assassins, King Dreams in NYC, Berlin and San Francisco; the LaJolla Playhouse, Cincinnati David, The Prince & the Pauper, A Christmas and Merrily We Roll Along at City Center WHEN: VENUE: ® Playhouse, Baltimore Center Stage, Finger Survival Guide. -
Chenjerai-Kumanyika-Review.Pdf
The Transom Review Volume 15/Issue 2 Chenjerai Kumanika March 2015 (Edited by Sydney Lewis) Chenjerai Kumanyika The Transom Review – Vol.15/ Issue 2 Intro from Jay Allison Chenjerai took our Transom Traveling Workshop on Catalina and suddenly had to reckon with his own voice, his own identity, in the role of a public radio reporter. In his manifesto, Chenjerai confronts this question of how we sound, how we want ourselves to sound, and what’s permitted. I remember Tavis Smiley once saying, “Public radio wants me to be black, but not TOO black.” Chenjerai tackles that issue straight on — reading copy in various versions of his “self”— and examining the sound of public media, on the air and in the podcast world. These are key questions for public radio and it’s good to have them right out on the table. Vocal Color In Public Radio This summer during the Transom Catalina workshop, I produced my first public radio piece. While writing my script, I was suddenly gripped with a deep fear about my ability to narrate my piece. As I read the script back to myself while editing, I realized that as I was speaking aloud I was also imagining someone else’s voice saying my piece. The voice I was hearing and gradually beginning to imitate was something in between the voice of Roman Mars and Sarah Koenig. Those two very different voices have many complex and wonderful qualities. They also sound like white people. My natural voice –– the voice that I most use when I am most comfortable –– doesn’t sound like that. -
Broadcasting Telecasting
TH YEAr BROADCASTING TELECASTING i lE BUSINESSWEEKLY OF RADIO AND TELEVISION DECEMBER 24, 1956 35¢ PER COPY More Competitive Tv: FCC 83dVdSÀ431 aTV ájama89'uo11 Page 27 Odt, GSM esss avao.I aiV Tismx.eyó Spot Billings of Top 40 Ra 1GSOi'' (6£Ob-95(009-10)-;70F4'Z3V) Page 29 301 Q qua boy eTaaF 1seaglR Gimmicks and Giveaways: TS-£ A3TEaeAtur: .1 TV 4VSt1 Page 36 FCC Changes Possible: Mc Page 51 ?1.8% Auto Dominance Amount Spent on Autos by Grade B Area Families Market figures prove families living in WXEX -TV Grade B area spend 21.8% more WXEX -TV $170,145,000 m autos *than families in Grade B area of Station B $139,070,000 any other RICHMOND market TV station Station C $139,691,000 Automobiles, tires, batteries, accessories Source: Sidney Hollander Associates TV wXEXTom Tinsley, President NBC BASIC - CHANNEL 8 Irvin G. Abeloff, Vice Pres. National Representatives: Select Station Representatives in New York, Philadelphia, Baltimore, Washington. Farjoe & Co. in Chicago, Seattle, Sari Francisco, Los Angeles, Dallas, Atlanta. A Merry Christmas and a Happy New Year from KVTV'S TALENT TEAM homemaker FORECAST, weatherman Jan TODAY ro Conrad Voss Johnson Hostess on KVTV's Mr. Weather in the 3- Open House and the state KVTV area. Con- Homemaker home tinually sponsored, 5 makers rely on -with days a week, by the sales results to prove same advertiser for it. over three years. women's feature news editor editor Austin Marge Schneider Hinshaw "At Home" with Marge Consistently first with Hinshaw is filled with the News in Sioux City.