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2013-14 Arts Report (Pdf)
2013-14 Arts Explosion Rocks Stanford 1 A Private Art Collection Becomes a Stanford Collection 2-3 Curricular Innovation 4-5 Interdisciplinary Dexterity 6-7 Anatomy of an Exhibition 8 Visual Thinkers 9 Renaissance Man 10-11 Festival Jérôme Bel 12 The Next Bing Thing 13 Sound Pioneer 14 Politicians, Producers & Directors 15 Theater Innovators 16 Museums & Performance Organizations 17 Looking Ahead 17 Academic Arts Departments & Programs 18-19 “Arts Explosion Rocks Stanford.” Arts Centers, Institutes & Resources 20-21 Student Arts Groups 22-23 That was the headline of a May 2014 article in the San Francisco Chronicle – and it’s a great descrip- Fashion at Stanford 24 tion of the experience of the arts at Stanford in 2013-14. Honors in the Arts: The Inaugural Year 25 Support for Stanford Arts 26 It was a year of firsts: the first full season in Bing Concert Hall, the first year of two innovative curric- 2013-14 Arts Advisory Council 27 ular programs – ITALIC and Honors in the Arts - and the first year of the new “Creative Expression” Faculty & Staff 27 breadth requirement (see p. 4). Stanford Arts District 28 BING CONCERT HALL’S It was also – perhaps most prominently – a year of planning and breathless anticipation of the opening GUNN ATRIUM of the Anderson Collection at Stanford University, which took place to great fanfare in September 2014. In the midst of it all there were exciting multidisciplinary exhibitions at the Cantor Arts Center, amaz- ing student projects and performances throughout campus, and a host of visits by artists including Carrie Mae Weems, Tony Kushner, and Annie Leibovitz. -
Stanford Tape Collection ARS.0112
http://oac.cdlib.org/findaid/ark:/13030/kt8x0nf8dx No online items Guide to the Stanford Tape Collection ARS.0112 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Stanford Tape ARS.0112 1 Collection ARS.0112 Descriptive Summary Title: Stanford Tape Collection Dates: 1940-2007 Date (bulk): Bulk, 1960-1980 Collection number: ARS.0112 Repository: Archive of Recorded Sound Collection size: 14 boxes: 317 open reel tapes (37 5" reels ; 200 7" reels ; 80 10.5" reels) ; 5 videocassettes ; 7 video reels ; 1 film (8mm) ; 2 compact discs ; one binder Abstract: Historic music and speech recordings on open reel tape, made on the campus of Stanford University. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Stanford Tape Collection, ARS-0112. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Stanford Tape Collection consists of historic music and speech recordings made on the campus of Stanford University. -
When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
Religions 2015, 6, 1277–1313; doi:10.3390/rel6041277 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Mark LeVine 1,2 1 Department of History, University of California, Irvine, Krieger Hall 220, Irvine, CA 92697-3275, USA; E-Mail: [email protected] 2 Center for Middle Eastern Studies, Lund University, Finngatan 16, 223 62 Lund, Sweden Academic Editor: John L. Esposito Received: 6 August 2015 / Accepted: 23 September 2015 / Published: 5 November 2015 Abstract: This article examines the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world. Keywords: Arab Spring; revolutionary art; Tahrir Square What to do when military thugs have thrown your mother out of the second story window of your home? If you’re Nigerian Afrobeat pioneer Fela Kuta, Africa’s greatest political artist, you march her coffin to the Presidential compound and write a song, “Coffin for Head of State,” about the murder. Just to make sure everyone gets the point, you use the photo of the crowd at the gates of the compound with her coffin as the album cover [1]. -
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— OLIVER PEEBLES JENKINS Bantam, Ohio. Palo Alto, California. November 3, 1850. January 9, 1935. Perhaps few of us recall Dr. Jenkins—what a splendid teacher he was! An active mind—original, enthusiastic, and inspirational and a fund of humor were out- standing characteristics. Who could not profit from his instruction? To those of us who were much with J him he was a delightful companion and a lovable friend, in addition to his being a great naturalist. He was born at Bantam, Ohio, November 3, 1850, and died at Stanford University January 9, 1935 in his eighty-fifth year. He was buried at Palo Alto, California. He married Elizabeth R. Hester, formerly of Brookville, Indiana, where the writer and his wife, Mary Reynolds, attended Brookville College with her. His widow and two sons survive. He graduated from Moores OLIVER PEEBLES JENKINS Hill (now Evansville) College in 1869 and, after serving as teacher, high school principal, and superintendent in the public schools of Indiana, Wisconsin, and California, he returned, in 1876, to Moores Hill College as professor, where he remained for twelve years. That institution con- ferred upon him advanced and honorary degrees; he was also honored with a degree from Indiana University. He became a member of the faculty of the Indiana State Normal School, at Terre Haute in 1883, and left there to become Professor of Biology at DePauw University in 1886. He remained at DePauw until 1891, when he became a member of the faculty of Leland Stanford Jr. University at the time of its founding. He remained in this position until he retired as Professor Emeritus of Physiology in 1916. -
When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
Religions 2015, 6, 1277–1313; doi:10.3390/rel6041277 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Mark LeVine 1,2 1 Department of History, University of California, Irvine, Krieger Hall 220, Irvine, CA 92697-3275, USA; E-Mail: [email protected] 2 Center for Middle Eastern Studies, Lund University, Finngatan 16, 223 62 Lund, Sweden Academic Editor: John L. Esposito Received: 6 August 2015 / Accepted: 23 September 2015 / Published: 5 November 2015 Abstract: This articles explores the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world. Keywords: Arab Spring; revolutionary art; Tahrir Square What to do when military thugs have thrown your mother out of the second story window of your home? If you’re Nigerian Afrobeat pioneer Fela Kuta, Africa’s greatest political artist, you march her coffin to the Presidential compound and write a song, “Coffin for Head of State,” about the murder. Just to make sure everyone gets the point, you use the photo of the crowd at the gates of the Presidential compound with the coffin as the album cover [1]. -
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Stanford University Alumni Collection SC1278
http://oac.cdlib.org/findaid/ark:/13030/c8qz2ggh No online items Guide to the Stanford University Alumni Collection SC1278 Jenny Johnson & Presley Hubschmitt The Stanford Alumni Collection was created as part of the Stanford Alumni Legacy Project, which was initially funded by the Stanford Associates Grant (awarded by the Stanford Alumni Association in 2014). Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Stanford University SC1278 1 Alumni Collection SC1278 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Stanford University Alumni Collection Identifier/Call Number: SC1278 Physical Description: 23.75 Linear Feet(38 boxes) Date (inclusive): 1889-2016 Scope and Contents The Stanford Alumni Collection consists of letters, email, texts, student scrapbooks, photographs, websites, audio and video recordings, posters, flyers, records of student organizations, and more. Materials have been donated to the Stanford University Archives for permanent retention, or loaned for selective scanning, and returned to donors. This collection was created as part of the Stanford Alumni Legacy Project (SALP) initiative. SALP focuses on collecting, preserving, and providing long-term access to student materials created by Stanford alumni during their time on the farm. Preferred Citation [identification of item], Stanford Alumni Collection (SC1278). Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. Arrangement Collection materials are described alphabetically in the finding aid by last name of donor. Boxes are listed by accession numbers (ARCH-YYYY-###), which are provided in the finding aid. Alumni class graduation years are indicated as provided. -
Tunisiska Världsstjärnan Emel Mathlouthi Gästar the Tall Ships Races 2017
2017-05-04 07:38 CEST Tunisiska världsstjärnan Emel Mathlouthi gästar The Tall Ships Races 2017 Den tunisiska sångerskan Emel Mathlouthi, känd som en av de ledande artisterna för den demokratiska kampen i Tunisien, uppträder på River stage söndagen den 2 juli. Med sin vackra röst och unika sound har hon erövrat världen och 2015 uppträdde hon på ceremonin för Nobels fredspris. -Det känns roligt att vi i samarbete med Kultur i Halland lyckats få hit Emel till The Tall Ships Races. Hon bidrar till den mångfald vi önskar i programmet under festivalen. Vårt mål är att tilltala en så bred publik som möjligt säger Rickard Bengtsson, projektledare för scen och kultur. Emel Mathlouthi blandar nordafrikanska rytmer med elektroniska beats, detta toppar hon med en oerhört vacker och kraftfull röst. Hon är känd som en av de ledande artisterna för den arabiska våren under vilken hon även fick sitt genombrott. 2012 släppte hon sitt debutalbum Kelmti Horra (Mitt ord är fritt), som fick ett varmt mottagande av fans och kritiker. Inspelningen när hon framför låten Kelmti Horra inför demonstranter i centrala Tunis spreds snabbt i sociala medier, och blev något av en symbol för den demokratiska kampen. Skivan präglas av starka melodier och influenser från artister som Joan Baez, Massive Attack och Björk. Därefter har Emel Mathlouthi uppträtt i länder som Egypten, Irak och Turkiet samt på festivaler i Kanada, Frankrike och Storbritannien. 2015 gjorde Emel ett bejublat framträdande på ceremonin för Nobels fredspris i Oslo. Till The Tall Ships Races kommer denna världsartist uppbackad av ett band där de fokuserar på musiken från det senaste albumet Ensen som släpptes i början av 2017. -
A Look at Upcoming Exhibits and Performances Page 34
Vol. XXXIV, Number 50 N September 13, 2013 Moonlight Run & Walk SPECIAL SECTION page 20 www.PaloAltoOnline.com A look at upcoming exhibits and performances page 34 Transitions 17 Spectrum 18 Eating 29 Shop Talk 30 Movies 31 Puzzles 74 NNews Council takes aim at solo drivers Page 3 NHome Perfectly passionate for pickling Page 40 NSports Stanford receiving corps is in good hands Page 78 2.5% Broker Fee on Duet Homes!* Live DREAM BIG! Big Home. Big Lifestyle. Big Value. Monroe Place offers Stunning New Homes in an established Palo Alto Neighborhood. 4 Bedroom Duet & Single Family Homes in Palo Alto Starting at $1,538,888 410 Cole Court <eZllb\lFhgkh^IeZ\^'\hf (at El Camino Real & Monroe Drive) Palo Alto, CA 94306 100&,,+&)01, Copyright ©2013 Classic Communities. In an effort to constantly improve our homes, Classic Communities reserves the right to change floor plans, specifications, prices and other information without prior notice or obliga- tion. Special wall and window treatments, custom-designed walks and patio treatments and other items featured in and around the model homes are decorator-selected and not included in the purchase price. Maps are artist’s conceptions and not to scale. Floor plans not to scale. All square footages are approximate. *The single family homes are a detached, single-family style but the ownership interest is condominium. Broker # 01197434. Open House | Sat. & Sun. | 1:30 – 4:30 27950 Roble Alto Drive, Los Altos Hills $4,250,000 Beds 5 | Baths 5.5 | Offices 2 | Garage 3 Car | Palo Alto Schools Home ~ 4,565 sq. -
Home + Garden Design Menlo Park's Biggest Employer Reveals 59-Acre
THE HOMETOWN NEWSPAPER FOR MENLO PARK, ATHERTON, PORTOLA VALLEY AND WOODSIDE JULY 12, 2017 | VOL. 52 NO. 45 WWW.ALMANACNEWS.COM Dumbarton rail corridor Parking Offices Visitors’ WelcomeCenter to Facebookland Menlo Park’s biggest employer Willow Road reveals 59-acre expansion plan Page 5 Housing & Shops New Road Inside this issue Home + Garden Design THE ADDRESS IS THE PENINSU THE EXPERIENCE IS AIN PINEL WOODSIDE $8,599,000 WOODSIDE $6,995,000 280 Family Farm Road | 4bd/4.5ba 320 Jane Drive | 5bd/4.5ba Helen & Brad Miller | 650.400.1317 M. Lockwood/R. Flores | 650.400.2528 BURLINGAME $5,700,000 SAN MATEO $2,395,000 2652 Summit Drive | 5bd/5.5ba 24 Mounds Road, #A | 2bd/2ba Holly Stockman | 650.464.6080 B. Bianchini/M. Andrighetto | 650.888.6379 WOODSIDE $1,995,000 MENLO PARK $1,849,000 730 Patrol Road | 3bd/3ba 130 Stone Pine Lane | 3bd/2.5ba Heidi Johnson | 650.868.3714 Holly Stockman | 650.464.6080 APR.COM Over 30 Real Estate Offices Serving The Bay Area Including Woodside 650.529.1111 Square footage, acreage, and other information herein, has been received from one or more of a variety of different sources. Such information has not been verified by Alain Pinel Realtors®. If important to buyers, buyers should conduct their own investigation. 2 Q The AlmanacQAlmanacNews.comQJuly 12, 2017 165 Patricia Drive, Atherton Gorgeous Garden Estate in West Atherton Splendid gated grounds of approx. 1.05 acres (per county) showcase this lavish yet inviting 5 bedroom, 7.5 bath mansion of approx. 6,400 sq. -
2010-11 Stanford University Parking and Circulation
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Stanford Memorial Church University Public Worship 23 July 2017 10:00 A.M
Stanford Memorial Church University Public Worship 23 July 2017 10:00 a.m. OPENING VOLUNTARY Prelude in A minor Johann Sebastian Bach (BWV 543) (1685 – 1750) WELCOME The Rev. Professor Jane Shaw Please stand. HYMN Come Ye Thankful People Come p. 3 THE LITURGY OF THE WORD OPENING WORDS Rabbi Patricia Karlin-Neumann Responses of the people are in bold. This is the day that God has made; Let us rejoice and be glad in it. PRAYER OF THE DAY May God be with you. And also with you. Let us pray: Through dreams and visions, through texts and song, O God, you open the eyes of your people to your creation that they may discover the meaning of your covenant, even in the midst of trial and exile. As your people joyfully respond to your call with hope, may they share in your promises. Amen. Please be seated. READING Psalm 86: 11 - 17 Sairus Patel VOLUNTARY Allein zu dir, Herr Jesu Christ Bach (BWV 1100) Please stand. READING Romans 8: 12 - 25 Anne Hill Please be seated. SERMON Creating with God The Rev. Professor Jane Shaw Please stand. HYMN Almighty God, Your Word is Cast p. 4 PRAYERS ANNOUNCEMENTS Please stand. HYMN Praise to the Lord the Almighty p. 5 BENEDICTION You are invited to be seated to enjoy the closing voluntary after the clergy have departed. CLOSING VOLUNTARY Fugue in A minor Bach (BWV 543) 2 Come Ye Thankful People Come (The Hymnal 1982, #290) All rights reserved. Reprinted under OneLicense.net #A-712649. 3 Almighty God, Your Word is Cast (New Century #318) All rights reserved.