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VOORJAAR-ZOMER2019 - PRINTEMPS-ÉTÉ 2019 - SPRING-SUMMER 2019 BELGI Algemene voorwaarden – Conditions generals – General conditions Prijzen, technische specificities en voorwaarden kunnen wijzigen zonder voorafgaande waarschuwing. Exhibitions International is niet verantwoordelijk voor fouten of ontbrekende gegevens. Verzendingskosten zijn voor rekening van de klant. Alle beschadigingen of misdrukken moeten binnen 10 dagen na ontvangst doorgegeven worden. De vermelde prijzen zijn de Belgische prijzen incl. BTW. Prière de noter que les prix peuvent être modifié sans notification préalable (par décision de l’éditeur ou des variations des cours de change). Tous les dommages ou fautes d'impression doivent être signalés dans les 10 jours suivant la réception. Exhibitions International ne peut être tenu responsable pour des indications erronées ou manquants des prix ou autres. Les prix mentionnés sont les prix belge, TVA incl. Prices, specifications, and terms are subject to change without notice. Exhibitions International is not responsible for errors or omissions in prices and other data. Shipping costs are on account of the customer. All defects and printing errors must be notified within 10 days of reception. The prices mentioned are the Belgian prices, VAT included. Retouren boekhandels - Retours libraires – Returns policy booktrade Alle aankopen worden beschouwd als vaste aankoop tenzij anders overeengekomen en als dusdanig vermeld op de factuur. Retouren zijn enkel mogelijk na drie maanden en voor 9 maanden en kunnen enkel gebeuren na voorafgaandelijke, schriftelijke aanvraag. De retourtoelating blijft één maand geldig en dient bij de retour gevoegd te worden. De retour gebeurt op risico van de klant en worden enkel aanvaard als ze ons in perfecte staat bereiken. Creditbedragen worden in mindering gebracht van nog te betalen saldi of toekomstige aankopen. Indien Exhibitions International buiten haar wil in de onmogelijkheid is om zelf het recht van retour in te roepen, onder meer bij faillissement van een uitgever of wanneer het boek in kwestie uitverkocht is gemeld, vervalt het recht van retour ook voor de klant en kunnen er geen retouren meer aanvaard worden van de betrokken publicaties. Tous les achats sont considérés comme achat en compte ferme sauf accord mentionné sur la facture. Une demande de retour doit impérativement nous être adressée au préalable, par écrit. Il n’est cependant possible de retourner que les ouvrages livrés depuis un minimum de 3 mois et un maximum de 9 mois. L'autorisation de retour reste valable pendant un mois et doit être jointe lors de l’envoi du colis. Le retour se fait aux risques et aux frais du client. Seuls les retours arrivés dans un état impeccable seront acceptés. Les notes de crédits établies suite à la réception d’un retour de marchandises seront déduites des montants redevables des livraisons précédentes ou des commandes à venir. Dans le cas où Exhibtions International est elle- même et indépendamment de sa volonté dans l'impossibilité de faire valoir sa faculté de retour, entre autres pour cause de faillite d'un éditeur, ou si la publication en question a été annoncé comme épuisé, le client ne bénéficiera plus non plus de la faculté de retour et dès lors, plus aucun retour de cet éditeur, ou de cette publication ne pourra être accepté. All orders are considered concluded sales and cannot be returned, unless otherwise stated. Returns can only be accepted after a written request to our office. The approval should be included in the shipment and is valid for one month. Returns are on the risk and costs of the customer. All books must arrive in mint condition. Shopworn or price-stickered books will not be accepted or credited. Titles cannot be returned before 90 days and after 9 months. Credit balances apply against future purchases only. In the event that Exhibtions International is itself and irrespective of its will, unable to assert its right of return, inter alia because of the bankruptcy of a publisher, or if the publication in question has been announced as being out of print, the customer will no longer benefit from the option of return and therefore no further returns from this publisher or this publication will be accepted ANCIENT ART ETHNOGRAPHY 19TH CENTURY ART ART HISTORY MODERN ART POST-WAR ART CONTEMPORARY ART POPULAR CULTURE & STREET ART PHOTOGRAPHY FASHION TRAVEL & SPORTS BELGIUM ARCHITECTURE STYLE & INTERIOR BAUHAUS DESIGN DECORATIVE ARTS FOOD & DRINKS BETTER LIVING NATURE GARDENS, PATIO & INDOOR PLANTS CINEMA MUSIC GRAPHIC NOVELS & COMICS LITERATURE KIDS DIY - DOE-HET-ZELF GIFTS & FUN. CARDS, NOTEBOOKS, JOURNALS, GAMES & more MOON HISTORY REFERENCE VOORJAAR-ZOMER 2019 PRINTEMPS-ÉTÉ 2019 SPRING-SUMMER 2019 Vijf eeuwen terug was Brugge de bakermat van de Vlaamse Primitieven. In dat middeleeuwse Brugge wordt u rondgeleid door Till-Holger Borchert, directeur van de Brugse Musea. De rijkdom van de stad en zijn kunstminnende bewoners trok tientallen kunstenaars aan. De voortrekkers onder de Vlaamse Primitieven - Jan van Eyck, Hans Memling, Hugo van der Goes en Gerard David - ontwikkelden in de loop van de vijftiende eeuw een nieuwe stijl in de schilderkunst, die tot in Zuid-Europa zijn invloed deed gelden. Il y a cinq siècles, Bruges était le berceau des primitifs flamands. A l'époque une des plus grandes villes d'Europe et plaque tournante du commerce international, elle était le lieu de rencontre de nombreux négociants Borchert Till-Holger étrangers. C'est à une visite guidée de cette Paperback | NL, Fr and Bruges médiévale que Till-Holger Borchert, Eng eds. directeur des musées de Bruges, invite le NL - E - F 265 x 200 mm | 128 p | lecteur. La richesse de la ville et les goûts throughout col.ill. raffinés des Brugeois attiraient des artistes € 19,00 | April 2019 par dizaines. [BE] Ludion Herziene uitgave in een nieuwe layout van ISBN: 9789493039094 (NL) het in 2006 verschenen boek. De Vlaamse Primitieven in Brugge ISBN 9789493039117 (E) Les Primitifs flamands à Bruges ISBN 9789493039100 (F) The Flemish Primitives in Bruges I01 - OLD MASTERS (Belgium) Expo: 8/3/2019 - 6/10/2019, Sint-Janshospitaal, Brugge Paperback | E/F/NL/G/Sp ed 280 x 240 mm | 96 p | Prachtige Spaanse kunst uit de zeventiende eeuw. In de throughout col.ill. | monumentale ziekenzalen worden ruim 20 religieuze € 19,95 | March 2019 sculpturen en schilderkunst tentoongesteld, boordevol passie. [BE] Van de Wiele Een zeldzame gelegenheid om kennis te maken met een weinig 9789076297798 bekend aspect van Spanjes Gouden Eeuw. Hoogtepunt van de tentoonstelling, naast schilderijen van beroemde meesters als Murillo en Zurbarán, is een groep van vijf hyperrealistische I01 - OLD MASTERS sculpturen van de grootste beeldhouwer van de Spaanse barok, NL - E - F - G - SP Pedro de Mena. De Mena, Murillo, Zurbarán Masters of the Spanish Baroque 4 Leonardo is the archetypal universal man, a multi-talented genius who left an indelible mark on all the realms of art and knowledge he ventured into painting, drawing and architecture, natural science, anatomy, mathematics, engineering and astronomy. His genius as a painter was reinforced by an analytical understanding of not only the human body but also nature and the physical laws of light. On the five-hundredth anniversary of Leonardo's death in 1519, this book celebrates the artist by highlighting thirty masterpieces, including the Annunciation, the Baptism of Christ, the Lady with an Ermine, the Mona Lisa, the Virgin of Stefano Zuffi the Rocks and the Last Supper, as well as a Hardback with dust jacket | selection of his finest drawings. Eng. ed. Accompanied by clear, concise commentary 320 x 250 mm | 224 p | and arranged according to theme, throughout col.ill. enlargements of significant details from € 39,90 | Feb. 2019 these works guide the reader in discovering [BE] Ludion this greatest exponent of Renaissance ISBN: 9789491819995 (E) humanism. Hardback | Eng. ed. 190 x Leonardo in Detail 150 mm | 224 p | Large edition throughout col.ill. € 14,90 | Feb. 2019 [BE] Ludion Leonardo in Detail ISBN: 9789493039070 (E) The Portable Edition E Expo: 13/2/2019 - 26/5/2019, Städel Museum, Frankfurt Bastian Eclercy & Hans Aurenhammer Hardback | Eng. ed. It is hard to imagine more profoundly influential artists than the 280 x 230 mm | 280 p | Venetian painters of the 16th century. Whether creating 250 col.ill. | € 56,50 | sweeping devotional altarpieces or intimate portraits, the March 2019 Venetian painters changed the way artists employed color and [UK] Prestel + composition. These defining qualities are on brilliant display in 9783791358130 (HB|E) this book that covers fascinating aspects of the work of Titian, Veronese, Tintoretto, Lorenzo Lotto, Jacopo Bassano, and many E others. I01 - OLD MASTERS Titian and the Renaissance in Venice Expo: 6/4/2019 - 2/9/2019, Legion of Honour, San Francisco Sasha Suda, Koen Bulckens This book charts the evolution of Peter Paul Rubens's style from & Bert Timmermans 1608 until 1620 and his rise from relative anonymity to Hardback | Eng. ed. celebrity. In 1600, Peter Paul Rubens left his home in Antwerp 280 x 240 mm | 280 p | to travel to Italy and study the Italian masters. Eight years later, 100 col.ill. he returned to Belgium and quickly established himself as one € 50,00 | April 2019 of the foremost painters in Western Europe. [UK] DelMonico (Prestel) Early Rubens 9783791358444 (HB|E) E I01 - OLD MASTERS 5 Alessandro Vezzosi Shedding new light on the renowned Renaissance artist, this book examines all of da Vinci's known paintings using recent Hardback | Eng. ed. advances in technology and the latest art historical research. 340 x 245 mm | 288 p | While Leonardo da Vinci is one of history's most studied and 230 col.ill. renowned artists, there are many myths surrounding his work. € 81,50 | April 2019 Beginning with his birth and early maturity in the workshops of [UK] Prestel + the Florentine masters, Alessandro Vezzosi delves into the 9783791384979 (HB|E) provenance of disputed works such as Madonna Litta and La Bella Principessa.
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  • The Individual Behind the Image Female Idols in Their Various Forms

    The Individual Behind the Image Female Idols in Their Various Forms

    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2011 The Individual Behind The Image Female Idols In Their Various Forms Patricia Lois Nuss University of Central Florida Part of the Photography Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Nuss, Patricia Lois, "The Individual Behind The Image Female Idols In Their Various Forms" (2011). Electronic Theses and Dissertations, 2004-2019. 2091. https://stars.library.ucf.edu/etd/2091 THE INDIVIDUAL BEHIND THE IMAGE: FEMALE IDOLS IN THEIR VARIOUS FORMS by PATRICIA LOIS NUSS B.F.A. University of Central Florida, 2008 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Studio Art and the Computer in the School of Visual Art and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2011 ABSTRACT Figure 1: Venus in Waves, Mourning Series, Photo by Author, 2010 The research investigated the artistic and photographic processes corresponding with two studies motivated by the artist’s personal history and focused on the role, affect, and history of various female idols represented in art history, religion, and modern American popular media. The first part of the study documented female models as they were simultaneously asked by the artist to think of a range of personal but nonspecific moments from her life, the women were asked not to share their thoughts, only the moment spent thinking, with the artist.
  • Eugeen Van Mieghem: List of Works – Large Print

    Eugeen Van Mieghem: List of Works – Large Print

    Eugeen Van Mieghem: List of Works – Large Print Gallery 17: Antwerp and the River Scheldt Sack Mender Before a Dock, c.1926 Oil on canvas, 69 x 79cm Province of Antwerp The port of Antwerp was exceptional for the large number of women who worked on the docks. From the 1860s women replaced men, who had been demanding higher wages, in areas such as mending sacks, cleaning hides and picking coffee beans. There were an estimated 2000 women working in the port around 1900. Strangers, 1903 Oil on cardboard, 26 x 58cm Private collection Between 1873 and 1935 the Red Star Line transported almost three million emigrants from Antwerp to North America, many of whom were Jewish migrants from Eastern Europe. Van Mieghem lived in close proximity to this vast movement of people as in 1893 the Red Star Line built a warehouse opposite Eugeen’s mother’s café. There every migrant underwent a medical check and their clothes and luggage were disinfected. Van Mieghem’s painting “Vreemden” (“strangers”) records the traffic both ways – the port as a point of contact between cultures. View of the Port, 1912 Pastel and charcoal, 28 x 39cm Private collection Antwerp Roadstead, c.1922 Oil on canvas, 60 x 100cm Eugeen Van Mieghem Museum The phrase “the Roads of Antwerp” or “Antwerp Roadstead” refers specifically to the view of Antwerp from the opposite bank of the Scheldt, with the distinctive spire of the Cathedral of Our Lady towering over the city. The Launch of the Elisabethville II, May 1921, 1921 Oil on cardboard, 40.5 x 61cm Private collection The Elisabethville II was an ocean liner built in 1921 for Compagnie Belge Maritime du Congo.