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Import Page 1 import Exposition A. Renoir. (Paris), Galeries Durand-Ruel, Mai 1892. In-8°. 48 gen.pp. Ex. op Japans papier, met drie etsen. Orig. half oranje mar. band met hoeken, afgeboord met dubbele vergulde filets, rug op vijf ribben. Schitterend exemplaar. Bijgevoegd: Paul Verlaine, Femmes. Imprimé sous le manteau et ne se vend nulle part. Een van de 480 ex. op Van Gelder, nr. 134. Ingenaaid onder orig. omslag. <br/><br/>PIERRE-AUGUSTE RENOIR (1841-1919) Ex. sur Japon, contenant trois eaux-fortes. Rel. orig. en demi-mar. orange à coins. On y joint: Paul Verlaine, Femmes. Imprimé sous le manteau et ne se vend nulle part. Tir. lim. et num. à la main, un des 480 ex. sur Van Gelder, nr. 134. Broché sous couv. originale. <br/><br/>PIERRE-AUGUSTE RENOIR (1841-1919) Exposition A. Renoir. (Paris), Galeries Durand- Ruel, Mai 1892. In-8°. 48 gen.pp. Ex. op Japans papier, met drie etsen. Orig. half oranje mar. band met hoeken, afgeboord met dubbele vergulde filets, rug op vijf ribben. Schitterend exemplaar. Bijgevoegd: Paul Verlaine, Femmes. Imprimé PIERRE-AUGUSTE sous le manteau et ne se vend nulle part. Een van de 480 ex. 1000 RENOIR (1841-1919) op Van Gelder, nr. 134. Ingenaaid onder orig. omslag. 200 250 (Emile Claus) C. Lemonnier, Emile Claus. Brussel, Van Oest, 1908. In-4°. 71 gen.pp. Een van de 50 luxe ex. op Japans, met originele litho "Hiver". Ingenaaid onder orig. kaft. <br/><br/>EMILE CLAUS (1849-1924) Lithographie originale "Hiver". Dans ex. de tête sur Japon, nr. 23. Broché sous couv. originale. <br/><br/>EMILE CLAUS (1849-1924) "Hiver". EMILE CLAUS (1849- Original lithograph. Included in deluxe copy of the book on 1001 1924) Claus by Camille Lemonnier. 200 300 (Sélection) F.v.d. Berghe. Cahier 12. Sélection. Anvers, Sélection, 1931. In-8°. 136 pp.num. Broché sous couv. originale. On y joint: Ed. Tytgat. Cahier 4. Id., 1928. In-8°. 132 pp.num. Broché sous couv. originale. <br/><br/>(Sélection) F.v.d. Berghe. Cahier 12. Sélection. Anvers, Sélection, 1931. In-8°. 136 pp.num. Broché sous couv. originale. On y joint: Ed. Tytgat. Cahier 4. Id., 1928. In-8°. 132 pp.num. Broché sous couv. originale. <br/><br/>(Sélection) F.v.d. Berghe. Cahier 12. Sélection. Anvers, Sélection, 1931. In-8°. 136 pp.num. Broché sous couv. originale. On y joint: Ed. Tytgat. Cahier 4. Id., 1928. In-8°. 132 pp.num. Broché sous couv. 1002 originale. 100 150 Page 1 import (Vlaminck) Maurice de Vlaminck, En noir et en couleur. Vlaminck auteur et illustrateur. Aux dépens d'un amateur, (1962). In-fol. en ff. 100 pp.num. Tir. lim. et num., ex. marqué "H.S." sur grand vélin d'Arches. Avec toutes les planches dont trois sur double page en couleurs. Couv. orig., chemise et étui. <br/><br/>(Vlaminck) Maurice de Vlaminck, En noir et en couleur. Vlaminck auteur et illustrateur. Aux dépens d'un amateur, (1962). In-fol. en ff. 100 pp.num. Tir. lim. et num., ex. marqué "H.S." sur grand vélin d'Arches. Avec toutes les planches dont trois sur double page en couleurs. Couv. orig., chemise et étui. <br/><br/>(Vlaminck) Maurice de Vlaminck, En noir et en couleur. Vlaminck auteur et illustrateur. Aux dépens d'un amateur, (1962). In-fol. en ff. 100 pp.num. Tir. lim. et num., ex. marqué "H.S." sur grand vélin d'Arches. Avec toutes les planches dont trois sur double page en couleurs. 1003 Couv. orig., chemise et étui. 300 350 (Marini) Patrick Waldberg/ Herbert Read/ G. Di San Lazzaro, Marino Marini, L'Oeuvre Complet. Paris, XXe Siècle, (1970). In-fol. 506 pp.num. Toile beige, sans jaquette. On y joint: Picasso 1900 - 1906. Catalogue raisonné de l'oeuvre peint. Neuchâtel, Editions Ides et Calendes, (1966). In-fol. 344 pp.num. Toile bleue. Sans jaquette. Et: Edgar Degas, The Painter as Printmaker. Boston, The Museum of Fine Arts, 1984. in-4°. Toile brune, jaquette. <br/><br/>(Marini) Patrick Waldberg/ Herbert Read/ G. Di San Lazzaro, Marino Marini, L'Oeuvre Complet. Paris, XXe Siècle, (1970). In-fol. 506 pp.num. Toile beige, sans jaquette. On y joint: Picasso 1900 - 1906. Catalogue raisonné de l'oeuvre peint. Neuchâtel, Editions Ides et Calendes, (1966). In-fol. 344 pp.num. Toile bleue. Sans jaquette. Et: Edgar Degas, The Painter as Printmaker. Boston, The Museum of Fine Arts, 1984. in-4°. Toile brune, jaquette. <br/><br/>(Marini) Patrick Waldberg/ Herbert Read/ G. Di San Lazzaro, Marino Marini, L'Oeuvre Complet. Paris, XXe Siècle, (1970). In-fol. 506 pp.num. Toile beige, sans jaquette. On y joint: Picasso 1900 - 1906. Catalogue raisonné de l'oeuvre peint. Neuchâtel, Editions Ides et Calendes, (1966). In-fol. 344 pp.num. Toile bleue. Sans jaquette. Et: Edgar Degas, The Painter as Printmaker. Boston, The Museum of Fine Arts, 1984. in-4°. Toile brune, 1004 jaquette. 100 150 Page 2 import (Braque) Georges Braque: His Graphic Work. Introduction by Werner Hofmann. New York, Harry N. Abrams Inc., 1961. In- 4°. Black linen, without wrapper. We join: Jean Cassou/ Jean Leymaire, Fernand Léger. Das graphische Werk. Tübingen, Verlag Ernst Wasmuth, (1973). In-4°. 206 numb.pp. orig. grey linen. And: Rouault, Oeuvre gravé. Texte de François Chapon. Monte-Carlo, 1978. In-4°. Grey linen, dust wrapper. And: Maurice de Vlaminck, Verzeichnis des graphischen Werkes. Bern, Benteli Verlag, (1974). In-4°. 280 numb.pp. Brown linen, dust wrapper. <br/><br/>(Braque) Georges Braque: His Graphic Work. Introduction by Werner Hofmann. New York, Harry N. Abrams Inc., 1961. In-4°. Black linen, without wrapper. We join: Jean Cassou/ Jean Leymaire, Fernand Léger. Das graphische Werk. Tübingen, Verlag Ernst Wasmuth, (1973). In-4°. 206 numb.pp. orig. grey linen. And: Rouault, Oeuvre gravé. Texte de François Chapon. Monte- Carlo, 1978. In-4°. Grey linen, dust wrapper. And: Maurice de Vlaminck, Verzeichnis des graphischen Werkes. Bern, Benteli Verlag, (1974). In-4°. 280 numb.pp. Brown linen, dust wrapper. <br/><br/>(Braque) Georges Braque: His Graphic Work. Introduction by Werner Hofmann. New York, Harry N. Abrams Inc., 1961. In-4°. Black linen, without wrapper. We join: Jean Cassou/ Jean Leymaire, Fernand Léger. Das graphische Werk. Tübingen, Verlag Ernst Wasmuth, (1973). In-4°. 206 numb.pp. orig. grey linen. And: Rouault, Oeuvre gravé. Texte de François Chapon. Monte-Carlo, 1978. In-4°. Grey linen, dust wrapper. And: Maurice de Vlaminck, Verzeichnis des graphischen Werkes. Bern, Benteli Verlag, 1005 (1974). In-4°. 280 numb.pp. Brown linen, dust wrapper. 100 150 (de Chirico) George Waldemar, Chirico. Avec des fragments littéraires de l'artiste. Paris, Editions des Chroniques du Jour, 1928. In-4°. 25pp.num. suivis de 30 planches hors-texte. Complet du portrait. Tir.lim.et num. 168/ 500 sur vélin. Couv.d'éd. <br/><br/>(de Chirico) George Waldemar, Chirico. Avec des fragments littéraires de l'artiste. Paris, Editions des Chroniques du Jour, 1928. In-4°. 25pp.num. suivis de 30 planches hors-texte. Complet du portrait. Tir.lim.et num. 168/ 500 sur vélin. Couv.d'éd. <br/><br/>(de Chirico) George Waldemar, Chirico. Avec des fragments littéraires de l'artiste. Paris, Editions des Chroniques du Jour, 1928. In-4°. 25pp.num. suivis de 30 planches hors-texte. Complet du 1006 portrait. Tir.lim.et num. 168/ 500 sur vélin. Couv.d'éd. 250 300 (Alechinsky/ Claus) Europalia 80 Belgique 150 België. Kunstmapje. Volledig met uitvouwbaar ganzebordspel door Alechinsky en Claus. <br/><br/>(Alechinsky/ Claus) Europalia 80 Belgique 150 België. Kunstmapje. Volledig met uitvouwbaar ganzebordspel door Alechinsky en Claus. <br/><br/>(Alechinsky/ Claus) Europalia 80 Belgique 150 België. Kunstmapje. Volledig met uitvouwbaar ganzebordspel 1007 door Alechinsky en Claus. 100 120 Page 3 import (Vostell) Wolf Vostell, Omaggio a Giovanna La Pazza. Napoli, Il Centro, (1980). Loose in-fol. One of the 100 numb. copies, this being, nr. 37. Orig. wrappers. <br/><br/>(Vostell) Wolf Vostell, Omaggio a Giovanna La Pazza. Napoli, Il Centro, (1980). Loose in-fol. One of the 100 numb. copies, this being, nr. 37. Orig. wrappers. <br/><br/>(Vostell) Wolf Vostell, Omaggio a Giovanna La Pazza. Napoli, Il Centro, (1980). Loose in-fol. One of the 100 numb. copies, this being, nr. 37. 1008 Orig. wrappers. 100 120 "Chimériques polymères". Le plastique dans l"art du XXème siècle.Nice, Musée d"Art Moderne et d"Art Contemporain, 1996. In-8°. 254pp.numb. Limited edition of this landmark exhibition on the use of plastic in modern art. Deluxe edition, probably around 100 copies, packed between two plastic works, one by César and one by Arman. Cover damaged. <br/><br/>CESAR (1921-1998)/ ARMAN (1928 - 2005) "Chimériques polymères". Le plastique dans l"art du XXème siècle.Nice, Musée d"Art Moderne et d"Art Contemporain, 1996. In-8°. 254pp.numb. Limited edition of this landmark exhibition on the use of plastic in modern art. Deluxe edition, probably around 100 copies, packed between two plastic works, one by César and one by Arman. Cover damaged. <br/><br/>CESAR (1921-1998)/ ARMAN (1928 - 2005) "Chimériques polymères". Le plastique dans l"art du XXème siècle.Nice, Musée d"Art Moderne et d"Art Contemporain, 1996. In-8°. 254pp.numb. Limited edition of this landmark CESAR (1921-1998)/ exhibition on the use of plastic in modern art. Deluxe edition, ARMAN (1928 - probably around 100 copies, packed between two plastic 1009 2005) works, one by César and one by Arman. Cover damaged. 150 200 (Prince) Richard Prince, Jablonka Galerie, Köln, 1989. Small in-4°. Limited to 500 copies. Catalogue for an exhibition of Prince's photographs and joke paintings at Galerie Jablonka, Köln 1989. One of Prince's early publications. Stapled under orig. covers. Some slight wear to the covers.
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