Focus on the DUTCH SPEAKING PART of BELGIUM Press Review Weekly, Does Not Appear in July • Number 2 • 11 January – 17 January 2003
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import Exposition A. Renoir. (Paris), Galeries Durand-Ruel, Mai 1892. In-8°. 48 gen.pp. Ex. op Japans papier, met drie etsen. Orig. half oranje mar. band met hoeken, afgeboord met dubbele vergulde filets, rug op vijf ribben. Schitterend exemplaar. Bijgevoegd: Paul Verlaine, Femmes. Imprimé sous le manteau et ne se vend nulle part. Een van de 480 ex. op Van Gelder, nr. 134. Ingenaaid onder orig. omslag. <br/><br/>PIERRE-AUGUSTE RENOIR (1841-1919) Ex. sur Japon, contenant trois eaux-fortes. Rel. orig. en demi-mar. orange à coins. On y joint: Paul Verlaine, Femmes. Imprimé sous le manteau et ne se vend nulle part. Tir. lim. et num. à la main, un des 480 ex. sur Van Gelder, nr. 134. Broché sous couv. originale. <br/><br/>PIERRE-AUGUSTE RENOIR (1841-1919) Exposition A. Renoir. (Paris), Galeries Durand- Ruel, Mai 1892. In-8°. 48 gen.pp. Ex. op Japans papier, met drie etsen. Orig. half oranje mar. band met hoeken, afgeboord met dubbele vergulde filets, rug op vijf ribben. Schitterend exemplaar. Bijgevoegd: Paul Verlaine, Femmes. Imprimé PIERRE-AUGUSTE sous le manteau et ne se vend nulle part. Een van de 480 ex. 1000 RENOIR (1841-1919) op Van Gelder, nr. 134. Ingenaaid onder orig. omslag. 200 250 (Emile Claus) C. Lemonnier, Emile Claus. Brussel, Van Oest, 1908. In-4°. 71 gen.pp. Een van de 50 luxe ex. op Japans, met originele litho "Hiver". Ingenaaid onder orig. kaft. <br/><br/>EMILE CLAUS (1849-1924) Lithographie originale "Hiver". Dans ex. de tête sur Japon, nr. 23. Broché sous couv. originale. -
Translated and Edited Publications
Translated and edited publications There are nearly 250 items in this list, including co-translations and revised editions. Editing and translations from German and French are indicated, otherwise the listed publications are translations from Dutch. Katrijn Van Bragt and Sven Van Dorst, Study of a Young Woman: An exceptional glimpse into Michaelina Wautier’s studio (1604–1689) (Phoebus Focus 19) (Antwerp: The Phoebus Foundation, 2020) Leen Kelchtermans, Portrait of Elisabeth Jordaens: Jacob Jordaens’ (1593–1678) tribute to his eldest daughter and country life (Phoebus Focus 18) (Antwerp: The Phoebus Foundation, 2020) Nils Büttner, A Sailor and a Woman Embracing: Peter Paul Rubens (1577–1640) and modern painting (Phoebus Focus 16) (Antwerp: The Phoebus Foundation, 2020) Dina Aristodemo, Descrittione di tutti i Paesi Bassi: Lodovico Guicciardini and the Low Countries (Phoebus Focus 15) (Antwerp: The Phoebus Foundation, 2020) Timothy De Paepe, Elegant Company in a Garden: A musical painting full of sixteenth-century wisdom (Phoebus Focus 9) (Antwerp: The Phoebus Foundation, 2020) Chris Stolwijk and Renske Cohen Tervaert, Masterpieces in the Kröller- Müller Museum (Otterlo: Kröller-Müller Museum, 2020) Maximiliaan Martens et al., Van Eyck: An Optical Revolution (Antwerp: Hannibal, 2020). All the translations from Dutch. Nienke Bakker and Lisa Smit (eds.), In the Picture: Portraying the Artist (Amsterdam: Van Gogh Museum, 2020) Hans Vlieghe, Apollo on His Sun Chariot (Phoebus Focus 8) (Antwerp: The Phoebus Foundation, 2019) Joris Van Grieken, Maarten Bassens, et al., Bruegel in Black & White: The World of Bruegel (Antwerp: Hannibal, 2019). Translation of all but one of the texts. Bert van Beneden (ed.) From Titian to Rubens: Masterpieces from Antwerp and other Flemish Cities (Ghent: Snoeck, 2019); exhibition catalogue Venice, Palazzo Ducale. -
Belgian Polities in 2002
Belgian Polities in 2002 SamDEPAUW Postdoctoral Fellow of the Fund for Scientific Research-Flanders at the Section of Politica/ Sociology of the Katholieke Universiteit Leuven Mark DEWEERDT Politica/ Journalist of De Financieel-Economische Tijd Verhofstadt's cabinet's final year in office has proved to be a difficult one at times . Discord was noticeable between the greens and the other coalition partners. On immigrants' suffrage the Flemish liberals (VLD) and the other partners were poles apart. The slowing economie growth forced the cabinet toa frugal budgetary policy and impeded new initiatives. Corporate taxes were amended and eco-taxation was finally introduced. The implementation of the Lambermont agreement continued and the electoral system and bicameralism were revised. The party system mar/eed a rapprochement of socialists and Spirit (i .e. the farmer Volksunie) in Flanders and greens in Wallonia, the transfer of a number of Spirit MPs to the liberal party, and the francophone Christian democrats' change of name. I. Verhofstadt's second start and the cabinet's Note of Priorities By the end of 2001 Verhofstadt's cabinet appeared to have run out of steam. The slowing economy in the wake of 9/11 restricted public funds and forced the cabinet to cancel new initiatives. Engrossed in the European presidency Verhofstadtwas unable to prevent open discord among the coalition partners over suffrage for immigrants or sentence reduction for 'pentiti'. Rumours of a cabinet reshuffle or even snap elections were particularly persistent. To counter the irnpression that without Christian democrats a cabinet couldn't serve out the whole term Verhofstadt launched a Note of Priorities for the cabinet's remaining 18 months. -
Contemporary Art Market 2011/2012 Le Rapport Annuel Artprice Le Marché De L'art Contemporain the Artprice Annual Report
CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT LES DERNIÈRES TENDANCES - THE LATEST TRENDS / L’ÉLITE DE L’A RT - THE ART ELITE / ART URBAIN : LA RELÈVE - URBAN ART: THE NEXT GENERATION / TOP 500 DES ARTISTES ACTUELS LES PLUS COTÉS - THE TOP-SELLING 500 ARTISTS WORLDWIDE CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT SOMMAIRE SUMMARY THE CONTEMPORARY ART MARKET 2011/2012 Foreword . page 9 THE LATEST TRENDS How well did Contemporary art sell this year? . page 11 Relative global market shares : Asia/Europe/USA . page 12 Competition between Beijing and Hong Kong . page 14 Europe offers both quantity and quality . page 15 Top 10 auction results in Europe . page 16 France: a counter-productive market . page 17 Paris - New York . page 19 Paris-London . .. page 20 Paris-Cannes . page 21 THE ART ELITE The year’s records: stepping up by the millions . page 25 China: a crowded elite . page 26 New records in painting: Top 3 . page 28 The Basquiat myth . page 28 Glenn Brown, art about art . page 29 Christopher Wool revolutionises abstract painting . page 30 New records in photography . page 31 Jeff Wall: genealogy of a record . page 32 Polemical works promoted as emblems . .. page 34 New records in sculpture & installation . page 36 Cady Noland: € 4 .2 m for Oozewald . page 36 Antony Gormley: new top price for Angel of the North at £ 3 4. m . .. page 36 Peter Norton’s records on 8 and 9 November 2011 . -
Antwerp Art Weekend for the Third Time, Art Venues in and Around Antwerp Are Putting Their Hands Together to Celebrate Contem
Antwerp Art Weekend For the third time, art venues in and around Antwerp are putting their hands together to celebrate contem- porary art. Experience the city and its flourishing art scene with over 60 galleries, art spaces, temporary exhibitions and museums during this intense, three day, citywide manifestation. General opening hours: Note: some museums and spaces keep 19 May, Fri 12h − 22h and 20− 21 May, Sa/Su 12h− 18h to their regular opening hours and entrance fees. 1 DE Studio functions as a central location for the Antwerp Art Weekend, hosting exhibitions, talks and the Nacht van de Beeldende Kunst or the Night of the Visual Arts. WAYS OF TELLING Vandaele, Liese Vanhove, Sine Van Menxel and Ken Verhoeven. Inspired by Lis Rhodes ground-breaking 1978 film Light Reading, The party itself is hosted by TRAP, which is a tiny event space in this exhibition brings together moving image works from the LUX central Antwerp with an infinite capacity for all manners of art and collection that engage with storytelling and narrative in complex, music. It is operated, programmed and scrubbed clean by Roman often mysterious ways. Words are seen and heard, uncoded, un- Hiele, Allon Kaye, and Milan Warmoeskerken. done and questioned. Rebelling against the entrapment of lan- TRAP invites musicians Rashad Becker (DE) and Das Ding (NL) to guage, these films invite a constant re-evaluation of what and how perform and TRAP’s DJ’s will be playing all night long. The Night of we see and hear. With works by Beatrice Gibson, Laida Lertxundi, the Visual Arts takes place on Saturday, May 21 and starts at 9pm. -
I Am a Mistake
I am a Mistake A creation by Jan Fabre, Wolfgang Rihm and Chantal Akerman November and December 2007 I. THE PROJECT Jan Fabre has been commissioned by ECHO, the European concert halls organisation, to produce I am a Mistake, a creation in which music, film, dance and theatre are organically fused. A concertante to new music by Wolfgang Rihm for one actor, four dancers of Troubleyn|Jan Fabre, eighteen musicians, with accompaniment from the first note to the last in the form of a film by Chantal Akerman. The Belgian artist Jan Fabre has invited the German composer Wolfgang Rihm to join him for the creation of I am a Mistake. The basis for this creation is an original text by Jan Fabre, entitled I am a Mistake. It is a manifest that amounts almost to a profession of faith by the artist. The blunt confession I am a Mistake is like a mantra that repeats and divides; the voice in this text weaves his web of confessions and meanings, sometimes as a metaphor of an artist sometimes in a protesting tone. Protest against reality and its laws, against matters of fact and their conformism. It comes as no surprise that this piece is dedicated to the subversive film-maker (and amateur entomologist) Luis Buñuel and to Antonin Artaud. I am loyal to the pleasure that is trying to kill me ‘I am a mistake because I shape my life and work organically in accordance with my own judgement with no concern for what one ought to do or say’, this is the artist’s frank summary of his world view. -
2003.11.05 Vreemdelingenstemrecht DV
NATIONAAL SECRETARIAAT - STUDIEDIENST INHOUD 1. Inleiding. 2. 40 jaar vreemdelingenstemrecht: iedereen is medeschuldig. 3. Het vreemdelingenstemrecht in enkele OESO-landen. 4. Het Vlaams Blok en het vreemdelingenstemrecht. 5. De voorstellen van het Vlaams Blok. Madouplein 8, bus 9 - 1210 Brussel - Tel. (02) 219 60 09 - Fax (02) 218 19 58 URL :http://www.vlaamsblok.be - e-mail : [email protected] 1. Inleiding Het regeerakkoord zette de deur reeds wagenwijd open en nu is het zover. Terwijl de VLD in de regeerperiode nog terzijde werd gestaan door Louis Michel zijn het nu de Franstalige liberalen die – in navolging van alle andere Franstalige partijen en de Vlaamse linkse partijen – in de senaat een wetsvoorstel tot toekenning van gemeentelijke vreemdelingenstemrecht hebben ingediend. Dat het vreemdelingenstemrecht een louter Franstalige en linkse eis is, is evenwel een misvatting. Uit de volgende nota blijkt dat elke Vlaamse partij medeschuldig is aan de invoering van het vreemdelingenstemrecht. Het Vlaams Blok is de enige politieke partij die net zoals de meerderheid van de Vlamingen ronduit gekant is tegen het vreemdelingenstemrecht, of het nu op nationaal of op lokaal niveau is. Met het voorstel om de beslissing inzake de toekenning van het vreemdelingenstemrecht over te laten aan de gewesten ontloopt de VLD haar verantwoordelijkheid. Dit voorstel tot ‘regionalisering van het vreemdelingenstemrecht is overigens zowel vanuit politiek – Brussel – als vanuit juridisch oogpunt problematisch. De VLD zette zélf de deur open voor het vreemdelingenstemrecht door haar instemming met het regeerakkoord dat deze beslissing overlaat aan het federaal parlement. De VLD heeft Vlaanderen alweer buitenspel gezet. 2 2. 40 jaar vreemdelingenstemrecht: iedereen is medeschuldig A. -
Belgian Polities in 2001
Belgian Polities in 2001 SamDEPAUW Postdoctora/ Fellow of the Fund for Scientific Research-Flanders at the Section of Politica/ Sociologi; of the Katholieke Universiteit Leuven Mark DEWEERDT Politica/ Journalist of De Financieel-Economische Tijd Throughout 2001 government policy focused on tax reduction, a sustainable health insurance, the reform of the police farces, the elimination of judicia! backlog and the EU presidency. Not without difficulty yet another step was taken in the reform of the state. The government suffered a serious blow, however, by the demise of the national airline carrier, Sabena . 1. Budgetary and Fiscal Policy A. Budgetary Results for 2000 and a twofold Contra/ of the 2001-Budget OnJanuary 5th the ministers of the Budget, Vande Lanotte, and Finance, Reynders, announced that the government (the federal, community, regional, and local governments as wel! as the public bodies involved in social security) had realised a surplus of€ 100 million. For the first time in half a century, the public finances were in equilibrium. Tuis result was better than anticipated by the Stability Programme 2000-2003, arising from a favorable economie trend - the growth rate equalled 4 % rather than the expected 2.5 %-and the ensuing additional revenues. By the end of 2000 the deficit had declined to 110.6 % of GDP. On the other hand, the minor interest in four UMTS-licenses, i.e. third generation radiotelephonic networks, was a setback for the federal government. In 2001 the anticipated proceeds amounted to€ 1 to 1.5 billion, to be used as a starting capita! for the Ageing Fund that would meet the costs of the increasing ageing population (pensions and health insurance) from 2012. -
Belgian Polities in 2005
Belgian Polities in 2005 Sam DEPAUW Postdoctoral Fellow of the Fund for Scientific Research - Flanders at the University of Leuven Mark DEWEERDT Politica! Journalist of De Tijd The first months of 2005 were dominated by the search fora solution to the issue of the Brussels-Halle-Vilvoorde constituency - that was palatable for both the Flemish and francophone political parties. After the government threw in the towel, the focus shifted more to socio-economie issues. Concern over low activity rates among the over-50's led to the presentation of the Generation Pact, but the trade unions refused to endorse it. Throughout the year discord persisted: between the federal and regional govern ments over the Zaventem flight dispersal plans, between the coalition partners over the issue of energy cheques, and within VLD - most notably over the contin ua! refusal to cooperate with Vlaams Belang. 1. Verhofstadt's Government On October 17th Deputy Prime Minister and Minister for the Budget and Public Enterprise Johan Vande Lanotte (SP.A) resigned from the federal government in order to replace Steve Stevaert at the head of the Socialist Party. He was replaced by Freya Van den Bossche as Deputy Prime Minister and Minister for the Bud get - she kept her portfolio of Consumer Affairs. Her portfolio of Employment passed on to Peter Vanvelthoven, who was succeeded in his turn by Bruno Tuy bens as State Secretary for Public Enterprise. Previously, Tuybens had been head of the Sustainable and Socially Responsible Investment Department at KBC Asset Management and a member of the board at Arnnesty International. -
Jan Fabre Cv
JAN FABRE 1958 Antwerp, Belgium Currently lives and works in Antwerp SOLO EXHIBITIONS 2020 Feast of Little Friends, National Museum Belgrade, Serbia The Castles in the Hour Blue, Musée des Beaux Arts, Arrras, France 2019 Oro Rosso, Golden and Coral Sculptures, Blood Drawings, Museo e Real Bosco di Capodimonte, Italy The Man Who Measures the Clouds (Monument to the Measure of the Immeasurable, Garden of the Palazzo Balbi Valier, Canal Grande, 58. Biennale di Venezia, Italy The Rhythm of the Brain, Palazzo Merulana, Rome 2018 My Queens, Royal Museums of Fine Arts of Belgium, Brussels, Belgium Ma nation: l’imagination, the Maeght Foundation, Saint-Paul-de-Vence, France Ecstasy & Oracles, Different locations in Monreale & Agrigento organized by MondoMostre during ‘Palermo – Italian Capital of Culture’ - A Collateral Exhibition of Manifesta 12 -, Sicily, Italy 2017 Glass and Bone Sculptures 1977-2017, L’Abbazia di San Gregorio, 57. Biennale di Venezia, Italy 2016 Spiritual Guards, Forte Belvedere; Piazza della Signoria; Palazzo Vecchio, Florence, Italy Knight of Despair / Warrior of Beauty, The State Hermitage Museum, Saint Petersburg, Russia 2015 Facing Time. Rops/Fabre, Musée Félicien Rops; la Maison de la Culture; Saint-Loup Church, Namur, Belgium 2014 Tribute to Belgian Congo (2010-2013) & Tribute to Hieronymus Bosch in Congo (2011-2013), PinchukArtCentre, Kiev, Ukraine 2013 Stigmata. Actions & Performances 1976-2013, MAXXI, Rome, Italy, 2013 (after the exhibition traveled to M HKA Antwerp, 2015; MAC Lyon, 2016; Leopold Museum Vienna, 2017; CAAC, Sevilla, 2018, …) Hommage à Jérôme Bosch au Congo & Illuminations, Trésors d’enluminures des musées de France & Chalcosoma, Palais des Beaux-Arts, Lille 2012 Chapters I-XVIII. -
Belgium at a Glance
Belgium at a glance Belgium – a bird's eye view Belgium, a country of regions ................................................................ 5 A constitutional and hereditary monarchy .............................................6 A country full of creative talent ............................................................. 7 A dynamic economy ...............................................................................8 Treasure trove of contrasts ...................................................................8 Amazing history! ....................................................................................9 The advent of the state reform and two World Wars ........................... 10 Six state reforms ...................................................................................11 Working in Belgium An open economy .................................................................................13 Flexibility, quality and innovation ..........................................................13 A key logistics country ......................................................................... 14 Scientific research and education .........................................................15 Belgium – a way of life A gourmet experience ...........................................................................17 Fashion, too, is a Belgian tradition ...................................................... 18 Leading-edge design ............................................................................ 19 Folklore and traditions -
Een Onderzoek Naar Vlaamse Schijnverkozenen (1994-2007)
UNIVERSITEIT GENT FACULTEIT POLITIEKE EN SOCIALE WETENSCHAPPEN ’Alle hens aan dek’: een onderzoek naar Vlaamse schijnverkozenen (1994-2007) Wetenschappelijke verhandeling Aantal woorden: 24.999 FREDERIK SCHEERLINCK MASTERPROEF POLITIEKE WETENSCHAPPEN afstudeerrichting NATIONALE POLITIEK PROMOTOR: (PROF.) DR. HERWIG REYNAERT COMMISSARIS: (PROF.) DR. KRISTOF STEYVERS COMMISSARIS: LIC. HILDE VAN LIEFFERINGE ACADEMIEJAAR 2008 - 2009 Inzagerecht in de masterproef (*) Ondergetekende, ……………………………………………………. geeft hierbij toelating / geen toelating (**) aan derden, niet- behorend tot de examencommissie, om zijn/haar (**) proefschrift in te zien. Datum en handtekening ………………………….. …………………………. Deze toelating geeft aan derden tevens het recht om delen uit de scriptie/ masterproef te reproduceren of te citeren, uiteraard mits correcte bronvermelding. ----------------------------------------------------------------------------------- (*) Deze ondertekende toelating wordt in zoveel exemplaren opgemaakt als het aantal exemplaren van de scriptie/masterproef die moet worden ingediend. Het blad moet ingebonden worden samen met de scriptie onmiddellijk na de kaft. (**) schrappen wat niet past ________________________________________________________________________________________ Dankwoord Graag zou ik eerst nog enkele mensen willen bedanken. Laat me beginnen met mijn promotor, prof. dr. Herwig Reynaert. Op het moment dat ik niet meer goed wist wat ik in mijn onderzoek allemaal wou behandelen, was hij er om me in een bepaalde richting te sturen. Daarnaast