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Stakeholder Involvement Work Package 8
Stakeholder Involvement Work Package 8 European Union European Regional Development Fund Kop 2 Fife Coast and Countryside Trust was responsible for the coordination of Work Package 8: “Stakeholder Involvement”. This report was prepared by Julian T. Inglis, Fulcrum Environmental Management, on behalf of the Trust. The thoughts and opinions expressed in this report are those of the author and do not necessarily reflect the views of the Trust or other partners in the SUSCOD project. The author is solely responsible for the accuracy of the information contained in the report. Please send your comments to [email protected] Table of Contents Summary 6 Section 1: Introduction to stakeholder involvement in the SUSCOD project .........................................8 Section 2: Process for developing the final report on stakeholder involvement .............................. 11 Section 3: A typology of the main categories of stakeholder involvement .......................................... 14 a. Partnerships ............................................................................................................................................................. 15 (i) Coastal Partnerships ............................................................................................................................................... 15 Coastal partnerships in Scotland ............................................................................................................... 16 Coastal Partnerships and emerging marine planning partnerships -
STATEMENTS RECEIVED – WECA AUDIT COMMITTEE – 16 OCTOBER 2020 1. Dick Daniel
STATEMENTS RECEIVED – WECA AUDIT COMMITTEE – 16 OCTOBER 2020 1. Dick Daniel – Trams/light rail (Pages 1-13) 2. Dave Redgewell – Transport Issues (Pages 14-15) 3. Christina Biggs – Rail and Transport Issues (Pages 16-18) 4. Andy O’Brien - WECA’s transport thinking and funding strategies (Pages 19-167) STATEMENT 1 – DICK DANIEL I am submitting the BATA reasons for instead investing in a tram / light-rail network for Bristol, Bath and the region. A proposal which will actually get people to switch from cars to trams, as I say in the submission, a switch that has never been demonstrated by buses, we are not against buses, we want buses, we want trams to be the backbone feed and linked to a comprehensive network of bus routes. I have also attached a chart showing the rise in passages numbers of the Manchester tram Metrolink, which has increased the numbers traveling by tram almost every year and now stands at 44.3 million journeys in the 2019/20 financial year. Also a short video of trams in the historic centre of Seville. A more technical document on the 'Technical, sociological and economic reasons why trams are an essential backbone to a bus based transport system’. Best regards Dick Dick Daniel BATA Board Member https://bathtrams.uk 1 BATH AREA TRAMS ASSOCIATION WECA 16th October 2020 The UK now has a growing list of cities and city-regions that has discovered that investing in trams / light-rail pays off. These are following the lead of cities around Europe and the world, including the USA, regions that are at the forefront of taking action on climate change, healthy active citizens and are highly economically productive. -
Intrigued by Flanders
Side panel of the St. Ursula Shrine by Hans Memling (1489) - Memling Museum, Bruges © Tom D’haenens 02 03-07 The heart of Europe The journey in Flanders begins with its content prime location. With easy access to and from Flanders, you’re never far from discovering the region’s riches. 08-25 26-37 Colophon Discover Heritage & Responsible editor: Karl Musschoot, Head of the Communication Division, Flanders contemporary Department of the Services for the General In Flanders, food and cycling are in the Flanders has centuries’ worth of cultural Government Policy, Government of Flanders blood. From the kitchen to the cycle path, heritage gems in the fine arts and architecture, Boudewijnlaan 30, 1000 Brussels Flanders is regarded as a world-class place as well as cutting-edge fashion, design and Graphic design: Tim Bisschop (houtkaaizeven.be) to enjoy an internationally celebrated fine- contemporary arts. And that’s just the Font: Flanders Art, Jo De Baerdemaeker dining experience as well as a trek across beginning. Texts: Robert Fulton the countryside. Printed by: Schaubroeck Printing, Nazareth Coordination: Brand Team Flanders (Leontien Demeyere, Ingrid Van Rintel and Ludwig Van den Meersschaut) In collaboration with: Flanders Investment & Trade, Visit Flanders, Arts Flanders, the Flemish - - Department of Foreign Affairs and the cities 38 53 54 55 of Brussels, Ghent, Leuven, Mechelen, Antwerp and Bruges. Invest in Intrigued Date: February 2015 Depot number: D/2015/3241/050 Flanders. by Flanders Published by © the Government of Flanders Flanders will capture your imagination, Trade with and it won’t let go. There are many ways The publisher has complied with all copyright law provisions, insofar as possible. -
Contemporary Art Market 2011/2012 Le Rapport Annuel Artprice Le Marché De L'art Contemporain the Artprice Annual Report
CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT LES DERNIÈRES TENDANCES - THE LATEST TRENDS / L’ÉLITE DE L’A RT - THE ART ELITE / ART URBAIN : LA RELÈVE - URBAN ART: THE NEXT GENERATION / TOP 500 DES ARTISTES ACTUELS LES PLUS COTÉS - THE TOP-SELLING 500 ARTISTS WORLDWIDE CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT SOMMAIRE SUMMARY THE CONTEMPORARY ART MARKET 2011/2012 Foreword . page 9 THE LATEST TRENDS How well did Contemporary art sell this year? . page 11 Relative global market shares : Asia/Europe/USA . page 12 Competition between Beijing and Hong Kong . page 14 Europe offers both quantity and quality . page 15 Top 10 auction results in Europe . page 16 France: a counter-productive market . page 17 Paris - New York . page 19 Paris-London . .. page 20 Paris-Cannes . page 21 THE ART ELITE The year’s records: stepping up by the millions . page 25 China: a crowded elite . page 26 New records in painting: Top 3 . page 28 The Basquiat myth . page 28 Glenn Brown, art about art . page 29 Christopher Wool revolutionises abstract painting . page 30 New records in photography . page 31 Jeff Wall: genealogy of a record . page 32 Polemical works promoted as emblems . .. page 34 New records in sculpture & installation . page 36 Cady Noland: € 4 .2 m for Oozewald . page 36 Antony Gormley: new top price for Angel of the North at £ 3 4. m . .. page 36 Peter Norton’s records on 8 and 9 November 2011 . -
Annual Report 2017 Report Annual
RAPPORT D’ACTIVITÉ 2017 KEOLIS CONTACT Brand and Communications Department — 20, rue Le Peletier 75320 Paris Cedex 09 – France Tel.: +33 (0)1 71 32 90 00 [email protected] www.keolis.com ANNUAL REPORT 2017 4 TOGE THER WE’RE INNOVATING TO MAKE SHARED MOBILITY MORE ENJOYABLE, MORE INCLUSIVE, MORE SUSTAINABLE AND MORE CONNECTED. 5 TOGE THERPRIORITISING THE WELLBEING OF EACH mobility solutions that meet the needs and PASSENGER BY MAKING SHARED MOBILITY expectations of citizens, and provide an A MORE PLEASANT EXPERIENCE — THAT’S attractive alternative to personal cars. THE AMBITION THAT DRIVES US EVERY DAY Our vision is to deliver the kind of AT KEOLIS. shared mobility that energises devel- opment in each region and addresses To achieve this, we’re applying our rigorous the major economic, social and envi- standards as a pioneer of shared mobility ronmental challenges both for today and our expertise as an operator and and tomorrow, to benefit the three integrator of all modes of transport. We’re billion passengers that we carry each working hard with local decision makers year — and for all other citizens. and other stakeholders to develop tailored 6 – 2017 ANNUAL REPORT – 2017 KEOLIS CONSOLIDATING OUR POSITION IN THE UNITED KINGDOM In 2017, KeolisAmey, the joint venture between Keolis and UK services provider Amey, won the contract to operate Greater Manchester’s Metrolink tram network. With 96km of track and seven lines serving 93 stations, Metrolink is the largest tram system in the United Kingdom. This new 10-year contract further strengthens Keolis’ position in the UK — which is where we began our international development more than 20 years ago. -
Antwerp Art Weekend for the Third Time, Art Venues in and Around Antwerp Are Putting Their Hands Together to Celebrate Contem
Antwerp Art Weekend For the third time, art venues in and around Antwerp are putting their hands together to celebrate contem- porary art. Experience the city and its flourishing art scene with over 60 galleries, art spaces, temporary exhibitions and museums during this intense, three day, citywide manifestation. General opening hours: Note: some museums and spaces keep 19 May, Fri 12h − 22h and 20− 21 May, Sa/Su 12h− 18h to their regular opening hours and entrance fees. 1 DE Studio functions as a central location for the Antwerp Art Weekend, hosting exhibitions, talks and the Nacht van de Beeldende Kunst or the Night of the Visual Arts. WAYS OF TELLING Vandaele, Liese Vanhove, Sine Van Menxel and Ken Verhoeven. Inspired by Lis Rhodes ground-breaking 1978 film Light Reading, The party itself is hosted by TRAP, which is a tiny event space in this exhibition brings together moving image works from the LUX central Antwerp with an infinite capacity for all manners of art and collection that engage with storytelling and narrative in complex, music. It is operated, programmed and scrubbed clean by Roman often mysterious ways. Words are seen and heard, uncoded, un- Hiele, Allon Kaye, and Milan Warmoeskerken. done and questioned. Rebelling against the entrapment of lan- TRAP invites musicians Rashad Becker (DE) and Das Ding (NL) to guage, these films invite a constant re-evaluation of what and how perform and TRAP’s DJ’s will be playing all night long. The Night of we see and hear. With works by Beatrice Gibson, Laida Lertxundi, the Visual Arts takes place on Saturday, May 21 and starts at 9pm. -
I Am a Mistake
I am a Mistake A creation by Jan Fabre, Wolfgang Rihm and Chantal Akerman November and December 2007 I. THE PROJECT Jan Fabre has been commissioned by ECHO, the European concert halls organisation, to produce I am a Mistake, a creation in which music, film, dance and theatre are organically fused. A concertante to new music by Wolfgang Rihm for one actor, four dancers of Troubleyn|Jan Fabre, eighteen musicians, with accompaniment from the first note to the last in the form of a film by Chantal Akerman. The Belgian artist Jan Fabre has invited the German composer Wolfgang Rihm to join him for the creation of I am a Mistake. The basis for this creation is an original text by Jan Fabre, entitled I am a Mistake. It is a manifest that amounts almost to a profession of faith by the artist. The blunt confession I am a Mistake is like a mantra that repeats and divides; the voice in this text weaves his web of confessions and meanings, sometimes as a metaphor of an artist sometimes in a protesting tone. Protest against reality and its laws, against matters of fact and their conformism. It comes as no surprise that this piece is dedicated to the subversive film-maker (and amateur entomologist) Luis Buñuel and to Antonin Artaud. I am loyal to the pleasure that is trying to kill me ‘I am a mistake because I shape my life and work organically in accordance with my own judgement with no concern for what one ought to do or say’, this is the artist’s frank summary of his world view. -
Annual Report 2014
ANNUAL REPORT 2014 OUTLOOK HIGHLIGHTS MANAGEMENT REPORT Consolidated financial statements in accordance with IFRS 2010 2011 2012 2013 2014 Change 2014 to 2013 € million € million € million € million € million € million Revenues 39.1 39.9 44.4 46.3 47.2 +0.9 Gross profit 29.5 30.4 31.8 34.8 37.1 +2.3 Personnel expenses 18.8 19.6 21.4 22.8 23.9 +1.1 EBIT 2.7 2.9 3.4 3.9 4.3 +0.4 EBT 2.5 2.8 3.1 3.6 4.1 +0.5 Consolidated net profit 2.4 2.4 3.6 3.8 4.4 +0.6 Key figures 2010 2011 2012 2013 2014 Equity ratio 58 % 61 % 60 % 55 % 56 % (Equity/total assets) EBT margin 8.6 % 9.1 % 9.6 % 10.3 % 11.1 % (EBT/gross profit) Full-time equivalents 285 295 301 322 332 as annual average Gross profit per FTE 103 103 106 108 112 (in € thousand) Supervisory Board Executive Board Klaus-Gerd Kleversaat Martin Müller-Elschner (Chairman) (Chairman and member until 3 June 2014) Dr Helmut Bergstein Prof Herbert Sonntag Frank Kochanski (until 31 December 2014) (Chairman since 3 June 2014) André Neiss Uli Mayer-Johanssen (since 3 June 2014) Contents Management report 2 Highlights 2014 4 Research and development 12 Personnel 14 Earnings, finances, and assets 16 Outlook 19 Opportunities and risks 20 Events after the reporting date 21 The complete annual financial statements IVU share 22 and management report of IVU Traffic Technologies AG for the financial year Annual financial statements 24 2014 were audited by Ernst & Young GmbH Report of the Supervisory Board 30 Wirtschaftsprüfungsgesellschaft, Berlin, and Supervisory Board, Executive Board, Advisory Board 32 provided with an unqualified audit opinion. -
Meet in Flanders
Quirky Flanders 20 of the region’s oddest or most unexpected activities CONTENT Derek Blyth Author Quirky Flanders 2 / Walk barefoot in Limburg 12 / Discover the new Berlin landers is full of offbeat things to do. 3 / Visit a bizarre Belgian enclave 13 / Take a foodie tour in the Westhoek They can be surprising, sometimes 4 / Walk through a forest that was once 14 / Explore the dark secrets of a Fa little disturbing, but always a battlefield Brabant Castle unexpected. Most are off the beaten track, 5 / Find old Antwerp in a lost Scheldt 15 / Cycle down the golden river away from the crowds, in places that are village 16 / Sneak a look at the forbidden sometimes hard to find. 6 / Follow the Brussels street art trail sculpture 7 / Find the Bruges no one knows 17 / Stroll through eccentric You might need to ask in a local bar 8 / Take the world’s longest tram ride architecture for directions or set off on foot down a 9 / Admire the station that moved 36 18 / Take a night walk in Ghent muddy track. But it’s worth making the metres 19 / Hop on a free bike to explore effort to find them, because they tell you 10 / Wander along Mechelen’s lost river Ostend’s hinterland something about Flanders that you don’t 11 / Visit the world’s most beautiful 20 / Walk under the river in Antwerp read in the guide books or learn from chocolate shop Wikipedia. Quirky Flanders 2 WALK BAREFOOT IN LIMBURG VISIT A BIZARRE BELGIAN ENCLAVE he village of Baarle-Hertog is described as a Belgian enclave within the Nether- Tlands, but it’s a lot more complicated than that. -
1. Oostende, De Haan and the Coast
1. Oostende, De Haan and the coast Let’s start our trip at the coast. The Belgian coastline is hardly 65 kilometer long but going to the seaside has always been a popular day’s outing. So beware: in summer there might be traffic jams towards the coast, especially on sunny weekend days. And in the evening you get the traffic jam back inland. So unless you’re really keen on getting a sun tan (in which case you’d be better off in Spain than in Belgium) you might consider visiting the coast on a rainy day or even in winter. I like the melancholy of the closed shops, the grey skies, and the sad-looking people in the bars and restaurants. I suggest you start the tour of the coast in Oostende . Oostende is one of the oldest cities on the Belgian coast. Leopold II, the second king of Belgium, liked it a lot and gave it some royal grandeur so that Oostende was nicknamed “the queen of the bath cities”. Unfortunately, nowadays these stylish places are enclosed by ugly apartment blocks for tourists – mostly Belgians. Sadly, most other coast towns (like Blankenberge and Zeebrugge) only have the apartment blocks. Every suggested place to go mentioned in this article is easily reached by public transportation. If you decide to come by car you should follow the indications “randparking” if you want to visit Oostende . You can park for free and either walk to the centre in about 10-15 minutes, take a bus or even use a bike for free in summer! In the city parking spaces are scarce and you will have to pay, even on Sunday. -
Jan Fabre Cv
JAN FABRE 1958 Antwerp, Belgium Currently lives and works in Antwerp SOLO EXHIBITIONS 2020 Feast of Little Friends, National Museum Belgrade, Serbia The Castles in the Hour Blue, Musée des Beaux Arts, Arrras, France 2019 Oro Rosso, Golden and Coral Sculptures, Blood Drawings, Museo e Real Bosco di Capodimonte, Italy The Man Who Measures the Clouds (Monument to the Measure of the Immeasurable, Garden of the Palazzo Balbi Valier, Canal Grande, 58. Biennale di Venezia, Italy The Rhythm of the Brain, Palazzo Merulana, Rome 2018 My Queens, Royal Museums of Fine Arts of Belgium, Brussels, Belgium Ma nation: l’imagination, the Maeght Foundation, Saint-Paul-de-Vence, France Ecstasy & Oracles, Different locations in Monreale & Agrigento organized by MondoMostre during ‘Palermo – Italian Capital of Culture’ - A Collateral Exhibition of Manifesta 12 -, Sicily, Italy 2017 Glass and Bone Sculptures 1977-2017, L’Abbazia di San Gregorio, 57. Biennale di Venezia, Italy 2016 Spiritual Guards, Forte Belvedere; Piazza della Signoria; Palazzo Vecchio, Florence, Italy Knight of Despair / Warrior of Beauty, The State Hermitage Museum, Saint Petersburg, Russia 2015 Facing Time. Rops/Fabre, Musée Félicien Rops; la Maison de la Culture; Saint-Loup Church, Namur, Belgium 2014 Tribute to Belgian Congo (2010-2013) & Tribute to Hieronymus Bosch in Congo (2011-2013), PinchukArtCentre, Kiev, Ukraine 2013 Stigmata. Actions & Performances 1976-2013, MAXXI, Rome, Italy, 2013 (after the exhibition traveled to M HKA Antwerp, 2015; MAC Lyon, 2016; Leopold Museum Vienna, 2017; CAAC, Sevilla, 2018, …) Hommage à Jérôme Bosch au Congo & Illuminations, Trésors d’enluminures des musées de France & Chalcosoma, Palais des Beaux-Arts, Lille 2012 Chapters I-XVIII. -
Belgium at a Glance
Belgium at a glance Belgium – a bird's eye view Belgium, a country of regions ................................................................ 5 A constitutional and hereditary monarchy .............................................6 A country full of creative talent ............................................................. 7 A dynamic economy ...............................................................................8 Treasure trove of contrasts ...................................................................8 Amazing history! ....................................................................................9 The advent of the state reform and two World Wars ........................... 10 Six state reforms ...................................................................................11 Working in Belgium An open economy .................................................................................13 Flexibility, quality and innovation ..........................................................13 A key logistics country ......................................................................... 14 Scientific research and education .........................................................15 Belgium – a way of life A gourmet experience ...........................................................................17 Fashion, too, is a Belgian tradition ...................................................... 18 Leading-edge design ............................................................................ 19 Folklore and traditions