DOCSLIB.ORG

I Am a Mistake

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I Am a Mistake I am a Mistake A creation by Jan Fabre, Wolfgang Rihm and Chantal Akerman November and December 2007 I. THE PROJECT Jan Fabre has been commissioned by ECHO, the European concert halls organisation, to produce I am a Mistake, a creation in which music, film, dance and theatre are organically fused. A concertante to new music by Wolfgang Rihm for one actor, four dancers of Troubleyn|Jan Fabre, eighteen musicians, with accompaniment from the first note to the last in the form of a film by Chantal Akerman. The Belgian artist Jan Fabre has invited the German composer Wolfgang Rihm to join him for the creation of I am a Mistake. The basis for this creation is an original text by Jan Fabre, entitled I am a Mistake. It is a manifest that amounts almost to a profession of faith by the artist. The blunt confession I am a Mistake is like a mantra that repeats and divides; the voice in this text weaves his web of confessions and meanings, sometimes as a metaphor of an artist sometimes in a protesting tone. Protest against reality and its laws, against matters of fact and their conformism. It comes as no surprise that this piece is dedicated to the subversive film-maker (and amateur entomologist) Luis Buñuel and to Antonin Artaud. I am loyal to the pleasure that is trying to kill me ‘I am a mistake because I shape my life and work organically in accordance with my own judgement with no concern for what one ought to do or say’, this is the artist’s frank summary of his world view. And the ‘first person’ knows that there is a price to be paid for this: that of gradual self-destruction. This urge for self- affirmation and disregard for man-made and natural laws is made very clear by the repeated and incorrigible smoking on stage and the open praise of the cigarette, despite its harmful effects being known, ‘I am loyal to the pleasure that is trying to kill me’. After a lyrical and delirious monologue this is a certain end, because ‘I am immortal’. Wolfgang Rihm created a composition for a ‘music-infected actor who can speak the words in the context of my music’. The Flemish actress Hilde Van Mieghem will pronounce the text by Jan Fabre. This exceptional collaboration should result in a multidisciplinary performance in which film images, live-music (by the Ensemble Recherche & guests), words, song and dance scenes complement and enhance one another. Chantal Akerman has made a special film on location in Antwerp, with a number of Jan Fabre’s dancers and actors, which will be projected during the concert/performance. 2 II. DISTRIBUTION Text, scenography and direction: Jan Fabre Choreography: Jan Fabre and the dancers Film: Chantal Akerman Musical Composition: Wolfgang Rihm Assistant to Jan Fabre & dramaturgy: Miet Martens Speaking voice: Hilde Van Mieghem Dancers: Sylvia Camarda, Manon Avermaete, Eleonora Mercatali, Tawny Andersen Live Music: Ensemble Recherche: Martin Fahlenbock (flute), Jaime Gonzalez (oboe), Shizuyo Oka (clarinet), Melise Mellinger (violin), Barbara Maurer (viola), Asa Akerberg (cello), Christian Dierstein (percussion), Klaus Steffes- Holländer (piano), Jean-Pierre Collot (piano) Guests : Markus Schwind (trumpet), Andrew Digby (trombone), Laszlo Hudacsek (percussion), Beate Anton (harp), Ulrich Schneider (double bass) Singers: Matthias Horn, Johannes M. Kösters Conductor: Lucas Vis Producer: Troubleyn|Jan Fabre Technical coordination: Geert Van der Auwera Technician: Jeroen Van Esbroeck Production manager: Helga Van den Bossche Stagiaire: Elodie Sicard (dancer) Management Ensemble Recherche: Tanja Ratzke, Beate Rieker, Dr. Sabine Franz Guest transportmanager: Peter Härringer Film direction: Chantal Akerman Image: Raymond Fromont Assistant to Raymond Fromont: Leslie Vandermeulen Editing: Claire Atherton Make up: Gerda Van Hoof Colour correction: Isabelle Laclau Executive Production: Paradise Films, Marilyn Watelet Production: Chemah I.S Technical Equipment: Sylicone, Vidi-Square Additional film performers: Ann Eysermans, Beatrice Kessi, Elodie Sicard, Ivana Jozic, Lie Anthonissen, Lisbeth Gruwez Commissioned and produced by the European Concert Hall Organisation (ECHO) Productie: Troubleyn|Jan Fabre & BOZAR MUSIC Coproductie: BOZAR THEATRE Support: Ernst von Siemens Kunststiftung | European Commission Sponsor: Het Concertgebouw Amsterdam 3 Jan Fabre is ‘artist in residence’ at Kunstencentrum deSingel (Antwerp, BE) Troubleyn|Jan Fabre is supported by the Government of Flanders, the city and the province of Antwerp. The text of Ik ben een fout, theaterscripts & theaterteksten (1975-2004), Jan Fabre was published by Meulenhoff/Manteau, 2004 and by L’Arche in 2005: Je Suis une erreur – Cinq pieces, Jan Fabre. Hilde Van Mieghem is dressed by AF Vandevorst, shoes by Biography. All dancers are dressed by Just in Case. The film was shot on location in Antwerp. Troubleyn|Jan Fabre would like to thank: St-Willibrordus church, Eddy Borry of café ‘De Kroon’, restaurant ‘De Druiventros’, grocery ‘De Bakkerij’. Eleonora Mercatali is supported by: GAI (Giovani Artisti Italiani, IT) 4 III. TOUR DATES Thursday 29-nov-07 Athens: world première – The Athens Concert Hall http://www.megaron.gr Saturday 1-dec-07 Vienna - Wiener konzerhaus http://konzerhaus.at/ Monday 3-dec-07 Amsterdam - Concertgebouw www.thsh.co.uk Thursday 6-dec-07 Birmingham - Symphony Hall www.thsh.co.uk Sunday 9-dec-07 Luxemburg - Philharmonie www.philharmonie.lu Tuesday 11-dec-07 Brussels – Centre for Fine Arts www.bozar.be Saturday 15-dec-07 Cologne - Kölner Philharmonie www.koelner.philharmonie.de Wednesday 19-dec-07 Paris - Cité de la Musique www.cite-musique.fr 5 IV. INTERVIEWS Interview with Jan Fabre I spoke with Jan Fabre in the middle of rehearsals with the dancers and Hilde van Mieghem. Next week, Chantal Akerman will film by night in the vicinity of the Troubleyn/Laboratorium in the Antwerp Seefhoek, the working class district where Jan Fabre was born. After editing, it will be the Ensemble Recherche and Wolfgang Rihm’s turn to rehearse. Then, finally, all the pieces of the puzzle will come together. Jan Fabre is visibly ecstatic about the outstanding combination of artists. On Wolfgang Rihm: “I once put Rihm on the cover of my magazine, Janus, because I thought he was an interesting composer. I discovered his music through Peter Sloterdijk, the writer-philosopher. I worked with the latter, among other things, for my film, The Problem. Sloterdijk is a friend of Wolfgang Rihm’s and the art historian, Hans Belting, who once wrote about my work. Together they constitute the so-called Karlsruhe Schule. It was inevitable that I would one day work together with Wolfgang. There is music throughout the entire performance with Sprechstimme towards the end. Wolfgang Rihm completely analysed the text and has included pronunciation guidelines in his manuscript. He has been very intensely engaged with the project.” On Chantal Akerman: “Chantal and I both had solo exhibitions in Madrid last year. We went to each other’s openings, talked to each other and it clicked. Jeanne Dielman, Toute une nuit, that feeling of night, of loneliness. I saw a nice link between my work and hers and immediately proposed that we do the film together. A great artist.” On Hilde van Mieghem: “I love her intensity, her vivaciousness. I was also looking to insert some distance between myself and the character and thus consciously opted for a woman. She is now turning fifty and has incredible composure and a voice coloured by smoke and booze and that has experienced a lot.” You wrote Ik ben een fout (I am a Mistake) in 1988. Why are you only now bringing the text to the stage? I was just talking to Hilde van Mieghem about that – and I hear the same thing from my assistants: twenty years ago I was an arrogant, young artist who thought he was going to conquer and change the world. In growing older, that ambition has been focussed more on the work than the outside world. There is now a certain distance. Through all that earnest and hard exterior, a sense of humour has started to appear. A lot of the sentences, however, are still to the point I think. “I am a mistake / Because I hate fashion.” Fashion is like the news. Current affairs is fashion, fashion is current affairs. It has to change every day. And that is a very different attitude, a different kind of entry point or undertaking than that of the artist. A different intensity and relationship towards capitalism and the outside world. Fashion is based on the power of the economy. At the academy, the fashion designers, though they had a lot of tricks, had precious little content in my opinion. They just wanted to earn money quickly. Along the way I did, however, develop respect for certain fashion designers. 6 The I-figure has some divine quality. It thinks of itself as immortal and at the same time kills itself by smoking cigarette after cigarette. It is an ode to smoking. All the more reason to produce the performance precisely now. In some small cities in America it is already forbidden to smoke indoors. The smoker has become the Negro of contemporary society. At airports you have to stand in a tiny booth. The artist who stands there smoking knows he will die of cancer and still keeps on smoking. He wants to choose whether and how he will die and what he does. He stands there coughing, wheezing, sweating but he is not sick. He knows perfectly well what he says, does and wants. In that sense, he is a god. Also because he assumes his work will survive him. The text is a plea for individuality. Making one’s own choices, which are not limited by social rules. While artists these days are expected to have a certain social commitment.
Load more

Recommended publications
  • RED SIREN (La Sirène Rouge)
    presenta Jean-Marc Barr Asia Argento in RED SIREN (La Sirène Rouge) un film di Olivier Megaton dal romanzo di Maurice G. Dantec Francia - Colore - 35mm - Scope - Dolby SRD - DTS – 2002 durata: 118 minuti il film su internet: www.mediafilm.it foto e press book in formato digitale: www.image.net Siti internet: www.lasirenerouge.com www.mediafilm.it www.imdb.com UFFICIO STAMPA STUDIO MORABITO Tel. 06 57300825 Fax 06 57300155 1 [email protected] data di uscita: 11 aprile 2 Lei ha dodici anni, una madre spietata e un esercito di assassini alle calcagna Lui ha quarant’anni, è un killer incallito a cui non è rimasto molto da perdere Dopo il loro incontro il corso della loro vita cambierà per sempre… PERSONAGGI E INTERPRETI HUGO Jean-Marc Barr ANITA Asia Argento EVA Frances Barber KOESLER Andrew Tiernan ALICE Alexandra Negrao OLIVEIRA Edouard Montoute VITALI Vernon Dobtcheff TRAVIS Johan Leysen LUCAS Jean-Christophe Bouvet VONDT Carlo Brandt SORVAN François Levantal I REALIZZATORI Regia Olivier Megaton Sceneggiatura Norman Spinrad, Robert Conrath, Alain Berliner e Olivier Megaton Musiche originali Nicolas Bikialo Fotografia Denis Rouden Scenografia Hervé Leblanc Suono Pascal Armant, Alexandre Widmer e François Groult Montaggio Yann Hervé Aiuto regista Franck Vestiel Casting Sylvie Peyrucq e Abi Cohen Costumista Isabelle Fraysse Direttori di produzione Vincent Canart ed Emmanuel Jacquelin Produttore associato Rémi Burah Prodotto da Simon Arnal-Szlovak e Carole Scotta / Haut et Court in coproduzione con Studiocanal e France 2 Cinéma con la partecipazione di Canal + in associazione con Comstock, ltd. 3 LA STORIA Parigi. Alice, dodici anni, va dalla polizia con un DVD che, sostiene, mostra un omicidio commesso dalla madre Eva.
    [Show full text]
  • Flemish Cinema and Film Culture Through South African Eyes
    Flemish Cinema and Film Culture through South African Eyes By Martin P. Botha Fall 2007 Issue of KINEMA THE HERITAGE OF FILM: PERSPECTIVE ON FLEMISH CINEMA AND FILM CUL- TURE THROUGH SOUTH AFRICAN EYES I assisted the Locarno Film festival in 2005 with a retrospective of short films by young South African directors. There I met a very talented, young Flemish director, whose film was by far the best in the one section.(1) It moved me immensely with its honest portrait of alienation and racial discrimination. We had a long discussion on film history, aesthetics and film cultures. We also talked about the historyof film in Belgium and it was noted that while the French speaking side of Belgian cinema had recently received international acclaim (for example, the work by the Dardenne Brothers), Flemish cinema was struggling. In fact, the young filmmaker made the statement that there was little to be excited about in the historyof Flemish cinema. He felt especially that the films about rural communities and most of the historical dramas were not saying much about contemporary Flanders, in particular, the youth. I have heard this argument before, but in a totally different cultural context. Many young, aspiring South African filmmakers have told me there is very little in South African film history which makes themproud of their film culture. For decades South African film culture has been in isolation. The years 1959to1980 were characterised by an artistic revival in filmmaking throughout the world, ranging from exciting political films in Africa and Latin America to examples of great art cinema in Europe and Asia.
    [Show full text]
  • Download (273Kb)
    --~-·-----~-.~-.-. ---·--:-~ ---··---:----. -------:------ _________________:~lff1- STATISTISK TELEGRAM STATISTISCHES TELEGRAMM STATISTICAL TELEGRAM ~ TELEGRAMME STATISTIQUE eurostat TELEGRAMMA STATISTICO STATISTISCH TELEGRAM 17.1.1979 :MONTHLY STATISTICS OF REGISTERED UNEMPLOYED IN THE COMMUNITY DECEMBER 197 8 The situation at the end of December 1978 At the end of December 1978 public employment offices in the Community ·registered 6.1 Mio unemployed, that is 5.7% of the civilian working popula­ tion. Compared to November 1978 the figures show an increase of 1.6%, affecting mainly men and caused by seasonal factors. Seasonally adjusted figures show a slight decrease for the Community as a whole and for those countries which had noticeably hish increases compared with November. The averar{e for the year 1978 The provisional figure for the average number of unemployed in the Community for 1978 is 5 958 000. Compared to 1977- the number of unemployed increased by 3.9%, this increase was however much less important than that from 1976 to 1917 ( + 9.4;~). Some Member-States of the Community sh0\>1 important percentage decreases in the number of their registered unemployed, for instance Ireland (- 7.5%) and the Federal Republic of Germany (- 3.6%). The 1978 figures for the Nether­ lands and the United Kingdom are sl .ghtly belo\·T those for 1971 (- 0.6/u); on the other hand unemployment has increased during 1978 in Luxembourg, in Den­ mark(+ 15.5~), in Italy(+ 9.9~), in France(+ 8.9?'~) and in Belgium(+ 8.4/D). In the Community an average of 5.6% of the civilian working population t-:as registered as unemployed in 1978 (5.3% in 1977).
    [Show full text]
  • Cultural Branding in the Early Modern Period 31 the Literary Author Lieke Van Deinsen and Nina Geerdink
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. https://repository.ubn.ru.nl/handle/2066/232945 Please be advised that this information was generated on 2021-09-24 and may be subject to change. Joosten & Steenmeijer(eds) Dera, den Braber, Van Branding Books Across the Ages Strategies and Key Concepts in Literary Branding Branding Books Across the Ages Across the Books Branding Edited by Helleke van den Braber, Jeroen Dera, Jos Joosten and Maarten Steenmeijer Branding Books Across the Ages Branding Books Across the Ages Strategies and Key Concepts in Literary Branding Edited by Helleke van den Braber, Jeroen Dera, Jos Joosten, and Maarten Steenmeijer Amsterdam University Press This volume is supported by the Stichting Frederik Muller Fonds, the Paul Hazard Stichting, the Radboud Institute for Culture and History, and the Department of Modern Languages and Cultures at Radboud University. The authors thank Demi Schoonenberg and Tommie van Wanrooij for their invaluable help during the editorial process of this book. Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6372 391 6 e-isbn 978 90 4854 440 0 (pdf) doi 10.5117/9789463723916 nur 621 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).
    [Show full text]
  • Bilan 2003 Du Centre Du Cinéma Et De L
    2003 - Bilan en bref Bilan de la production, de la promotion et de la diffusion cinématographiques et audiovisuelles Centre du Cinéma et de l’Audiovisuel Service général de l’Audiovisuel et des Multimédias Ministère de la Communauté française de Belgique TABLE DES MATIÈRES Introduction Le Centre du Cinéma et de l’Audiovisuel : enveloppe budgétaire pour la production audiovisuelle ......................................... 4 1. Bilan de la Commission de Sélection des Films (courts et longs métrages, téléfilms et collections, programmes télévisuels) .................................. 6 1.1 Examen des projets ........................................................................................ 6 1.2 Promesses d’aide sélective attribuées en 2003 ............................................. 7 1.3 Liste des films soutenus ................................................................................. 8 2. Subventions à la diffusion et primes à la qualité ................................................... 16 3. Coproductions entre les producteurs indépendants et les télévisions (RTBF / RTL-TVi / Canal + / AB3) ............................................... 17 4. Ateliers d’accueil, de production et ateliers d’école.............................................. 18 5. Promotion et diffusion ............................................................................................ 18 5.1 Aides à la promotion ..................................................................................... 18 5.2 Aides à la diffusion .......................................................................................
    [Show full text]
  • Don Banks David Morgan Peter Racine Fricker Violin Concertos
    SRCD.276 STEREO ADD Don Banks PETER RACINE FRICKER (1920-1990) David Morgan Concerto for Violin and small Orchestra Op. 11 (1950) (23’25”) 1 1st Movement: Con moto (9’42”) 2 2nd Movement: Andante (5’27”) Peter Racine Fricker 3 3rd Movement: Allegro vivo (8’16”) DAVID MORGAN (1933-1988) Violin Concerto (1966) * (26’02”) 4 1st Movement: Lento – Moderato cantabile – Alla Marcia (11’55”) 5 2nd Movement: Presto energico ma leggieramente (5’07”) Violin Concertos 6 3rd Movement: Lento – Allegro deciso – Con fuoco (9’00”) DON BANKS (1923-1980) Concerto for Violin and Orchestra (1968) (26’55”) 7 1st Movement: Lento – Allegro (9’42”) 8 2nd Movement: Andante cantabile (9’36”) 9 3rd Movement: Risoluto (7’37”) (76’26”) Yfrah Neaman, violin * Erich Gruenberg, violin Royal Philharmonic Orchestra conducted by Norman Del Mar * Vernon Handley The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. Erich Gruenberg • Yfrah Neaman ൿ 1974 * ൿ 1978 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England. This compilation and the digital remastering ൿ 2008 Lyrita Recorded Edition, England. Royal Philharmonic Orchestra © 2008 Lyrita Recorded Edition, England. Lyrita is a registered trade mark. Made in the UK LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita Vernon Handley • Norman Del Mar by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK PETER RACINE FRICKER was born in Ealing on 5 September 1920. His middle name came from his great-grandmother, a direct descendant of the French dramatist.
    [Show full text]
  • Miss Montigny Un Film De Miel Van Hoogenbemt
    Sébastien Delloye , Jani Thiltges, Olivier Charvet présentent Miss Montigny Un film de Miel van Hoogenbemt Avec Sophie Quinton - Ariane Ascaride Johan Leysen Chansons originales : Axelle Red Musique Originale : Molly Nyman & Harry Escott France /Belgique – 2005 - 35mm – Couleurs – 1:85 – 96 minutes – Dolby Digital Sortie nationale : le 2 mai 2007 Distributeur : Floris Films 26, rue de l’Etoile – 75017 Paris – tél : 01 40 68 99 20 – [email protected] Attaché de presse : François Vila 64, rue de Seine – 94140 Alfortville – tél 01 43 96 04 04 – [email protected] Miss Montigny Synopsis A Montigny, Sandrine qui n’a pas encore vingt ans, poursuit un rêve : ouvrir son salon d’esthétique. Sa mère Anna la pousse à fond dans cette voie afin que sa fille réussisse là où elle a échoué. Un jour dans la rue, Sandrine entend parler de l’élection de Miss Montigny. Elle n’hésite qu’un court instant avant de s’inscrire : si elle gagne, elle obtiendra la confiance des banquiers qui jusqu’à présent lui refusent obstinément un prêt. C’est aussi, surtout l’opportunité de devenir quelqu’un de « connu », ce qui ne manquera pas d’attirer les clients. Entretien avec Miel van Hoogenbemt, réalisateur Comment est né le film « Miss Montigny » ? Après avoir fait deux documentaires à Charleroi (‘Un jour ou l’autre’ et ‘Demain est un autre jour’) sur des gens en difficulté financière et donc sociale, et un film sur des élections de Miss à Schaerbeek (‘Miss in Dreams’), j’ai voulu aller plus loin en faisant un long métrage de fiction, ‘Miss Montigny’.
    [Show full text]
  • Johann Streff Book
    The Descendents of Johann Streff 1739 - ???? & Barbara Barthel 1734 - ???? Table of Contents Genealogy of Johann Streff ...................................................................................................................................2 Outline Descendant Tree of Johann Streff...........................................................................................................94 Descendant Tree of Johann Streff......................................................................................................................122 Ancestor Tree of Johann Streff..........................................................................................................................233 Index..................................................................................................................................................................234 1 Johann Streff book Descendants of Johann Streff Generation No. 1 1. Johann4 Streff (Petrus3, Arnold2, Johannes1) was born 23 May 1740 in Luxembourg, and died in Luxembourg. He married Barbara Bartel Abt. 1764, daughter of Nicholas Bartel and Barbara Feltes. She was born 3 Nov 1734 in Novis Adibus, Luxembourg, and died in Luxembourg. More About Johann Streff and Barbara Bartel: Marriage: Abt. 1764 Children of Johann Streff and Barbara Bartel are: 2 i. Theodore5 Streff, born 22 Feb 1766 in Gehaunenbusch, Hostert, Luxembourg; died in Luxembourg. + 3 ii. Peter Streff, born 26 Apr 1768 in Gehaunenbusch, Hostert, Luxembourg; died in Luxembourg. + 4 iii. Michel Streff, born
    [Show full text]
  • Vi Saint Petersburg International New Music Festival Artistic Director: Mehdi Hosseini
    VI SAINT PETERSBURG INTERNATIONAL NEW MUSIC FESTIVAL ARTISTIC DIRECTOR: MEHDI HOSSEINI 21 — 25 MAY, 2019 facebook.com/remusik.org vk.com/remusikorg youtube.com/user/remusikorg twitter.com/remusikorg instagram.com/remusik_org SPONSORS & PARTNERS GENERAL PARTNERS 2019 INTERSECTIO A POIN OF POIN A The Organizing Committee would like to express its thanks and appreciation for the support and assistance provided by the following people: Eltje Aderhold, Karina Abramyan, Anna Arutyunova, Vladimir Begletsov, Alexander Beglov, Sylvie Bermann, Natalia Braginskaya, Denis Bystrov, Olga Chukova, Evgeniya Diamantidi, Valery Fokin, Valery Gergiev, Regina Glazunova, Andri Hardmeier, Alain Helou, Svetlana Ibatullina, Maria Karmanovskaya, Natalia Kopich, Roger Kull, Serguei Loukine, Anastasia Makarenko, Alice Meves, Jan Mierzwa, Tatiana Orlova, Ekaterina Puzankova, Yves Rossier, Tobias Roth Fhal, Olga Shevchuk, Yulia Starovoitova, Konstantin Sukhenko, Anton Tanonov, Hans Timbremont, Lyudmila Titova, Alexei Vasiliev, Alexander Voronko, Eva Zulkovska. 1 Mariinsky Theatre Concert Hall 4 Masterskaya M. K. Anikushina FESTIVAL CALENDAR Dekabristov St., 37 Vyazemsky Ln., 8 mariinsky.ru vk.com/sculptorstudio 2 New Stage of the Alexandrinsky Theatre 5 “Lumiere Hall” creative space TUESDAY / 21.05 19:00 Mariinsky Theatre Concert Hall Fontanka River Embankment 49, Lit A Obvodnogo Kanala emb., 74А ensemble für neue musik zürich (Switzerland) alexandrinsky.ru lumierehall.ru 3 The N. A. Rimsky-Korsakov 6 The Concert Hall “Jaani Kirik” Saint Petersburg State Conservatory Dekabristov St., 54A Glinka St., 2, Lit A jaanikirik.ru WEDNESDAY / 22.05 13:30 The N. A. Rimsky-Korsakov conservatory.ru Saint Petersburg State Conservatory Composer meet-and-greet: Katharina Rosenberger (Switzerland) 16:00 Lumiere Hall Marcus Weiss, Saxophone (Switzerland) Ensemble for New Music Tallinn (Estonia) 20:00 New Stage of the Alexandrinsky Theatre Around the Corner (Spain, Switzerland) 4 Vyazemsky Ln.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 124, 2004-2005
    2004-2005 SEASON BOSTON SYM PHONY ORCHESTRA JAMES LEVINE m *x 553 JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty d harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC Priced from $1,725,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR a/ Jisner JH:ill BROOKLINE CORTLAND SOTHEBY'S Hammond PROPERTIES INC. International Realty REAL ESTATE m4WH "nfaBBOHnirAn11 Hfl Partners McLean Hospital is the largest psychiatric facility of Harvard Medical School, an affiliate HEALTHCARE of Massachusetts General Hospital and a member of Partners HealthCare. REASON #11 open heart surgery that's a lot less open There are lots of reasons to consider Beth Israel Deaconess Medical Center for your major medical care. Like minimally invasive heart surgery that minimizes pain, reduces cosmetic trauma and speeds recovery time. From cardiac services and gastroenterology to organ transplantation and cancer care, you'll find some of the most cutting-edge medical advances available anywhere. To find out more, visit www.bidmc.harvard.edu or call 800-667-5356. Israel A teaching hospital of Beth Deaconess Harvard Medical School Medical Center Affiliated Re with Joslin Clinic | A Research Partner of the Dana-Farber/Harvard Cancer Center | Official Hospital of the Boston ^^^^^^^^^^^1 James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 124th Season, 2004-2005 Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Late Fall 2020 Classics & Jazz
    Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases.
    [Show full text]
  • À Pas De Loup OLIVIER RINGER
    PRODUCTIONS TERMINÉES 77’, Scope, coul. OU EN POSTPRODUCTION 6 à pas de loup OLIVIER RINGER Fr. Comme chaque week-end, Cathy, En. Just like every weekend, Cathy, Fiche technique : Réalisation : Olivier une petite fille de six ans, doit ac- a six-year-old girl, has to accompany Ringer ~ Scénario : Yves Ringer et Oli- compagner ses parents à la campa- her parents on a trip to the coun- vier Ringer ~ Musique originale : Bruno Alexiu ~ Montage : Olivier Ringer ~ Son : gne. Elle est sans enthousiasme car tryside. She is not very enthusiastic, Vincent Mauduit ~ Producteurs : Yves Ringer elle a le sentiment de ne pas exister since she feels that she doesn’t exist et Antoine Simkine ~ Interprétation : Wynona dans le regard de son père et de in the eyes of her father and mother. Ringer sa mère. Le week-end serait aussi The weekend would have been as Production : Ring Prod, Les Films d’Antoine morne que d’habitude si, à la ferme, drab as usual if an old day labourer Cathy n’avait pas reçu des graines hadn’t given Cathy some “magic” Filmographie : (1986) Haute pression “magiques” des mains d’un vieux beans. Curious and excited, she (cm) ~ (1988) Good (cm) ~ (1996-2002) Les travailleur journalier. Curieuse et decides not to go home when the Guignols de l’info (TV) ~ (1998-2001) La Planète Donkey Kong (TV) ~ (1989) Outremer excitée, elle décide de ne pas repartir weekend ends, so that she can watch (Bernard Lavilliers) (vidéoclip) ~ (1991) lorsque la fin du week-end arrive the seeds germinate. All alone, Cathy Emmenez-moi (Philippe Russo) ~ (2003) Non pour pouvoir observer les germes realizes that her parents are worried non rien n’a changé (Flint) (vidéoclip) ~ (2006) qui commencent à pointer.
    [Show full text]