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2004-2005 SEASON BOSTON SYM PHONY ORCHESTRA JAMES LEVINE m *x 553 JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty d harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC Priced from $1,725,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR a/ Jisner JH:ill BROOKLINE CORTLAND SOTHEBY'S Hammond PROPERTIES INC. International Realty REAL ESTATE m4WH "nfaBBOHnirAn11 Hfl Partners McLean Hospital is the largest psychiatric facility of Harvard Medical School, an affiliate HEALTHCARE of Massachusetts General Hospital and a member of Partners HealthCare. REASON #11 open heart surgery that's a lot less open There are lots of reasons to consider Beth Israel Deaconess Medical Center for your major medical care. Like minimally invasive heart surgery that minimizes pain, reduces cosmetic trauma and speeds recovery time. From cardiac services and gastroenterology to organ transplantation and cancer care, you'll find some of the most cutting-edge medical advances available anywhere. To find out more, visit www.bidmc.harvard.edu or call 800-667-5356. Israel A teaching hospital of Beth Deaconess Harvard Medical School Medical Center Affiliated Re with Joslin Clinic | A Research Partner of the Dana-Farber/Harvard Cancer Center | Official Hospital of the Boston ^^^^^^^^^^^1 James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 124th Season, 2004-2005 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Edward Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Eric D. Collins Edmund Kelly Edward I. Rudman George D. Behrakis Diddy Cullinane, George Krupp Hannah H. Schneider Gabriella Beranek ex-officio R. Willis Leith, Jr. Thomas G. Sternberg Mark G. Borden William R. Elfers Nathan R. Miller Stephen R. Weber Jan Brett Nancy J. Fitzpatrick Richard P. Morse Stephen R. Weiner Samuel B. Bruskin Charles K. Gifford Donna Riccardi, Robert C. Winters Paul Buttenwieser Thelma E. Goldberg ex-officio James F. Cleary Life Trustees Vernon R. Alden Julian Cohen Edna S. Kalman Peter C. Read David B. Arnold, Jr. Abram T. Collier George H. Kidder Richard A. Smith J. P. Barger Mrs. Edith L. Dabney Harvey Chet Krentzman Ray Stata Leo L. Beranek Nelson J. Darling, Jr. Mrs. August R. Meyer John Hoyt Stookey Deborah Davis Berman Mrs. John H. Fitzpatrick Mrs. Robert B. Newman John L. Thorndike Jane C. Bradley Dean W. Freed William J. Poorvu Dr. Nicholas T. Zervas Helene R. Cahners Avram J. Goldberg Irving W Rabb Other Officers of the Corporation Mark Volpe, Managing Director Thomas D. May, Chief Financial Officer Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Diddy Cullinane, Chair Helaine B. Allen George M. Elvin Robert J. Lepofsky Carol Reich Joel B. Alvord John P. Eustis II Christopher J. Lindop Alan Rottenberg Marjorie Arons-Barron Pamela D. Everhart Shari Loessberg Joseph D. Roxe Diane M. Austin Judith Moss Feingold Edwin N. London Michael Ruettgers Lucille M. Batal Lawrence K. Fish Jay Marks Kenan Sahin Maureen Scannell Myrna H. Freedman Jeffrey E. Marshall Arthur I. Segel Bateman Dr. Arthur Gelb Carmine Martignetti Ross E. Sherbrooke Milton Benjamin Stephanie Gertz Joseph B. Martin, M.D. Gilda Slifka George W. Berry Jack Gill Robert J. Mayer, M.D. Christopher Smallhorn James L. Bildner Robert P. Gittens Thomas McCann Charles A. Stakeley Bradley Bloom Paula Groves Joseph C. McNay Jacquelynne M. Alan Bressler Michael Halperson Albert Merck Stepanian Michelle Courton Brown Ellen T Harris Dr. Martin C. Mihm, Jr. Patricia L. Tambone William Burgin Virginia S. Harris Robert Mnookin Wilmer Thomas Rena F Clark Deborah M. Hauser Paul M. Montrone Samuel Thorne Carol Feinberg Cohen Carol Henderson Robert J. Morrissey Diana Osgood Mrs. James C. Collias Richard Higginbotham Robert T O'Connell Tottenham Charles L. Cooney Phyllis S. Hubbard Norio Ohga Loet A. Velmans Ranny Cooper Roger Hunt Louis F. Orsatti Paul M. Verrochi Martha H.W. William W Hunt Joseph Patton Matthew Walker Crowninshield Ernest Jacquet Ann M. Philbin Larry Weber Cynthia Curme Charles H. Jenkins, Jr. May H. Pierce Robert S. Weil James C. Curvey Michael Joyce Joyce L. Plotkin David C. Weinstein Tamara P. Davis Martin S. Kaplan Dr. John Thomas James Westra Mrs. Miguel de Stephen Kay Potts, Jr. Mrs. Joan D. Wheeler Braganga Cleve L. Killingsworth Dr. Tina Young Reginald H. White Disque Deane Douglas A. Kingsley Poussaint Richard Wurtman, M.D. Betsy P. Demirjian Robert Kleinberg Millard H. Pryor, Jr. Dr. Michael Zinner Paul F. Deninger Dr. Arthur R. Kravitz Patrick J. Purcell D. Brooks Zug Alan Dynner BMHHN Overseers Emeriti Caroline Dwight Bain Mrs. James GarivaLtis Mrs. Gordon F. Robert E. Remis Sandra Bakalar Mrs. Kenneth J. Kingslej Mrs. Peter van S. Hire William M. Bulger Germeshausen Da\ id 1. Kosov skj John K\ Kodgers Mrs. 1 o\ in H. Campbell Jordan Golding Robert K. Kraft Mrs. Jerome Rosenfeld Earle M. Chiles Mark H. Goldweitz Benjamin 11.1 ac) Roger \. Saunders Joan R Curhan Mrs. Haskell K. Mrs. William D. Larkin Lynda \nne Schubert Phyllis Curtin Gordon Hart 0. Leavitt Mrs. Carl Shapiro Susan D. Hall Jo Vnno Walton Frederick H. 1 . Scoti Singleton Dickinson John Hamill Lovejoy, Jr. Mrs. Mieho Spring Mrs. Hill Ph) His Dohanian Elichard D. Piano 11.1 .upean Mrs. Arthur I. Strang Goetz B. Eaton Glen H. Hiner Mrs. Charles P. Lyman Robert \. Wells Harriott Eckstein ManK n Brachman Mrs. Harry L. Marks Mrs. Thomas H.R Edward Eskandarian 1 lotltnan C. Charles Marran Whitney J. Richard Fennel! Lolajaffe Barbara Maze Margaret Williams- Peter H.B. H. Eugene Jones Hanae Mori DeCelles Frelinghuysen Mrs. S. Charles Kasdon Mrs. Hiroshi 11. Nishino Mrs. Donald B. Wilson Mrs. Thomas Elichard 1 . Kaye John A. Perkins Mrs. John J. Wilson Galligan, Jr. Daphne Brooks Prout Officers of the Boston Symphony Association of Volunteers Donna Riccardi, President Ursula Ehret-Dichter, Executive Vice-President/ Ann M. Philbin, President-Elect Tanglewood Olga rurcotte, Executive Vice-President/ Patricia \. Kavanagh, Secretary Administration W illiam A. Along. Treasurer Linda M. Sperandio, Executive Vice-President/ Judy Barr, dominating Chair Fundraising W illiam S. Ballen, Tanglewood Audley H. Fuller. Membership Lisa A. Mafrici, Public Relations Melinda Brown, Resource Lillian Katz, Hall Services Leah Weisse, Symphony Shop Development James M. Labraieo. Special Staffing Jerry Dreher, Education and Projects Outreach Table of Contents BSO News 5 On Display at Symphony Hall 6 New to the BSO' .' 10 Don Quixote in Music, by Helen M. Greenwald 13 BSO Music Director James Levine 16 The Boston Symphony Orchestra 18 This Week's Boston Symphony Orchestra Program 21 Notes on the Program 23 Featured Artists 49 Future Programs 76 Symphony Hall Exit Plan 78 Symphony Hall Information 79 This week s Pre-Concert Talks are given by Harlow Robinson. Northeastern University. Program copyright ^2005 Boston Symphony Orchestra. Inc. Cover design by Sametz Blackstone Associates, Boston Cover photograph by Michael Luteh Adminihtration Mark Vblpe, Managing Director Eunice and Julian Cohen Managing Directorship, fullyfunded in perpetuity Tony Beadle, Manager. Boston Pops Peter Miniohiello, Director ofDevelopment Anthony Fogg, Artistic Administrator Kirn Noltemy, Director cfSales and Marketing Marion Gardner-Saxe, Director ofHuman Resources Caroline Taylor, Senior Advisor to the Ellen Highstein. Director <>f Tonglewood Music Center Managing Director Thomas \). May, Chief Flnan/:isd Offaer Ray F. WeJlbaurn, Orchestra Manager ADMINISTRATIVE STAFF/ARTTS1 IC Bridget P. Carr, Archivist-Position endowed by Caroline Dwighi Bam • Karen Leopardi, drtu* Assistant • Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director/Manager ofBoard Administration • Alexander Steinbeis, Assistant Artistic Administrator ADMINISTRATIVE STAFF/PRODUCTION Christopher W. Ruigomez, Operations Manager Felicia A. Burrey, Chorus Manager • rl.R. Costa, Technical Supervisor • Keith Elder, Production Coordinator • Jake Moerschel, Stage Technician • John Morin, Stage Technician • Mark C. Rawson. Stage Technician • Anna Stowe, Assistant Chorus Manager • Timothy Tsukamoto, Orchestra Personnel Coordinator BOSTON POPS Dennis Alves, Director cfArtistic Programming Sana Gimenez, Operations Manager • Sheri Goldstein, Personal Assistant to the Conductor • Julie Knippa, Administration Coordinator • Margo Saulnier, Artlstl/; Coordinator BUSINESS OFFICE Sarah J. Harrington, Director of Planning and Budgeting Pam Wells, Controller Lamees Al-Noman, C'as/i Accountant • Yaneris Briggs, Accounts Payable Supervisor • Theresa Colvin, Staff Accountant • Michelle Creen, Executive Assistant to the ChiefFinancial Offuxr • Minnie Kvvon, Payroll Assistant • Y. Ceorges Minyayluk, Seni/jr Investment Accountant • John O'Callaghan, Payroll Supervisor • Mary Park, Budget Analyst • Harriet Prout, Accounting
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  • Ferienkurse Für Internationale Neue Musik, 25.8.-29.9. 1946

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    Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946 Seminare der Fachgruppen: Dirigieren Carl Mathieu Lange Komposition Wolfgang Fortner (Hauptkurs) Hermann Heiß (Zusatzkurs) Kammermusik Fritz Straub (Hauptkurs) Kurt Redel (Zusatzkurs) Klavier Georg Kuhlmann (auch Zusatzkurs Kammermusik) Gesang Elisabeth Delseit Henny Wolff (Zusatzkurs) Violine Günter Kehr Opernregie Bruno Heyn Walter Jockisch Musikkritik Fred Hamel Gemeinsame Veranstaltungen und Vorträge: Den zweiten Teil dieser Übersicht bilden die Veranstaltungen der „Internationalen zeitgenössischen Musiktage“ (22.9.-29.9.), die zum Abschluß der Ferienkurse von der Stadt Darmstadt in Verbindung mit dem Landestheater Darmstadt, der „Neuen Darmstädter Sezession“ und dem Süddeutschen Rundfunk, Radio Frankfurt, durchgeführt wurden. Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit So., 25.8. Erste Schloßhof-Serenade Kst., 11.00 Ansprache: Bürgermeister Julius Reiber Conrad Beck Serenade für Flöte, Klarinette und Streichorchester des Landes- Streichorchester (1935) theaters Darmstadt, Ltg.: Carl Wolfgang Fortner Konzert für Streichorchester Mathieu Lange (1933) Solisten: Kurt Redel (Fl.), Michael Mayer (Klar.) Kst., 16.00 Erstes Schloß-Konzert mit neuer Kammermusik Ansprachen: Kultusminister F. Schramm, Oberbürger- meister Ludwig Metzger Lehrkräfte der Ferienkurse: Paul Hindemith Sonate für Klavier vierhändig Heinz Schröter, Georg Kuhl- (1938) mann (Kl.) Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit Hermann Heiß Sonate für Flöte und Klavier Kurt Redel (Fl.), Hermann Heiß (1944-45) (Kl.) Heinz Schröter Altdeutsches Liederspiel , II. Teil, Elisabeth Delseit (Sopr.), Heinz op. 4 Nr. 4-6 (1936-37) Schröter (Kl.) Wolfgang Fortner Sonatina für Klavier (1934) Georg Kuhlmann (Kl.) Igor Strawinsky Duo concertant für Violine und Günter Kehr (Vl.), Heinz Schrö- Klavier (1931-32) ter (Kl.) Mo., 26.8. Komponisten-Selbstporträts I: Helmut Degen Kst., 16.00 Kst., 19.00 Einführung zum Klavierabend Georg Kuhlmann Di., 27.8.
  • CUL Keller Archive Catalogue

    CUL Keller Archive Catalogue

    HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles.
  • Composer Brochure

    Composer Brochure

    CARTER lliott E composer_2006_01_04_cvr_v01.indd 2 4/30/2008 11:32:05 AM Elliott Carter Introduction English 1 Deutsch 4 Français 7 Abbreviations 10 Works Operas 12 Full Orchestra 13 Chamber Orchestra 18 Solo Instrument(s) and Orchestra 19 TABLE TABLE OF CONTENTS Ensemble and Chamber without Voice(s) 23 Ensemble and Chamber with Voice(s) 30 Piano(s) 32 Instrumental 34 Choral 39 Recordings 40 Chronological List of Works 46 Boosey & Hawkes Addresses 51 Cover photo: Meredith Heuer © 2000 Carter_2008_TOC.indd 3 4/30/2008 11:34:15 AM An introduction to the music of Carter by Jonathan Bernard Any composer whose career extends through eight decades—and still counting—has already demonstrated a remarkable staying power. But there are reasons far more compelling than mere longevity to regard Elliott Carter as the most eminent of living American composers, and as one of the foremost composers in the world at large. His name has come to be synonymous with music that is at once structurally formidable, expressively extraordinary, and virtuosically dazzling: music that asks much of listener and performer INTRODUCTION alike but gives far more in return. Carter was born in New York and, except during the later years of his education, has always lived there. After college and some postgraduate study at Harvard, like many an aspiring American composer of his generation who did not find the training he sought at home, Carter went off to Paris to study with Nadia Boulanger, an experience which, while enabling a necessary development of technique, also lent his work a conservative, neoclassical style for a time.