MGL- INT 2 -2018 UNPAID SHAREHOLDERS LIST AS on 31-03-2021.Xlsx
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1. Textbook Regimes: Overall Analysis
TEXTBOOK REGIMES a feminist critique of nation and identity an overall analysis Research Team Dipta Bhog Disha Mullick Purwa Bharadwaj Jaya Sharma Project Coordinator Dipta Bhog CONTENTS Gender in Education: Opening up the Field 1 An Analysis of Language Textbooks 32 Prologue 33 Forging a Vocabulary for the Nation 39 The Tussle between Tradition and Modernity 75 Romantic Visions of Labour: Class and Gender in the Textbook 99 Textbook Patterns of Violence 111 Marking the Body 127 An Analysis of Social Science Textbooks 142 Interrogating Power in History 143 Locked Within Colonial and Development Paradigms: A Reading of Geography Textbooks 193 Creating the Male and Female Citizen: The Norm of Civics Textbooks 209 An Analysis of Moral Science, Physical and Adolescent Education Textbooks 220 References 265 Annexures 1. Parliamentary Debate on Hindi Textbooks 269 2. Press Statement on NACO Adolescence Education material 271 3. Tables for Analysis of Textbooks 274 4. Textbooks Analysed 283 5. Research Partners 290 An Overall Analysis 1 Gender in Education: Opening up the Field … I am your mother. Not only yours, but also the mother of your ancestors. I am Ganga. Ganga, meaning, I give speed to that which can move even a little. I have descended on this earth primarily to give speed, that is why I am named Ganga. I desire to serve others incessantly… I bear witness - to penance and meditation [sadhana], to the sacrifice of lives into the holy fire for the protection of the country, and to the service of those who are troubled and poor. On my banks, a great civilisation has grown because of these sacrificial ascetics, and I have seen myself as an intrinsic part of this civilisation. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks
www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks CF, All letters to A 1 Bengali Many Others 75 RBVB_042 Rabindranath Tagore Vol-A, Corrected, English tr. A Flight of Wild Geese 66 English Typed 112 RBVB_006 By K.C. Sen A Flight of Wild Geese 338 English Typed 107 RBVB_024 Vol-A A poems by Dwijendranath to Satyendranath and Dwijendranath Jyotirindranath while 431(B) Bengali Tagore and 118 RBVB_033 Vol-A, presenting a copy of Printed Swapnaprayana to them A poems in English ('This 397(xiv Rabindranath English 1 RBVB_029 Vol-A, great utterance...') ) Tagore A song from Tapati and Rabindranath 397(ix) Bengali 1.5 RBVB_029 Vol-A, stage directions Tagore A. Perumal Collection 214 English A. Perumal ? 102 RBVB_101 CF, All letters to AA 83 Bengali Many others 14 RBVB_043 Rabindranath Tagore Aakas Pradeep 466 Bengali Rabindranath 61 RBVB_036 Vol-A, Tagore and 1 www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks Sudhir Chandra Kar Aakas Pradeep, Chitra- Bichitra, Nabajatak, Sudhir Vol-A, corrected by 263 Bengali 40 RBVB_018 Parisesh, Prahasinee, Chandra Kar Rabindranath Tagore Sanai, and others Indira Devi Bengali & Choudhurani, Aamar Katha 409 73 RBVB_029 Vol-A, English Unknown, & printed Indira Devi Aanarkali 401(A) Bengali Choudhurani 37 RBVB_029 Vol-A, & Unknown Indira Devi Aanarkali 401(B) Bengali Choudhurani 72 RBVB_029 Vol-A, & Unknown Aarogya, Geetabitan, 262 Bengali Sudhir 72 RBVB_018 Vol-A, corrected by Chhelebele-fef. Rabindra- Chandra -
Western Influences on the Three Bengali Poets of the 30S Sultana Jahan
International Journal of English Literature and Social Sciences (IJELS) Vol-3, Issue-2, Mar - Apr, 2018 https://dx.doi.org/10.22161/ijels.3.2.6 ISSN: 2456-7620 Western Influences on the three Bengali Poets of the 30s Sultana Jahan Assistant Professor, Department of English Language and Literature, International Islamic University Chittagong, Bangladesh Abstract— Modernism came to exercise an influence in Bangladesh's poets in the way it once did with Baudelaire and Eliot. For these western poets, the romantic notion was replaced with desperation and despondency and loneliness of modern minds. JibanadaDas, Budda Dev Bose, shudindranath Dutt, Amiochacrabarti, and Bishnudey, all of them being the professors of English Literature, successfully incorporated Western Modernist outlook with a view to shaking off Tagore’s romantic perception.They were much influenced by French imagist and symbolist movement, French surrealist poets, Garman expressionist poets and other modernists. Sometimes they incorporates Eatsian ideology, sometimes they followed Eliotic view, and sometimes they followed Marxist Theory or Freudian psychoanalysis. Though, these modernist poets take on different styles and ways to reveal the alienation, hypocrisy and anxiety of modern man, they perceive the fact that to reflect the post-war modern world, there is no alternative of discarding romantic notion about life. This paper will shed light on three poets, Jibananda Das, AmioCakrabarti, and BishnuDey and the Western Modernist philosophy that has molded their poetic career. Keywords— creative violence, impressionism, surrealism, agnosticism. “The practice of Rabindranath is poetry became unsuccessful to give solace to the mind of Bengali poets. At least, a few important Bengali poets tried to step aside and avoid Rabindranath and welcomed the positive or negative vision of Mallarme, Paul Verlaine, Rossenr, Yeats or Eliot.” (Das, Kabitar Katha, p. -
ANNUAL REPORT 2016 15 March Final.Pdf
INDIA INTERNATIONAL CENTRE 2015-2016 INDIA INTERNATIONAL CENTRE Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) B.N. Srikrishna Prof. M.G.K. Menon Mr. Vipin Malik Dr. (Smt.) Kapila Vatsyayan Dr. R.K. Pachauri Mr. N.N. Vohra Executive Committee Mr. Soli J. Sorabjee, Chairman Mr. K.N. Rai Air Marshal Naresh Verma (Retd.), Director Mr. Suhas Borker Cmde. Ravinder Datta, Secretary Smt. Shanta Sarbjeet Singh Mr. Dhirendra Swarup, Hony. Treasurer Dr. Surajit Mitra Mr. K. Raghunath Dr. U.D. Choubey Finance Committee Justice (Retd.) B.N. Srikrishna, Chairman Air Marshal Naresh Verma (Retd.), Director Dr. U.D. Choubey Cmde. Ravinder Datta, Secretary Mr. Rajarangamani Gopalan Mr. Ashok K. Chopra, CFO Mr. Dhirendra Swarup, Hony. Treasurer Medical Consultants Dr. K.A. Ramachandran Dr. Rita Mohan Dr. Mohammad Qasim Dr. Gita Prakash IIC Senior Staff Ms Omita Goyal, Chief Editor Ms Hema Gusain, Purchase Officer Dr. S. Majumdar, Chief Librarian Mr. Vijay Kumar Thukral, Executive Chef Mr. Amod K. Dalela, Administration Officer Mr. Inder Butalia, Sr. Finance & Accounts Officer Ms Premola Ghose, Chief, Programme Division Mr. Rajiv Mohan Mehta, Manager, Catering Mr. Arun Potdar, Chief, Maintenance Division Annual Report 2015–2016 This is the 55th Annual Report of the India International Centre for the year commencing 1 February 2015 to 31 January 2016. It will be placed before the 60th Annual General Body Meeting of the Centre, to be held on 31 March 2016. Elections to the Executive Committee and the Board of Trustees of the Centre for the two-year period, 2015–2017, were initiated in the latter half of 2014. -
Man's Quest for the Meaning of Life in Jibanananda
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 19 Issue 8 Version 1.0 Year 2019 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X ‘Neither Peace nor Love or Dream’: Man’s Quest for the Meaning of Life in Jibanananda By Biswarup Das Abstract- The primary quest of humanity is for happiness and the meaning of life. Most people throughout life remain unaware of the ‘individual self,’ the foundation of one’s identity, and tread on the known ways of the society to make life meaningful. Consequently, the ‘being’ of such a person fails to come to existence. Only a few are ever able to become conscious of this ‘self’ in moments of pure reflection enabled by a complete divorce from the social presence. The consciousness leads to a concurrent awareness of the meaninglessness of the world and the true concept of freedom. Freedom fetches agony with the realization of the sole responsibility of one’s choice. A person is then either on the way to construct the meaning of life and find happiness in a personalized way or get crushed at the burden of his anguish. The consciousness of the individual self, the awareness of personal freedom in a fundamentally meaningless world, and the consequence of this consciousness in both its aspects – all the facets of man’s existential problem have been portrayed in the lines of the great Bengali poet Jibanananda Das (1899 – 1954) with poignancy and vividness. We can, at the same time, parallel the situation presented in his poetry with his personal life. -
700020 CLASS 8 SYLLABUS 2018-2019 English I
THE BGES SCHOOL 12B, HEYSHAM ROAD KOLKATA – 700020 CLASS 8 SYLLABUS 2018-2019 English I (Based on new curriculum issued by the council for the Indian School Certificate Examination, New Delhi First – Edition Nov 2016, Published by RDCD) First Term Syllabus 1. The Sentence: Definition, Statements, Interrogative Sentences, Imperative Sentences, Exclamatory Sentences. 2. Subject and Predicate 3. The Phrase: Noun Phrases, Adjective Phrases, Adverb Phrases 4. Clauses – Noun Clauses, Adjective Clauses, Adverb Clauses 5. Sentence Patterns – Simple Sentence, Compound Sentence, Complex Sentence 6. Kinds of Nouns with Gender , Number 7. Adjectives- Kinds , Order of Adjectives, Adjectives used as Nouns 8. Adjectives of Comparison 9. Articles: Indefinite Articles, Definite Article, Omission of Articles, Repetition of Articles 10. Pronouns: Personal Pronouns, Relative Pronouns 11. Adverbs: kinds of Adverbs, Position of Adverbs, use of Adverbs 12. Active and Passive Voice 13. Tenses: Simple Present, Present Continuous, Simple Past, Past Continuous, Present Perfect, Present Perfect Continuous, Past Perfect, Past Perfect Continuous 14. Letter Writing- simple formal and informal letters. 15. Sound Words: Usage 16. Agreement of the Verb with the Subject 17. Determiners: few, a few, the few, little, a little, the little, each, every, much, many and so on. 18. Question Tags 19. Composition.- Descriptive, Narrative, Picture 20. Introduction to Precis writing 21. Comprehension: 1) Tagore's Thoughts on His Birthday 2) Searching for Snowy 3) Ladakh on a Bicycle 4) Loving Trees 5) Mother Teresa Second Term Syllabus 22. Tenses: (Continued) 23. The Infinitive 24. The Participle 25. The Gerund 26. Prepositions 27. Words followed by prepositions 28. Conjunctions 29. The Interjection 30. -
Analysis of Reflection of the Swadeshi Movement (1905) in Contemporary Periodicals
International Journal of Innovative Research and Advanced Studies (IJIRAS) ISSN: 2394-4404 Volume 7 Issue 4, April 2020 Analysis Of Reflection Of The Swadeshi Movement (1905) In Contemporary Periodicals Dr. Sreyasi Ghosh Assistant Professor and HOD of History Dept., Hiralal Mazumdar Memorial College for Women, Dakshineshwar, Kolkata, India Abstract: In this study related to the Anti- Partition Movement (1905- 1911) of Bengal/ India I have tried my level best to show how prominence and impact of the Swadeshi phase had been reflected in contemporary newspapers and periodicals quite skilfully. The movement which had its so cio- cultural roots in the decade of 1870s was undoubtedly one of the most creative phases of modern India. Binay Sarkar had rightly opined that the movement mentioned above should be termed as Bangabiplab. Secret pamphlets, police records, personal papers/ diary of contemporary leaders , memoirs/ reminiscences, autobiographies etc. were very important while writing History of the Anti- Partition Movement but according to my view based on research on this period reflection of the period was utmost skilful in pages of contemporary newspapers and periodicals. Ideology of unity of Bengal, boycott, swadeshi, national education and theory of Swaraj were most important pillars on which the movement discussed here was established and all these themes with impact of it on literature, music, painting, nationalist science etc. could be found through contemporary daily, weekly and monthly English/Bengali periodicals. Dawn, New India, Modern Review, Bharati, Prabasi, Bangadarshan (Nabaparyyay), Bengalee, Bande Mataram, Sanjivani, Sandhya, Yugantar, Swaraj were prominent mouthpieces through which History of this epoch- making and illustrious movement could be written with a lot of ease. -
Kazi Nazrul Islam Rafiqul Islam National Proffesor
International Centre for Bengali Music AvšÍR©vwZK evsjv m½xZ †K›`ª Kazi Nazrul Islam Rafiqul Islam National Proffesor Abstract Bengali poetry of the first two decades of the century, in the period before World War I, has been described as the reflection of Rabindranath Tagore (1861-1941). To separate poets like Karuna Nidhan Bandyopadhyay, Kumud Ranjan Mallik, Kalidas Ray and others like them from the pervasive Tagore tradition is difficult. Consciously or unconsciously they imitated and emulated Tagore. They were impenitent about it, claiming it was easier for them to walk roads they were familiar with than to strike out on their own. Yet even at a time Tagore’s influence was at its height there were at least three poets whose individual distinction set them apart : Jatindranath Sengupta (1888-1954); Mohitlal Majumdar (1888-1952) and Kazi Nazrul Islam (1899-1976). In the work of Satyendranath Datta (1882-1922) the Tagore tradition is fused with the older pre-Togre ways. He acted as a bridge between Tagore’s emulators and those who wished to free themselves from his influence. Satyendranth Datta is rated by some critics as one ranking close to Tagore, placing Nazrul Islam next to him as a new but lesser poet. This is only partly true, for even within the ambience of the Tagore tradition Satyendranath Datta has a distinct place of his own. His individuality and distinction are obvious. No doubt, Satyendranath Datta admired Tagore but he was as much himself as Pramatha Chaudhuri or Abanindranath Tagore, as original and as different. The poets living under Tagore’s all- pervasive spell, were also influenced, though in part, by Satyendranath Datta. -
Comparative Literature in India: an Overview of Its History
Comparative Literature in India: An Overview of its History Subha Chakraborty Dasgupta, Jadavpur University Abstract: The essay gives an overview of the trajectory of Comparative Literature in India, focusing pri- marily on the department at Jadavpur University, where it began, and to some extent the department of Modern Indian Languages and Literary Studies in the University of Delhi, where it later had a new be- ginning in its engagement with Indian literatures. The department at Jadavpur began with the legacy of Rabindranath Tagore’s speech on World Literature and with a modern poet-translator as its founder. While British legacies in the study of literature were evident in the early years, there were also subtle efforts towards a decolonizing process and an overall attempt to enhance and nurture creativity. Gradually Indian literature began to receive prominence along with literatures from the Southern part of the globe. Paradigms of approaches in comparative literary studies also shifted from influence and analogy studies to cross-cultural literary relations, to the focus on reception and transformation. In the last few years Comparative Literature has taken on new perspectives, engaging with different ar- eas of culture and knowledge, particularly those related to marginalized spaces, along with the focus on recovering new areas of non-hierarchical literary relations. Keywords: decolonizing process, creativity, cross-cultural literary relations, interdisciplinarity The beginnings Long before the establishment of Comparative Literature as a discipline, there were texts focus- ing on comparative aspects of literature in India, both from the point of view of its relation with litera- tures from other parts of the world—particularly Persian, Arabic and English—and from the perspec- tive of inter-Indian literary studies, the multilingual context facilitating a seamless journey from and between literatures written in different languages. -
Problematising Theology and Marginality in Bengal's Hinduism
NEW LITERARIA- An International Journal of Interdisciplinary Studies in Humanities Volume 2, No. 2, July- August, 2021, PP. 65-71 ISSN: 2582-7375 DOI: https://dx.doi.org/10.48189/nl.2021.v02i2.009 www.newliteraria.com Religious Endemic: Problematising Theology and Marginality in Bengal’s Hinduism Prithu Halder Abstract Ever since the Vedic period, the land of Bengal was considered outside the ambit of Vedic Culture. This provides the basis for the distinctiveness of the Bengali pantheon. Bengal was also considered a land of fever and endemics. Atharva Veda, from where Ayurveda takes its roots, holds a subsidiary position among the corpus of Vedic Literature. This paper is an attempt to trace the trajectory between the marginalized land and its marginalized deities. It aims at picking up selective incidents and examples within Ayurvedic and Hindu traditions to portray how endemic had been instrumental in some watershed movements in Hinduism and its offshoots in folk theology. With several examples ranging from Kali to Sitala, and from Manik Pir to Jwarasura, the paper relocates the caste question and the question of marginality in the light of iconographic and ritualistic observations. Keywords: Endemic, Bengal, Ayurveda, Marginality, Sitala, Jwarasur, Kali. Satyendranath Dutta, a popular Bengali poet and Tagore’s contemporary, had written “Monwontore Morini Amra, Mari Niye Ghor Kori” (We did not die in the epidemic, we have domesticated the epidemic instead) while introducing the Bengalis in a poem called “Amra” (‘We’) (Dutta, n.d.). Clearly, the titular role played by epidemics in Bengali life was such a commonplace that it had entered into the Racial identity by the nineteenth century. -
Jibanananda Das - Poems
Classic Poetry Series Jibanananda Das - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Jibanananda Das(17 February 1899 – 22 October 1954) Jibanananda Das was a Bengali poet, writer, novelist and essayist. Dimly recognized during his lifetime, today Das is acknowledged as the premier poet of post-Tegorian literature in India and Bangladesh. He is considered as Bengal’s “greatest” modern poet and “best loved” poet too, his poems being regarded as "part of the Bengali consciousness on the both side of border" between India and Bangladesh. For the poets in the latter half of the twentieth century Das “has practically come to take place of <a href="http://www.poemhunter.com/rabindranath-tagore/"> Tagore </a>. Das’s oeuvre is eclectic and resists classification under any single heading or school. Das wrote ceaselessly but as he was an introvert and the “most alone of [Bengali] poets”, he “compelled to suppress some of his most important writings or to locate them in a secret life”. During his lifetime, only seven volumes of his poems were published. After his death, it was discovered that apart from poems Das wrote several novels and a large number of short stories. His unpublished works are still being published. Das died on October 22, 1954; eight days after he was hit by a tramcar. The witnesses said that though the tramcar whistled, he did not stop and got struck. Some deem the accident as an attempt of suicide. <b> Biography </b> “Poetry and life are two different outpouring of the same thing; life as we usually conceive it contains what we normally accept as reality, but the spectacle of this incoherent and disorderly life can satisfy neither the poet's talent nor the reader's imagination ..