DOCSLIB.ORG

6804-MCD Ithaca Wind Vol4 INSERT:6804-MCD Ithaca

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
6804-MCD Ithaca Wind Vol4 INSERT:6804-MCD Ithaca Also available on CD TIMOTHY REYNISH CONDUCTING: UNIVERSITY OF KENTUCKY WIND ENSEMBLE VOL 1 (4949-MCD) Samurai (1995) . Nigel Clarke Diaghilev Dances (2003) . Kenneth Hesketh Danse Funambulesque (1930) . Jules Strens L’ Homme Armé (2003) . Christopher Marshall Concerto for Wind Orchestra (2003) . Christian Lindberg UNIVERSITY OF KENTUCKY WIND ENSEMBLE VOL 2 (5347-MCD) Dances from Crete (2003) . Adam Gorb Gran Duo (2000) . Magnus Lindberg Awake, You Sleepers (2002) . Laurence Bitensky Per la Flor del Lliri Blau (1934) . Joaquin Rodrigo ITHACA COLLEGE SYMPHONIC BAND VOL 3 (6733-MCD) King Pomade Suite No 2 (1953) . Ranki Gyorgy Elegy for Miles Davis (1993) . Richard Rodney Bennett Symphony of Winds (1981) . Derek Bourgeois Blackwater (2006) . Fergal Carroll Tails aus dem Vood Viennoise (1992) . Bill Connor THE ROYAL NORTHERN COLLEGE OF MUSIC WIND ORCHESTRA CHAN 9549 Percy Grainger Works for Wind Orchestra Volume 1 CHAN 9630 Percy Grainger Works for Wind Orchestra Volume 2 CHAN 9697 British Wind Band Classics, Holst & Vaughan Williams CHAN 9805 German Wind Band Classics, Hindemith, Schoenberg, Toch & Blacher CHAN 9897 French Wind Band Classics, Berlioz, Schmitt, Milhaud, Bozza & Saint-Saens DOYCD 037 Morning Music - Midnight Music:Richard Rodney Bennett & Irwin Bazelon DOYCD 043 Wind Music by Edward Gregson DOYCD 127 Wind music by Judith Bingham, Adam Gorb and Roger Marsh KLAV 11152 Wind music by Nigel Clarke, Adam Gorb, Martin Ellerby & Geoffrey Poole More information on Timothy Reynish visit www.timreynish.com For info on recordings of WASBE Conferences in 1999, 2003, 2005, 2007 go to www.markcustom.com Records • 10815 Bodine Road • Clarence, NY 14031-0406 phone: 716.759.2600 • fax: 716.759.2329 • www.markcustom.com 6804-MCD ൿ 2006 Programme Notes historic periods, new commissions, and those newer works that serve to expand the evolving repertoire for the wind ensemble. Guest conductors and composers from around the globe who have worked with the ensemble include Samuel Adler, David How can you bridge the gap between so-called contemporary music and more popular music known and Amran, Frank Battisti, Warren Benson, John Corigliano, Michael Daugherty, David Dzubay, Lukas Foss, Arnald Gabriel, John used much more widely, and how can you make the music for our time more accessible to the layman? Answering Harbison, Robert Jager, Karel Husa, Libby Larsen, David Maslanka, Ron Nelson, Larry Rachleff, Tim Reynish, Carl St. Clair, these questions was worth a try. Gunther Schuller, Joseph Schwantner, Richard Strange, Frank Ticheli, and John Whitwell. The distinguished Luxembourg composer, Marcel Wengler, writing about his work Versuche uber einen Marsch, articulated Membership in the 48-member ensemble is determined by audition in the fall of each academic year. The wind and the excitement that is abroad today about wind music and the emerging wind repertoire. percussion players in the Wind Ensemble are among the most talented in the School of Music. Almost all of the performers in the Sir Simon Rattle acknowledged the incredible standard of wind, brass and percussion playing of our time when he told me: ensemble are undergraduates; the majority are studying music education. ... the more we encourage composers to use the wind ensemble, the better it's going to be, particularly Ithaca College's School of Music, housed in the James J. Whalen Center for Music, enjoys a distinguished reputation with the generation of wind players that's out there now. among institutions for professional music study in the United States. A celebrated faculty teaches some 500 undergraduate music In Spring 2006, Leonard Slatkin conducted the US Marine Band at the Strathmore Music Center, Baltimore, in majors each year, maintaining the conservatory tradition within a comprehensive college setting. The School of Music is home to a sensational programme of Bach, Prokofiev and the new Corigliano Symphony, Circus Maximus. When he last specialists in virtually every orchestra and band instrument; in voice, piano, organ, and guitar; and in music education, jazz, conducted the President’s Own, he said of the medium in an interview: composition, theory, history, and conducting. Ithaca's music professors perform regularly on campus and throughout the country What I think you are finding is that more composers are using the orchestral venue to experiment and use in recitals and concerts, contribute to publications and professional organizations, and make presentations at numerous different frameworks. So, some of the works that are emerging for wind ensemble are designed not only for use conferences and workshops every year. with band but for use within an orchestral concert where you might not require the strings. I first "discovered" the medium twenty-five years ago when Frank Battisti brought the first International Conference to the Royal Northern College in Manchester. I have been increasingly excited by the potential of the medium ever since, despite the ITHACA COLLEGE WIND ENSEMBLE dead hand of commercialism and compromise that dulls so many wind concerts and recordings. Piccolo Meggan Frost Tenor Saxophone Jenna Troiano Timpani Melissa Bravo Amanda Jenne Deanna Loertscher Rose Valby * Valerie Vassar Sir Michael Tippett wrote: Amanda Kellogg We all know that the big public is extremely conservative and is willing to ring the changes on a few Flute Baritone Saxophone Trombone Percussion Jacquie Christen Anne Woodard Andrew Lawrence Megan Boutin * Matt Donello * beloved works till the end of time, and that our concert life, through the taste of this public, suffers from a kind Mary Parsnick * Bass Clarinet Alan Danahy Jennie Herreid of inertia of sensibility, that seems to want no musical experience whatever beyond what it already knows. Trumpet Oboe Kelly Bochynski Bridget Colgan D. Phillip Truex Vincent Malafronte Surely the matter is that the very big public masses together in a kind of dead passion of mediocrity, and that Monica Eason Bassoon Gregory Harris Euphonium Evan Peltier this blanket of mediocrity is deeply offended by any living passion of the unusual, the rare, the rich, the Emily Mure Katie Barker * Lindsey Jessick * Phil Giampietro * Greg Sutliff exuberant, the heroic and the aristocratic in art. Christopher Neske * Jessica Tortorici Calvin Rice Mike Vecchio Piano I would like to thank the staff and students at Ithaca College for inviting me to work with them and to introduce so much Eb Clarinet Jeff Ward Omar Williams Tuba Joshua Horsch new repertoire. This disc is a completely unedited recording of the Wind Ensemble concert in a programme drawn from an Lauren Del Re Alto Saxophone Tim Winfield Jessica Mower * Graduate Conductors international repertoire, which includes music from Greece by way of the USA, USA albeit by a Knight of the British Empire who Bb Clarinet Heidi Bellinger Horn Susan Wheatley Andrew Krus happens to live in New York, New Zealand, England and Luxembourg. Three of the six works were commissioned by my wife and Kaitlyn Alcorn Allison Dromgold * Gina Zurlo String Bass Dominic Hartjes Chelsey Hamm myself as part of our series commemorating our third son, William who died in the Pyrenees five years ago. The Makris is Will Cicola * Justin Wixson * Denotes section leader published by Ballerbach and is almost totally unknown. The work by Wengler I have published in the ongoing battle to make non- Carlie Kilgore * commercial wind ensemble works available, and the performance of Reflections by Sir Richard Rodney Bennett is a 70th birthday tribute to one of our most significant English composers. We commissioned Chris Marshall’s Resonance especially for the Ithaca ITHACA WIND & PERCUSSION FACULTY Wind Ensemble, and this is a recording of the première. Arthur Ostrander, Dean; Director of Bands: Stephen Peterson This repertoire disc is from an unedited recording of the concert on 27 April 2006. Wendy Mehne, Flute Steven Mauk, Saxophone Harold Reynolds, Trombone Kelly Covert, Flute Lee Goodhew Romm, Bassoon David Unland, Euphonium & Tuba Improvisations-Rhythms Andreas Makris Paige Morgan, Oboe Frank Campos, Trumpet Gordon Stout, Percussion Improvisations-Rhythms was composed for a high school band and premièred at the Mid-West Clinic. The first part is Richard Faria, Clarinet Kim Dunnick, Trumpet Conrad Alexander, Percussion based around the opening quasi improvisando theme, which is stated on the first clarinet after a short introduction for piccolo Michael Galvan, Clarinet Alexander Shuhan, Horn and triangle, stating a note row, which later assumes importance in both woodwind and brass. The woodwind have a chance to introduce their own improvisation, molto pianissimo, under the original Makris motif on flutes and piccolo. Concert recorded live at the Ford Hall, Ithaca College Thursday April 27th, 2006 The second part is mainly in 15/8, but the bar is broken up into 5/8 + 6/8 + 4/8. The flow of the dance is interrupted by Conductor: Timothy Reynish Assistant Conductor: Andrew Krus Produced by: Mark J. Morette repeated codetta motifs of 5/8 or 7/8 and the piece comes to a rousing conclusion. It is hard to see why an original band piece Programme Notes: Timothy Reynish Mastered by: Chris Chaffee which introduces contemporary concepts of improvisation and mixed metres should be almost totally neglected by the band world. Recording Engineers: Students of the I.C. Recording Program Design and Layout: MarkArt - Jason Boldt 2 7 for many years to Hans Werner Henze in the Musikhochschule in Cologne. Wengler has written over eighty works including Andreas Makris was born March 7, 1930 in Salonika, Greece and came to America in 1950 on a Rockefeller Grant to symphonies, concertos, works for the stage, film, chamber groups, and the ballet. attend Phillips University in Enid, Oklahoma. He attended the Kansas City Conservatory, graduated from the Marines College of Music, and also studied privately with Nadia Boulanger in 1958. For many years he was a violinist with the National Symphony, Timothy Reynish studied horn with Aubrey Brain and Frank Probyn. He was a music scholar at Cambridge, working under from 1979-1990 he also served as resident composer and an advisor to Maestro Rostropovich for new music selection.
Load more

Recommended publications
  • Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
    IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Salle de Concerts Grande-Duchesse Joséphine-Charlotte Saison 2008/09 1 Partenaires d’événements: Nous remercions nos partenaires qui en Partenaires de programmes: associant leur image à la Philharmonie et en soutenant sa programmation, permettent sa diversité et l’accès à un public plus large. pour «Jeunes publics» pour «Backstage» Partenaires média: Partenaires officiels: 2 Sommaire / Inhalt / Content IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Jazz, World & Easy listening Orchestre Philharmonique du Luxembourg Cycle Philharmonique I 140 Salle de Concerts Grande-Duchesse Jazz & beyond 66 Cycle Philharmonique II 142 Joséphine-Charlotte – Saison 2008/09 Autour du monde 74 Amis de l’Orchestre Philharmonique du Ciné-Concerts 80 Luxembourg 144 Bienvenue / Willkommen / Welcome 4 Pops 84 Chill at the Phil 88 Solistes Européens, Luxembourg 146 European Music Academy, Schengen 150 Soirées de Luxembourg 152 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Orchestre Special «Les Musiciens» – Orchestre de Chambre du Luxembourg 154 Grands orchestres 16 Luxembourg Festival 94 Grands solistes 20 Musiques d’aujourd’hui 96 L’Orchestral 24 On the border
    [Show full text]
  • An Analytical and Educational Survey of Kenneth Hesketh's Vranjanka
    Columbus State University CSU ePress Theses and Dissertations Student Publications 5-2008 An Analytical and Educational Survey of Kenneth Hesketh's Vranjanka Alisha Marie Wooley Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Education Commons Recommended Citation Wooley, Alisha Marie, "An Analytical and Educational Survey of Kenneth Hesketh's Vranjanka" (2008). Theses and Dissertations. 14. https://csuepress.columbusstate.edu/theses_dissertations/14 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/analyticaleducatOOwool The undersigned, appointed by the Schwob School of Music at Columbus State University, have examined the Graduate Music Project titled AN ANALYTICAL AND EDUCATIONAL SURVEY OF KENNETH HESKETFLS VRANJANKA presented by Alisha Marie Wooley a candidate for the degree of Master of Music in Music Education and hereby certify that in their opinion it is worthy of acceptance. Columbus State University AN ANALYTICAL AND EDUCATIONAL SURVEY OF KENNETH HESKETH'S VRANJANKA By Alisha Marie Wooley A MASTERS THESIS Submitted to the Faculty of Columbus State University in partial fulfillment of the requirements for the degree of Master of Music Education Columbus, Georgia
    [Show full text]
  • Oboe Trios: an Annotated Bibliography
    Oboe Trios: An Annotated Bibliography by Melissa Sassaman A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved November 2014 by the Graduate Supervisory Committee: Martin Schuring, Chair Elizabeth Buck Amy Holbrook Gary Hill ARIZONA STATE UNIVERSITY December 2014 ABSTRACT This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre. The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included. Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work. In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer’s last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
    [Show full text]
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • Gerhard Samuel Collection ARS.0049
    http://oac.cdlib.org/findaid/ark:/13030/kt8779s460 No online items Guide to the Gerhard Samuel Collection ARS.0049 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Gerhard Samuel ARS.0049 1 Collection ARS.0049 Descriptive Summary Title: Gerhard Samuel Collection Dates: 1940-2007 Collection number: ARS.0049 Creator: Samuel, Gerhard Collection size: 104 boxes: 695 reels ; 889 audiocassettes ; 10 DATs ; 13 phonogram discs ; 5 compact discs ; 19 CD-Rs ; 11 videocassettes ; 1 DVD-R ; 26 computer discs ; approximately 5 boxes of photographs, film, microfilm, and slides. Remainder are paper files. Repository: Archive of Recorded Sound Abstract: Papers and recordings from American conductor and composer Gerhard Samuel (1924-2008), particularly from his years conducting the Oakland Symphony, Minneapolis Symphony, and University of Cincinnati. Language of Material: Multiple languages Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Gerhard Samuel Collection, ARS-0049. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Gerhard Samuel Collection was donated to the Stanford Archive of Recorded Sound by Erica Wilhelm in 2009.
    [Show full text]
  • HOWARD HANSON COLLECTION Accession No
    HOWARD HANSON COLLECTION Accession no. 997.12 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER The initial intellectual arrangement and physical arrangement of these papers imposed by personnel employed by the Howard Hanson Institute for American Music at the Eastman School of Music, ?1993-1997; revisions to same under the supervision of David Peter Coppen, 2017; description revised by David Peter Coppen, 2018-19. Howard Hanson, accession no. 997.12 Director Howard Hanson at his desk, ca. 1920s. Photograph from ESPA 2-14 (8x10). Howard Hanson at the piano, ca. 1960s. Photograph from Howard Hanson Collection (Accession no. 2005/3/25), Box 61, Folder 53. 2 Howard Hanson, accession no. 997.12 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Addresses, essays, articles, and publicity . 14 Series 2: Correspondence . 64 Sub-series A: Inside Eastman . 64 Sub-sub-series i: Offices, departments, and budget . 64 Sub-sub-series ii: Projects, endeavors, and initiatives , , 66 Sub-sub-series iii: Programmed events . 70 Sub-series B: Outside Eastman: endeavors and initiatives . 73 Sub-series C: University of Rochester River Campus . 83 Sub-sub-series i: Reports and correspondence . 83 Sub-sub-series ii: Endeavors and initiatives . 84 Sub-series D: Hanson’s original works . 85 Series 3: Manuscripts . 86 Sub-series A: Original compositions . 86 Sub-series B: Arrangements of music by other composers . 147 Sub-series C: Other writings . 150 Sub-sub-series i: Harmonic Materials of Modern Music . 150 Sub-sub-series ii: Sketches . 151 Sub-series D: Oversized manuscripts .
    [Show full text]
  • ITALIAN, PORTUGUESE, SPANISH and LATIN AMERICAN SYMPHONIES from the 19Th Century to the Present
    ITALIAN, PORTUGUESE, SPANISH AND LATIN AMERICAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman FRANCO ALFANO (1876-1960, ITALY) Born in Posillipo, Naples. After studying the piano privately with Alessandro Longo, and harmony and composition with Camillo de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Majella, Naples, he attended the Leipzig Conservatory where he completed his composition studies with Salomon Jadassohn. He worked all over Europe as a touring pianist before returning to Italy where he eventually settled in San Remo. He held several academic positions: first as a teacher of composition and then director at the Liceo Musicale, Bologna, then as director of the Liceo Musicale (later Conservatory) of Turin and professor of operatic studies at the Conservatorio di San Cecilia, Rome. As a composer, he speacialized in opera but also produced ballets, orchestral, chamber, instrumental and vocal works. He is best known for having completed Puccini’s "Turandot." Symphony No. 1 in E major "Classica" (1908-10) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 2) CPO 777080 (2005) Symphony No. 2 in C major (1931-2) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 1) CPO 777080 (2005) ANTONIÓ VICTORINO D'ALMEIDA (b.1940, PORTUGAL) Born in Lisbon.. He was a student of Campos Coelho and graduated from the Superior Piano Course of the National Conservatory of Lisbon. He then studied composition with Karl Schiske at the Vienna Academy of Music. He had a successful international career as a concert pianist and has composed prolifically in various genres including: instrumental piano solos, chamber music, symphonic pieces and choral-symphonic music, songs, opera, cinematic and theater scores.
    [Show full text]
  • Appalachian Spring: Ballet for Orchestra 8 Aaron Sherber
    Journal of the Conductors Guild Volume 33 2017 15 E. Market Street, #22 Leesburg, VA 20178 Phone: (202) 643-4791 E-mail: [email protected] Website: www.conductorsguild.org Officers John Farrer, President John Ross, Treasurer Christopher Blair, Vice President David Leibowitz, Secretary Julius Williams, President-Elect Gordon Johnson, Past President Board of Directors Marc-André Bougie Claire Fox Hillard Dominique Røyem Wesley J. Broadnax Silas Nathaniel Huff Jeffrey Schindler Jonathan Caldwell David Itkin Markand Thakar Rubén Capriles Geneviève LeClair Robert Whalen Peter Cokkinias Paul Manz Mark Crim Jon C. Mitchell Atty. Ira Abrams, Counsel to the Board Jan Wilson*, Executive Director Nathaniel F. Parker*, Editor, Journal of the Conductors Guild *Ex-officio Advisory Council James Allen Anderson Michael Griffith Harlan D. Parker Pierre Boulez** Gordon Johnson Donald Portnoy Emily Freeman Brown Samuel Jones Barbara Schubert Michael Charry Tonu Kalam Gunther Schuller** Sandra Dackow Wes Kenney Leonard Slatkin Harold Farberman Daniel Lewis** Adrian Gnam Larry Newland Max Rudolf Award Winners Herbert Blomstedt Gustav Meier** Jonathan Sternberg David M. Epstein Otto-Werner Mueller** Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis** Gunther Schuller** Thelma A. Robinson Award Winners Beatrice Jona Affron Katherine Kilburn Annunziata Tomaro Eric Bell Matilda Hofman Robert Whalen Miriam Burns Octavio Más-Arocas Steven Martyn Zike Kevin Geraldi Jamie Reeves Carolyn Kuan Laura Rexroth Theodore Thomas Award Winners Claudio Abbado** Frederick Fennell** Robert Shaw** Maurice Abravanel** Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis** Esa-Pekka Salonen Leon Barzin** James Levine Sir Georg Solti** Leonard Bernstein** Kurt Masur** Michael Tilson Thomas Pierre Boulez** Sir Simon Rattle David Zinman Sir Colin Davis** Max Rudolf** **In Memoriam Journal of the Conductors Guild Volume 33 (2017) Nathaniel F.
    [Show full text]
  • The Concerts at Lewisohn Stadium, 1922-1964
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.
    [Show full text]
  • BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
    BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist.
    [Show full text]
  • Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC STANLEY HASTY: HIS LIFE AND TEACHING By ELIZABETH MARIE GUNLOGSON A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2006 Copyright @ 2006 Elizabeth M. Gunlogson All Rights Reserved The members of the Committee approve the Treatise of Elizabeth M. Gunlogson defended on November 10, 2006. ______________________ Frank Kowalsky Professor Directing Treatise ______________________ Seth Beckman Outside Committee Member ______________________ Patrick Meighan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Stanley and June Hasty iii ACKNOWLEDGEMENTS First and foremost I would like to thank Stanley and June Hasty for sharing their life story with me. Your laughter, hospitality and patience throughout this whole process was invaluable. To former Hasty students David Bellman, Larry Combs, Frank Kowalsky, Elsa Ludewig- Verdehr, Tom Martin and Maurita Murphy Mead, thank you for your support of this project and your willingness to graciously share your experiences with me. Through you, the Hasty legacy lives on. A special thanks to the following people who provided me with valuable information and technical support: David Coppen, Special Collections Librarian and Archivist, Sibley Music Library (Eastman School of Music); Elizabeth Schaff, Archivist, Peabody Institute/Baltimore Symphony Orchestra; Nicole Cerrillos, Public Relations Manager, Pittsburgh Symphony Orchestra; Tom Akins, Archivist, Indianapolis Symphony Orchestra; James Gholson, Professor of Clarinet, University of Memphis; Carl Fischer Music Publishing; and Annie Veblen-McCarty.
    [Show full text]
  • Sonderausgabe
    10.05. - 13.05.2018 Ausgabe 2-2018 Sonderausgabe Magazin des Bund Deutscher Zupfmusiker e.V. Team Inhalt/Content Grußworte Greetings Seite 1 Festivalleitung/ Auftragskompositionen Seite 5 Festival Management Dominik Hackner Commissioned Compositions Thomas Kronenberger Bundesjugendbeirat Youth Council Seite 7 Leitungsteam/ Eröffnungskonzert Opening Concert B1 Do, 10.30 Seite 8 Management Team Finanzkonzepte/Jugendarbeit Workshop W8 Do, 14.30 Seite 11 Gianna De Fazio, Carolin Kolla, Konzert Concert B2 Do, 14.30 Seite 12 Evelyn Rath Junge Musiker Young Musicians Seite 13 Infotheke/Information Stand Konzert Concert B3 Do, 14.30 Seite 17 Peter Boegler, Stefanie Hackner, Robert Hartung, Symeon Ioannidis, Klangwerkstatt Mandoline W4 Do, 18.00 Seite 22 Madlen Kanzler, Steffen Trekel (Soundworkshop Mandolin) W6 Fr, 18.00 Bühnenmanagement/ Konzert Concert B4 Do, 19.30 Seite 23 Stage Management Konzert Concert B5 Do, 19.30 Seite 26 Leitung: Nikolaus Neuroth Mandoline in Amerika Mandolin in america W1 Fr, 10.00 Seite 31 Franziska Engel, Anja Gerhards, Nicole Linden, Thomas Müller, Konzert Concert K6 Fr, 10.30 Seite 32 Anke Neuroth, Sabine Richter, Das zukunftsfähige Gitarrenensemble W2 Fr, 11.00 Seite 34 Alexandra Schwickert, Dominik Steinebach, Max Weigel Workshop Kinderkonzert Children‘s Concert B7 Fr, 11.00 Seite 35 Finanzmanagement/Financial Management Klangwerkstatt Gitarre W5 Fr, 13.00 Seite 37 Thomas Kronenberger (Soundworkshop Guitar) W7 Sa, 13.00 Open Air Open Air O23 Fr, 11:00 Seite 38 Aussteller/Exhibitors Kerstin Braunsteiner, Stefan
    [Show full text]