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Suburbanization Historic Context and Survey Methodology
INTRODUCTION The geographical area for this project is Maryland’s 42-mile section of the I-95/I- 495 Capital Beltway. The historic context was developed for applicability in the broad area encompassed within the Beltway. The survey of historic resources was applied to a more limited corridor along I-495, where resources abutting the Beltway ranged from neighborhoods of simple Cape Cods to large-scale Colonial Revival neighborhoods. The process of preparing this Suburbanization Context consisted of: • conducting an initial reconnaissance survey to establish the extant resources in the project area; • developing a history of suburbanization, including a study of community design in the suburbs and building patterns within them; • defining and delineating anticipated suburban property types; • developing a framework for evaluating their significance; • proposing a survey methodology tailored to these property types; • and conducting a survey and National Register evaluation of resources within the limited corridor along I-495. The historic context was planned and executed according to the following goals: • to briefly cover the trends which influenced suburbanization throughout the United States and to illustrate examples which highlight the trends; • to present more detail in statewide trends, which focused on Baltimore as the primary area of earliest and typical suburban growth within the state; • and, to focus at a more detailed level on the local suburbanization development trends in the Washington, D.C. suburbs, particularly the Maryland counties of Montgomery and Prince George’s. Although related to transportation routes such as railroad lines, trolley lines, and highways and freeways, the location and layout of Washington’s suburbs were influenced by the special nature of the Capital city and its dependence on a growing bureaucracy and not the typical urban industrial base. -
John La Montaine Collection
JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature . -
Gerhard Samuel Collection ARS.0049
http://oac.cdlib.org/findaid/ark:/13030/kt8779s460 No online items Guide to the Gerhard Samuel Collection ARS.0049 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Gerhard Samuel ARS.0049 1 Collection ARS.0049 Descriptive Summary Title: Gerhard Samuel Collection Dates: 1940-2007 Collection number: ARS.0049 Creator: Samuel, Gerhard Collection size: 104 boxes: 695 reels ; 889 audiocassettes ; 10 DATs ; 13 phonogram discs ; 5 compact discs ; 19 CD-Rs ; 11 videocassettes ; 1 DVD-R ; 26 computer discs ; approximately 5 boxes of photographs, film, microfilm, and slides. Remainder are paper files. Repository: Archive of Recorded Sound Abstract: Papers and recordings from American conductor and composer Gerhard Samuel (1924-2008), particularly from his years conducting the Oakland Symphony, Minneapolis Symphony, and University of Cincinnati. Language of Material: Multiple languages Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Gerhard Samuel Collection, ARS-0049. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The Gerhard Samuel Collection was donated to the Stanford Archive of Recorded Sound by Erica Wilhelm in 2009. -
HOWARD HANSON COLLECTION Accession No
HOWARD HANSON COLLECTION Accession no. 997.12 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER The initial intellectual arrangement and physical arrangement of these papers imposed by personnel employed by the Howard Hanson Institute for American Music at the Eastman School of Music, ?1993-1997; revisions to same under the supervision of David Peter Coppen, 2017; description revised by David Peter Coppen, 2018-19. Howard Hanson, accession no. 997.12 Director Howard Hanson at his desk, ca. 1920s. Photograph from ESPA 2-14 (8x10). Howard Hanson at the piano, ca. 1960s. Photograph from Howard Hanson Collection (Accession no. 2005/3/25), Box 61, Folder 53. 2 Howard Hanson, accession no. 997.12 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Addresses, essays, articles, and publicity . 14 Series 2: Correspondence . 64 Sub-series A: Inside Eastman . 64 Sub-sub-series i: Offices, departments, and budget . 64 Sub-sub-series ii: Projects, endeavors, and initiatives , , 66 Sub-sub-series iii: Programmed events . 70 Sub-series B: Outside Eastman: endeavors and initiatives . 73 Sub-series C: University of Rochester River Campus . 83 Sub-sub-series i: Reports and correspondence . 83 Sub-sub-series ii: Endeavors and initiatives . 84 Sub-series D: Hanson’s original works . 85 Series 3: Manuscripts . 86 Sub-series A: Original compositions . 86 Sub-series B: Arrangements of music by other composers . 147 Sub-series C: Other writings . 150 Sub-sub-series i: Harmonic Materials of Modern Music . 150 Sub-sub-series ii: Sketches . 151 Sub-series D: Oversized manuscripts . -
Appalachian Spring: Ballet for Orchestra 8 Aaron Sherber
Journal of the Conductors Guild Volume 33 2017 15 E. Market Street, #22 Leesburg, VA 20178 Phone: (202) 643-4791 E-mail: [email protected] Website: www.conductorsguild.org Officers John Farrer, President John Ross, Treasurer Christopher Blair, Vice President David Leibowitz, Secretary Julius Williams, President-Elect Gordon Johnson, Past President Board of Directors Marc-André Bougie Claire Fox Hillard Dominique Røyem Wesley J. Broadnax Silas Nathaniel Huff Jeffrey Schindler Jonathan Caldwell David Itkin Markand Thakar Rubén Capriles Geneviève LeClair Robert Whalen Peter Cokkinias Paul Manz Mark Crim Jon C. Mitchell Atty. Ira Abrams, Counsel to the Board Jan Wilson*, Executive Director Nathaniel F. Parker*, Editor, Journal of the Conductors Guild *Ex-officio Advisory Council James Allen Anderson Michael Griffith Harlan D. Parker Pierre Boulez** Gordon Johnson Donald Portnoy Emily Freeman Brown Samuel Jones Barbara Schubert Michael Charry Tonu Kalam Gunther Schuller** Sandra Dackow Wes Kenney Leonard Slatkin Harold Farberman Daniel Lewis** Adrian Gnam Larry Newland Max Rudolf Award Winners Herbert Blomstedt Gustav Meier** Jonathan Sternberg David M. Epstein Otto-Werner Mueller** Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis** Gunther Schuller** Thelma A. Robinson Award Winners Beatrice Jona Affron Katherine Kilburn Annunziata Tomaro Eric Bell Matilda Hofman Robert Whalen Miriam Burns Octavio Más-Arocas Steven Martyn Zike Kevin Geraldi Jamie Reeves Carolyn Kuan Laura Rexroth Theodore Thomas Award Winners Claudio Abbado** Frederick Fennell** Robert Shaw** Maurice Abravanel** Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis** Esa-Pekka Salonen Leon Barzin** James Levine Sir Georg Solti** Leonard Bernstein** Kurt Masur** Michael Tilson Thomas Pierre Boulez** Sir Simon Rattle David Zinman Sir Colin Davis** Max Rudolf** **In Memoriam Journal of the Conductors Guild Volume 33 (2017) Nathaniel F. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more. -
Walter Rupert Tuckerman, Father of Bethesda by William Offutt
The Montgomery County Story Vol. 50, No.4 November 2007 Walter Rupert Tuckerman, Father of Bethesda By William Offutt "It's a wise child that knows its own father," wrote Homer a long time before we knew about DNA and paternity suits. Some towns and cities, such as Rome and D.C., have well known or storied founders like Romulus, Remus and Pierre L'Enfant, but many do not. Chevy Chase boasts of the supposed foresight of Francis Newlands and has a fountain dedicated to his memory. Silver Spring honors the Blairs who named it and Sam Eig who modernized it. Glen Echo has the Baltzley twins to celebrate, and Georgetown even knows which two Georges started it. But like Topsy and many other villages and towns, Bethesda just grew. It grew especially after the new toll road opened and created that odd Y-shaped intersection in its middle where the old road to Georgetown angles in from the west and the newly macadamed turnpike plows straight toward the distant courthouse. But if the Bethesda of comfortable homes on tree• shaded lots (not the one of tall office and apartment buildings, two hundred restaurants, busy streets, impossible parking and oversized McMansions), suburban Bethesda with its modest business district, small parks and good schools had a father, he is an all-but-forgotten banker named Walter Rupert Tuckerman. Walter Tuckerman was a fine horseman, champion golfer, excellent tennis player and well-bred lawyer. He was a tall, spare, quiet and gentle man. When Tuckerman discovered very rural Bethesda, the crossroads on the twenty-five-year-old, single-track trolley line was well on it's way to becoming a very blue-collar community. -
Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC STANLEY HASTY: HIS LIFE AND TEACHING By ELIZABETH MARIE GUNLOGSON A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2006 Copyright @ 2006 Elizabeth M. Gunlogson All Rights Reserved The members of the Committee approve the Treatise of Elizabeth M. Gunlogson defended on November 10, 2006. ______________________ Frank Kowalsky Professor Directing Treatise ______________________ Seth Beckman Outside Committee Member ______________________ Patrick Meighan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Stanley and June Hasty iii ACKNOWLEDGEMENTS First and foremost I would like to thank Stanley and June Hasty for sharing their life story with me. Your laughter, hospitality and patience throughout this whole process was invaluable. To former Hasty students David Bellman, Larry Combs, Frank Kowalsky, Elsa Ludewig- Verdehr, Tom Martin and Maurita Murphy Mead, thank you for your support of this project and your willingness to graciously share your experiences with me. Through you, the Hasty legacy lives on. A special thanks to the following people who provided me with valuable information and technical support: David Coppen, Special Collections Librarian and Archivist, Sibley Music Library (Eastman School of Music); Elizabeth Schaff, Archivist, Peabody Institute/Baltimore Symphony Orchestra; Nicole Cerrillos, Public Relations Manager, Pittsburgh Symphony Orchestra; Tom Akins, Archivist, Indianapolis Symphony Orchestra; James Gholson, Professor of Clarinet, University of Memphis; Carl Fischer Music Publishing; and Annie Veblen-McCarty. -
The Hechinger Commissions
*Hechinger Foundation Commission Season Date of first Composer Title of Work Length Conductor Notes performance 1955- 4/4/1956 Paul Creston Symphony No. 5 27” Howard Mitchell Commissioned by NSO for its 25th 1956 Anniversary 1955- 5/31/1956 John LaMontaine Songs of the Rose of Sharon, 15” Howard Mitchell 1956 Op. 6 1956- 1/22/1957 Morton Gould “Declaration” (1956) 30” Howard Mitchell Commissioned by the stations 1957 WRC & WRC-TV 1956- 4/9/1957 Howard Hanson A Song of Democracy, Op. 12” Howard Mitchell 1957 44 1959- 2/23/1960 Robert Sanders Symphony in A Howard Mitchell Ford Foundation commission 1960 1960- 11/1/1960 Douglas Allanbrook Symphony in Three Howard Mitchell NSO commission in American 1961 Movements Music Center. Commissioning Series under Ford Foundation grant. 1960- 1/17/1961 Edmund Thomas Concertino for Seven Solo Howard Mitchell Werner Lywen, Violin 1961 Haines Instruments Richard Parnas, Viola John Martin, Cello Wallace Mann, Flute Harold Wright, Clarinet Abe Kniaz, Horn Lloyd Geisler, Trumpet 1960- 1/19/1961 John La Montaine "From Sea to Shining Sea" 7” Howard Mitchell Commissioned for the 1861 1961 Overture Inaugural Concert 1960- 3/28/1961 Charles Cushing “Cereus” Howard Mitchell Ford Foundation comission 1961 1961- 4/10/1962 John Boda "Sinfonia" Howard Mitchell Commissioned by the American 1962 Music Center. Commissioning Series under Ford Foundation grant. 1966- 7/14/1967 Morton Gould “Columbia”: Broadsides for 13” Howard Mitchell 1967 Orchestra 1974- 4/29/1975 Robert Bennet Fun and Faith of William Antal Dorati Bicentennial Commission 1975 Billings, American 1975- 3/30/1976 Richard Bennet "Zodiac" 17” Antal Dorati Bicentennial Commission 1976 1975- 4/6/1976 William Schuman Symphony No. -
The Hechinger Commissions
*Hechinger Foundation Commission Season Date of first Composer Title of Work Length Conductor Notes performance 1955- 4/4/1956 Paul Creston Symphony No. 5 27” Howard Mitchell Commissioned by NSO for its 25th 1956 Anniversary 1955- 5/31/1956 John LaMontaine Songs of the Rose of Sharon, 15” Howard Mitchell 1956 Op. 6 1956- 1/22/1957 Morton Gould “Declaration” (1956) 30” Howard Mitchell Commissioned by the stations 1957 WRC & WRC-TV 1956- 4/9/1957 Howard Hanson A Song of Democracy, Op. 12” Howard Mitchell 1957 44 1959- 2/23/1960 Robert Sanders Symphony in A Howard Mitchell Ford Foundation commission 1960 1960- 11/1/1960 Douglas Allanbrook Symphony in Three Howard Mitchell NSO commission in American 1961 Movements Music Center. Commissioning Series under Ford Foundation grant. 1960- 1/17/1961 Edmund Thomas Concertino for Seven Solo Howard Mitchell Werner Lywen, Violin 1961 Haines Instruments Richard Parnas, Viola John Martin, Cello Wallace Mann, Flute Harold Wright, Clarinet Abe Kniaz, Horn Lloyd Geisler, Trumpet 1960- 1/19/1961 John La Montaine "From Sea to Shining Sea" 7” Howard Mitchell Commissioned for the 1861 1961 Overture Inaugural Concert 1960- 3/28/1961 Charles Cushing “Cereus” Howard Mitchell Ford Foundation comission 1961 1961- 4/10/1962 John Boda "Sinfonia" Howard Mitchell Commissioned by the American 1962 Music Center. Commissioning Series under Ford Foundation grant. 1966- 7/14/1967 Morton Gould “Columbia”: Broadsides for 13” Howard Mitchell 1967 Orchestra 1974- 4/29/1975 Robert Bennet Fun and Faith of William Antal Dorati Bicentennial Commission 1975 Billings, American 1975- 3/30/1976 Richard Bennet "Zodiac" 17” Antal Dorati Bicentennial Commission 1976 1975- 4/6/1976 William Schuman Symphony No. -
Sound Health in Concert: Music and the Mind with the National Symphony Orchestra Edwin Outwater , Conductor
The John F. Kennedy Center for the Performing Arts DAviD M. RubensTein , Chairman DeboRAh F. RuTTeR , President ConCeRT hAll Friday Evening, June 2, 2017, at 8:00 The Kennedy Center, with Artistic Advisor at large Renée Fleming, and the national institutes of health in association with the national endowment for the Arts present Sound Health in Concert: Music and the Mind with the national symphony orchestra eDwin ouTwATeR , conductor With performances and appearances by DR. FRAnCis Collins RenÉe FleMinG ben FolDs DR. ninA KRAus DR. DAniel leviTin DR. ChARles liMb Jussie sMolleTT support for Renee Fleming’s initiatives at the Kennedy Center is provided by Robert e. Meyerhoff and Rheda becker and Patrick G. and shirley w. Ryan. David and Alice Rubenstein are the Presenting underwriters of the nso. The national symphony orchestra’s Community engagement Program is made possible through the generosity of Mrs. irene Pollin. Major support for nso sound health is provided by Aetna and The orlebeke Foundation. Additional support for nso sound health is provided by The Anne and Ronald Abramson Family Foundation, The Clark Charitable Foundation, the Foundation for Advanced education in the sciences, The Morris and Gwendolyn Cafritz Foundation, and Dr. Annette u. Rickel of the Annette urso Rickel Foundation. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. LetteR tK meet the conDuctoR dwin outwater is Director of summer Concerts at the san e Francisco symphony (sFs), and was recently appointed Artistic Director of the eastern sierra symphony, a summer festival in Mammoth lakes, California. -
AMERICAN SYMPHONIES Composers
AMERICAN SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-F LEE ACTOR (b. 1952) Born in Denver, Colorado. He received a degree in music composition from San Jose State University and has studied composition with Donald Sur, Brent Heisinger, Charles Jones, and Andrew Imbrieas well as conducting with Angelo Frascarelli, David Epstein and Higo Harada. He was a violinist with the Albany Symphony Orchestra and was assistant conductor of the Palo Alto Philharmonic and the Nova Vista Symphony. He has composed orchestral, band and chamber works. Symphony No. 1 (2001) Kirk Trevor/Slovak Radio Symphony Orchestra ( + Prelude to a Tragedy, Redwood Fanfare and Variations and Fugue for Orchestra) MMC RECORDINGS 2147 (2005) Symphony No. 2 (2006) Kirk Trevor/Slovak Radio Symphony Orchestra ( + Violin Concerto and Concerto for Timpani and Orchestra) ALBANY RECORDS TROY 1017 (2008) Symphony No. 3 (2013) Kirk Trevor/Slovak National Symphony Orchestra;. ( + Piano Concerto and , Divertimento for Small Orchestra). NAVONA RECORDS V5986 (2015) JOHN ADAMS (b. 1947) Born in Worcester, Massachusetts. His father taught him how to play the clarinet, and was a clarinetist in community ensembles and later studied the instrument further with Felix Viscuglia, clarinetist with the Boston Symphony Orchestra. He began composing as a child and then studied composition at Harvard University with Leon Kirchner, Roger Sessions, Earl Kim and David Del Tredici. In addition, he worked in the electronic music studio at the San Francisco Conservatory of Music having built his own analogue synthesizer. He went on to become one of America's leading composers whose works are constantly performed.