DOCSLIB.ORG

Lasalle Programme Guide Under Graduate Get

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lasalle Programme Guide Under Graduate Get GET YOUR CREATIVE JUICES FLOWING LASALLE It all begins in your mind – with your ideas and creativity shaping the PROGRAMME future of arts & design. But it’s at LASALLE College of the Arts where GUIDE inspiration truly finds its start and talent is nurtured, in an environment UNDER that’s designed to let your creativity flow freely. Our progressive GRADUATE approach to independent thinking, integrated arts campus and global Singapore 2012 2 community are just the right mix for those who prefer to think outside LASALLE 2009/2010 4 About Us 6 the box. Imagine the collaborative possibilities with students from over Integrated Arts Environment 8 Alumni 10 40 countries across 8 disciplines in one building. With a unique learning Academic Framework 12 philosophy, mentorship by arts practitioners, and awards validated by VISUAL ARTS Foundation 16 UK’s Open University, a LASALLE education is the beginning of your Design Communication 20 Fashion Communication 22 future in the creative industries in Singapore and beyond. Fashion Design 24 Fashion Management 26 Fashion Textiles 28 Interior Design 30 Product Design 32 Fine Arts 34 Film 36 Animation Art 38 Interactive Art 40 Video Art 42 PERFORMING ARTS Foundation 48 Dance 52 Music 54 Music Technology 56 Acting 58 Musical Theatre 60 Technical Theatre Arts 62 Theatre Arts 64 INTEGRATED STUDIES Arts Management 68 ENGLISH LANGUAGE 72 PROGRAMME ADMISSIONS How to Apply 76 Academic Requirements 77 Audition/Portfolio 78 Requirements Tuition Fees 80 Scholarships 81 Financial Assistance 81 Accommodation & 82 Immigration Matters for International Students GET YOUR CREATIVE JUICES FLOWING LASALLE It all begins in your mind – with your ideas and creativity shaping the PROGRAMME future of arts & design. But it’s at LASALLE College of the Arts where GUIDE inspiration truly finds its start and talent is nurtured, in an environment UNDER that’s designed to let your creativity flow freely. Our progressive GRADUATE approach to independent thinking, integrated arts campus and global Singapore 2012 2 community are just the right mix for those who prefer to think outside LASALLE 2009/2010 4 About Us 6 the box. Imagine the collaborative possibilities with students from over Integrated Arts Environment 8 Alumni 10 40 countries across 8 disciplines in one building. With a unique learning Academic Framework 12 philosophy, mentorship by arts practitioners, and awards validated by VISUAL ARTS Foundation 16 UK’s Open University, a LASALLE education is the beginning of your Design Communication 20 Fashion Communication 22 future in the creative industries in Singapore and beyond. Fashion Design 24 Fashion Management 26 Fashion Textiles 28 Interior Design 30 Product Design 32 Fine Arts 34 Film 36 Animation Art 38 Interactive Art 40 Video Art 42 PERFORMING ARTS Foundation 48 Dance 52 Music 54 Music Technology 56 Acting 58 Musical Theatre 60 Technical Theatre Arts 62 Theatre Arts 64 INTEGRATED STUDIES Arts Management 68 ENGLISH LANGUAGE 72 PROGRAMME ADMISSIONS How to Apply 76 Academic Requirements 77 Audition/Portfolio 78 Requirements Tuition Fees 80 Scholarships 81 Financial Assistance 81 Accommodation & 82 Immigration Matters for International Students ➡ A cultural centre in the Asian renaissance of the 21st century. A New Asia Creative Hub. One of the top cities in the world to live, work and play, where the environment is conducive to creative-based and knowledge-based industries and talents. This is the vision for the creative industries as Singapore’s nation-building focuses on the contributions of the creative cluster to its economy. ➡ Supported by the Singapore government’s commitment to build hardware and software, the Creative Industries have seen the establishment of arts infrastructures and financial investment in talent development. From the the re-launched National Museum of Singapore and national icon, The Esplanade – Theatres on the Bay, to funding for arts education including LASALLE’s award-winning city campus, Singapore’s cultural beacon is sending a clear signal of its artistic ambitions. ➡ In the Arts sector, Singapore started to put its name on the contemporary visual arts map in 2001 at the prestigious Venice Biennale and is now in its fifth year of participation. In 2006, Singapore took the leap into the big league and presented the inaugural Singapore Biennale, a first in South-east Asia and one of the biggest visual art exhibitions in Asia. In the performing arts, Singapore has attracted some of the world’s best through annual events including the Singapore Arts Festival. International premieres and acclaimed performances are brought to Singapore’s shores through the high-profile programmes of The Esplanade and other venues. ➡ In the area of Media, 10,000 new jobs are envisioned in digital media, film, animation and publishing; while the Design industry Images: copyright of The Ministry of Information, Communications and the Arts (MICA) aims to make Singapore Asia’s leading design centre. These developments have resulted in global companies choosing “Our objective is to double the GDP contribution of Singapore as the Asian headquarters for their creative capabilities. the Creative Industries to 6% by the year 2012. This Singapore is home to Lucasfilm Animation’s first and only animation will result in higher demand for creative talents and studio outside California, BMW DesignWorks’ only design studio those who can contribute to meeting the growing outside of California and Munich, and Phillips Design’s Asia Pacific headquarters for design research. market for creative products and services.” ➡ Dr Lee Boon Yang As an aspiring artist, designer, performer or arts manager, there Minister for Information, is no better time or place to be than in Singapore today, right in SINGAPORE 2012 JUICY FACT: Singapore is home to the creative and Communications and the Arts research studios of BMW DesignWorks USA,Lucasfilm the midst of an exciting phase in the advancement of the creative Singapore Animation and Philips Design. industries for Asia. LASALLE PROGRAMME GUIDE • UNDERGRADUATE SINGAPORE 2012 3 ➡ ANTICipaTing FUTUres: In a space where practice and theory challenge the artist’s mind and push interdisciplinary boundaries, a unique creative environment has transformed cultural landscapes. Contemporary in focus and innovative in approach, it develops a generation of creative practitioners who are shaping the future of arts and design. ➡ ConTEMporarY LeaDers: For 25 years, LASALLE has been nurturing some of Asia-Pacific’s leading creative practitioners. Its hero graduates and accomplished faculty staff include established artists at the Venice Biennale, acclaimed designers recognised by the British D&AD and red dot, respected curators, writers, musicians, dance and theatre pioneers, and countless practitioners from the creative industries in Singapore and beyond. ➡ INTegraTED ARTS CaMPUS: Situated in the Arts, Culture, Learning and Entertainment hub of Singapore, the city campus encourages interaction through its glass façade and gateless walls. Its geology-inspired design represented Singapore at the 2004 Venice Architectural Biennale in Italy, received the Singapore Institute of Architects’ Building of the Year 2008 award, and was accorded Singapore’s highest honour – Design of the Year – at the President’s Design Awards 2008 by the President of Singapore. ➡ Three theatres ➡ Singapore largest contemporary art gallery ➡ Asia’s first theatre & art production workshop ➡ Digital, virtual and mediatheque library ➡ Energy-efficient building design ➡ Wireless IT networking ➡ Integrated learning environment LASALLE 2009/2010 JUICY FACT: Situated in the Arts, Culture, Learning and Entertainment hub of Singapore, the city campus encourages interaction through its glass facade and gateless walls. It represented Singapore at the 2004 Venice Architectural Biennale and received Design of the Year 2008 from the President of Singapore. LASALLE PROGRAMME GUIDE • UNDERGRADUATE LASALLE 2009/2010 5 ➡ BACKgroUND: LASALLE was founded by Brother Joseph McNally – a De La Salle educator who was also a pioneer of creative arts education in Singapore – in 1984. ➡ PrograMMes & AWarDS: LASALLE offers a comprehensive range of programmes specialising in the disciplines of Arts Management, Design, Fine Arts, Film, Media Arts, Dance, Music and Theatre. Students can look forward to graduating with the award of a Diploma of Higher Education, a Bachelor of Arts (Hons) or a Master of Arts in their respective specialisations. ➡ GOVernMENT SUpporT: As part of the government’s plans to upgrade tertiary arts education in Singapore, LASALLE has been in receipt of financial support from the Ministry of Education for Diploma provision since 1999. Eligible students are entitled to subsidised fees for diploma studies through the MOE Tuition Grant Scheme (conditions apply). ➡ INTernaTional RECogniTion: Since 2004, LASALLE has been subjecting its programme to benchmark statements for Art, Design and Performing Arts developed by the Quality Assurance Agency (QAA, UK) Framework through its International & Validation partnership with the Open University Validation Services (OUVS). OUVS is also the accrediting and validating body of leading arts institutions such as Leeds College of Art & Design, Leeds College of Music, Plymouth College of Art & Design, Central School of Speech & Drama (until recently), Architectural Association School of Architecture, Utrecht School of the Arts (The Netherlands), bringing opportunities for LASALLE to share good practice.
Load more

Recommended publications
  • Performance Art
    (hard cover) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Master of Arts Fine Arts 2006 LASALLE-SIA COLLEGE OF THE ARTS (blank page) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Submitted in Partial Fulfillment of the Degree Master of Arts (Fine Arts) LASALLE-SIA College of the Arts Faculty of Fine Arts Singapore May, 2006 ii Accepted by the Faculty of Fine Arts, LASALLE-SIA College of the Arts, In partial fulfillment of the requirements For the degree Master of Arts (Fine Arts). Vincent Leow Studio Supervisor Adeline Kueh Thesis Supervisor I certify that the thesis being submitted for examination is my own account of my own research, which has been conducted ethically. The data and the results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequently to my registration for the degree for which I am submitting this document. Lee Wen In submitting this thesis to LASALLE-SIA College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property.
    [Show full text]
  • Download SB2016 Exhibition Guide
    ORGANISED BY COMMISSIONED BY SUPPORTED BY SINGAPORE SINGAPORE BIENNALE 2016 BIENNALE 2016 ARTISTS AHMAD FUAD OSMAN 59 KENTARO HIROKI 21, 49 SHARMIZA ABU HASSAN 27 MALAYSIA THAILAND/JAPAN MALAYSIA MARTHA ATIENZA 31 HTEIN LIN 46 DO HO SUH 28 PHILIPPINES/NETHERLANDS MYANMAR SOUTH KOREA/UNITED STATES/ UNITED KINGDOM AZIZAN PAIMAN 41 JIAO XINGTAO 59 MALAYSIA CHINA ADEELA SULEMAN 49 PAKISTAN RATHIN BARMAN 51 SAKARIN KRUE-ON 61 INDIA THAILAND MELATI SURYODARMO 23 INDONESIA HEMALI BHUTA 26 MARINE KY 57 SEA OF INDIA CAMBODIA/FRANCE EDDY SUSANTO 25 JAPAN INDONESIA SOUTH KOREA JAPAN BUI CONG KHANH 50 PHASAO LAO 35 VIETNAM TCHEU SIONG NOBUAKI TAKEKAWA 48 LAOS JAPAN YELLOW SEA DAVID CHAN 54 CHINA SINGAPORE H.H. LIM 21 JACK TAN 47 MALAYSIA/ITALY SINGAPORE/UNITED KINGDOM CHIA CHUYIA 41 MALAYSIA/SWEDEN LIM SOO NGEE 20 MELISSA TAN 42 PAKISTAN SINGAPORE SINGAPORE CHOU SHIH HSIUNG 29 TAIWAN MADE DJIRNA 27 TAN ZI HAO 28 EAST INDONESIA MALAYSIA CHINA SEA ADE DARMAWAN 48 TAIWAN BANGLADESH INDONESIA MADE WIANTA 25 TITARUBI 34 HONG KONG INDONESIA INDONESIA DENG GUOYUAN 34 INDIA TROPIC OF CANCER MYANMAR CHINA MAP OFFICE 23 TUN WIN AUNG & WAH NU 32 LAOS HONG KONG/FRANCE MYANMAR DEBBIE DING 55 SINGAPORE/UNITED KINGDOM MUNEM WASIF 42 RYAN VILLAMAEL 36 BANGLADESH PHILIPPINES 3 PAGE THAILAND PHILIPPINES PATRICIA PEREZ EUSTAQUIO 22 PHILIPPINE SEA PHILIPPINES PHUONG LINH NGUYEN 33 WEN PULIN 43 VIETNAM BAY VIETNAM ZANG HONGHUA OF SOUTH BENGAL FAIZAL HAMDAN 47 CHINA CAMBODIA CHINA SEA BRUNEI NI YOUYU 30 CHINA WITNESS TO PARADISE 2016: 44 ANDAMAN DEX FERNANDEZ 26 NILIMA SHEIKH, PRANEET SOI, SRI LANKA SEA PHILIPPINES PERCEPTION3 55 ABEER GUPTA & SANJAY KAK SINGAPORE INDIA MALAYSIA BRUNEI FYEROOL DARMA 33 SINGAPORE PALA POTHUPITIYE 24 XIAO LU 20 SRI LANKA CHINA SINGAPORE SUBODH GUPTA 54 INDIA QIU ZHIJIE 29 PANNAPHAN YODMANEE 31 EQUATOR CHINA THAILAND GREGORY HALILI 30 PHILIPPINES NIRANJAN RAJAH 50 HARUMI YUKUTAKE 22 MALAYSIA/CANADA JAPAN HAN SAI POR 37 SINGAPORE ARAYA RASDJARMREARNSOOK 36 ZULKIFLE MAHMOD 24 INDONESIA JAVA FLORES SEA SEA THAILAND SINGAPORE AGAN HARAHAP 32 INDONESIA S.
    [Show full text]
  • Introducing the Museum Roundtable
    P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore.
    [Show full text]
  • F Y E R O O L D a R
    YEO F Y E R O O L D A R M A Born 1987, lives and work in Singapore EDUCATION HISTORY Class of 2012 LASALLE College of the Arts Fine Arts Attained Bachelor of Arts (Honors) in Fine Arts EXHIBITIONS HISTORY INDIVIDUAL 2017 Monsoon Song, Yeo Workshop, Singapore 2015 MOYANG, flaneur gallery, Singapore GROUP 2017 Beyond… boundless oceans and vast seas, islands.peninsula Fantasy Islands, Objectifs Ubi, Ubi! UbiStudio 2016 SEMANGAT X/Contemporary Expressions of Southeast Asia Spirit, Galeri Petronas Singapore Biennale 2016: An Atlas of Mirrors, Singapore Art Museum SCOUT Singapore: Emerging Art Practices, Gillman Barracks 2015 SEMANGAT: Art of ASEAN, Bank Negara Malaysia Museum and Art Gallery, Kuala Lumpur, MY Portraits in Verses, Fred Torres Gallery, New York, USA (in collaboration with Galerie Steph) Coming Home, Bedok Reservoir, Singapore 2014 Cam Biasa, ArtOne 21, Singapore FRAGMENTS, TAKSU, Singapore An Eminent Takeover, Eminent Plaza, Singapore SENI MINI, Mi Casa Su Casa, Singapore 2013 GLIMPSE, BUNC@Radius, Singapore Treehugger, FOXRIVER, Singapore MICASA SUCASA, Mi Casa Su Casa, Singapore A National Conversation: blah! Institute of Contemporary Arts Singapore D U S T B U N N I E S, Société General Gallery, Alliance Française de Singapour 2012 The Kids Aren’t Alright, Almanic Clinic, Blue House Artist Village, Singapore Painting 12B, Brunswick Street Gallery, Melbourne, Australia OCCUPIED ART (Lit Up ’12), Telok Ayer Performing Arts Center, Singapore Paradox-ity: City of Contrast, World Expo ’12, SG Pavilion, Yeosu, South Korea L A S A L L E S H O W ’12, Institute of Contemporary Arts Singapore 2011 D A I X Y G A L A S Y, INSTINC, Singapore The City Limits (Lit Up ’11), Goodman Arts Center Art Gallery, Singapore Minimart ’11, The Substation, Singapore 2009 W H I T E W A S H E D II: grRR! Dbl O Art Space, Singapore Journey through our eyes, Art House, Singapore Sour Jokes, Société General Gallery, Alliance Française de Singapour 2008 BE(long)ING, Mint Museum of Toys, Singapore Insert Title, The Art Studio, Old School at Mt.
    [Show full text]
  • Exhibition Guide
    ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter.
    [Show full text]
  • Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
    Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How
    [Show full text]
  • Lasalle Programme Guide Post Graduate Get
    GET YOUR CREATIVE JUICES FLOWING LASALLE It all begins in your mind – with your ideas and creativity shaping the PROGRAMME future of arts & design. But it’s at LASALLE College of the Arts where GUIDE inspiration truly finds its start and talent is nurtured, in an environment POST that’s designed to let your creativity flow freely. Our progressive GRADUATE approach to independent thinking, integrated arts campus and global Singapore 2012 2 community are just the right mix for those who prefer to think outside LASALLE 2009/2010 4 About Us 6 the box. Imagine the collaborative possibilities with students from over Integrated Arts Environment 8 Alumni 10 LASALLE40 countries across 8 disciplines in one building. With a unique learning Academic Framework 12 philosophy, mentorship by arts practitioners, and awards validated by PROGRAMMES Art Therapy 16 UK’s Open University, a LASALLE education is the beginning of your Arts & Cultural Management 22 Design 30 future in the creative industries in Singapore and beyond. Fine Arts 36 New Art History Programme 40 ADMISSIONS How to Apply 44 Tuition Fees 45 Scholarships 45 Financial Assistance 46 Accommodation & 46 Immigration Matters for POST International Students GRADUATE PROGRAMME GET YOUR CREATIVE JUICES FLOWING LASALLE It all begins in your mind – with your ideas and creativity shaping the future PROGRAMME of arts & design. But it’s at LASALLE College of the Arts where inspiration GUIDE truly finds its start and talent is nurtured, in an environment that’s designed POST to let your creativity flow freely. Our progressive approach to independent GRADUATE thinking, integrated arts campus and global community are just the right Singapore 2012 2 mix for those who prefer to think outside the box.
    [Show full text]
  • Contemporary Asian Art and Exhibitions Connectivities and World-Making
    Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern .
    [Show full text]
  • Nhb13093018.Pdf
    Annual Report 2012/2013 CONTENTS 2 Highlights for FY2012 14 Board Members 16 Corporate Information 17 Organisational Structure 18 Corporate Governance 20 Grants & Capability Development 24 Giving 32 Donations & Acquisitions 38 Publications FY2012 was an exciting year of new developments. On 1 November 2012, we came under a new ministry – the Ministry of Culture, Community and Youth. Under the new ministry, we aspire 40 Financial Statements to deepen our conversations and engagements with various sectors. We will continue to nurture Statement by Board Members an appreciation for Singapore’s diverse and multicultural heritage and provide platforms for Independent Auditors’ Report community involvement. Financials A new family member, the Language Council joined the NHB family and we warmly welcome Notes to Financial Statements them. Language is closely linked to one’s heritage and the work that the LCS does will allow NHB to be more synergistic in our heritage offerings for Singaporeans. In FY2012, we launched several new initiatives. Of particular significance was the launch of Our Museum @ Taman Jurong – the first community museum in Singapore’s heartlands. The Malay Heritage Centre was re-opened with a renewed focus on Kampong Gelam, and the contributions of the local Malay community. The Asian Civilisations Museum also announced a new extension, which will allow for more of our National Collection to be displayed. Community engagement remained a priority as we stepped up our efforts to engage Singaporeans from all walks of life – heritage enthusiasts, corporations, interest groups, volunteer guides, patrons and many more, joined us in furthering the heritage cause. Their stories and memories were shared and incorporated into a wide range of offerings including community exhibitions and events, heritage trails, merchandise and e-books.
    [Show full text]
  • Contemporary Asian Art and Exhibitions Connectivities and World-Making
    Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern .
    [Show full text]
  • Of 19 FACTSHEET NIGHT FESTIVAL 2012 Back for Its Fifth Instalment
    FACTSHEET NIGHT FESTIVAL 2012 Back for its fifth instalment since 2008, Night Festival 2012 returns with a bang promising a nocturnal extravaganza of spectacular aerial performances, music, and dance and artworks. Held over two weekends on 24th & 25th August and 31st August & 1st September, Night Festival 2012 showcases the buzz and vibrancy in the Bras Basah.Bugis Arts and Heritage Precinct. The entire area will be transformed into a carnival ground with main events taking place on the public green spaces of SMU, National Museum of Singapore, Singapore Art Museum, The Peranakan Museum, The Substation, and more. Night Festival 2012 is bigger than ever as the entire Bras Basah.Bugis community comes together to make the festival a success. Stretching from Cathay building to Armenian Street, this year sees a record number of partners in the area actively involved in the Festival itself, such as The Cathay, Timbre, Switch, Vanguard Building, CHIJMES, LOOF, Select Books and SOTA. Providing a platform for the best of our local talents to perform and collaborate with foreign acts, Night Festival promises a lively exchange of skills, culture and talent for the performers as well as the audience. With the rich line-up of programmes, Singaporeans will be able to come together to celebrate and create new shared memories through meaningful and engaging experiences at the festival this year. As part of Night Festival, the National Museum of Singapore, Singapore Art Museum, and The Peranakan Museum will also be open till 2.00am. Page 1 of 19 NIGHT FESTIVAL 2012 INFORMATION Date: Fri 24 Aug & Sat 25 Aug 2012 Fri 31 Aug & Sat 1 Sep 2012 Time: 7.00pm – 2.00am Venue: Bras Basah.Bugis Precinct Admission: Free Admission Road Closure at Armenian Street For the first time, Armenian Street will be closed on the second festival weekend, 31 August and 1 September from 8.00pm to 2.00am due to strong support from partners who have planned programmes for the public along the street.
    [Show full text]
  • Keith Haring - the Journey of a Steve Chua Graffiti Artist 38 Information the Legend of Lichtenstein 44 out in the Streets
    ISSUE 16 | FEB 2011 FEBRUARY 2011 / 1 Yisulang-Confabu Mar 2011 1/15/11 9:37 AM Page 1 C M Y CM MY CY CMY K 2 / THE POCKET ARTS GUIDE Composite C M Y CM MY CY CMY K FEBRUARY 2011 / 3 CONTENTS 12 34 17 13 C M Y 24 26 44 CM MY 12 COMING UP 17 SPOTLIGHT 50 INTERVIEW CY LAND-TA-MORPHOSIS — Artist in Focus - Farhad Hussain An Interview — What the CMY Second of the Trilogy: Castle :Phunk? Beyond a Mountain 12 K Dorit Feldman: A Solo Exhibition by Art Facet Glimpses: A Solo Exhibition by 26 COVER STORY 61 SINGAPORE BenCab ART MAP The Window Project 13 Pop! Back into the Future with Burton Morris Will Siber: Sculpture, Wall Object & Painting Solo Exhibition By Seah Kang Chui 不变 50 年 Unchanged For 50 64 DIRECTORIES Years 14 34 FEATURES Singapore Art Galleries Other Listings ‘No si hijomiono’o jabesi soré Gurerro Habulan – jajivo’ The Warrior of pop! 34 Tourist Spots Malaysia Art Guide Limelight Blossoms by Keith Haring - The Journey of a Steve Chua Graffiti artist 38 InFORMATION The Legend of Lichtenstein 44 Out in the Streets 4 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 5 CONTENTS SPOTLIGHT INTERVIEW SINGAPORE ART MAP 6 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 7 Issue #16 (February 2011) ISSN 1793-9739 / MICA (P) 252/09/2010 www.thepocketartsguide.com On the Cover Burton Morris Poparazzi Acrylic on canvas 91.4 x 91.4cm Editor-in-Chief Remo Notarianni / [email protected] Guest Editor Saskia Joosse / [email protected] Art Director Amalina MN / [email protected] Contributors Bharti Lalwani Advertising Sales [email protected] General enquiries and feedback [email protected] Submission of press releases [email protected] THE POCKET ARTS GUIDE PTE LTD (TPAG) 215 Henderson Road, #03-03, Henderson Industrial Park Singapore 048545 For advertising enquiries, please email [email protected].
    [Show full text]